Steve Harrington Headcanon Dump Time :) (This One Is Kinda Sad)

Adrino Dad Headcanons

So, let’s talk about Adrino as dads for a minute. We were chatting about Adrien as a dad and @chassecroise​ who encouraged this whole idea in the first place and @ladriened​ collaborated with me on these ideas.

Adrien being excited about the idea when Alya and Marinette have a child of their own, spending days researching it and coming up with the best path to parenthood.

Up until the instant he realizes he has to tell his dad and that means, oh right, Adrien’s going to be a dad and he can never be the sort of dad his dad was. Panic starts up because, even though he loves kids, what if he does the same things his dad did?

Nino steps in at this point, being the calm one to assure him he won’t be like his dad and he’ll care for his kid and won’t leave the baby to a sitter while he works.

That being said, you know he would have Nathalie and the Gorilla involved in that kid’s life.

So, imagine Chat Noir reading baby books during lulls in patrols and he and Ladybug talking about preparing for kids, swapping tips about baby proofing.

Nino following baby blogs and already picking out playlists for the baby.

Marinette designing baby clothes and toys for both of their kids.

Alya and Marinette are absolutely the godparents for their kid. Adrien and Nino are the godparents for theirs.

Adrien and Nino have a black cat themed nursery and at least three ladybug toys.

Adrien commissions Marinette to make a black cat toy with plush headphones, and it is absolutely the kid’s favorite toy. It never leaves the baby’s side.

Adrien being just short of a helicopter parent at times. Panicking when the baby wakes up in the middle of the night, and Nino has to calm him down. “It’s okay, it’s probably just a wet diaper. Go back to sleep. You have work tomorrow. I’ll take care of it.”

Buying a nice keyboard to keep in the kid’s room so Adrien can play lullabies and lull the baby to sleep, because bless that boy but he shouldn’t sing the kid to sleep.

Plagg sneaking the baby Camembert because “Come on, it’s the best food around. You’ve gotta teach the kid taste early on.”

Nino learning all his family’s recipes and feeding his kid all the best Moroccan food, trying to get Plagg to try some, too, because honestly only Camembert?

Alya and Marinette’s baby being Adrien and Nino’s baby’s best friend. Play dates while Ladybug and Chat Noir are patrolling or when one of the couples needs a night alone.

Hiring Nathalie as a babysitter, and she goes above and beyond. She’s invited to every birthday party.

The Gorilla is the kid’s favorite, because he is a human jungle gym and infinitely patient and tolerant.

Alya using her connections to rent out the entire zoo for the kids to explore.

Alya also taking out an entire page in the newspaper to announce Adrien and Nino’s kid (barely stopping herself from getting an actual billboard).

Adrien and Nino collaborating to write songs for the baby. The baby gets an annual themed song for every birthday. (They’ll make a playlist for graduation and they’ll cry for days over it.)

If Gabriel is a part of the baby’s life, which I like to imagine he would, he’d send over designer baby clothes and buy outlandishly expensive gifts. Most of them would be to keep the baby safe. You know he’d hire someone to check Adrien and Nino’s home to be sure it’s up to snuff with babyproofing.

Please feel free to add on! I just wanted to post some of this. And if anyone wants to write a fic based on any of this, feel free (just please, please tag me, because I want to read it!!)

steve’s house in the show vs. steve’s house in my head

Musical prodigy Steve, who is way too casual about this gift. He plays seven instruments and could read sheet music before he could spell his own name, and literally never mentions it.

He has perfect pitch and can perfectly replicate a song he’s heard once on the radio. If you gave him an instrument he’s never played before and an hour, he’d made something beautiful out of it. And no one knows.

Well, some people know.

His mom still signs him up for recitals and performances out of state, but Steve never talks about it. He just says he has something to do with him mom that weekend, and then goes to preform in a concert hall in front of hundreds of people.

Honestly, Steve kinda assumed everybody was like that.

His parents never made it seem like it was a big deal. Hell, he doesn’t even consider that he could go to college for music (not that his dad would ever allow it). It’s basically a hobby.

It’s only after concussion number two when he’s sitting in English class listening to Eddie Munson complaining for a week straight about how he has an ‘epic vision’ for a ‘new song’ but it’ll never come to fruition because he’d need a full string orchestra.

And then another week listening to him hum the melody of the song.

And then a couple more days with the studio equipment that his parents got him for Christmas that Steve starts to think that maybe this ability isn’t all that common.

Eddie - still complaining - just stares at him with shock and confusion when Steve sits a cassette down in front of him and tells him to, “Stop talking.”

Honestly, that should be it, right? Steve has spent more effort making mix tapes than that cassette and those were barely a blip in the week so…

So, why is Eddie Munson confronting him at his locker the next morning? Eddie’s hands are all over the place like, “Did you really find and pay an entire orchestra to play my music just so I’d be quiet?”

“No,” Steve says slowly because that’s insane. “I played your music so you’d be quiet… it clearly didn’t work.”

“You can play…”

“Yeah?”

Eddie just stares at him like he’s something worth staring at and then asks seriously, “Do you want to be in my band?”

Why do I only picture him in bug-goggles?

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Things I Would Change About PJO

(I might write a fanfic based on these points):

The whole Hunters-Of-Artemis thing. Like what do you mean Artemis hates all men. What about Orion and all the rest. What do you mean she hates Apollo. She loves him so much. Stop already. That whole thing was just erroneous interpretation of Greek Mythology and it felt really weird and toxic.

Annabeth and Percy's trauma bond. Annabeth is pretty toxic in a relationship, especially in the HoO books when she and Percy get together. Love their relationship as a concept but the way Rick writes it is just... not it. To show Annabeth as a "strong woman" he continuously makes her put Percy down - and not only in COTG and WOTTG. She literally judo-flips him when they met after that long traumatic period where Percy was suffering from amnesia and being killed so many times. I would love to see more of their dynamic as friends and make it a longer, healthier, equal-footed relationship.

Thalia Grace joining the Hunters and never leaving. What the hell. She only joined to escape the Great Prophecy 1. She can leave right after the Battle of Manhattan and take Percy's place in Great Prophecy 2.

Bianca being alive, only "lost" (never specified dead!). It's a pretty big plot-point for Nico and I think it would probably have a bigger impact on him to lose his only care-giver and watch her come back into his life after he's grieving greatly and he's in the process of learning how to live life without her. It would truly change up their entire systems and I would love to see Nico and Bianca coming to a point where they realize it's time to live their own lives. ALSO STOP TREATING BIANCA LIKE A PLOT-DEVICE FOR NICO. COME ON. DO BETTER.

Make Nico better. In general. The character has so much potential but is just reduced to "sunshine character's grumpy emo goth boyfriend" or "kid whose type is NOT PERCY HAHAHAHA SO FUNNY". Give him some more development.

LUKE WAS A GROOMER AND ACTIVELY ENGAGED IN HUMAN TRAFFICKING. WHAT DO YOU MEAN YOU JUST FORGIVE HIM AND NOT OCTAVIAN, WHO WAS LITERALLY BULLIED AND MANIPULATED INTO DOING THE SHIT HE DID. If you want to hate Luke, hate Octavian too. If you want to forgive him, forgive Octavian too. Stop hating complex characters.

CALEO. OH MY GOD CALEO. LIKE ACTUALLY DIE. THAT IS SO HORRIBLE.

Piper does not need to be gay.

Jason does not need to die.

WHAT DO YOU MEAN GROVER DID NOT USE HIS EMPATHY LINK TO SEARCH FOR PERCY IN TARTARUS. SMH.

Percy should NOT have become Praetor.

Reyna should not be aro/ace or she's just horrible representation of both those things. STOP PUTTING EVERY ARO/ACE CHARACTER IN THE HUNTERS OF ARTEMIS.

Why would Nico search for Bianca and bring Hazel back? That thing makes no sense. His whole arc in TLO was to accept the loss of his sister. Instead, bring out Ethan Nakamura who is still angry and jealous and wants to bring balance to the world. He comes out on his own, BTW.

The whole "Wilderness school" plotline thing. OF COURSE monsters would come for Pipes and Leo. They're really damn powerful and really damn young. What the hell do you mean by they never knew anything till Jason? smh.

SOLANGELO. CAN'T BELIEVE I'M SAYING THIS BUT IT'S OUT THERE. Will is just a blank character to show that Nico's gay and prove he's over Percy (STOP WITH THE "NOT MY TYPE" JOKES OH MY GOD GET OVER IT ALREADY WHAT IS WRONG WITH YOU). If you're doing this, at least give me a good, long slow-burn. Or don't show it at all. Nico decides to live in normal life after being shunned and confused all his life in the magical world. Now he finds a mortal boyfriend and is actually thriving. His character is so beautiful like stop ruining him and using him as a goddamn plot-device all the time. Ugh.

CHANGE NICO'S COMING OUT SCENE! LITERALLY WHAT THE HELL WAS THAT.

Jason and Piper breaking up was such a good plot point because not everyone falls in love but you need to make it heart-wrenching. Jason doesn't know what's going on. He's just dating Piper because that's what he's being told, that's what he did his whole life. MAKE IT HAPPEN IN HOO.

NO FRAZEL AND LEO LOVE TRIANGLE. ALSO JUST NO FRAZEL IN GENERAL. STOP WITH THE FRAZEL. THAT'S SO UNHEALTHY.

MAKE LEO ARO/ACE GODDAMN. He has so much potential. Like he always feels loveless? Like a failure? Feels a need to have a partner to prove his worth? DIE. MAKE HIM ARO/ACE. MAKE HIM DEAL WITH ALL THAT.

Actually valgrace is a pretty good plot point as well. valdangelo as well.

WHY AREN'T THERE ANY POLY SHIPS IN PJO? SMH. SERIOUSLY. SO MUCH POTENTIAL.

Don't kill me but... perachel is pretty good. I've written a small post about it here.

Welp this is officially too long. Anyway. I wanted to add more but this has been sitting in my drafts and collecting dust a long time so here you go.

Hopper accidentally becomes the biggest ally in Hawkins out of hatred for Mike Wheeler. El wants to date Max? Perfect, Mike is terrified of Max. El wants to date Max and Lucas? Even better, more people to keep Mike away. Will comes out to Joyce and Hop? Hopper is immediately studying up on gay culture and flagging so he can find him a Hop ApprovedTM boyfriend. He sees that nice boy Gareth cuff his jeans one time and starts inviting him to family dinner. Mike seems annoyed that Steve is spending more time with Munson? A pamphlet titled “Accepting your Bisexuality” finds its way into Steve’s jacket pocket. Hopper has never seen Mike as furious as the day Steve and Munson arrive at dinner holding hands. It’s a good day. Hopper isn’t sure how Nancy dating the Buckley girl will annoy Mike, but he’s willing to give it a shot.

Steve can do the cherry stem trick, because of course he can. Of course he can

He spent a stupid amount of time when he was younger trying to learn how to do it; ate a ridiculous number of cherries and just sort of started sticking them stem and all into his mouth, eating the cherry, and then working on the stem. He has 100% forgotten it’s not just a thing people do, so now that’s just kind of how he eats them - puts the whole thing in his mouth, eats the cherry, and ties a knot in the stem the same way someone might fiddle with a twist tie

The first time Eddie sees him do this, he sees Steve stick the fruit in his mouth without removing the stem and just start chewing and it’s like

Eddie: Did you just eat the… Steve, absently pulling a knotted cherry stem out of his mouth: Sorry, what? Eddie: Eddie: How are you even a real person

He spends the next three to five business days trying to get the thought out of his head. He’s absolutely disgusted with himself; it’s such a stereotypical flirting trick, it’s such a move, but for some reason it’s fucking working on him

(Robin has lowkey been waiting for Eddie to find out about this. She saw Steve do it multiple times with the maraschino cherries when they worked at Scoops and thought he was flirting with her at first before she realized he just… Does That. Like a weirdo.)

adrien agreste & the body language of abuse

anybody who has seen even only one episode of miraculous ladybug can perfectly describe who chat noir is - he's brazen, he's fun, he's witty, he's flamboyant and overdramatic. he's the kind of hero who will preen confidently, give you a captivating wink and then he's off to save the world. but he's not chat noir all the time, or even half the time. most of the time, chat noir is adrien agreste - a quiet and exceedingly polite kid, who is likely to fade into the background despite his supermodel status. and sure, he knows how to be graceful and how to exude charisma, and he's still capable of being a drama queen (like slouching down a wall from being lovestruck).

but this post isn't about that.

because adrien is gabriel agreste's son all the time - a cold, careless, intimidating man, who will raise his voice to force others into submission, and who is depicted almost always with clenched fists.

what i've tried to do here is outline through images how gabriel's abuse has altered and influenced adrien's body language. because of tumblr's image limits (and the limits of my own patience), i have definitely missed some scenes, but i believe that i've managed to present with commentary the most important parts.

warning: image-heavy post.

chat noir is larger than life. adrien agreste tries to make himself as small as possible.

one of the biggest visual cues that the show gives us about adrien is that he has the tendency to wrap his arms around himself as a way of protection, whether because he's afraid of being vulnerable in front of others, or because he's self-soothing. he will do that even when there are other people around him that are offering comfort. adrien avoids bothering others with his feelings as much as possible, and putting his arms around his front serves as a replacement for the tender and warm touch he craves. he can also slouch, or put his knees up while sitting, creating a cocoon of sorts to feel safe. we also see him standing with his arms crossed in the rare times he tries to confront someone (his father or ladybug usually). whether he's sad, angry, guilty, disappointed, adrien will try to retreat to safety by forming a shield, so to speak.

there is an indisputable link between body and mind when it comes to trauma. adrien tries to not take much space not only with his physical presence, but by also almost never speaking up in class (unless to defend marinette), trying to be concise when communicating, and rarely making jokes. he's extremely reserved.

one of the scenes between gabriel and adrien that solidifies that adrien is terrified of his father happens in the first episode of season 2, when gabriel forbids adrien from attending school as a punishment for stealing and losing the grimoire. notice how gabriel is speaking with his back turned to his son, insinuating that adrien is not even worthy of being looked in the eyes. at one point he clenches his fist, as if to threaten his son. adrien is sitting on his computer chair with his hands in his lap, only lifting them defensively when he tries to explain himself. gabriel stands directly in front of him, as if shadowing adrien with his anger and contempt.

let's take a look at another episode - 'captain hardrock', in which gabriel and nathalie are listening to adrien play a piano piece. the screenshots in the upper half are from a moment when adrien hits a wrong note - notice the sheer fear and panic in his expression. he is immediately stopped, reprimanded for making a mistake, accused of being irresponsible and influenced by his rock band friends, and he's forbidden from attending his friends' concert. what's interesting about this moment isn't how he once again tries to make himself scarce physically - it's the terrified glance he gives his father when he plays the wrong key. you can just tell that adrien has internalized his father's reproaches and that his disapproving voice lives in his head, even when gabriel isn't there.

and can anyone judge him? take a look at these two screencaptures from 'stormy weather 2'. what happened is that adrien walked into his father's office, bright and enthusiastic, eager to tell him about the interesting idea behind his last photoshoot, and not only did he dare to interrupt gabriel's villainy, but he also accidentally called him 'dad' instead of 'father', as gabriel demands. a dirty look over the shoulder, two clenched fists, and adrien immediately apologizes and retreats.

adrien lives life on the defense. he has a naturally delicate and sensitive personality, which earns only eye rolls and accusations of put-on dramatism (there is also something to be said about how gabriel and adrien's relationship neatly corresponds to male and female gender roles, but that's yet another meta for another day).

notice the scene with ladybug in the image above - a rare time where adrien's trauma body language has bled into chat noir. he's insecure because 'nobody tells [him] how awesome [he] is', and he refuses to look ladybug or alix in the eyes while saying it. adrien is uncomfortable with looking at people during his most vulnerable moments.

'glaciator' is one of the episodes that can serve like a crash course on the way adrien carries himself under stress, this time because he's disappointed and heartbroken that the girl he loves didn't come to his surprise.

when around his father, if there's somebody else around he feels close to, adrien might lean on that other person, in order to feel stronger and braver.

now. not to be a conspiracy theorist about a cartoon or something, but. as miraculous is told from marinette's pov, we don't have a lot of episodes that focus on the agrestes, so we, the audience, often rely on guesswork and speculation. what was the relationship between emilie and gabriel? what was emilie really like? is she really as good as adrien claims, if he was strictly isolated the entire time she was alive? i do think that adrien's life has been mostly unexplored in canon (so far), and that includes his relationship with gabriel. i want to make it as clear as possible - adrien is brave to the point of stupidity, and not just as chat noir. let's not forget that he jumped from the top of a skyscraper, lead only by his faith that ladybug will save him, who, by the way, was busy being captured by gorizilla and screaming for help herself. if that's not crazy, i don't know what is.

adrien is afraid of his father. you don't get a child that so obviously displays trauma symptoms with a few cruel jabs. i very, very strongly feel that we haven't even seen the tip of the iceberg when it comes to gabriel's abuse. look at the screencaptures above from the episode 'simon says'. adrien is familiar with his father's insults, very much so. who else remembers how his father was nowhere to be found when he won a fencing tournament in 'chat blanc', but the day his technique is slipping, his father is waiting at the top of the stairs of the agreste mansion, ready to reprimand adrien? and speaking of 'chat blanc'...

these two moments might be the saddest. we don't know yet if adrien knows the true identity of hawk moth in 'ephemeral'. i'm leaning towards yes, because adrien is so courageous that he had no problems fighting what he assumed to be the real hawk moth with an umbrella in 'the puppeteer 2'.

in both situations, he's being cornered. adrien's moving slowly (hell, he's crawling in 'chat blanc), his face frozen in a mask of pure fear. look at adrien in 'chat blanc' - a boy who has the power to destroy everything he touches is now trying to surrender and is begging with one palm in the air. in both cases, right before getting akumatized by his father, adrien displays the trauma stress response known as 'freeze', instead of 'fight' or 'flight'. he's immobile and passive. a classic adrien line is 'i can't stand by and do nothing!', and yet here he is, thoughts completely shut off, unable to plan a way to get to safety or fight for his self-preservation.

ladybug has said that chat noir is braver than her. he is reckless, for sure. but when it comes to gabriel, adrien retreats to an almost womb-like state physically, instead of the openness and 'world is my oyster' attitude he displays as chat noir. he mistakenly believes that the less space he takes, the less he is heard and seen, and the less he asserts himself as someone with wants and needs, the less angry and disappointed will gabriel be. and that is adrien's biggest mental fallacy, since we're talking about the man who will readily make adrien suffer, only because adrien is getting into his way.