Ig: @v__make__up

21.3.1930-30.3.2016 Animator Butyrin

Pride and Prejudice (but with ducks, trust me it’s better)

Grab your popcorn guys this is gonna be long, I decided to sum up the whole parody of Pride and Prejudice that was published this year in italian Topolino

here we go,

PRIDE AND PREJUDICE

Art: Stefano Turconi

Texts: Teresa Radice

(aka best duo in comic history)

We start with Jane Austen herself (her duck self to be precise) telling to her friend about her new book with the aforementioned title!

Then we meet our protagonists!

The wonderful family Pennet, living in suburban England, with Jane (Paperetta / Dickie Duck) and Elizabeth (Daisy) being the eldest daughters

The family usually hangs out at their neighbour’s, Fethry Bingpap’s lavish parties, with Bingpap and Jane developping mutual feelings

At the party we also meet Bingpap’s sister Amelia (Magica De Spell) and

Donald Ducky!

(yes, Donald keeps that look on his face until the very end)

The contrast between the two friends’ characters is very evident

And here we have Duckcy’s and Elizabeth’s first moment! (boy, everything happens at that party)

Continua a leggere

I’ve been baking (:

Summer of Love 💛

Tunes For The Signs | Sun & Venus

🌞 Aries: Let’s Live For Today - The Grass Roots | Wild Child - The Doors |  The House Of The Rising Sun - The Animals | Help! - The Beatles | Venus - Shocking Blue

🌞 Taurus: Nights In White Satin - The Moody Blues | Lay, Lady, Lay - Bob Dylan | Daydream Believer - The Monkees | Happy Together - The Turtles | The Letter - The Box Tops

🌞 Gemini: Here Comes The Sun - The Beatles | My Generation - The Who | I Get Around - The Beach Boys | I’m Alive - The Hollies | Brown Eyed Girl - Van Morrison

🌞 Cancer: Groovin’ - The Young Rascals | Dedicated To The One I Love - The Mamas & The Papas | All Day And All Of The Night - The Kinks | Ain’t No Mountain High Enough - Marvin Gaye & Tammi Terell | Penny Lane - The Beatles

🌞 Leo: I’m A Believer - The Monkees | Gimme Some Lovin’ - The Spencer Davis Group | Respect - Aretha Franklin | Can’t Buy Me Love - The Beatles | Be My Baby - The Ronettes 

🌞 Virgo: Purple Haze - Jimi Hendrix | Heart Full Of Soul - The Yardbirds | Sunny Afternoon - The Kinks | For What It’s Worth - Buffalo Springfield | Love Is All Around - The Troggs

🌞 Libra: All You Need Is Love - The Beatles | Dream A Little Dream Of Me - The Mamas & The Papas | Somethin’ Stupid - Frank Sinatra & Nancy Sinatra | Something - The Beatles | Do You Believe In Magic - The Lovin’ Spoonful

🌞 Scorpio: Black Magic Woman - Fleetwood Mac | I Can See For Miles - The Who | Sunshine Of Your Love - Cream | I Had Too Much To Dream (Last Night) – The Electric Prunes | Riders On The Storm - The Doors

🌞 Sagittarius: Tuesday Afternoon - The Moody Blues | Born To Be Wild - Steppenwolf | Summer Wine - Nancy Sinatra & Lee Hazlewood | Light My Fire - The Doors | Ruby Tuesday - The Rolling Stones

🌞 Capricorn: I’m A Man - The Spencer Davis Group | Paint It Black - The Rolling Stones | Strange Brew - Cream | Break On Through (To The Other Side) - The Doors | A Day In The Life - The Beatles

🌞 Aquarius: Strawberry Fields Forever - The Beatles | People Are Strange - The Doors | Good Vibrations - The Beach Boys | Visions Of Paradise - The Moody Blues | If 6 Was 9 - Jimi Hendrix

🌞 Pisces: San Francisco - Scott McKenzie | California Dreamin’ - The Mamas & The Papas | Lucy In The Sky With Diamonds - The Beatles | Spooky - Classics IV | All Along The Watchtower - Jimi Hendrix

The simpsons horror movies tribute

The Signs as Symphonies (or just symphonic works)

Being someone who just graduated with my BA in music and is will be pursuing my MA in Musicology in the fall, I'm a bit of a music nerd. This was a long time coming, but here it is. Please enjoy!

Aries:

Schubert - Symphony No. 8, “Unfinished” (1822)

The DRAMA. But seriously, this symphony is so beautiful. It’s beautiful balanced, it occasionally has huge outbursts of drama and sudden dynamic changes. It frequently modulates to major which provides a nice balance to the otherwise minor work. It goes from dramatically chaotic and quick to a calm waltz-like melody. The work itself only has two movements, hence it being nicknamed the “Unfinished” symphony. These sudden changes in mood, the short-lived dramatic/passionate outbursts, and the fact that this work was left unfinished is what lead me to associate this with Aries. Their outbursts rarely last long, they often leave things unfinished, and they can be a bit dramatic at times.

Taurus:

Beethoven - Symphony No. 7 (1811-12)

An amazingly stable and consistent work with subtle hints of sensitivity. It has incredibly driving rhythms which I think can be compared to the stubbornness of a Taurus. There is some drama, as with much of this music but it’s much more calm in this case. It’s driving but in a way that feels more like a steady, determined walk than a climatic charge forward. This work was composed when Beethoven was working on improving his heath in a Bohemian spa town. This is a creative work born from a time when the composer was working on his self-care. Sound familiar?

Gemini:

Elgar - Enigma Variations (1898-99)

This isn’t a symphony, but this is something full of orchestral works so I’m including it anyway because it seems appropriate. This work consists of fourteen different variations on a theme, each variation represents someone in Elgar’s close circle of friends. There’s a wide variety of sounds in this work, similar to the way Geminis can easily switch between topics. Additionally, this work reflects the importance of the friends which Elgar had in his life, similar to how a Gemini’s complexity and occasional bubbliness can lead to popularity. I had the hardest time figuring out what work to give Gemini.

Cancer:

Tchaikovsky - Symphony No. 6, “Pathétique” (1893)

The Russian title of this symphony is “Патетическая” meaning “passionate” or “emotional.” It’s truly a work that tug’s on one’s heart strings, and it’s quite dramatic. Tchaikovsky himself had a hard time composing the work and even tore up the manuscript at least once when he was doubting his abilities. It’s said that his brother Modest suggested the title after hearing it. When it was time for first perform the work Tchaikovsky was quite excited about it. The emotions surrounding this work and the beautiful emotional roller coaster it takes you on when listening to it are wholly appropriate for the sign ruled by the Moon. (Tchaikovsky, unfortunately, died 9 days after premiering this work)

Leo:

Semtana - Má vlast (1874-79)

This is technically a set of 6 symphonic poems, not a symphony. However, this work is a representation of the Czech composer’s intense pride in his homeland (hence the title, “Má vlast” = “My homeland”) and everything he loves about it from the course of the Vltava to the warrior Šárka and the legend of the Blaník mountain. The beautiful harp opening of the first poem and the immense pride and love you can hear from the brass and strings. Although the emphasis (and love) of home that this work has almost leans into Cancer territory, it’s the pride and the occasional fanfare-ish instrumentation that makes me say Leo.

Virgo:

Mozart - Symphony No. 25 (1773)

There’s no programmatic backstory with this one but the clear organization of this work while cleanly organizing various themes screams Virgo to me. It’s not too extensive, everything is clean cut and in its place. It opens a bit dramatically but it never develops too intensely. There were, indeed, risks taken which are interesting for the time it was written, however, nothing was too extreme because the crowd at its debut still absolutely loved this work.

Libra:

Haydn - Symphony No. 104, “London” (1795)

This opens with a monothematic movement (a movement that uses one theme as a basis for the entire thing). It has the occasional drama to draw in your attention, but overall it’s simply a very well balanced, easygoing piece of music. Some may refer to it as boring but it’s still beautiful and well written with some subtle innovations to keep the listener entertained and to keep the work interesting. It never gets too gritty, sticks to traditional form and remains as beautiful as ever. Even at its most suspenseful, it remains light.

Scorpio:

Berlioz - Symphonie Fantastique (1830)

I was originally gonna list this as Pisces because most of this is a prime example of escapism and living in an opium induced dream. However, the drama, extremes, and obsessiveness of this work scream Scorpio. This may be a dream but it doesn’t end well, he actually dreams of his own doom and of his soul being dragged to hell before being taunted by witches. This work transforms from a quiet dreamy opening to a light dance movement then eventually it becomes a dramatic work reflecting the beheading of the main character and the damnation of his soul--all of which is tied together by the idée fixe. It’s appropriate for Scorpio if you ask me.

Sagittarius:

Dvořák - Symphony No. 9, “From the New World” (1893)

This work is inspired by the experiences that Dvořák had while living in the United States in the 1890s. It draws influence from the music he heard across the US from various cultures (namely Black Americans and Natives). Some of the music he heard while in the States reminded him of music he heard in some European countries. He was influenced by not only the music but also the things that he saw. The blending of cultures and experiences that he does in this work is truly worthy of being associated with Sagittarius if you ask me.

Capricorn:

Tchaikovsky - Symphony No. 4, “Fate” (1877-78)

I honestly love this symphony, it has a lot going on in it and it’s beautiful. It was dedicated to Tchaikovsky’s best friend Nadezhna von Meck, which was quite something at the time because it meant he was acknowledging her to be his equal. Tchaikovsky stated that the opening of this work is representative of the the ways the universe prevents one from attaining their happiness. He says that there’s no way to escape this reality and one just has to take it as it is, “no haven exists.” He also incorporates traditional Russian themes into the final movement, a touch of tradition. This heavy emphasis on the grimness of reality as well as the dedication to a friend he was long loyal to, is all Capricorn.

Aquarius:

Beethoven - Symphony No. 3, “Sinfonia Eroica” (1803-04)

This work was dedicated to Napoleon Bonaparte, the man which Beethoven believed to embody the anti-monarchal ideals of the French Revolution (at some point he even titled the work “Buonaparte”). It’s a representation of heroics (eroica=heroic), being someone who saves the people and works for the greater good. A work dedicated to the idea of revolution while also being a landmark piece in western music history? What could be more Aquarian?

Pisces:

Rimsky-Korsakov - Scheherazade (1888)

This is another one that isn’t technically a symphony, it’s actually a symphonic suite. It opens big and includes a well known violin solo, the texture frequently changes in this work. It was intentionally written to create a sensation of fantasy, like a dream. The composer intentionally avoided creating movement titles that were too specific, and instead decided he wanted to create titles which were more vague. He wanted the listener to hear this work as something vaguely themed, he wanted it to take the listeners through a fairytale. The only thing he kept clear was the main title “Scheherazade” because he wanted the listeners to know the main inspiration for the style in which he wrote this work. The vagueness and the elements of some fantastical story is undoubtedly Piscean.

ANGELS WINGS in movies & tv-series :

Passion Play (2010) Dogma (1999) Hellboy 2 (2008) Supernatural (2005-2020) Good Omens (2019) Constantine (2005) Lucifer (2015—) Date with an Angel (1987) Legion (2010) Dominion (2014-2015) Wings of Desire (1987) Michael (1996) Angels in America (2003)

russian classics aesthetic

Brothers Karamazov: orthodox monasteries, deep woods, starry nights, the sound of paper being torn, dimly lit rooms, withered roses, an unfinished letter, piles of books, the sound of shattering glass, ticking of clocks in a silent house, heavy wooden furniture, the air before a storm, the smell of earth, a crowd of people dressed in black, distant murmurs, emptied streets, the fear of walking alone in dusk

Crime and Punishment: coldness of the skin against a blade, slender pale fingers and slightly shaking hands, a red stain blooming on white fabric, lonely steps in a corridor, the slow dripping of water, looking out of the window into the thickening darkness, a single dying candle on the table, listening to one’s breath and counting heartbeats, too many stairs, the desire to be invisible, a subtle memory of kind word

The Idiot: classical statues, wealth covered with dust, a dark house tainted with inherited madness, an unsettling feeling, long walks in a park, useless chatter, a silken ribbon forgotten on a bench, a melancholic face, an unexpected spring rain, the joy of reading one’s favorite book, the clarity of mind after fully perceiving the world around, looking at cloudless sky  

Anna Karenina: fields of crops, flowers brought from an early morning walk, the wind caressing a girl’s hair, a bowl of fruit, the smell of ripe pears, the clatter of a spoon against porcelain when stirring tea, children’s laughter coming from the garden, soft sunlight and white curtains, the sensation of velvet against skin, pearls from a ripped necklace spilling on marble floor, a sudden silence in a room full of people

War and Peace: a glass of wine, the brightness of  a crystal chandelier, white lace, a raging snow storm, the sound of a door being gently closed, the moment of holding one’s breath before walking in a ball room, indulging in looking at a beautiful earring against light, the sound of a saber being drawn, closing one’s eyes for a moment while dancing, the sweet smell of strawberries, a pair of gloves left on an armchair, light scent of powder

The Master and Margarita: the chaos of a lively city, ambient jazz in expensive restaurants, jumping on a moving tram, the sight of Moscow from the roof of a house, yellow flowers in a vase, leaning out of the window, shelves stacked with books, a small tin box with old photographs, strange shapes in the night sky, laughing in the middle of the night on a balcony, colorful posters for a surreptitious magician’s show floating in the wind

Eugene Onegin: a lonely mansion, reading a book in the parlor, faint piano melody lingering in falling silence, long evenings, passing seasons, discussing french novels of the moment, unspoken thoughts, leaning against the door frame, quickly averted glance, eating a peach absent-minded, bright mornings, footprints in snow, a loud gun-shot terrifying a flock of birds nearby   

A Hero of Our Time: byronic boredom, getting up late in the afternoon, the hidden unspeakable sadness of existence, shakespeare’s tragedy opened next to untouched breakfast, cigarette smoke, polished boots, walking with one’s coat wide open letting the night chill break through to the bone, carved wooden chair, fading warmth of the ashes late in the evening, the thought of farewell  

Fathers and Sons: birch groves, morning mist, moss covered stones near a  moor, scientific books, white roses, cheap champagne, shabby pocket-watch, light-hearted irony, a maladroit cello sonata, freshly mowed grass, leaving thoughts come and go, a slow yawn, picturesque plates and bowls filled with traditional dishes, drinking tea on the porch, longing for the future   

Doctor Zhivago: a strange feeling of loss, writing poems in a diary, traveling by train, the hesitation before touching someone’s hand, the gaze of one lost in thought, the warmth of cinnamon, a scarf brightly embellished with flowers, a glass of water, two people listening each on the other side of the door, a threadbare jacket, the tempting void, the evanescent serenity of yesterday  

Dead Souls: horses in a merry gallop, delicious smells mingled, grotesque and bizarre tragedy, luxurious attire cheap soul, masks, a perfumed love letter, the triumph of sarcasm, an unattached wheel rolling down a dusty road, the atmosphere of commedia dell’ arte, puzzling speeches, a baffling caricature drawn on a handkerchief   

Cherry Orchard: a lone chair in an empty room, falling blossoms, old samovar, the unsettling need for change, a mirror reflecting full moon, the disappointment of a glossy object turning worthless after second glance, a piano out of tune      

Listen, I might be playing the devils advocate, but I don't think Dany's fate in the GoT finale was due to D&D being sexist.I think it was just because D&D can't write for crap.

It’s not about intent.

Allow me to begin by saying that I completely understand the knee-jerk reaction that people have to the term ‘sexism’. It’s very polarizing, and when men read the term, they immediately go on the offensive. That’s not what I want at all. I don’t use the term to alienate or exclude men, I use it because it’s the dictionary definition of what I’m trying to convey:

sex·ism (noun): "prejudice, stereotyping, or discrimination, typically against women, on the basis of sex.“

That said, allow me to play devil’s advocate here and say that I do not believe the writers intended to have an underlying sexist message. They are more oblivious than they are malicious. It is born of sheer ignorance (lack of knowledge or information) and the privilege to ignore it because, as males, it doesn’t affect them.

Let’s put aside the dozens of articles that came out after the finale calling out the sexism. You guys know me, I like to pull receipts, cite my sources, and throw in some visuals to help aid my point.

For most of the 70+ hours of Game of Thrones, Daenerys actually does not fall victim to these sexist tropes. Honestly, that is what subverted my expectations for seven seasons. That Dany always teetered on the edge of these tired, overused tropes about women, yet she remained steadfast in her ruthless yet good nature, her moral compass was always aligned even if it didn’t match the viewers, and she was a gods-damned hero, straight through to episode four of season eight.

But the demoralizing reality is that Daenerys was hit with trope after trope in the last three episodes. In the final hours of the show, the writers pulled a bait-and-switch, giving us a ‘shocking’ heel-tern whose only foreshadowing was a very bad retcon job full of double standards. And so many fans, such as yourself, justify it. Not because the show foreshadowed it, but because these tropes are so, so ingrained in our brains from decades of media feeding us these narratives that we now expect them.

In the end, Daenerys succumbs to numerous sexist tropes:

‘God Save Us From the Queen’ trope

“The Good Kingdom: A lovely, wealthy country ruled by a benevolent king, a wise prince, and a fair princess loved by the populace. But what’s that? There’s a queen? Oh, brother, we’re in trouble.”

Disposable Woman trope

“This character has a familial or romantic relationship with a protagonist, which allows creators to derive heart-wrenching sorrow from her death.”

Evil Infertile Woman trope

“Women are often divided into “breeders” and “the barren,” with the latter coming off as cool and distant at best, and malicious and desperate at worst.“

The Double-Standard Trope

“A double standard occurs when members of two or more groups are treated differently regarding the same thing. Gender is one of the most common causes of double standards.”

Hysterical Woman trope

“This trope characterizes women as less rational, disciplined, and emotionally stable than men, and thus more prone to mood swings, irrational overreactions, and mental illness.”

Woman Scorned trope

“What’s the only type of woman more dangerous than a Mama Bear? A woman who’s been dumped or otherwise done wrong by her significant other. Especially if she’s been hiding some sanity problems.”

Women Are Delicate trope

“Even if women have toughness, competence, strength or stability, it’s less than what their male peers are capable of.”

The Woman Wearing the Queenly Mask trope

“They don’t want a young woman, or they don’t want any woman, or they just don’t want this particular woman on the throne.”

Tropes in and of themselves are not bad, but very outdated tropes that are associated with the emotional or mental ‘fragility’ of women are. Why? Because they reinforce deep-seated and subconscious stereotypes of women that audiences hold.

“It’s just a show/book! Who cares!”

People have been turning to art (including literature) for years for meaning, for philosophical guidance. Most people in my own country turn to one book to both find and justify their morality (the bible).

“Literature offers not just a window into the culture of diverse regions, but also the society, the politics; it’s the only place where we can keep track of ideas.”―Reza Aslan

It’s not just a show. The art and media we consume helps shape who we are, for better or worse. When men refuse to consider the consequence of their sexist narratives simply because it doesn’t affect their own lives, it inadvertently causes harm for others who don’t share their privilege.

And it’s not just Daenerys. She’s just the figurehead.

There was a great article from BBC about how much women actually speak on Game of Thrones:

I can already hear the counter-argument brewing…

“So what? There are more male characters!”

Yeah. There are. And that’s a problem, too.

Of the top-grossing 1,200 films from 2007 to 2018, 28% of films were led or co-led by women. Meanwhile, around 49.6 percent of the world’s population is female.

By featuring so few women and by giving women who are featured 20% of the airtime to speak their minds, the writers are unintentionally devaluing the speech and opinions of women. This inspires the audience to devalue women in a subconscious way.

Whether or not it intended to, Game of Thrones and its shocking ‘heel-turn’ has very troubling sexist and political implications (amongst other things).

Go ahead, tell me I’m wrong. Tell me I’m blowing this way out of proportion.

Tell me it’s just a show or a book and every single fan knows how to separate fiction from reality (they don’t, go look at Maisie William’s Instagram comments following her season eight sex scene for proof of that). Meanwhile, here in actual reality, we see things like this:

@thescarletgarden1990 informs me that over in Italy, political figures are using Game of Thrones advertising in their campaigns, too:

Translation: “Invaded by masses of Others? Not Today. Immediate naval block, let’s defend our borders.”

What makes it worse is that, at least Donald Trump, identifies with House Stark. Or, those who rule the northerners. The people who showed their blatant racism toward the only two black named characters. And the writers never bothered to critique the problematic behavior, instead, rewarding their people with independence and driving those pesky evil foreigners ’back where they belong’.

I’ve barely had time to scroll my dash and I’ve already seen a troubling amount of harassment towards Dany fans via anon asks (including myself, though I just block the IP and delete but I wish I’d saved them for proof).

Why? Because the ending justifies their personal narrative, this bad writing confirms their worldview. Meanwhile, on the other side of the spectrum, the same thing is happening in reverse in response to the takedown of a figure like Daenerys Targaryen:

“Khaleesi’s heel turn is particularly troubling for fans who might have felt a true sense of connection to her character following her epic story arc, which has seen Dany escape some awful circumstances to literally walk through fire, free the slaves, bring Dragons to the north and help rally the troops to defeat the Night King. She has basically been Abraham Lincoln, Hercules and Winston Churchill combined into one person riding a dragon.” (x)

The point here is that the show is doing its audience of 19,300,000 viewers a great disservice by succumbing to very outdated tropes and double standards, and sending troubling messages as a result. For instance, a woman can do countless heroic or selfless things, but you should never trust her! She needs to be tempered. Women cannot wield power responsibly. There are endless messages you can take away from this ending and the dialogue that led us to the show’s conclusion (my personal favorite being ‘Cocks are important’).

And the fans who want to say 'you’re overreacting’ to everyone who speaks up against it are only aiding in this ongoing legacy of 85% male writers who get to tell our stories, poorly, and reap all the rewards.

Sure, all of this could be solely the result of ‘just bad writing’…

Nevertheless, it is what it is.

If You Are Interested in GLOW

I highly, highly recommend checking out the documentary GLOW: The Story of the Gorgeous Ladies of Wrestling. I stumbled across it a few years ago and really enjoyed it.

It’s currently on Netflix, so if you’ve finished binging the new series inspired by the ladies of 80s wrestling, give the documentary a look and hear from the real women who hopped into the ring… including some of the in-ring personas that were clearly the source material for the characters that made it onscreen like Mountain Fiji (“Machu Picchu”), Colonel Ninotchka (“Zoya the Destroya”),  Americana (“Liberty Belle”), The Housewives (“The Beatdown Biddies”) and more.