Nico Rosberg Looking At Lewis Hamilton, 2014 Vs 2024

The Law of Detachment

I say it all the time in my tarot readings: "When you're wishing for something from a place of desperation, the Universe won't grant it."

When you think you can't live without a partner, you'll never find the right one. Only shitty ones.

When you think you'll never be happy until you're rich, you'll never find happiness. And you'll never actually be rich.

Does that mean you have to stop wanting something to get it? Absolutely not.

It's called the Law of Detachment: Chase your dream and it runs away. Trust in your dream and it comes true.

It doesn't mean pretending you don't want love or wealth. It just means wanting something out of joy, not out of fear.

It's actually really simple:

Don't think about how pathetic it is to be the last among your friends to get married. Think about how great it is to be married to someone who adores and appreciates you.

Don't think about how much of a disappointment you are for being broke. Think about how awesome it is to have everything you've always dreamed of.

Fear = Bad. Joy = Good. Easy.

But why does the Universe care so much whether you're desperate or hopeful for something? A wish is a wish! Just fucking grant it, right?

Well, if my elders are to be believed, along with countless authors on manifestation, and even the oldest of religions... it's because you are an immortal being having a human experience.

That means you're a soul. And you entered this world without memories of how powerful you actually are. Because that's the plan. Enter the game, enjoy the adventure, then wake up wiser & better, before you do it all over again.

So when you're in the game and you're acting helpless — throwing tantrums, playing the victim, feeling sorry for yourself — the game master, also called the Universe, gives you the chance to remember your power. It does this through challenges, pain, loss. Hence the phrase, "The Lord is testing me."

But when you're in the game and you're behaving like you're happy to be there, and you're grateful for the chance to play, and you're seizing every opportunity to score... that's when the game master gives you all the weapons you need to keep winning. That's where love, wealth, health and joy come to you easily — when you're acting like you know your true power.

I said "really simple" but of course all of it is easier said than done. But if you can wrap your head around it, that's really all there is to it. 🤷‍♀️

As for me, my only aim with Servant of the Fates is to offer comfort when the game is hard, reassurance when the game is uncertain, and the encouragement to step into your power when the game is starting to get exciting. Good luck!

Manifesting is instantly

“But how? I just decide it and i doesn’t see it in front of me”

If you are questioning this, then you still don't understand. Let me explain this to you:

Manifesting is instantaneous in your 4D, which is your consciousness—the place where all creation happens. The moment you assume something as true in your mind, it is done. 3D, being a reflection of your consciousness, adjusts itself to physically manifest what you have already created internally. The time it takes for the 3D to reflect it is not a “delay,” but rather reality adjusting to your new perception.

The thing is, 3D is like a mirror: it cannot show you anything other than what you are “reflecting” in your 4D. If you are looking to 3D for immediate signs, it shows that you are still in a state of doubt, not certainty.

Think of it this way: if you plant a seed, you know that the plant already exists in potential. You don’t dig in the soil every second to check if the plant is there, right? You simply trust the process. Likewise, when you manifest, you need to rest in the certainty that 3D will inevitably reflect your internal state.

The key is to persist in the feeling that it is already yours, even before you see it in 3D. When you don't have to "see it to believe it," the reflection in the external world appears naturally, because it cannot resist your dominant state of consciousness.

Loml

𝐑𝐄𝐀𝐃 𝐓𝐇𝐈𝐒: 𝐓𝐡𝐢𝐬 𝐰𝐢𝐥𝐥 𝐦𝐚𝐤𝐞 𝐌𝐚𝐧𝐢𝐟𝐞𝐬𝐭𝐢𝐧𝐠 𝐜𝐥𝐢𝐜𝐤 𝐟𝐨𝐫 𝐲𝐨𝐮!

Your inner reality is the true reality because it is the only space where creation happens. The external world—the 3D—is simply a reflection of what you've already accepted, assumed, or believed in your mind.

Everything you experience in the physical world was once a thought, assumption, or belief held in your inner world.

When you affirm something as true in your mind, you are imprinting that assumption onto your subconscious, which cannot tell between what's "real" or "imagined." The moment you declare something is so, it becomes a part of your inner reality. That’s when manifestation happens: the moment you choose to affirm and accept something as true, it already exists in your inner world and your external reality must reflect that.

So, when you affirm something, it’s not something that “will happen” later—it’s already real in your inner world. The physical reality is simply the reflection of your inner assumptions. For example, the physical reality you see right now is just your previous thoughts, assumptions or beliefs. The main goal is to accept it true in your mind; the physical reality changing is just a "side effect" bound to happen because it has no choice but to reflect back to you the reality you’ve created in your mind.

what in the brocedes is going on

So it was just hanging out with friends but at least we were not bored. They are just friends.

Your dominant thoughts = your current reality.

"your subconscious is always listening and the thing you're telling it the most is the thing it's basically going to photocopy into your reality." ~ sammy ingram.

Persist and stand firm, don't waver, don't think against it, or ask where it is, don't complain, don't go back and forth (I see how most of yall always going back and forth and then say "I tried it and it didn't workkk" stop whining bich 😭🙏) and that's it.

Affirm anyways and do NOT quit. Don't give a fuck about the 3d and circumstances cuz trust me THEY DO NOT MATTER!!!!!

No matter what u see in the 3d just KEEP AFFIRMING ANYWAYS!!!!

Affirm + persist + repetition = ✨ manifestation ✨

Repetition = see proof = assumption/belief = experience it always.

EASY!!!!! 😜

me bored as hell because every time i shift or manifest it happens instantly and there’s absolutely zero resistance between me and my desires

Why You Can Change Your Physical Appearance and Overcome the Limitations of Biology

According to the Law of Assumption, what you believe and feel to be true is what manifests in your reality.

The idea is that your consciousness is the only reality, and the body follows the mind’s command.

So if you firmly assume that eating any amount of calories does not affect your body beyond what you determine, that is what will be reflected. If you assume a new desired appearance, that is what will be reflected.

Biologically speaking, the body follows certain physical and metabolic laws. But from the perspective of the Law of Assumption, biology is secondary to consciousness, because physical reality is created by the mind. In other words, what you believe to be true about your body and the world is what manifests, even if it goes against traditional scientific explanations.

So, by the logic of this law: it doesn’t matter whether it’s biologically “possible” or not, because biology is shaped by your belief. If you firmly believe that eating 1,500 calories will have the same effect as eating 500, your body will respond to that belief. If you firmly believe that your eyes is blue, your body will respond to that belief. Nothing is "more likely" or less possible", >everything< has the same weight as your belief.

The most important thing is that you don’t see biology as a limit, but rather as something that adapts to your assumptions.

The focus is on assuming the internal state of what you want and letting 3D adjust to it.

The “how” of this doesn’t matter as in any other manifestation. Your mind can manifest changes in surprising ways, whether through natural means (spontaneous genetic change, color perception, etc.) or circumstances you never imagined. The only thing that matters is that you stay true to your desired state.

4 Great Motives for Writing by George Orwell

George Orwell:

From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books. Putting aside the need to earn a living, I think there are four great motives for writing, at any rate for writing prose. They exist in different degrees in every writer, and in any one writer the proportions will vary from time to time, according to the atmosphere in which he is living. They are:

(i) Sheer egoism. Desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood, etc., etc. It is humbug to pretend this is not a motive, and a strong one. Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful business men – in short, with the whole top crust of humanity. The great mass of human beings are not acutely selfish. After the age of about thirty they abandon individual ambition – in many cases, indeed, they almost abandon the sense of being individuals at all – and live chiefly for others, or are simply smothered under drudgery. But there is also the minority of gifted, willful people who are determined to live their own lives to the end, and writers belong in this class. Serious writers, I should say, are on the whole more vain and self-centered than journalists, though less interested in money.

(ii) Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations.

(iii) Historical impulse. Desire to see things as they are, to find out true facts and store them up for the use of posterity.

(iv) Political purpose – using the word ‘political’ in the widest possible sense. Desire to push the world in a certain direction, to alter other people’s idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude.

It can be seen how these various impulses must war against one another, and how they must fluctuate from person to person and from time to time. By nature – taking your ‘nature’ to be the state you have attained when you are first adult – I am a person in whom the first three motives would outweigh the fourth. In a peaceful age I might have written ornate or merely descriptive books, and might have remained almost unaware of my political loyalties.

Looking back through the last page or two, I see that I have made it appear as though my motives in writing were wholly public-spirited. I don’t want to leave that as the final impression. All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist or understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one’s own personality. Good prose is like a windowpane. I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.

Published in Gangrel, No. 4, Summer 1946

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