THIS BIT. THIS BIT THO. Because Remember, This Is From BEFORE Harry Even Lands On His "Malfoy Is A Death

So, I know how much everybody loves pretend-dating/pretend-marriage fics, but have you considered ‘pretend NOT to be dating/married’ AUs?

For example:

My friend is so determined to fix me up with somebody better than my string of casual coffee date/hookup partners that I didn’t have the heart to tell her, after she set us up for a blind date, that I actually met you six months ago

We’re both professors in the same department and it enhances your reputation with the students as a mysterious enigma and my reputation as a stone-cold terror if we pretend to hate each other, plus when we back each other up in departmental meetings everybody’s so surprised they give in right away

My parents thought I was working for an insurance company in New York when really I was joining the CIA so I just sort of never mentioned when I met you on an assassination-gone-wrong and now we’ve been married for five years and they still don’t know you exist, this has gotten wildly out of hand and you won’t stop laughing about it

All your coworkers know you’re married to a cop but now I’m undercover investigating a string of bank heists and it turns out that your only friend at your shitty new job is dating the head bank robber.

We’ve been communicating entirely by email/phone/carrier pigeon/paid messenger for the past year as we work to bring some peace and order to this troubled land, so when I walked into the negotiation room to sit down with the fearsome and terrible politician/businessperson/famed warrior that all my people are so afraid of, I didn’t really expect it to be you.

I didn’t think my parents could accept me dating somebody of your gender/race/religion/species, so we’ve been keeping it quiet, but now my mom can’t stop talking about her friend’s next-door neighbor and how perfect they’d be for me and you’ve got some nosy neighbor trying to set you up with their coworker’s kid and how do we tell them we’re engaged without making them think it’s because of their completely uninvited meddling?

You’ve got to pretend-date your best friend for a couple of weeks because reasons, and somehow that means we’re passing ourselves off as siblings to explain why we live together but we’ve started giving each other really filthy pre-sex looks behind everyone’s back like a game of chicken and pretty soon somebody is going to start to have serious concerns about our siblinghood.

Pretending-not-to-be-dating AUs: add yours today!

We've reached it! The taking of the Hawthorne wand. One of the best moments in the book. And also one of the darryest.

Harry doesn't disarm Draco with magic. He physically takes the wands from him. But Draco never even tries to shoot a spell at Harry which he could easily have done since he's literally holding the wands while Harry is trying to pull them out of his grip. I think in that moment Draco doesn't lose; he surrenders.

At first he puts up a fight because it's his instinct and he because he knows that it's what he's supposed to do and because Voldemort's punishment for letting Harry escape will be so awful and Draco's so, so scared of what will happen to him and to his family. So he tries to fight back but he just can't. He can't hurt Harry. He can't be the one to stop him from escaping.

Because he loves him. Yes Draco wants Voldemort to fail. But I think that alone isn't enough to motivate him to risk so much and to offer so completely his loyalty and his power. It's love that makes him do it.

And so he gives in. He lets Harry take everything - lets him go, lets him escape, lets him take Draco's own wand. And that's why the wand feels so friendly. Not just because Harry won it. Not just because since Draco and Harry are so compatible, Draco's wand is compatible with Harry. (Though there's some hella drarry implications there already). But ALSO because Draco WANTED Harry to have the wand and felt loyalty for him and cared for him. And so the wand reflected that.

Also I'd like to note that at no point does Draco try to grab the wands back while Harry is distracted attacking Greyback. And in turn Harry never attacks Draco once he's got the wand.

And maybe Draco regrets what he did as he suffers Voldemort's wrath and thinks he and his whole family are going to die in agony and curses his own weakness. But it's done. And somewhere inside he's probably glad of that - glad that he can't go back on his decision now.

lmao love how in the fiendfyre scene Ron is so desperately trying to convince Harry to not die for Draco and Harry is not having it.

Ron just like 'oh no. not his Malfoy thing. not NOW. I hate my life.'

What even is this bit lol?

Harry: I hate when my friends are in danger.

Harry when Draco's in trouble: ... but it's a risk we have to take.

The fact that this is canon is WILD.

Harry: *a full paragraph of thoughts about Draco*

Ron: *practically in tears* Please. Now is not the time. Can you at least introspect about him when were are not LITERALLY IN A ROOM THAT IS ON FIRE?! PLEASE????

Harry: Where's Draco? Burning to death is such a terrible way to go. I can't bear it. I must find him.

Ron: Remember me and Hermione? Your best friends in the whole world? WHO ARE CURRENTLY ALSO ABOUT TO BURN TO DEATH IF YOU DON'T LEAVE?!?!

And then he finds Draco holding Goyle who's unconscious and he just tries to grab Draco and ignores Goyle. Even though it would make sense to help the unconscious person first. Goyle probably only lives because Draco won't let go of him so finally Ron and Hermione come and get him so that Draco can get on Harry's broom.

Ron & Hermione must be so Done by that point.

When Harry witnesses Draco being forced to torture Rowle, he is extremely upset. Much more so than he typically is about these visions. There are a lot of very drarry implications. Let's break it down.

"Malfoy’s gaunt, petrified face seemed branded on the inside of his eyes. Harry felt sickened by what he had seen, by the use to which Draco was now being put by Voldemort.”

Notable points from this passage:

1) Harry understands Draco so well that he immediately takes for granted that he doesn't want to be using the Cruciatus curse. It never even crosses his mind to take this as evidence that Draco is now a willing torturer who enjoys cruelty or that he deserves to be in this situation for having chosen the wrong side and for his role in Dumbledore's death.

Nor does Harry think Draco is just scared and upset because he's afraid Voldemort might lash out at him too - which is what Harry would think if he saw any other Death Eater acting afraid around Voldemort. He clearly sees that Draco is horrified by the acts he is being forced to commit. And he also completely accepts that it is Voldemort forcing Draco to commit these acts, thus absolving Draco of responsibility.

2) Harry is DEEPLY upset by seeing Draco in this position. More upset than he ever is about seeing any other Death Eater being terrorized or hurt by Voldemort (Harry doesn't even spare one thought for Rowle for example!) Not only that. He's also more upset than he is about seeing Ollivander tortured. Or about seeing Voldemort murder a woman and her children later on while searching for information about Gregorovitch. He finds those visions alarming but he shakes them off pretty quickly.

The only comparable strong reactions are how he responds to his visions of Arthur Weasley and Sirius in book 5 - i.e. visions of people he knows and cares about in danger and suffering. And it's not even the scene as a whole that upsets him. It's specifically Draco - whose frightened face seems "branded" on the inside of Harry's eyes. Harry can't get the vision out of his head, feels sickened, and fights to keep his voice casual afterward. Even though Draco wasn't even actively being hurt.

So canonically Draco matters to Harry in a way that almost all other people don't. It's not generic nobility that gives Harry sympathy even for an enemy - because he doesn't feel this way about other Death Eaters. And it's not general pity that Harry would feel for any innocent hurt by Voldemort - because he doesn't feel that way about victims like Ollivander or the children Voldemort killed. It's the type of reaction Harry ONLY has to people he deeply cares about suffering or being in danger. Harry may not think of it that way on an intellectual level. But his heart knows it even if his brain doesn't. He cares about Draco Malfoy. A lot. He cares about him more than he cares about almost anyone else.

3) Also notable. Harry starts out referring to him as Malfoy but then switches to thinking of him as Draco as he starts worrying about him. (Yes. The drarry trope of Harry switching from "Malfoy" to "Draco" literally happens. IN CANON.) And he keeps thinking of him as Draco after that point. The next time Draco is referred to is during the whole sequence where the Golden Trio are prisoners at the Manor. Harry refers to Lucius by his full name multiple times, but consistently refers to Draco as "Draco" rather than "Malfoy" in his internal narration.

4) (Also the fact that Draco's face is described as "gaunt" hits me right in the feels. It seems that he's in worse shape even than he was when Harry last saw him at the end of 6th year. Sad but not surprising given the guilt that is probably eating at him over his role in Dumbledore's death, what he is now being forced to do as a Death Eater, and the very tangible dangers and suffering that come with being out of favor with Voldemort while having him in your house.)

Tldr: I don't need my ships to be canon but drarry is. jkr who? ;)

A Justification of Drarry

Here’s a fairly extensive compilation of Drarry ‘evidence’ (it got kind of lengthy so the rest is below the cut) <3

Keep reading

Hi, I hope you're well.

I'm asking this for my friend who recently started watching bl. Can you recommend some enemies-to-lovers bl? Other than Bad Buddy

Gosh there are so many enemies to lovers. I thought I had a post for this but I guess not.

I’m tempted to draw a distinction between enemies to lovers and one sided crush with a massive tsundere character. So, for example, We Best Love is not strictly enemies to lovers, because only one of them thinks they're enemies, but Semantic Error is, because mostly they both are in it to fight. But I’m lazy, so I’m just gonna pick the top 10 off my spreadsheet labeled E2L and call it a day. Presumably, you can decide on the quality of your own enemies to lovers desires? 

Top 10 Enemies to Lovers BLs! 

1. Semantic Error (Korea - Viki) 

Korea hits it entirely out of the Park by doing a university set BL with everything we might expect done exactly right, their signature quality executed perfectly, and added bonus good story, great pacing, and fantastic chemistry. You cannot ask for more from a BL, let alone a KBL. 

2. We Best Love (Taiwan - grey) 

They enemies, but really only one of them cares because he such a tsundere fucker. (We love him for it.) WBL successfully managed to pick up and combine the best features of Korean, Thai, and Japanese BL as it exists right now. Couple that to the insane chemistry from the leads, and we have one of the greatest BLs of all time, cooking to a recipe I doubt anyone else will ever be able to replicate since only Taiwan is this flexible. (I consider WBL 2 parts as one whole.) 

3. Bad Buddy (Thailand - YouTube)

GMMTV’s flagship BL started 2022 on a BANG (okay no actual banging but you know what I mean), starring heavy hitters Ohm & Nanon in a pitch perfect university Romeo & Romeo masterpiece that will give you domesticity meets pain whiplash throughout and jet lag at the end. Great production values, killer acting, and some conscious effort to correct for half a decade of Thai BL’s anti-queer mistakes. It’s fantastic. 

4. Why R U? (Thailand - Viki) 

Technically both couples start out as enemies. It’s pretty clear Fighter is hella gay for Tutor and just can’t work his shit out, and that Saifah has a crush on Zon, but it takes them all a while to flirt their way into lovers. The story on this one is messy, but you can’t fault the chemistry, and is is the best high heat BL we’ve ever gotten from Thailand. (Trigger: hazing) 

5. SOTUS (Thailand - Netflix) 

Another one where the set up is enemies but the uke is just a massive tsundere who’s walls need to be scaled and shelled - as opposed to the standard practice of chipping away slowly. This is the BL that launched a hundred BLs. No literally, It was SOTUS’s international success that pretty much built the Thai BL industry into the juggernaut it is today. People have baggage around SOTUS, I have nostalgia. (Trigger: hazing) 

6. HIStory 3 Trapped (Taiwan - Viki) 

Basically the definition of enemies to lovers. This is a cop + the mafia man he is chasing but WAIT, they fall in love. Added bonus side couple: assassin and nerd cop ALSO falling in love. It’s great. All the leads are stellar. Its high heat, fun action, and a bit of a mystery drama but pretty about all of it. My only warning is that the main couple doesn’t entirely end up together, it’s implied, but... amorphous ending. 

7. My Day the series (The Philippines - grey) 

The set up on this one is enemies (also boss/employee) and they don’t like each other to start. But that gets resolved pretty quickly. And then they are some of the cutest, hottest, and best boyfriends ever. This is an under-appreciated BL, IMHO.  

8. My Sweet Dear (Korea - Viki) 

I liked this one a lot better than most. Strict professional rivals (chefs) in a very enemies to lovers BL - to the point where we mistrust the sincerity of the seme because he’s so very in it to win. I kinda like that, because kitchens are hotbeds of drama, and I like a seme with some sinister edge. But be warned, it means the whole romance comes off as a little disingenuous. 

9. You Are Ma Boy AKA EM LÀ CHÀNG TRAI CỦA ANH (Vietnam - YouTube) 

Another BL were the uke is just super tsundere and the seme kinda acts the part of an enemy in order to get what he wants (the uke). The leads in this drama crackle on screen together and I kinda adore them. Is there angst? Nope even what could have been angst (a gay idol) doesn’t materialize, it’s just cuties in a cafe confusing each other with cat & mouse games. No one has seen this BL, and you should really give it a try. 

10. My Engineer (Thailand - YouTube) 

The main couple is enemies to lovers. But no one watches this for the main couple. Still if that’s what you want these two do it. They are even linguistic enemies. I really only like them because their language use is so bonkers, but the cast is solid and there’s a lot to enjoy about this bit of multi-couple insanity. 

Some others to consider, not all of these might be strictly enemies to loves and some of them are not good, but they are all BL. 

Capture Lover (China - Viki) 

Mr. CEO is Falling in Love with Him (China - grey) = bromance-ish 

Because of You (Taiwan - Viki) - trigger: kidnapping 

TharnType (Thailand - Viki) - trigger: rape

Kiss Me Again the PeteKao cut (Tailand YouTube) - just messy 

It’s great but are they really enemies? 

Be Loved In House: I Do (Taiwan - Viki) 

Light On Me (Taiwan Viki) 

Addicted (China - Viki) - trigger: kidnapping 

Not Me also started as enemies to lovers, but it's airing right now, so I can't rec it since I don't do that until something is completed.

Codicil: List is updated as of Mar 2022. Subject to change as new BLs appear, my preferences evolve, or I get arbitrary and whimsical. 

(source) 

Miraculous s6 Trailers Breakdown

Before I get into it, if it calms anyone’s nerves, I think this poster is a case of questionable graphic design. The weird official render style makes the characters look different from normal, plus Chat, Carapace, and Rena are all squished to match Ladybug’s proportions on the poster. This is an interesting choice from the designer: making the smallest character in the group take up the entire height and corresponding width of the poster and then awkwardly smushing the others in next to her. That’s why Carapace looks more short and stout than usual, and why Chat and Rena are kinda elongated. It doesn’t help that they shrunk Rena to accommodate her fox ears.

I’m liking the little updates to the hero suits. I honestly wasn’t expecting to see change for anyone but Ladybug and Chat, so now I’m excited to see everyone else. I love the changes on Carapace. They took his old, pretty simple suit and added a lot of new textures like the chest plate and wrist guards, and they gave him fingerless gloves and neck speakers. This gives me hope that they’ll update other designs that get criticized for just being a bodysuit with a decal on it like Ryuko and Viperion’s into something more interesting.

Rena is very similar, but her ears are bigger and pointier, the flute has been redesigned, her palms are white now, she has big poppin’ eyeliner, and her tail seems to be dark. Some people noted that they seem to be making Alya’s skin look darker after accusations of whitewashing her, so I hope they’ll finally give Pegasus the same treatment.

I’ve seen people say LB and CN must’ve taken influence from their reverse selves for their current designs, and CN seems to have some PV nods like his new shirt collar. Ladybug’s design feels more mature and is probably a response to criticism of her looking too simple as a character with a fashion interest among other superheroes with more detailed designs.

I didn’t include the poster of Marinette’s outfit, but overall I like it. I agree with people saying the bow on her shirt feels extra, but I like her emonette jacket. Her tights under jorts remind me of Mylene’s outfit, making me wonder if there’s some character influence there, or if they’ll be changing Mylene’s clothes so they don’t look too similar.

First look at Alya! Yay! I love her new haircut. It reminds me of Haru from persona 5. She seems to be wearing the same shirt, which is lame. Maybe the rest of her outfit has changed, or maybe they’re not fixing what isn’t broke. It’s disappointing, though, that Adrien’s outfit looks the same. I can only dream that they’re leading up to a makeover scene where he realizes he’s allowed to pick out his own clothes now, but alas.

Here Adrien is jogging with a new character (?) who has a prosthetic leg. There’s no good look at their face and even this screenshot sucks. If this is the same scene as Marinette with binoculars, then we might be getting a rare moment of a new character being introduced through Adrien rather than Marinette, perhaps someone he knows from rich people stuff or whatever nebulous and dubiously canon sports he participates in.

This frame appears after a camera pan right from a modernized remodel of the school. Before, there were average city blocks around the school, so whatever this is might be part of an expanded campus built for Bustier’s utopian academy.

I think I’ve written in a post before that I hope ML does something to commemorate the Paris 2024 Olympics, so I’m thrilled to see an Olympian akuma in the trailer! Perhaps this character is a celebrity cameo, but idk anything about Team France and its stars. It’s possible this scenario will be a special episode as well, but maybe more like the plastic special than the world specials. I hope they have to beat her by competing in games like Penalteam but with less cheating. It’d be awesome if the other heroes helped represent events that fit their characters. An episode like that would be a fun and light way to introduce the new animation and hero designs without diving into deep overarching drama and lore.

Perhaps the character jogging with Adrien is connected to this episode since they have a prosthetic running leg and seem athletic.

Here’s our first look at Lila’s akumatization. Her mask thing is very pretty and soft looking compared to Gabriel’s sharp, geometric, simple one. It reminds me of a masquerade mask with all the swirls. Maybe there’s some visual symbolism here of Lila being a more complex butterfly user than Hawkmoth. We also see her shooting some sort of beam at CN from the mask, maybe separate from the akuma’s power. I hope they’ll revisit the somewhat-retconned bloodbending power we saw Hawkmoth use on Evillustrator and Pixelator and explore the full extent of the butterfly’s power over their akumas.

Tomoe? Astruc said he wants Kagami to fight her and take her down further down the road, and I believe she may be a bigger villain than they’re making her out to be now. Lila is great and all, but an adult threat who owns a tech megacorp and is one of the only surviving members of Gabriel’s creepy billionaire sentibaby cult seems like a scarier enemy than the pathological liar from class. We don’t know Lila’s deal yet, but I imagine her villain motives are probably something deeply personal. Meanwhile, Tomoe might be trying to reach some greater goal that Gabriel failed to achieve. Both she and Lila practically had all the fruits of his evil labor fall into their laps without lifting a finger, so they might have an interesting dynamic as rival villains or fake allies.

Okay this is from the London special. The synopsis says someone found Ladybug’s identity to take her down, and she and Bunnyx have to solve the mystery and reverse the events. This masked person looks like they may be the enemy, and their design is themed after the rabbit miraculous. People have been kinda assuming that it’s just Lila, but everyone in the audience knows she’s the next big villain right now, so it feels like a cop-out to frame this special as a mystery. It could still be her, and it’s just a mystery to the heroes, but what if the enemy is someone else? If they’re using the rabbit miraculous, Lila wouldn’t have access to it during season 5 unless she stole it somehow and gave it back unnoticed.

My theory is that the villain is Tomoe who got the miraculous from Gabriel. The trailer shows catbug looking in on Adrien and Kagami in their white rooms, so maybe during that time, Gabriel sent rabbit!Tomoe after Ladybug to ensure his victory in the upcoming finale, and maybe she has her own motives as well.

I recall Zag releasing concepts of some hero or spy characters from London a long time ago, and I thought they’d be for the London world special like Eagle and Lady Dragon, but maybe they’re for a different show or got scrapped in favor of focusing on the main miraculous plot (which honestly, good. Please focus on the existing characters)

Finally, poor Nooroo in Lila’s creepy catacomb bunker. I hope her jumpscare reaction at the end of s5 wasn’t just the sight of him. It would feel odd after the latest of Marinette’s hero friends were totally chill seeing kwamis for the first time. He’s in some bubble here. Maybe it’s stopping him from sharing things he’s not allowed to say, or maybe Lila is forcing him to stay put? I’m also curious about the angle and what that metal bar is a part of. Is Lila sitting under a table?

Anyway! TLDR I like the new designs overall and I’m excited to see everyone else. I’m also excited at the prospect of an Olympics episode and I think Tomoe may be the next big villain next to or even surpassing Lila.

the Harry Potter handsome men’s club

i’m not even kidding, I went on a word search rampage, motivated by an initially serious thought train about how JK Rowling depicts & portrays conventional attractiveness vs. non-attractiveness (inspired by me finally reading the Robert Galbraith books) and how it contributes to her characterizations. It has resulted in this:

The only characters ever outright called “handsome” by either the narration or another character, in the order of “handsome” appearance:

Gilderoy Lockhart: Actually indirectly called handsome: introduced as “very good-looking”; handsomeness only mentioned in that “he didn’t look remotely handsome anymore” and Ron going “*cough*Lockhart*” when accusing Hermione of only liking people (aka Cedric) for handsomeness’ sake. 

Tom Riddle. Not introduced as handsome by 12-year-old Harry (16-year old Harry makes up for it by calling young Tom Riddle handsome EVERY time he is mentioned), just as a boy “much taller” than Harry with the same jet black hair. Dumbledore makes the handsome explicit* when at the end of CoS he refers to how most people failed to connect Voldemort to the “clever, handsome boy” Riddle had been.

Sirius Black: Pre-Azkaban, in the wedding picture: “handsome, full of laughter”; his “handsome, laughing face.” In the flashback, after we’re reminded he’s very good-looking he sits around looking: haughty and bored “but handsomely so”. Our last look at him alive is of his “wasted, once-handsome face” (this is where I cry); in the picture on his wall we see Sirius looking “carelessly handsome … slightly arrogant”, and of course break-our-hearts-one-last-time-Resurrection-Stone Sirius looks “tall and handsome” with a grin on his face and even walks handsome, really: “loped with an easy grace.” 

Cedric Diggory: uh, Cedric may actually be the best-looking, according to the text.  

Cedric alone gets adverbs of degree; he is “extremely handsome” and “exceptionally handsome”, thank you, fourteen-year-old Harry Potter. Cedric also gets called pretty boy at least twice, once by Seamus Finnegan, and once by a jealous Harry in his thoughts. Yet he is one of the few members of this club who shows no signs of a) evil b) vanity or c) arrogance. Cedric is downright lovely; poor Cedric.

Firenze: he’s confirmed as the “handsome centaur” in HBP, but we assumed as much before from Parvati & Lavender, whose giggles are probably the best non-explicit* barometer of male handsomeness in-text.

Bill Weasley: 14-year-old Harry actually calls long-haired Bill “cool”, not handsome. But we gather more information from Fleur’s eyeing him up: aka by “cool”, Harry, I think you meant “hot”, or possibly, since this is UK-set, “fit”. Hot/fit, being of course a distinctive category of literary attractiveness, it can, but does not always, crossover with “handsome”. 

Mrs. Weasley (painfully) confirms Bill’s handsomeness after his face is ruined: “very handsome little b-boy”, “always very handsome”. Again, the handsome is there to make us sad- but not too sad this time, since it’s a glorious set-up for Fleur’s epic good-looking-enough-for-the-both-of-us moment of true <3.  

Tom Riddle Sr. - the “handsome” Muggle, whose son looks like his “handsome father in miniature”; his handsomeness is both a huge plot point in Merope’s story and further re-emphasis of T.R. Jr.’s own looks.

Gellert Grindelwald - yes, the other Dark Wizard was also a card-carrying member of the handsome club. We first get him stealing the Elder Wand with “delight upon his handsome face”; later as Dumbledore’s “handsome companion,” “merry-faced” and “smiling lazily” in his picture. You wouldn’t remember it from the Very Serious version of the photograph used in the movies, but it’s also noted in the photograph Dumbledore and handsome friend Grindelwald are both “roaring with laughter”. 

…which, interesting: the association of handsome + laughter is explicitly connected, repeatedly, with only one other character: Sirius Black. 

-and not to go all psychoanalytic literary criticism, but THAT adds an angle to Dumbledore’s distrust of Sirius (offering to be the Potters’ Secret Keeper instead, buying into Pettigrew’s frame job) and how Dumbledore & Sirius have little rapport, especially compared to Dumbledore & anyone else from Sirius’ generation. 

Am I making the ridiculous statement that Dumbledore didn’t like Sirius because he was handsome? …actually, sort of, yes.

Keeping in mind that Sirius and James are pretty confirmed to have gone around the school hexing people, that Grindelwald was kicked out of Durmstrange for much-more-extreme “near fatal” attacks on other students, and that Sirius did in fact set a “near fatal” situation up by telling Snape about the tunnel as a prank… 

I think there’s a reasonable argument that Dumbledore looked at a clever, handsome boy, and thought of other clever handsome boys he’d known and how they’d turned out-  particularly the one who was briefly part of his own laughing double act - and did not trust Sirius Black. And so offered to be the Potters’ Secret Keeper instead. And bought into Pettigrew’s frame job. And even later (in one of Dumbledore’s many What the Hell, Hero moments) letting that whole Sirius-confined-at-Grimmauld-Place situation build, and critiquing his character ten minutes after he’s dead. Sirius is one of the few characters in the series who Dumbledore never seems to give a fair shake, even while able to analyze him to a T… 

But I digress, so back to the handsomeness:

 runners-up:

11-year-old Dudley Dursley- looking v. “handsome and grown-up” in his uniform, but since it is Aunt Petunia saying so, and Harry is choking on laughter, HEAPS of salt from the narrative here. 

Ron Weasley, assured he is “very handsome” by, of all people, Slughorn. Grain of salt for love-potion circumstances, but giggling sixth-years suggest it is not much of an exaggeration.  

Regulus Black is “rather less handsome” than Sirius. While not 100% confirming handsomeness, given how often it comes up regarding Sirius, a remaining degree of reasonable handsomeness is implied.

handsome woman’s club: 

Madame Maxime! at least three “handsomes” to her name 

other “handsome” things: Fawkes except on Burning Day, silver platters, roaring fires, leather-covered books, tawny owls, a Christmas tree, and the face of the  “noble-looking” from a distance but up-close vacant wizard of the Fountain of Magical Brethren, etc

*any other male characters’ handsomeness is either implicit, fanon, or movie-driven assumptions. There’s plenty of strong implicit arguments to be made, though, through the lovely showing-not-telling of attractiveness. But no one else is explicitly “handsome”, unless I missed one, in which case, do tell.

generally, though, if you are handsome in a Harry Potter novel, you are either evil or something terrible is going to happen to you. But handsomely so!

Draco's Motivations in the Book 7 Room of Requirement Confrontation

I just reread the Fiendfyre sequence and based on a close reading Draco's motivations and actions are a lot more complex and sympathetic than I remembered. Not to mention, once again, here there be drarry.

First, the context:

After the incident at Malfoy Manor, we know from Harry's psychic connection to Voldemort and from the Carrows' overheard discussion that Voldemort's wrath was exceptionally terrible. The Malfoy family became virtual prisoners in their own homes for months and were subjected to especially brutal (even by Voldemort's standards) torture that was also likely quite protracted. Lucius has visible marks on him months later - which, given what we know about magic in that world, really speaks to the level of what has been going on. While he probably got the worst of it, it's certain that none of his family members escaped unscathed. After their other failings they have at this point probably permanently fallen out of favor and have nothing but a (likely short) life of misery to look forward to.

Draco bears a lot of responsibility for this state of affairs since it was he who chose not to identify Harry. This likely adds to his sense of conflict as his conscience tells him one thing and everything he has ever been taught tells him something else. He presumably feels responsible for the suffering his family (we know from book 6 that he does genuinely care about them) has to endure.

Not to mention that he himself is suffering along with them. It would be unsurprising therefore if he felt tempted to "rectify" his earlier moment of what he probably perceived as weakness and made a last ditch attempt to save his parents' (and his own) lives and prestige. While Harry has been taught that love and mercy are noble and valuable impulses, Draco has not. In his world love and mercy are called weakness.

Quite possibly as he suffered and faced death alongside his family, part of him must have felt ashamed of the impulses that led to his choices when Harry was a prisoner at the Manor. Everything he has been taught tells him that Voldemort's victory is inevitable and that his moment of shameful weakness has accomplished nothing except to fail his own family and condemn them (and himself) to a likely short life filled with suffering.

At most what we see in the Room of Requirement is a replay of what we saw on the Astronomy Tower - where Draco is deeply conflicted and when confronted with the reality of violence in support of Voldemort cannot go through with it even under tremendous pressure and even though his failure to carry out these acts of violence will inflict danger and suffering on himself and his loved ones.

But, is that even what actually happens? In my opinion, the answer is "no."

The scene in question:

If we actually look at the text it's not even clear that's what's going on at all. Draco's motives are ambiguous at best here. The scene starts when Harry is stretching out his hand to take the diadem. Draco, Crabbe, and Goyle come up behind him and he is completely unaware of them. Draco then announces their presence, alerting Harry that he is being watched. He could've very easy simply stunned Harry or attempted to put the Imperius Curse on him (or killed him) while his back was turned. But he didn't do any of those things. Instead he talks, thereby ruining the element of surprise.

And that's not typical of Draco at all when he actually wants to attack Harry. He's never beaten Harry in a face-to-face confrontation. (In fact, the last time he tried - in 6th year - he almost ended up dead.) The two times he has managed to incapacitate Harry - when he petrified him on the train in 6th year and when he hid and caught Harry for Umbridge with a tripping jinx in 5th year - he did so by using the element of surprise to his advantage.

Given that Draco knows that Harry is a very formidable opponent (AND that Harry's friends are nearby) if he truly simply wanted to capture or kill him, announcing his presence is the last thing he would ever do. Then he says "That's my wand you're holding." He still doesn't cast any spells - not even to try to disarm Harry. He also doesn't say he wants to hand him over to Voldemort. He doesn't even tell Harry to drop his own wand, attempt to take him prisoner, or even threaten him.

It is Crabbe, not Draco who says "We're gonna be rewarded...We decided to bring you to 'im." Draco doesn't say anything about his own intentions other than that he wants his wand back - and we certainly know that even in 6th year he didn't trust Crabbe and Goyle, much less now, and thus is unlikely to speak openly in front of them. 

At this point Ron comes to investigate and Crabbe tries to use magic to cause a mountain of debris to fall on Ron and crush him. Harry counters the spell and Draco then grabs Crabbe's arm when he tries to repeat the spell. He gives as his justification the need to avoid the diadem being crushed but since we know he doesn't trust Crabbe it's likely this isn't truthful. Especially since Voldemort has not said anything about wanting the diadem (and even if it wasn't a Horcrux it likely wouldn't be damaged in any case).

Crabbe points out this very thing and Draco argues with him at which point Crabbe says "Who cares what you think? I don't take your orders no more, Draco. You an' your dad are finished." So arguably he was not even including Draco in the "We" he imagined would be rewarded. Crabbe then tries to use Crucio on Harry.

Draco then again intervenes and tries to stop him. 

"STOP" Malfoy shouted at Crabbe, his voice echoing through the enormous room. "The Dark Lord wants him alive--"  

He doesn't even just say it. He shouts. We rarely see Draco shout. He is someone who generally keeps his deeper emotions hidden - it's why he's so naturally gifted at Occlumency to the point that he is powerful enough at a young age to lie to both Snape and Voldemort.

What he says here doesn't really even make sense because Goyle isn't even trying to kill Harry; he's just trying to hurt him. However Draco is so distressed by this that he actually starts yelling, something we NEVER see him do at ANY other point in the book. "The Dark Lord wants him alive" is also exactly what Snape says to Bellatrix as they flee in book 6, and we know that Snape's real intent was to protect Harry with a believable excuse. It's the only thing Draco could reasonably say in that moment as a justification. 

Crabbe (rather sensibly) points out that 1) he didn't even try to kill Harry and 2) Voldemort ultimately wants Harry dead so it probably doesn't matter that much. This makes perfect sense. And yet Draco is inordinately concerned with preventing harm to Harry & Co rather than with taking any action to capture or even disarm any of them.

Clearly he did not expect to lose control of Crabbe and Goyle like this and as a result is now losing control of the situation (and himself). (Unlike Harry, Draco is more of a planner and is not as good at reacting in the moment.) Also the possibility that Harry could be killed seems to drive him nearly to the point of hysteria - rather like how Ron reacted to Hermione being in mortal peril at the Manor. This is not just a general aversion to killing. This is something more. He finds the idea of Harry dying truly unbearable. (I don't need my ships to be canon; this one just happens to be.)

At this point they start fighting and Draco loses Narcissa's wand. Wandless, he STILL tries to intervene. Crabbe and Goyle are both aiming their wands at Harry and Draco once again starts yelling -  "Don't kill him! DON'T KILL HIM!" and is obviously in significant distress and is not at all happy with what is going on. 

After that the Fiendfyre gets loose and the rest of the scene goes down without much dialogue.

At NO POINT does Draco 1) actually say he wants to hand Harry to Voldemort OR  2) attempt to attack Harry or Ron or Hermione at all OR 3) use his Dark Mark to call Voldemort OR 4) tell anyone he's seen Harry after they get out of the Room of Requirement - even in a later scene when he's been cornered by a Death Eater who is considering killing him he doesn't reveal this information even though that probably would've proven his loyalty or at the very least distracted the Death Eater.

Conclusions about Draco's motivations:

So, where does that leave us? What went down there and what was Draco trying to do?

We really have 3 options.

Option 1: Draco tried to hand Harry over to Voldemort in order to save himself and his family, got cold feet and couldn't really go through with it, and then lost control of the situation due to Crabbe and Goyle's changing loyalties. 

Verdict: Possible but unlikely given the remarkably bad job he does of it and how inconsistent his approach is with his usual MO. Even if we assume his heart wasn't in it you'd think he'd at least have got as far as disarming Harry before announcing his presence. Especially since Harry almost killed him last time they fought (and Draco probably doesn't know Harry didn't know what the Sectum Sempra curse would do.)

And if his heart WAS in it then then this makes even less sense since he not only didn't attack Harry while his back was turned but also didn't call Voldemort or even inform anyone that he'd seen Harry. 

Option 2:  Draco wanted to get himself captured in a way that looked convincing so that he could take the chance Dumbledore offered in 6th year, only it went quite badly wrong.

Verdict: This would be an interesting possibility but I think it's also unlikely as it's simply too risky. He doesn't know Harry was there on the astronomy tower or that Harry would make the same offer. His family would also likely be murdered if Voldemort realized this had happened.  

Option 3: Draco wanted to cut a deal in order to improve his family's situation without actually handing Harry over - perhaps he hoped for some kind of exchange where he could get his wand back and bring Voldemort the diadem as some kind of consolation prize - but overestimated his control over his cronies and lost control of the situation. 

Verdict: I actually think this works best given his behavior during the scene. He initiates a conversation because he wants information about what and where the diadem is (and what value it would have to Voldemort) and because he wants to make some offer along the lines of 'give me my wand and the diadem and we'll let you go.' This could get him what he wants and help his family without actually harming anyone.

Also it hedges his bets a bit because if Harry wins he will owe Draco. The problem of course is that Crabbe and Goyle aren't happy to just take orders anymore and have their own goals. At that point, instead of caving and going along with what Crabbe and Goyle want to do instead, Draco actually tries to intervene, albeit in a way that doesn't actually expose him as questioning Voldemort.  

Draco made his choice at the Manor. If he wanted to hand Harry over he would have. But he couldn't. He cares about him too much. But he also feels tremendous guilt and fear over the price he and his family are still paying for that decision. This is his attempt to try to fix things - to try to find a middle ground between the conflicting imperatives that are tearing him apart. The reality though, as he shortly discovers, is that there is no middle ground. And when he sees that, once again he chooses Harry.

Love how when they're all locked in the cellar in Malfoy Manor, Harry doesn't even think of attacking Draco when he comes down into the cellar. Even though he and the others are loose by then and they could probably have easily overpowered Draco and taken his wand - as they do immediately when Pettigrew comes in.

They could've overpowered Draco, Imperiused him with his own wand, and sent him back up to give some excuse while Dobby evacuated the others. But that would've put Draco in terrible danger. It would've meant attacking and potentially injuring him. It also would have meant that he would be blamed for the resultant escape, vastly increasing the likelihood that Voldemort would kill him. And Harry simply cannot bring himself to hurt Draco or put him in danger.

So when Draco comes down Harry does nothing. He doesn't even speak to him to try to shame or manipulate him as he does when he tells Pettigrew that he owes Harry his life. Even though Harry witnessed the scene on the Astronomy Tower and he knows that Draco isn't happy with his lot and is experiencing a lot more doubt and conflict than Pettigrew is, he says nothing to Draco and just complies with him. Thus keeping him out of a situation that could put him in danger.

And Draco, for his part, sees that Harry and Ron have already managed to escape from their bonds but doesn't report it when he goes upstairs. He takes Griphook, who confirms Hermione's story, thus saving her from being murdered on the spot or tortured more. And he says nothing about the fact that Harry is free, possibly planning an escape.

He didn't identify Harry. He turned his back on Ron and Hermione and refused to confirm their identities either, even though this behavior was very notable and suspicious given that they are not disguised and other recognize them. And when he sees that Ron and Harry are already loose in the cell, not still bound as they are meant to be, he says nothing.

He's probably sick with fear and horror, certain that there's no possibility of escape, and probably cursing himself for taking these risks and not simply doing everything he can to get his family back in Voldemort's good graces. But somehow he still hopes.