Tu Koi Aur Hai, Janta Hai Tu

tu koi aur hai, janta hai tu

samne iss jahaan ke ek naqab hai.

tu aur hai, koi aur hai.

kyun nhiiii

vo jo hai?

tu jahaan ke vaste

khud ko bhul kar

apne hi sath naa

aise zulm kar.

khol de vo gile

jo lagaye tujh par tu

bol de

tu koi aur hai.

chehre jo

odhe tune vo

tere kahan hai?

saamne aa

khol de sab

jo hai dil mei

bol de ab.

tere raaste

khwaab hai tere.

tere sath jo

umra bhar chale.

aa inhe gale laga

tu kon hai bata?

aa khol de

yeh gile.

More Posts from Stargazer-forever and Others

1 year ago

What should a poet do in such a world? Write poems. Zbigniew Herbert, as a Warsaw adolescent, saw the only choice clearly enough when he said: "One might still offer / even to the betrayed world / a rose."To write poetry, even in the most hopeless of situations, is an act of faith-not only in poetry itself, but in the world. And who knows? Maybe someone will even read you someday, awaken to his or her own life, and live it with little more laughter and sanity, more dignity and passion.

From "War as Parable and War as Fact: Herbert and Firche"

2 years ago
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara
Jean Cocteau To Jean Marais, 1939 / E. E. Cummings / A Warm Day By Louise Gluck / "Looking East" By Sara

Jean Cocteau to Jean Marais, 1939 / E. E. Cummings / A Warm Day by Louise Gluck / "Looking East" by Sara Linda Poly / "In the Stillness" by Sara Linda Poly / Debasish Mridha / Picture is from the Pinterest / Albert Camus / Bring Me The Sunset In A Cup by Emily Dickinson

2 years ago
— Clarice Lispector, From “Dies Irae.”

— Clarice Lispector, from “Dies Irae.”

2 years ago

lol i hate today’s era of absolutely zero nuance takes. a friend didn’t behave exactly as you’d wanted them to? cut them off. a guy didn’t text you back instantly bc he has his own life? he’s just giving you breadcrumbs. doing something makes you uncomfortable? don’t do it anymore. someone isn’t instantly available for you? disinterest. just absolutist statements that often don’t apply to the multilayer situations of everyday life. like. stop. literally just stop it

1 year ago
Hi We Did It

Hi we did it

2 years ago

I would not be the person I am without the authors who made me what I am - the special ones, the wise ones, sometimes just the ones who got there first.

Neil Gaiman (via resqectable)

7 months ago

“A cage went in search of a bird.”

— Franz Kafka

1 year ago

“My creative writing professor told me to stop writing about love. I asked him why and he said, “Because you have turned it over and over in your hands, felt every angle, every fault, every inch, every bruise. You have ruined it for yourself.” I spent the next 3 weeks writing about science and space. Stars exploding. Getting sucked into a black hole. How much I wished I could sleep inside of that nothingness without being annihilated. What an exploding star would taste like. If it would make our stomachs glow like fireflies, or tingle and shake like pop rocks under our tongue. My creative writing professor told me that those poems weren’t what he was looking for. He tells me to stop writing about outer space. Stop writing about science. Again, I ask him why. Again, he says, “You have ruined it for yourself.” I spend the next three weeks writing about my mother, how we are told we can’t make homes inside of other human beings, but the foreclosure sign on my mother’s empty womb tells me that women who give birth know a different, more painful truth. My creative writing professor tells me I am both talented and hopeless, that everything I write is both visceral and empty, a walking circus with no animals inside but a beautiful trapeze artist with a broken hip selling popcorn in the entrance-way. He tells me to stop writing about my mother. I don’t ask why. I pick up my books and my notepad and I leave his office with my war stories tucked under my tongue like an exploding star, like the taste of the last person I ever loved, like my mother’s baby thermometer, and I do not look back. We are all writing about our mothers, our lovers, the empty space that we will never be able to breathe in. We are all carrying stones in our pockets and tossing them back and forth in our hands, trying to explain the heaviness and we will never stop writing about love, about black holes, about how quiet it must have been inside the chaos of my mother’s belly, inside the chaos of his arms, inside the chaos of the spaces in every poem I have ever written. None of this is ruined. Do not listen to them when they tell you that it is.”

— Caitlyn Siehl, “My Creative Writing Professor Told Me to Stop Writing About Love” (via alonesomes)

7 months ago

I know I don't say it enough and we joke about depression and how loneliness is eating up our lives, but it will be okay. I promise you it will.

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