Here’s The Whole Interview. I Change The Ratio Of The Original One.

Beauty personified

The Law of Detachment

I say it all the time in my tarot readings: "When you're wishing for something from a place of desperation, the Universe won't grant it."

When you think you can't live without a partner, you'll never find the right one. Only shitty ones.

When you think you'll never be happy until you're rich, you'll never find happiness. And you'll never actually be rich.

Does that mean you have to stop wanting something to get it? Absolutely not.

It's called the Law of Detachment: Chase your dream and it runs away. Trust in your dream and it comes true.

It doesn't mean pretending you don't want love or wealth. It just means wanting something out of joy, not out of fear.

It's actually really simple:

Don't think about how pathetic it is to be the last among your friends to get married. Think about how great it is to be married to someone who adores and appreciates you.

Don't think about how much of a disappointment you are for being broke. Think about how awesome it is to have everything you've always dreamed of.

Fear = Bad. Joy = Good. Easy.

But why does the Universe care so much whether you're desperate or hopeful for something? A wish is a wish! Just fucking grant it, right?

Well, if my elders are to be believed, along with countless authors on manifestation, and even the oldest of religions... it's because you are an immortal being having a human experience.

That means you're a soul. And you entered this world without memories of how powerful you actually are. Because that's the plan. Enter the game, enjoy the adventure, then wake up wiser & better, before you do it all over again.

So when you're in the game and you're acting helpless — throwing tantrums, playing the victim, feeling sorry for yourself — the game master, also called the Universe, gives you the chance to remember your power. It does this through challenges, pain, loss. Hence the phrase, "The Lord is testing me."

But when you're in the game and you're behaving like you're happy to be there, and you're grateful for the chance to play, and you're seizing every opportunity to score... that's when the game master gives you all the weapons you need to keep winning. That's where love, wealth, health and joy come to you easily — when you're acting like you know your true power.

I said "really simple" but of course all of it is easier said than done. But if you can wrap your head around it, that's really all there is to it. 🤷‍♀️

As for me, my only aim with Servant of the Fates is to offer comfort when the game is hard, reassurance when the game is uncertain, and the encouragement to step into your power when the game is starting to get exciting. Good luck!

your subconscious is simpler than you think it is

✩₊˚.⋆☾╶⃝⃤☽⋆⁺₊✧

The subconscious is the key to any manifestation. It is responsible for materializing in the physical world what you feed through thoughts, emotions and beliefs. Here is the role of the subconscious in manifestation:

1. It is the Executor of What You Believe

• The subconscious accepts everything you feel as true, whether positive or negative, without question.

• It does not judge; it only works to align your external reality with what is imprinted in it.

2. It Reflects Your Internal State in 3D

• Your external reality is a direct reflection of what is stored in your subconscious.

• What you see in 3D today is the result of the ideas and beliefs that the subconscious has already accepted as truth.

3. It Responds to Mental Imagery and Emotion

• It responds best to clear images and intense feelings, such as those generated in visualizations or SATS (Sleep-Akin State). • When you imagine something with emotion, the subconscious registers it as real and works to manifest it in the physical.

4. It is Programmed by Repetition

• Repeated affirmations, visualizations and feelings record new patterns in the subconscious.

• The more you repeat something, the stronger that belief becomes within you, replacing old programming.

5. It Doesn't Know the Difference Between Real and Imagined

• It accepts everything you imagine with emotion as being real.

That's why feeling that something is already yours is so powerful for manifesting.

How to Use the Subconscious in Manifestation

• Affirmations: Reinforce beliefs aligned with your desire.

• Visualization: Imagine your desire as already fulfilled with details and emotion.

• Persistence: Even if the 3D shows otherwise, stay firm in what you want.

The subconscious is like fertile soil. Whatever you plant in it through your thoughts and feelings, it will grow in your reality. Therefore, taking care of what you feed mentally is essential to manifest your desires!

Smaus are superior in formula 1 fanfics.

4 Great Motives for Writing by George Orwell

George Orwell:

From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books. Putting aside the need to earn a living, I think there are four great motives for writing, at any rate for writing prose. They exist in different degrees in every writer, and in any one writer the proportions will vary from time to time, according to the atmosphere in which he is living. They are:

(i) Sheer egoism. Desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood, etc., etc. It is humbug to pretend this is not a motive, and a strong one. Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful business men – in short, with the whole top crust of humanity. The great mass of human beings are not acutely selfish. After the age of about thirty they abandon individual ambition – in many cases, indeed, they almost abandon the sense of being individuals at all – and live chiefly for others, or are simply smothered under drudgery. But there is also the minority of gifted, willful people who are determined to live their own lives to the end, and writers belong in this class. Serious writers, I should say, are on the whole more vain and self-centered than journalists, though less interested in money.

(ii) Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations.

(iii) Historical impulse. Desire to see things as they are, to find out true facts and store them up for the use of posterity.

(iv) Political purpose – using the word ‘political’ in the widest possible sense. Desire to push the world in a certain direction, to alter other people’s idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude.

It can be seen how these various impulses must war against one another, and how they must fluctuate from person to person and from time to time. By nature – taking your ‘nature’ to be the state you have attained when you are first adult – I am a person in whom the first three motives would outweigh the fourth. In a peaceful age I might have written ornate or merely descriptive books, and might have remained almost unaware of my political loyalties.

Looking back through the last page or two, I see that I have made it appear as though my motives in writing were wholly public-spirited. I don’t want to leave that as the final impression. All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist or understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one’s own personality. Good prose is like a windowpane. I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.

Published in Gangrel, No. 4, Summer 1946

More: George Orwell

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LOOK AT TJIS OMG I CANNOT BELIEVE THIS

F1...anime... same shit everywhere

where's that post about how nico rosberg isn't a fan or an anti of anyone, he just rocks up at the races in his cunty little fits to be insane about racing and if you're good he'll say it and if you're bad he'll say that as well? i think people need that tattooed on their brains before they post because yes he was criticising lando for the mistakes he made in singapore (as he should, nearly crashing three times with a 30 lead is ridiculous) but he was also very complimentary about his driving across the weekend. he is not there to support any single driver he just likes wheel ffs