The Merchant Of Venice (2004) | Belmont

to-watch (ita)

Neorealismo e posteriori:

Luchino Visconti

Ossessione (1943)

La terra trema (1948)

Bellissima (1951)

Senso (1954)

Le notti bianche (1957)

Rocco e i suoi fratelli (1960)

Il Gattopardo (1963)

La caduta degli dei (1969)

Morte a Venezia (1971)

Ludwig (1973)

Gruppo di famiglia in un interno (1974)

Roberto Rossellini

Roma città aperta (1945)

Paisà (1946)

Germania anno zero (1948)

Europa ‘51 (1952)

Viaggio in Italia (1953)

Vittorio de Sica

I bambini ci guardano (1943)

Sciuscià (1946)

Ladri di biciclette (1948)

Miracolo a Milano (1951)

Umberto D. (1952)

L'oro di Napoli (1954)

La ciociara (1960)

Ieri, oggi, domani (1963)

Il giardino dei Finzi-Contini (1970)

Giuseppe de Santis

Riso amaro (1949)

Commedia all’italiana:

Luigi Comencini

Pane, amore e fantasia (1953)

Pane, amore e gelosia (1954)

Tutti a casa (1960)

Incompreso (1966)

Lo scopone scientifico (1972)

L'ingorgo (1978)

Dino Risi

Pane amore e… (1955)

Poveri ma belli (1957)

Belle ma povere (1957)

Il sorpasso (1962)

I mostri (1963)

Profumo di donna (1974)

Ettore Scola

Riusciranno i nostri eroi a ritrovare l'amico misteriosamente scomparso in Africa? (1968)

Dramma della gelosia - Tutti i particolari in cronaca (1970)

C'eravamo tanto amati (1974)

Brutti, sporchi e cattivi (1976)

Una giornata particolare (1977)

La terrazza (1980)

Ballando ballando (1983)

Maccheroni (1985)

La famiglia (1987)

(DES)ENCANTO: LOCKSCREENS

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Which Juliette binoche films would you reccomend ?

ugh, pretty much her entire filmography is on spot but here we go: I first saw her in the unbearable lightness of being (1988); she’s exceptional in it, pure Juliette, pure brilliance, she made a perfect Teresa. I love the work of Philip Kaufman, I think he can never go wrong – I’d definitely recommend the film whether you’re familiar w Kundera’s novel or not. then i’d go with les enfants du siècle (1999) for it’s a period drama & it’s terribly underrated; again, her portrayal of George Sand is extraordinary to say the least & it spoke volumes about her potential as an actress. chocolat (2000) is another favourite of mine; it supremely just does it on all levels for me–makes me feel nostalgic over & over again. it’s lovely, lovely & she was so exquisite in it. however, when it comes to her best performances:  trois couleurs: bleu (1993) directed by kieslowki is sublime; best film out of the entire trilogy plus it just shows that Juliette clicked so much w her head director–I believe he brought out the best in her acting & what they achieved together is transcending aka this one’s poetry in motion, you can’t miss it, it’s moving and 100% raw. les amants du pont-neuf (1991) is nice; I was first introduced to the work of Carax w that one and although I came to love mauvais sang (1986) a lot more, still, this is good work and Juliette is kind of beating herself in her own game acting wise. top favourite of mine is also copie conforme (2010); it’s subtle, it’s Cannes at its best & it’s a tricky film; requires a lot of patience but communicates its images so efficiently. elles (2011) is my guilty pleasure, I won’t expand on it but I was head over heels when I first saw it so yeah…and words and pictures (2013) – ahh so, so, amazing…she co-stars w Clive Owen and the thing works because it’s just not overdone, it’s very American at the core of it but it still works Idk. 1.000 times goodnight (2013) – I’d recommend it any day for the cinematography is glorious and number one is camille claudel 1915 (2013) – to this day I haven’t seen a biography film which spoke more to my heart. wholly and unequivocably. I still can’t get my head around how superb it is and how majestic Juliette is in it.

Matilda —¿Siempre es así de dura la vida o nada más cuando se es chico?

León— Siempre es así.

📽 : The Professional (1994)

Francesco Solimena,Diana and Endymion (detail) 1705-10.

The Signs as Female Shakespeare Characters

Aries: Katherine Minola (The Taming of the Shrew)

“If I be waspish, best beware my sting”

Taurus: Viola (Twelfth Night)

“Make me a willow cabin at your gate and call upon my soul within the house, write loyal cantons of contemnèd love, and sing them loud even in the dead of night”

Gemini: Cleopatra (Antony & Cleopatra)

“Sir, you and I have loved, but there’s not it; That you know well. Something it is I would— O, my oblivion is a very Antony, and I am all forgotten”

Cancer: Cordelia (King Lear)

“I am sure my love’s more ponderous than my tongue”

Leo: Titania (A Midsummer Night’s Dream)

“These are the forgeries of jealousy; And never, since the middle summer’s spring, met we on hill, in dale, forest, or mead, by paved fountain, or by rushy brook, or in the beached margent of the sea, to dance our ringlets to the whistling wind”

Virgo: Juliet Capulet (Romeo & Juliet)

“Although I joy in thee, I have no joy of this contract tonight. It is too rash, too unadvised, too sudden, too like the lightning, which doth cease to be ere one can say ‘It lightens.’“ 

Libra: Portia (The Merchant of Venice)

“You see me, Lord Bassanio, where I stand, such as I am: though for myself alone I would not be ambitious in my wish, to wish myself much better; yet, for you I would be trebled twenty times myself; A thousand times more fair, ten thousand times more rich”

Scorpio: Beatrice (Much Ado About Nothing)

“But manhood is melted into curtsies, valor into compliment, and men are only turned into tongue, and trim ones, too. He is now as valiant as Hercules that only tells a lie and swears it. I cannot be a man with wishing; therefore I will die a woman with grieving”

Sagittarius: Miranda (The Tempest) 

“O, brave new world, that has such people in ‘t!”

Capricorn: Lady Macbeth (Macbeth)

“The raven himself is hoarse that croaks the fatal entrance of Duncan under my battlements. Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe topful of direst cruelty!”

Aquarius: Rosalind (As You Like It)

“It is not the fashion to see the lady the epilogue; but it is no more unhandsome than to see the lord the prologue. If it be true that good wine needs no bush, 'tis true that a good play needs no epilogue; yet to good wine they do use good bushes, and good plays prove the better by the help of good epilogues”

Pisces: Ophelia (Hamlet)

“There’s rosemary, that’s for remembrance; pray, love, remember; and there is pansies, that’s for thoughts…There’s fennel for you, and columbines; there’s rue for you, and here’s some for me; we may call it herb of grace o’ Sundays. O, you must wear your rue with a difference”

The signs as famous mistresses

Aries: Amalie Sophie Marianne von Wallmoden

Taurus: Hortense Catherine Schneider

Gemini: Hortense Mancini

Cancer: Liane de Pougy

Leo: Madame du Barry \ Louise de la Valliere

Virgo: Louise de Keroualle

Libra: Madame de Montespan

Scorpio: Barbara Villiers

Sagittarius: Émilie du Châtelet

Capricorn: Madame de Pompadour

Aquarius: Nell Gwyn

Pisces: Arabella Churchill

Dear Gaiman, I'm not a huge fan of Sandman (I'm more into good omens and American gods and anansi boys) but my dad read it few years ago. He once told me that he was friends with cinamon,the girl who death was based off of. My dad says they met through being among with the other homeless kids in the area. Is cinamon a real person and if so, did you know her? P.S. my dad still has an autographed poster where you wrote "eat something" because he was so skinny at the time

Yes, her name was Cinamon Hadley, and she was a friend of Mike Dringenberg, the artist, who borrowed her face and look for Death.

I didn’t know her, although we sent messages to each other from time to time, but I wish I had. She died in 2016.

Arielle Dombasle

ig: @v__make__up