Hunter: Yeah, I'm Okay, But In Like A "if Someone Hugged Me For Too Long I Would Cry" Kind Of Way

Prove me wrong! 🤣

Musical prodigy Steve, who is way too casual about this gift. He plays seven instruments and could read sheet music before he could spell his own name, and literally never mentions it.

He has perfect pitch and can perfectly replicate a song he’s heard once on the radio. If you gave him an instrument he’s never played before and an hour, he’d made something beautiful out of it. And no one knows.

Well, some people know.

His mom still signs him up for recitals and performances out of state, but Steve never talks about it. He just says he has something to do with him mom that weekend, and then goes to preform in a concert hall in front of hundreds of people.

Honestly, Steve kinda assumed everybody was like that.

His parents never made it seem like it was a big deal. Hell, he doesn’t even consider that he could go to college for music (not that his dad would ever allow it). It’s basically a hobby.

It’s only after concussion number two when he’s sitting in English class listening to Eddie Munson complaining for a week straight about how he has an ‘epic vision’ for a ‘new song’ but it’ll never come to fruition because he’d need a full string orchestra.

And then another week listening to him hum the melody of the song.

And then a couple more days with the studio equipment that his parents got him for Christmas that Steve starts to think that maybe this ability isn’t all that common.

Eddie - still complaining - just stares at him with shock and confusion when Steve sits a cassette down in front of him and tells him to, “Stop talking.”

Honestly, that should be it, right? Steve has spent more effort making mix tapes than that cassette and those were barely a blip in the week so…

So, why is Eddie Munson confronting him at his locker the next morning? Eddie’s hands are all over the place like, “Did you really find and pay an entire orchestra to play my music just so I’d be quiet?”

“No,” Steve says slowly because that’s insane. “I played your music so you’d be quiet… it clearly didn’t work.”

“You can play…”

“Yeah?”

Eddie just stares at him like he’s something worth staring at and then asks seriously, “Do you want to be in my band?”

My Response

Since I can't reblog, I'll respond this way.

THIS IS NOT TO ATTACK BUT TO SHARE MY REASONING FOR DISAGREEMENT.

I won't lie. This tweet really bothered me. Same annoyance and sadness with 'You can't criticize percabeth because it's based on Rick's marriage.' I'm not saying you said that, but I see that comment often.

Anyway, I'm going to remain respectful.

You are NOT erasing Percy's character's strength by pointing out the toxicity and abuse of Percabeth. Yes, Percy is not afraid of calling out people's nonsense. HOWEVER, he does that with people he DOES NOT like. Of course, it's easier for him to call out people he doesn't like because it wouldn't affect him.

However, when it comes to people he cares for, that's another story. When it comes to Grover nearly fucking up Percy's quest because he didn't want him or Annabeth to leave him, instead of calling out his selfishness, Percy bites his tongue and BLAMES HIMSELF for making Grover feel that way.

What about when his mother admits she was selfish by not letting him go to camp? Despite being a safer option, she didn't want him going to camp. Percy had every right to be mad. This could've saved him from Gabe. But instead, he still adores her. He doesn't hold it against her.

Lastly, with Annabeth, she's done all sorts of things, like punching him in the gut, judo flipping him with the intention of hurting him, and blaming him for leaving her even though he was kidnapped.

Did Percy lash out? No. There wasn't a retort either. Instead, he laughed it off, and they haven't spoken about it. If anything, he felt the need to make it up to Annabeth. He felt GUILTY for something that was not his fault.

What about when she calls him seaweed brain, a name he doesn't like? A name similar to 'brain boy,' something smelly Gabe calls him to demean his intelligence. A name that ANNABETH finds insulting too, and doesn't want to be called. Does he tell her to stop or call her mean names back? Kinda, but he later GIVES UP and bites his tongue.

What about when Reyna says he 'couldn't find his way out of a paper bag,' and Annabeth laughs and agrees with her. Percy may have said 'hey!" but that's it. Was it talked about? I don't think so. It was brushed to the side.

Percy may be brave enough to stand up to bullies, but he doesn't stand up to his loved ones when they truly hurt him. His fatal flaw being loyalty to loved ones, even when they fuck him over, prevents him from doing that.

Annabeth is nowhere near like Gabe, but that doesn't mean she's not hurting Percy, and you're not degrading Percy for calling this out.

I was in Percy's shoes. I stood up to bullies and people I didn't like. Uncomfortable? Scary? Hell yeah, but I did it anyway. I know what that's like. However, just like Percy, I also brushed off the pain my friends and loved ones caused me. I brushed off my 'friends' fucking me over, even took the blame for them. Why? I didn't want them to leave me. I overlooked when my loved ones would unintentionally say hurtful things. Why? Because I love them and didn't want them to leave me either. Also, I tried to appear strong, too. It's okay now that I had therapy and stuff.

Guess what? Percy does the same thing, and that's worth calling out. Victims of abuse tend to overlook their loved ones hurting them.

I'm not 'minimizing' or 'erasing' Percy's strength and courage for calling a spade a spade, and I can not stand when percabeth stans try to sweep toxic things Annabeth does under the rug. Again, is she abusive and like Gabe? No. BUT she does things that remind me of Gabe, like calling Percy mean names to insult his intelligence. She hits, kicks, and hurts him when he does something she doesn't like. Gabe doesn't do this, but Annabeth would sometimes play mind games or make her boyfriend anxious just for the hell of it. (Bringing up Rachel to make Percy uncomfortable). I'll stop listing.

But I have to say. You said it was 'insulting' to Annabeth to call her actions 'abusive'? I say it's insulting to act like what she's doing isn't abusive or toxic. All that I've listed, she didn't do this playfully or in a lighthearted manner. Annabeth did this angry or annoyed and with INTENT. It wasn't an oopsie! No, she wants it to hurt, especially the judo flip scene. So, do I care if I insult Annabeth? Sorry, but no. I don't care because she's in the wrong. Not always, but MOST, and I don't feel guilty because of her actions and how she hasn't learned (and doesn't want to).

Overall, I hate that these types of arguments become popular. I understand you don't like your ship being called horrible things, and I'm not trying to be mean. Most of us are not. However, we can NOT sweep over some of the things Annabeth or Percy do, mainly Annabeth.

I'm sorry for dumping something heavy. I'm not trying to make this about me. My point is that you're not discarding Percy for calling out Percabeth's toxicity. That's it.

Night

Edited: March 18th, 2025. I wanted to add a little more and correct grammar and typos.

“this ship isn’t canon” to YOU. I, however, am delusional

The scenarios in my head of Miles' parents meeting the other spider people is funny because Gwen literally got called emo by Jefferson and then the second Hobie walks in they started questioning what type of friends Miles' making but atleast he has manners but then Peter for crying out loud that's when they really question Miles' taste in friends and at least Noir is tolerable kinda strange but tolerable. Porker can't really meet Mile's parents yet but they'll get there. And then PENI walks in and they absolutely love her and to add on that is that she sees Miles as ano older brother figure which makes them lover more Rio even made her ramen when she asked Miles what's Peni's favorite/comfort food and Peni LOVED it. When Rio and Jefferson met Pavitr they exploded like hello???? He's respectful? Smiles a lot? And has manners?? And he even brought food and they (Read: Rio) asked Miles if he could idk, ask him out marry him??????

Unfortunately, Pavitr mistook this as a "friends' hangout" and asked Miles out and he just took the silence as a yes and gave Miles a piece of paper and went You're free tomorrow right I'll pick you up in 6 okay? Great! Then he needed to go back but Rio and Jeff did not miss the name Pavitr called Miles and decided to google on what it means

(Pav called him "Pyar" which means Love or Dear they were enthralled because they're all our son has a boyfriend and he's respectful ong)

Omega Pav wants to scent mark his pack every five seconds. He /needs/ them covered in his scent so they know he loves them and that he knows that they love him back. It's just a way for him to comfort himself while also to show his overflowing affection for all of his friends the only way he knows how; by being as physical as he possibly can with them.

Alpha Hobie takes to it with ease. He settles comfortably whenever Pav pulls him close and rubs their hands together, whether it's their wrists or necks, Hobie lets him do what he wants and reciprocates the affection with eagerness. Out of all the spiders, Pav is the closest with Hobie in terms of being able to show affection, Hobie has always been willing to receive it.

Beta Gwen takes a few tries to get her to really be more open to it. She nearly punches Pav square in the face completely on instinct when he gets too close without permission the first time. But, after a few attempts, she finally allows it and, ever since, she'll let him slip his hand into hers or hug her tightly and rub their glands together, scents mixing.

Omega Miles is the most difficult to get to come around. Despite how he may come across, he doesn't really take to physical affection like the rest of them do. After the events of The Spot, his inner Omega practically curls in on itself and hides itself away to protect itself from further harm; physically and emotionally. Miles and Gwen are awkward around each other for the longest time. He and Pav aren't much better because, well, they don't really know each other. But, Pav would like to know him more, if Miles would let him. Hobie seems to be the only one Miles allows himself to get closer. Well, perhaps it's because Hobie forces himself past Miles barriers and drapes himself over his back or hugs him from the side. But, Pav doesn't want to overstep his boundaries so he plays it safe.

He'll gently graze their fingers together or he'll bump shoulders with Miles after a job well done. When they have movie nights, Pav will stay close to Miles and lean his head on his arm and nuzzle against him. Miles slowly starts accepting more and more from Pav until finally, he lets Pav rub the glands on their necks together, intertwining their scents and making their inner omegas coo and rumble with satisfaction.

When Hobie gets wind, he immediately rushes over to Miles as soon as they are each other again and drags Miles into his arms so he can rumble and nose at the scent glands on his neck. Miles squeals and Hobie chuckles and playfully scents him as the Omega swats him away and rubs at his marked throat.

"You guys are fucking /insatiable/," Miles curses and Pav giggles, draping himself over his back but Miles allows it so it's safe to say he isn't actually upset.

"We just loooove you," Pav coos. "Let us love you!"

"Ain't that bloody right," Hobie says and comes up right in front of Miles so both he and Pav are hugging him from either side. "Let us love ya', yeah? Our lil' Brooklyn-baby."

Miles grumbles but doesn't protest and lets them do what they please. He comes home smelling obnoxiously like his two packmates and it takes /days/ for their scents to wash out...not that he was complaining.

The next time Gwen comes over, he walks over hesitantly and bumps their shoulders together. She turns to look at him, confused but hope burns brightly in her eyes and Miles turns away but opens his arms up to her and Gwen perks up.

She /slams/ into him and Miles immediately begins to purr with affection.

"I'm sorry," She sniffles, tears dribbling down her cheeks. "I'm sorry, Miles. Please believe me."

"I do," Miles tells her honestly. "I forgive you, Gwen."

And, for now, that's enough.

It makes me laugh every time I remember that Donald adopted the role of exhausted single parent so well that his kids literally renounced Scrooge’s entire legacy as being fake because they couldn’t imagine him being anything other than their loving if embarrassing uncle. Like “there’s no way our Uncle Donald who downs 8 cups of coffee in the morning, cries at sad movies, and tells literally the worst dad jokes was ever an adventurer. Pretty sure he was just born a dad.”

how did Donald Duck influence Star Wars? And wasn’t Indiana Jones inspired by Scrooge, not Donald?

George Lucas and Steven Spielberg mentioned that they were inspired by Carl Barks' comics.

So was Osamu Tezuka, the creator of Astro Boy and "Godfather of Modern Manga."

And Donald Duck was going on adventures with his nephews in the Carl Barks comics long before Scrooge McDuck was created and this is precisely why DT17 and other media trying to give all the credit to Scrooge but forgetting that Donald was the FIRST just proves my point in my frustration with them.

Everyone just thinks it was Scrooge McDuck thanks to the later Don Rosa's work: "Life and Times of Scrooge McDuck" which was loosely based on Carl Barks' works (Don Rosa exaggerated a lot of Scrooge's abilities at the expense of Donald's).

This is why I advocate for giving credit where credit is due when it comes to canon characters and where I feel DT17 really dropped the ball. Donald was an adventurer looong before Scrooge and some of Carl Barks' best comics don't even have him:

-"Donald Duck Finds Pirate Gold" - Carl Barks first full length comic

- "Mystery of the Swamp" - Donald and nephews encounter gnomish creatures in the Everglades which some think were the inspiration for the Ewoks in Star Wars

"The Mad Chemist" (the comic credited with discovering the chemical compound methylene 20 years before it was actually studied and verified!)

-"Lost in the Andes" - Carl Barks claimed was his best work

- "The Golden Helmet" - Donald and nephews: whoever possesses the golden helmet is ruler of North America

- "The Ice Box Robber" - The comic that showcased Donald having WWII PTSD

- "Sherrif of Bullet Valley" - Donald and nephews in the Wild West

- "Dangerous Disguise" - a comic about spies where a Donald look alike commits suicide by jumping out of a window

- "Luck of the North" Donald and nephews rescue Gladstone in Alaska

"Old California" - Donald and the nephews seem to time travel to California in 1848 and they witness the family there living their lives. It turns out they were in a bad car accident and were on the hospital in a coma for weeks. But the house is still there.

"A Christmas for Shacktown" - Donald and the nephews find ways to raise money for the poor kids in town

"The Gilded Man" - A search for a rare stamp leads Donald and the boys finding El Dorado

- "The Forbidden Valley" - Donald and the nephews discover a lost land of dinosaurs

Just to name a few. There are plenty more.

The great thing about the Carl Barks comics especially when it came to Donald was that although he still had bad luck, it showed him also have great skills in practically everything and it tackled deep emotional issues and real world events such as PTSD, spies/espionage, danger/adventure, poverty, but in a way that was relatable and entertaining.

Donald mixed the best of high action adventure with scenes of intimate, heartwarming domestic life with his nephews. It was literally the best of both worlds: adventure and domestic life.

So the world needs to know that actually it's Donald Duck that deserves the credit for the success of the Carl Barks comics. Not only was Donald first but he was used as the protagonist for many more comics than Scrooge. And I hope if we ever get another version of Ducktales that the writers actually credit Donald as he deserves and not a bunch of semi newbies that don't even exist in the original comics.

There's so much he inspired and influenced that people don't know and so it's unfair for him to be sidelined as he was for characters that haven't accomplished one iota of what he has.

It's time to give credit where it's actually due: to Donald Duck.

Things I Would Change About PJO

(I might write a fanfic based on these points):

The whole Hunters-Of-Artemis thing. Like what do you mean Artemis hates all men. What about Orion and all the rest. What do you mean she hates Apollo. She loves him so much. Stop already. That whole thing was just erroneous interpretation of Greek Mythology and it felt really weird and toxic.

Annabeth and Percy's trauma bond. Annabeth is pretty toxic in a relationship, especially in the HoO books when she and Percy get together. Love their relationship as a concept but the way Rick writes it is just... not it. To show Annabeth as a "strong woman" he continuously makes her put Percy down - and not only in COTG and WOTTG. She literally judo-flips him when they met after that long traumatic period where Percy was suffering from amnesia and being killed so many times. I would love to see more of their dynamic as friends and make it a longer, healthier, equal-footed relationship.

Thalia Grace joining the Hunters and never leaving. What the hell. She only joined to escape the Great Prophecy 1. She can leave right after the Battle of Manhattan and take Percy's place in Great Prophecy 2.

Bianca being alive, only "lost" (never specified dead!). It's a pretty big plot-point for Nico and I think it would probably have a bigger impact on him to lose his only care-giver and watch her come back into his life after he's grieving greatly and he's in the process of learning how to live life without her. It would truly change up their entire systems and I would love to see Nico and Bianca coming to a point where they realize it's time to live their own lives. ALSO STOP TREATING BIANCA LIKE A PLOT-DEVICE FOR NICO. COME ON. DO BETTER.

Make Nico better. In general. The character has so much potential but is just reduced to "sunshine character's grumpy emo goth boyfriend" or "kid whose type is NOT PERCY HAHAHAHA SO FUNNY". Give him some more development.

LUKE WAS A GROOMER AND ACTIVELY ENGAGED IN HUMAN TRAFFICKING. WHAT DO YOU MEAN YOU JUST FORGIVE HIM AND NOT OCTAVIAN, WHO WAS LITERALLY BULLIED AND MANIPULATED INTO DOING THE SHIT HE DID. If you want to hate Luke, hate Octavian too. If you want to forgive him, forgive Octavian too. Stop hating complex characters.

CALEO. OH MY GOD CALEO. LIKE ACTUALLY DIE. THAT IS SO HORRIBLE.

Piper does not need to be gay.

Jason does not need to die.

WHAT DO YOU MEAN GROVER DID NOT USE HIS EMPATHY LINK TO SEARCH FOR PERCY IN TARTARUS. SMH.

Percy should NOT have become Praetor.

Reyna should not be aro/ace or she's just horrible representation of both those things. STOP PUTTING EVERY ARO/ACE CHARACTER IN THE HUNTERS OF ARTEMIS.

Why would Nico search for Bianca and bring Hazel back? That thing makes no sense. His whole arc in TLO was to accept the loss of his sister. Instead, bring out Ethan Nakamura who is still angry and jealous and wants to bring balance to the world. He comes out on his own, BTW.

The whole "Wilderness school" plotline thing. OF COURSE monsters would come for Pipes and Leo. They're really damn powerful and really damn young. What the hell do you mean by they never knew anything till Jason? smh.

SOLANGELO. CAN'T BELIEVE I'M SAYING THIS BUT IT'S OUT THERE. Will is just a blank character to show that Nico's gay and prove he's over Percy (STOP WITH THE "NOT MY TYPE" JOKES OH MY GOD GET OVER IT ALREADY WHAT IS WRONG WITH YOU). If you're doing this, at least give me a good, long slow-burn. Or don't show it at all. Nico decides to live in normal life after being shunned and confused all his life in the magical world. Now he finds a mortal boyfriend and is actually thriving. His character is so beautiful like stop ruining him and using him as a goddamn plot-device all the time. Ugh.

CHANGE NICO'S COMING OUT SCENE! LITERALLY WHAT THE HELL WAS THAT.

Jason and Piper breaking up was such a good plot point because not everyone falls in love but you need to make it heart-wrenching. Jason doesn't know what's going on. He's just dating Piper because that's what he's being told, that's what he did his whole life. MAKE IT HAPPEN IN HOO.

NO FRAZEL AND LEO LOVE TRIANGLE. ALSO JUST NO FRAZEL IN GENERAL. STOP WITH THE FRAZEL. THAT'S SO UNHEALTHY.

MAKE LEO ARO/ACE GODDAMN. He has so much potential. Like he always feels loveless? Like a failure? Feels a need to have a partner to prove his worth? DIE. MAKE HIM ARO/ACE. MAKE HIM DEAL WITH ALL THAT.

Actually valgrace is a pretty good plot point as well. valdangelo as well.

WHY AREN'T THERE ANY POLY SHIPS IN PJO? SMH. SERIOUSLY. SO MUCH POTENTIAL.

Don't kill me but... perachel is pretty good. I've written a small post about it here.

Welp this is officially too long. Anyway. I wanted to add more but this has been sitting in my drafts and collecting dust a long time so here you go.

Steve Harrington Headcanon Dump time :) (This one is kinda sad)

What if Steve's father didn't push the "boys don't cry" thing that seriously? What if Steve just didn't cry? His parents are kind of concerned that their kid didn't cry when he was injured. They only recall him crying when he was born, and when they came home a week after the mall fire. The second instant was silent, just tears coming down. It was as if it was just being let out. Mr. Harrington didn't do or say anything to make Steve think he couldn't cry. He was just kind of like that.

Steve's dad is kind of afraid of his mom. She did what she had to to survive, a trait passed down to Steve, and that could include hurting people.

Steve has a very high pain tolerance, which doesn't help the whole can't cry thing.

Steve accepted that he was broken. He didn't cry, it took a bit to make him laugh, he wasn't trusting, and he didn't feel when he got hurt. He may not be trusting, but he is loyal. He will protect the few he does care about, but if you lose his trust, there is almost no going back.

Like his mother and father, he learned to use his looks to get what he wanted. Some may say that he is a hustler like his mother, but he just calls it charming. It's the Harrington charm. It's his charm.

His dad doesn't speak to him that much anymore, but he isn't as bad as Neil or Lonnie. If he was, it would be in different ways.

He kind of hates himself

He gets his bitcheness from his father

He learned how to use dual swords because he thought they were cool and had the money

He would much rather get blown up than see anybody else in the party die

He doesn't grieve the way most people do. In fact, he doesn't grieve. He accepted that death is a part of life when he was 7 and watched his uncle drown at sea or something traumatic like that.

Connected to the last one-he thinks he won't live past 40, or 50 if he's really lucky. He's avoided death too much to live for another 20-something years, and he isn't sure if he wants to.

He wants to throw up when the mention of doctors or taking him to the hospital comes up. He is very convinced that something horrible is going to happen. (Am I projecting? Yes.)

The upside-down really fucked up his mind. He swears he is going into psychosis or something.

He's convinced he's gonna ruin Robin, or accidentally hurt her. He can never keep a good thing going, or at least he doesn't think he can.

He will carry everyone (mostly Eddie) around.

After the summer of '85, he started focusing more on being able to lift everyone in case of an emergency. He can now carry 2 hoppers long enough to get him out of anywhere in case of danger.

He finds it a little bit funny that he knew Johnathan was a bit gay. He hates himself for being a dick about it, but he can't but be like "I fucking knew it."

He was fully planning on seducing that professor guy for Nancy.

He has a great poker face and is actually pretty good at lying if he tries.