Love How When They're All Locked In The Cellar In Malfoy Manor, Harry Doesn't Even Think Of Attacking

Miraculous s6 Trailers Breakdown

Before I get into it, if it calms anyone’s nerves, I think this poster is a case of questionable graphic design. The weird official render style makes the characters look different from normal, plus Chat, Carapace, and Rena are all squished to match Ladybug’s proportions on the poster. This is an interesting choice from the designer: making the smallest character in the group take up the entire height and corresponding width of the poster and then awkwardly smushing the others in next to her. That’s why Carapace looks more short and stout than usual, and why Chat and Rena are kinda elongated. It doesn’t help that they shrunk Rena to accommodate her fox ears.

I’m liking the little updates to the hero suits. I honestly wasn’t expecting to see change for anyone but Ladybug and Chat, so now I’m excited to see everyone else. I love the changes on Carapace. They took his old, pretty simple suit and added a lot of new textures like the chest plate and wrist guards, and they gave him fingerless gloves and neck speakers. This gives me hope that they’ll update other designs that get criticized for just being a bodysuit with a decal on it like Ryuko and Viperion’s into something more interesting.

Rena is very similar, but her ears are bigger and pointier, the flute has been redesigned, her palms are white now, she has big poppin’ eyeliner, and her tail seems to be dark. Some people noted that they seem to be making Alya’s skin look darker after accusations of whitewashing her, so I hope they’ll finally give Pegasus the same treatment.

I’ve seen people say LB and CN must’ve taken influence from their reverse selves for their current designs, and CN seems to have some PV nods like his new shirt collar. Ladybug’s design feels more mature and is probably a response to criticism of her looking too simple as a character with a fashion interest among other superheroes with more detailed designs.

I didn’t include the poster of Marinette’s outfit, but overall I like it. I agree with people saying the bow on her shirt feels extra, but I like her emonette jacket. Her tights under jorts remind me of Mylene’s outfit, making me wonder if there’s some character influence there, or if they’ll be changing Mylene’s clothes so they don’t look too similar.

First look at Alya! Yay! I love her new haircut. It reminds me of Haru from persona 5. She seems to be wearing the same shirt, which is lame. Maybe the rest of her outfit has changed, or maybe they’re not fixing what isn’t broke. It’s disappointing, though, that Adrien’s outfit looks the same. I can only dream that they’re leading up to a makeover scene where he realizes he’s allowed to pick out his own clothes now, but alas.

Here Adrien is jogging with a new character (?) who has a prosthetic leg. There’s no good look at their face and even this screenshot sucks. If this is the same scene as Marinette with binoculars, then we might be getting a rare moment of a new character being introduced through Adrien rather than Marinette, perhaps someone he knows from rich people stuff or whatever nebulous and dubiously canon sports he participates in.

This frame appears after a camera pan right from a modernized remodel of the school. Before, there were average city blocks around the school, so whatever this is might be part of an expanded campus built for Bustier’s utopian academy.

I think I’ve written in a post before that I hope ML does something to commemorate the Paris 2024 Olympics, so I’m thrilled to see an Olympian akuma in the trailer! Perhaps this character is a celebrity cameo, but idk anything about Team France and its stars. It’s possible this scenario will be a special episode as well, but maybe more like the plastic special than the world specials. I hope they have to beat her by competing in games like Penalteam but with less cheating. It’d be awesome if the other heroes helped represent events that fit their characters. An episode like that would be a fun and light way to introduce the new animation and hero designs without diving into deep overarching drama and lore.

Perhaps the character jogging with Adrien is connected to this episode since they have a prosthetic running leg and seem athletic.

Here’s our first look at Lila’s akumatization. Her mask thing is very pretty and soft looking compared to Gabriel’s sharp, geometric, simple one. It reminds me of a masquerade mask with all the swirls. Maybe there’s some visual symbolism here of Lila being a more complex butterfly user than Hawkmoth. We also see her shooting some sort of beam at CN from the mask, maybe separate from the akuma’s power. I hope they’ll revisit the somewhat-retconned bloodbending power we saw Hawkmoth use on Evillustrator and Pixelator and explore the full extent of the butterfly’s power over their akumas.

Tomoe? Astruc said he wants Kagami to fight her and take her down further down the road, and I believe she may be a bigger villain than they’re making her out to be now. Lila is great and all, but an adult threat who owns a tech megacorp and is one of the only surviving members of Gabriel’s creepy billionaire sentibaby cult seems like a scarier enemy than the pathological liar from class. We don’t know Lila’s deal yet, but I imagine her villain motives are probably something deeply personal. Meanwhile, Tomoe might be trying to reach some greater goal that Gabriel failed to achieve. Both she and Lila practically had all the fruits of his evil labor fall into their laps without lifting a finger, so they might have an interesting dynamic as rival villains or fake allies.

Okay this is from the London special. The synopsis says someone found Ladybug’s identity to take her down, and she and Bunnyx have to solve the mystery and reverse the events. This masked person looks like they may be the enemy, and their design is themed after the rabbit miraculous. People have been kinda assuming that it’s just Lila, but everyone in the audience knows she’s the next big villain right now, so it feels like a cop-out to frame this special as a mystery. It could still be her, and it’s just a mystery to the heroes, but what if the enemy is someone else? If they’re using the rabbit miraculous, Lila wouldn’t have access to it during season 5 unless she stole it somehow and gave it back unnoticed.

My theory is that the villain is Tomoe who got the miraculous from Gabriel. The trailer shows catbug looking in on Adrien and Kagami in their white rooms, so maybe during that time, Gabriel sent rabbit!Tomoe after Ladybug to ensure his victory in the upcoming finale, and maybe she has her own motives as well.

I recall Zag releasing concepts of some hero or spy characters from London a long time ago, and I thought they’d be for the London world special like Eagle and Lady Dragon, but maybe they’re for a different show or got scrapped in favor of focusing on the main miraculous plot (which honestly, good. Please focus on the existing characters)

Finally, poor Nooroo in Lila’s creepy catacomb bunker. I hope her jumpscare reaction at the end of s5 wasn’t just the sight of him. It would feel odd after the latest of Marinette’s hero friends were totally chill seeing kwamis for the first time. He’s in some bubble here. Maybe it’s stopping him from sharing things he’s not allowed to say, or maybe Lila is forcing him to stay put? I’m also curious about the angle and what that metal bar is a part of. Is Lila sitting under a table?

Anyway! TLDR I like the new designs overall and I’m excited to see everyone else. I’m also excited at the prospect of an Olympics episode and I think Tomoe may be the next big villain next to or even surpassing Lila.

In a Heartbeat - Animated Short Film (2017)

A closeted boy runs the risk of being outed by his own heart after it pops out of his chest to chase down the boy of his dreams.

© Beth David and Esteban Bravo 2017

It’s here! After a year and a half of hard work, we are both so excited to finally share our film with you. Thank you all for your support and encouragement - this film means the world to us, and your kindness and enthusiasm has made this journey all the more meaningful. It is our great pleasure to share with you this labor of love, and we hope with all our hearts that you enjoy watching it as much as we did making it.

<3

YouTube: https://www.youtube.com/watch?v=2REkk9SCRn0 Vimeo: https://vimeo.com/227690432

the Harry Potter handsome men’s club

i’m not even kidding, I went on a word search rampage, motivated by an initially serious thought train about how JK Rowling depicts & portrays conventional attractiveness vs. non-attractiveness (inspired by me finally reading the Robert Galbraith books) and how it contributes to her characterizations. It has resulted in this:

The only characters ever outright called “handsome” by either the narration or another character, in the order of “handsome” appearance:

Gilderoy Lockhart: Actually indirectly called handsome: introduced as “very good-looking”; handsomeness only mentioned in that “he didn’t look remotely handsome anymore” and Ron going “*cough*Lockhart*” when accusing Hermione of only liking people (aka Cedric) for handsomeness’ sake. 

Tom Riddle. Not introduced as handsome by 12-year-old Harry (16-year old Harry makes up for it by calling young Tom Riddle handsome EVERY time he is mentioned), just as a boy “much taller” than Harry with the same jet black hair. Dumbledore makes the handsome explicit* when at the end of CoS he refers to how most people failed to connect Voldemort to the “clever, handsome boy” Riddle had been.

Sirius Black: Pre-Azkaban, in the wedding picture: “handsome, full of laughter”; his “handsome, laughing face.” In the flashback, after we’re reminded he’s very good-looking he sits around looking: haughty and bored “but handsomely so”. Our last look at him alive is of his “wasted, once-handsome face” (this is where I cry); in the picture on his wall we see Sirius looking “carelessly handsome … slightly arrogant”, and of course break-our-hearts-one-last-time-Resurrection-Stone Sirius looks “tall and handsome” with a grin on his face and even walks handsome, really: “loped with an easy grace.” 

Cedric Diggory: uh, Cedric may actually be the best-looking, according to the text.  

Cedric alone gets adverbs of degree; he is “extremely handsome” and “exceptionally handsome”, thank you, fourteen-year-old Harry Potter. Cedric also gets called pretty boy at least twice, once by Seamus Finnegan, and once by a jealous Harry in his thoughts. Yet he is one of the few members of this club who shows no signs of a) evil b) vanity or c) arrogance. Cedric is downright lovely; poor Cedric.

Firenze: he’s confirmed as the “handsome centaur” in HBP, but we assumed as much before from Parvati & Lavender, whose giggles are probably the best non-explicit* barometer of male handsomeness in-text.

Bill Weasley: 14-year-old Harry actually calls long-haired Bill “cool”, not handsome. But we gather more information from Fleur’s eyeing him up: aka by “cool”, Harry, I think you meant “hot”, or possibly, since this is UK-set, “fit”. Hot/fit, being of course a distinctive category of literary attractiveness, it can, but does not always, crossover with “handsome”. 

Mrs. Weasley (painfully) confirms Bill’s handsomeness after his face is ruined: “very handsome little b-boy”, “always very handsome”. Again, the handsome is there to make us sad- but not too sad this time, since it’s a glorious set-up for Fleur’s epic good-looking-enough-for-the-both-of-us moment of true <3.  

Tom Riddle Sr. - the “handsome” Muggle, whose son looks like his “handsome father in miniature”; his handsomeness is both a huge plot point in Merope’s story and further re-emphasis of T.R. Jr.’s own looks.

Gellert Grindelwald - yes, the other Dark Wizard was also a card-carrying member of the handsome club. We first get him stealing the Elder Wand with “delight upon his handsome face”; later as Dumbledore’s “handsome companion,” “merry-faced” and “smiling lazily” in his picture. You wouldn’t remember it from the Very Serious version of the photograph used in the movies, but it’s also noted in the photograph Dumbledore and handsome friend Grindelwald are both “roaring with laughter”. 

…which, interesting: the association of handsome + laughter is explicitly connected, repeatedly, with only one other character: Sirius Black. 

-and not to go all psychoanalytic literary criticism, but THAT adds an angle to Dumbledore’s distrust of Sirius (offering to be the Potters’ Secret Keeper instead, buying into Pettigrew’s frame job) and how Dumbledore & Sirius have little rapport, especially compared to Dumbledore & anyone else from Sirius’ generation. 

Am I making the ridiculous statement that Dumbledore didn’t like Sirius because he was handsome? …actually, sort of, yes.

Keeping in mind that Sirius and James are pretty confirmed to have gone around the school hexing people, that Grindelwald was kicked out of Durmstrange for much-more-extreme “near fatal” attacks on other students, and that Sirius did in fact set a “near fatal” situation up by telling Snape about the tunnel as a prank… 

I think there’s a reasonable argument that Dumbledore looked at a clever, handsome boy, and thought of other clever handsome boys he’d known and how they’d turned out-  particularly the one who was briefly part of his own laughing double act - and did not trust Sirius Black. And so offered to be the Potters’ Secret Keeper instead. And bought into Pettigrew’s frame job. And even later (in one of Dumbledore’s many What the Hell, Hero moments) letting that whole Sirius-confined-at-Grimmauld-Place situation build, and critiquing his character ten minutes after he’s dead. Sirius is one of the few characters in the series who Dumbledore never seems to give a fair shake, even while able to analyze him to a T… 

But I digress, so back to the handsomeness:

 runners-up:

11-year-old Dudley Dursley- looking v. “handsome and grown-up” in his uniform, but since it is Aunt Petunia saying so, and Harry is choking on laughter, HEAPS of salt from the narrative here. 

Ron Weasley, assured he is “very handsome” by, of all people, Slughorn. Grain of salt for love-potion circumstances, but giggling sixth-years suggest it is not much of an exaggeration.  

Regulus Black is “rather less handsome” than Sirius. While not 100% confirming handsomeness, given how often it comes up regarding Sirius, a remaining degree of reasonable handsomeness is implied.

handsome woman’s club: 

Madame Maxime! at least three “handsomes” to her name 

other “handsome” things: Fawkes except on Burning Day, silver platters, roaring fires, leather-covered books, tawny owls, a Christmas tree, and the face of the  “noble-looking” from a distance but up-close vacant wizard of the Fountain of Magical Brethren, etc

*any other male characters’ handsomeness is either implicit, fanon, or movie-driven assumptions. There’s plenty of strong implicit arguments to be made, though, through the lovely showing-not-telling of attractiveness. But no one else is explicitly “handsome”, unless I missed one, in which case, do tell.

generally, though, if you are handsome in a Harry Potter novel, you are either evil or something terrible is going to happen to you. But handsomely so!

Time to discuss drarry moment number 923074037286 in HBP. I think it's really notable how in the aftermath of Dumbledore's death Harry not only canonically doesn't feel angry at Draco at all despite feeling murderous rage towards Snape, but actually goes out of his way to recount events in a way that shifts blame away from Draco as much as possible.

First, Tonks asks how Dumbledore died and we get this bit:

"Snape killed him," said Harry. "I was there, I saw it. We arrived back on the Astronomy Tower because that's where the Mark was . . . Dumbledore was ill, he was weak, but I think he realized it was a trap when we heard footsteps running up the stairs. He immobilized me, I couldn't do anything, I was under the Invisibility Cloak -- and then Malfoy came through the door and disarmed him--" Hermione clapped her hands to her mouth and Ron groaned. Luna's mouth trembled. "-- more Death Eaters arrived -- and then Snape -- and Snape did it. The Avada Kedavra."

Harry says there was a trap but doesn't mention anything about it having been a trap planned and set by Draco.

He uses passive, distancing language that doesn't even make it clear whose footsteps they heard on the stairs or under what circumstances Draco disarmed Dumbledore.

He doesn't mention anything about Draco having been assigned to kill Dumbledore, and almost makes it sound like he could've just happened on them and disarmed Dumbledore as a reflex or even in self defense.

And then he doesn't say that Draco held Dumbledore there at bay for a while, instead leaving it ambiguous as to whether the other Death Eaters arrived right away on Draco's heels.

And that's it. That's all he says. He puts all the focus and blame on Snape. Only several pages later when McGonagall asks how the Death Eaters got in does Harry even explain about the Vanishing Cabinets. Specifically the text says:

[H]e explained, briefly, about the pair of Vanishing Cabinets and the magical pathway they formed.

Again we see the same passive, distancing language that we saw when Harry mentioned "footsteps" on the stairs but didn't clearly say whose. It says he explained about the cabinets rather than something like "he explained about Malfoy's treachery and his plan to use the pair of Vanishing Cabinets to let Death Eaters into the school."

Harry directs the focus away from Draco and Draco's intent and involvement. I'm not sure this is even on a conscious level. His words are mimicking what his mind and his emotions are doing.

When someone asks what Snape shouted to the other Death Eaters as he ran past we get this:

"He shouted, 'It's over,'" said Harry. "He'd done what he'd meant to do."

Harry says he'd done what he - Snape - meant to do. Not what Draco had meant to do. Or what they'd planned together. So once again we see that Harry avoids blaming Draco or even revealing his full role in what happened.

And then, most interestingly, not till later when he's alone with McGonagall does he reveal that Rosmerta is being controlled. And the way he recounts it is REALLY striking.

"There's one thing you should know before the Ministry gets here, though. Madam Rosmerta's under the Imperius Curse, she was helping Malfoy and the Death Eaters, that's how the necklace and the poisoned mead--"

Again the use of passive language. He says that she is under the Imperius Curse rather than that Draco put her under the Imperius curse. In fact, he avoids directly blaming Draco at all. Harry merely says that she has been put under the Imperius curse by someone and that she was forced to pass on the necklace and the poisoned mead, leaving it ambiguous who cursed her and on whose orders she did those things, thus shielding Draco from blame.

He only brings up Draco to say that Rosmerta had been helping him and the Death Eaters rather than that it was Draco specifically who was controlling her. Given that the use of an Unforgivable Curse carries a life sentence in Azkaban this phrasing is certainly interesting. And it means that if Rosmerta did not see who originally cursed her, she might not be able to say who forced her to help Draco or possibly even whose idea it was to send the necklace and the mead into the school. That would make Harry the only witness who could prove Draco's guilt, and seemingly he doesn't want to do that.

Also. Draco IS a Death Eater. Harry's known it since the beginning of the year. And yet he says "Malfoy and the Death Eaters," because without even realizing it, he mentally puts Draco in a different category.

And then the next time Harry thinks of Malfoy is when he's looking towards where Draco usually sits and thinking about how Crabbe and Goyle look "lonely" without him even though given the tensions between them that we see in books 6 and 7 it's almost certain that they don't miss him at all. It seems much more likely that Harry is actually projecting his own feelings. In this context we get this bit of internal narration:

His animosity was all for Snape, but he had not forgotten the fear in Malfoy's voice on that tower top, nor the fact that he had lowered his wand before the other Death Eaters arrived.

I mean just what? All? ALL of his animosity? Draco is the one who let Death Eaters into the castle. He disarmed Dumbledore, thus (seemingly) enabling Snape to kill him. He also got Bill permanently maimed (though he didn't intend for that to happen).

If Harry simply felt nothing for Draco but dislike I don't think these circumstances would put him in the best mindset to start empathizing with him. Harry has a temper. You'd think he'd disregard all the extenuating circumstances and blame Draco for Dumbledore's death too.

I mean this is some of his narration about Snape, for example:

"So when he arrived at the fight, he joined in on the Death Eaters' side?" asked Harry, who wanted every detail of Snape's duplicity and infamy, feverishly collecting more reasons to hate him, to swear vengeance.

But no. That's not how he feels about Draco at all. In fact after thinking about how his animosity is all for Snape and dwelling with pity and concern on how afraid Draco looked and how he had lowered his wand, Harry actually starts wondering where Draco is and worrying about him and about what Voldemort is "making" him do now.

Because despite their rivalry, there's more between Harry and Draco than simple dislike. Harry understands him deeply. And he's immediately ready to sympathize with him and to protect him.

For all that they are stranded on opposite sides of a brewing war, they also have things in common. Harry is drawn to Draco and he cares about him. He knows Draco isn't a murderer and he can't bring himself to even pretend to hate him anymore. He just wants him to be safe.

i miss the miraculous ig content ☹️ so many cute interactions and pictures

adrien liking marinette’s comment (now deleted) on alya’s post with lila is still the funniest sht

Every canon Dramione moment

I have compiled here a list of every single time Draco and Hermione interacted in canon, talked about one another, or could have conceivably interacted for all your Hogwarts-era fanfic needs! 

If I left anything out, please don’t hesitate to comment or DM me! There are some really obvious ones I left out e.g. the fanfic classics: prefects’ bathroom, Astronomy Tower, Black Lake, Potions lesson…

I haven’t included page numbers because every edition is different and it would be confusing. This list is intended as pinpoint references for you to check out the scene in your own books, which is why they’re not super detailed.

Enjoy!

Keep reading

Draco's Motivations in the Book 7 Room of Requirement Confrontation

I just reread the Fiendfyre sequence and based on a close reading Draco's motivations and actions are a lot more complex and sympathetic than I remembered. Not to mention, once again, here there be drarry.

First, the context:

After the incident at Malfoy Manor, we know from Harry's psychic connection to Voldemort and from the Carrows' overheard discussion that Voldemort's wrath was exceptionally terrible. The Malfoy family became virtual prisoners in their own homes for months and were subjected to especially brutal (even by Voldemort's standards) torture that was also likely quite protracted. Lucius has visible marks on him months later - which, given what we know about magic in that world, really speaks to the level of what has been going on. While he probably got the worst of it, it's certain that none of his family members escaped unscathed. After their other failings they have at this point probably permanently fallen out of favor and have nothing but a (likely short) life of misery to look forward to.

Draco bears a lot of responsibility for this state of affairs since it was he who chose not to identify Harry. This likely adds to his sense of conflict as his conscience tells him one thing and everything he has ever been taught tells him something else. He presumably feels responsible for the suffering his family (we know from book 6 that he does genuinely care about them) has to endure.

Not to mention that he himself is suffering along with them. It would be unsurprising therefore if he felt tempted to "rectify" his earlier moment of what he probably perceived as weakness and made a last ditch attempt to save his parents' (and his own) lives and prestige. While Harry has been taught that love and mercy are noble and valuable impulses, Draco has not. In his world love and mercy are called weakness.

Quite possibly as he suffered and faced death alongside his family, part of him must have felt ashamed of the impulses that led to his choices when Harry was a prisoner at the Manor. Everything he has been taught tells him that Voldemort's victory is inevitable and that his moment of shameful weakness has accomplished nothing except to fail his own family and condemn them (and himself) to a likely short life filled with suffering.

At most what we see in the Room of Requirement is a replay of what we saw on the Astronomy Tower - where Draco is deeply conflicted and when confronted with the reality of violence in support of Voldemort cannot go through with it even under tremendous pressure and even though his failure to carry out these acts of violence will inflict danger and suffering on himself and his loved ones.

But, is that even what actually happens? In my opinion, the answer is "no."

The scene in question:

If we actually look at the text it's not even clear that's what's going on at all. Draco's motives are ambiguous at best here. The scene starts when Harry is stretching out his hand to take the diadem. Draco, Crabbe, and Goyle come up behind him and he is completely unaware of them. Draco then announces their presence, alerting Harry that he is being watched. He could've very easy simply stunned Harry or attempted to put the Imperius Curse on him (or killed him) while his back was turned. But he didn't do any of those things. Instead he talks, thereby ruining the element of surprise.

And that's not typical of Draco at all when he actually wants to attack Harry. He's never beaten Harry in a face-to-face confrontation. (In fact, the last time he tried - in 6th year - he almost ended up dead.) The two times he has managed to incapacitate Harry - when he petrified him on the train in 6th year and when he hid and caught Harry for Umbridge with a tripping jinx in 5th year - he did so by using the element of surprise to his advantage.

Given that Draco knows that Harry is a very formidable opponent (AND that Harry's friends are nearby) if he truly simply wanted to capture or kill him, announcing his presence is the last thing he would ever do. Then he says "That's my wand you're holding." He still doesn't cast any spells - not even to try to disarm Harry. He also doesn't say he wants to hand him over to Voldemort. He doesn't even tell Harry to drop his own wand, attempt to take him prisoner, or even threaten him.

It is Crabbe, not Draco who says "We're gonna be rewarded...We decided to bring you to 'im." Draco doesn't say anything about his own intentions other than that he wants his wand back - and we certainly know that even in 6th year he didn't trust Crabbe and Goyle, much less now, and thus is unlikely to speak openly in front of them. 

At this point Ron comes to investigate and Crabbe tries to use magic to cause a mountain of debris to fall on Ron and crush him. Harry counters the spell and Draco then grabs Crabbe's arm when he tries to repeat the spell. He gives as his justification the need to avoid the diadem being crushed but since we know he doesn't trust Crabbe it's likely this isn't truthful. Especially since Voldemort has not said anything about wanting the diadem (and even if it wasn't a Horcrux it likely wouldn't be damaged in any case).

Crabbe points out this very thing and Draco argues with him at which point Crabbe says "Who cares what you think? I don't take your orders no more, Draco. You an' your dad are finished." So arguably he was not even including Draco in the "We" he imagined would be rewarded. Crabbe then tries to use Crucio on Harry.

Draco then again intervenes and tries to stop him. 

"STOP" Malfoy shouted at Crabbe, his voice echoing through the enormous room. "The Dark Lord wants him alive--"  

He doesn't even just say it. He shouts. We rarely see Draco shout. He is someone who generally keeps his deeper emotions hidden - it's why he's so naturally gifted at Occlumency to the point that he is powerful enough at a young age to lie to both Snape and Voldemort.

What he says here doesn't really even make sense because Goyle isn't even trying to kill Harry; he's just trying to hurt him. However Draco is so distressed by this that he actually starts yelling, something we NEVER see him do at ANY other point in the book. "The Dark Lord wants him alive" is also exactly what Snape says to Bellatrix as they flee in book 6, and we know that Snape's real intent was to protect Harry with a believable excuse. It's the only thing Draco could reasonably say in that moment as a justification. 

Crabbe (rather sensibly) points out that 1) he didn't even try to kill Harry and 2) Voldemort ultimately wants Harry dead so it probably doesn't matter that much. This makes perfect sense. And yet Draco is inordinately concerned with preventing harm to Harry & Co rather than with taking any action to capture or even disarm any of them.

Clearly he did not expect to lose control of Crabbe and Goyle like this and as a result is now losing control of the situation (and himself). (Unlike Harry, Draco is more of a planner and is not as good at reacting in the moment.) Also the possibility that Harry could be killed seems to drive him nearly to the point of hysteria - rather like how Ron reacted to Hermione being in mortal peril at the Manor. This is not just a general aversion to killing. This is something more. He finds the idea of Harry dying truly unbearable. (I don't need my ships to be canon; this one just happens to be.)

At this point they start fighting and Draco loses Narcissa's wand. Wandless, he STILL tries to intervene. Crabbe and Goyle are both aiming their wands at Harry and Draco once again starts yelling -  "Don't kill him! DON'T KILL HIM!" and is obviously in significant distress and is not at all happy with what is going on. 

After that the Fiendfyre gets loose and the rest of the scene goes down without much dialogue.

At NO POINT does Draco 1) actually say he wants to hand Harry to Voldemort OR  2) attempt to attack Harry or Ron or Hermione at all OR 3) use his Dark Mark to call Voldemort OR 4) tell anyone he's seen Harry after they get out of the Room of Requirement - even in a later scene when he's been cornered by a Death Eater who is considering killing him he doesn't reveal this information even though that probably would've proven his loyalty or at the very least distracted the Death Eater.

Conclusions about Draco's motivations:

So, where does that leave us? What went down there and what was Draco trying to do?

We really have 3 options.

Option 1: Draco tried to hand Harry over to Voldemort in order to save himself and his family, got cold feet and couldn't really go through with it, and then lost control of the situation due to Crabbe and Goyle's changing loyalties. 

Verdict: Possible but unlikely given the remarkably bad job he does of it and how inconsistent his approach is with his usual MO. Even if we assume his heart wasn't in it you'd think he'd at least have got as far as disarming Harry before announcing his presence. Especially since Harry almost killed him last time they fought (and Draco probably doesn't know Harry didn't know what the Sectum Sempra curse would do.)

And if his heart WAS in it then then this makes even less sense since he not only didn't attack Harry while his back was turned but also didn't call Voldemort or even inform anyone that he'd seen Harry. 

Option 2:  Draco wanted to get himself captured in a way that looked convincing so that he could take the chance Dumbledore offered in 6th year, only it went quite badly wrong.

Verdict: This would be an interesting possibility but I think it's also unlikely as it's simply too risky. He doesn't know Harry was there on the astronomy tower or that Harry would make the same offer. His family would also likely be murdered if Voldemort realized this had happened.  

Option 3: Draco wanted to cut a deal in order to improve his family's situation without actually handing Harry over - perhaps he hoped for some kind of exchange where he could get his wand back and bring Voldemort the diadem as some kind of consolation prize - but overestimated his control over his cronies and lost control of the situation. 

Verdict: I actually think this works best given his behavior during the scene. He initiates a conversation because he wants information about what and where the diadem is (and what value it would have to Voldemort) and because he wants to make some offer along the lines of 'give me my wand and the diadem and we'll let you go.' This could get him what he wants and help his family without actually harming anyone.

Also it hedges his bets a bit because if Harry wins he will owe Draco. The problem of course is that Crabbe and Goyle aren't happy to just take orders anymore and have their own goals. At that point, instead of caving and going along with what Crabbe and Goyle want to do instead, Draco actually tries to intervene, albeit in a way that doesn't actually expose him as questioning Voldemort.  

Draco made his choice at the Manor. If he wanted to hand Harry over he would have. But he couldn't. He cares about him too much. But he also feels tremendous guilt and fear over the price he and his family are still paying for that decision. This is his attempt to try to fix things - to try to find a middle ground between the conflicting imperatives that are tearing him apart. The reality though, as he shortly discovers, is that there is no middle ground. And when he sees that, once again he chooses Harry.

Death Note: The musical JP 2015

Where is the justice?- Urai Kenji

—

JP

>>2015 Kakizawa Hayato, Koike Teppei ver.<<

>>2015 Urai Kenji, Koike Teppei ver<<

>>2020 Shouma Kai, Fu Takahashi ver.<<

KR

>>2017 Han Ji Sang, Xia ver<<

>>2022 Hong Kwang Ho, Xia ver. <<

>>2022 Ko EunSung, Xia ver.<<

>>2022 Ko EunSung, Kim Sungcheol ver.<<

EN

>>2015 Jeremy Jordan Jarrod Spector ver. <<

>>2023 Joaquin Pedro Valdes, Dean John Wilson ver.<<

RU

>>2017 Alexandr Kazmin, Yaroslav Bayarunas ver.<<

>> [Eng cover] Alexandr Kazmin, Yaroslav Bayarunas <<

INSTRUMENTAL

>>Instrumental ver.<<

My lifetime question has been answered

Thank you Hawkdaddy

Mapping the Drarry storyline: a deep analysis of Draco and Harry's relationship in the Harry Potter series

Yes, I did it. I made it into a fucking essay.

Well, my pals, let me begin by explaining that I should be paid for this, because holy shit, this is a Herculean task. But it’s fine, I’m doing it because I love these books too much and it’s my duty! *standing up with the union flag in the background*

How is it going to work?

This very post will be my masterlist, where I’ll slowly be adding links to all the text posts as I write them. So like it, save it, reblog the shit out of it. Thank you.

Each post will discuss a specific moment in the books (as well as getting references from the movies and discussing what they left out), so it could be just one interaction or a whole point in their relationship, it will depend on my methods at the time.

Will you talk from a shipper perspective? Isn’t that biased?

Well, I’m glad you asked. I will, indeed, talk about how their interactions are further proof that DRARRY IS FUCKING CANON, but I promise to be rational. Furthermore, this is not the only aspect of their characters that I love, so I’ll include a lot of discussion about character development, redemption, coming-of-age and all that.

When will you be posting each post?

I can’t promise I’ll be able to keep a steady rhythm going, but I’m already writing the first one, about the moment they met at Madam Malkin’s. Please, don’t push me about it, because I do have a real job and all that rot.

So yeah, it’s on!

Philosopher’s Stone Chapter 1 - First Impressions