“My creative writing professor told me to stop writing about love. I asked him why and he said, “Because you have turned it over and over in your hands, felt every angle, every fault, every inch, every bruise. You have ruined it for yourself.” I spent the next 3 weeks writing about science and space. Stars exploding. Getting sucked into a black hole. How much I wished I could sleep inside of that nothingness without being annihilated. What an exploding star would taste like. If it would make our stomachs glow like fireflies, or tingle and shake like pop rocks under our tongue. My creative writing professor told me that those poems weren’t what he was looking for. He tells me to stop writing about outer space. Stop writing about science. Again, I ask him why. Again, he says, “You have ruined it for yourself.” I spend the next three weeks writing about my mother, how we are told we can’t make homes inside of other human beings, but the foreclosure sign on my mother’s empty womb tells me that women who give birth know a different, more painful truth. My creative writing professor tells me I am both talented and hopeless, that everything I write is both visceral and empty, a walking circus with no animals inside but a beautiful trapeze artist with a broken hip selling popcorn in the entrance-way. He tells me to stop writing about my mother. I don’t ask why. I pick up my books and my notepad and I leave his office with my war stories tucked under my tongue like an exploding star, like the taste of the last person I ever loved, like my mother’s baby thermometer, and I do not look back. We are all writing about our mothers, our lovers, the empty space that we will never be able to breathe in. We are all carrying stones in our pockets and tossing them back and forth in our hands, trying to explain the heaviness and we will never stop writing about love, about black holes, about how quiet it must have been inside the chaos of my mother’s belly, inside the chaos of his arms, inside the chaos of the spaces in every poem I have ever written. None of this is ruined. Do not listen to them when they tell you that it is.”
— Caitlyn Siehl, “My Creative Writing Professor Told Me to Stop Writing About Love” (via alonesomes)
“Be softer with you. You are a breathing thing. A memory to someone. A home to a life.”
— Nayyirah Waheed
Eric Kogan
oh………,,,,,,, ok
saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
Sylvia Plath
Takes a guy who's obsessed with saving people even if it risks his life and a guy who is literally allergic to asking for help in any situation and puts them in My stew puts them in my fucking stew and stirs it
This world is filled with receivers
If the world ever decides to give you
Then give it back a little more
And if the world ever gives you less
Then never stop giving it back
Because the world has less of givers
— WISŁAWA SZYMBORSKA, translated from the Polish by Clare Cavanagh & Stanisław Barańczak.
The relation between nature and human being: Agnieszka Lepka