“Speak Your Mind, Even If Your Voice Shakes.”

“Speak your mind, even if your voice shakes.”

— Maggie Kuhn 

More Posts from Justanothergirlsblog and Others

4 years ago

“On earth there is no heaven, but there are pieces of it.”

— Jules Renard 

4 years ago

“You get a strange feeling when you’re about to leave a place. Like you’ll not only miss the people you love but you’ll miss the person you are now at this time and this place, because you’ll never be this way ever again.”

— Azar Nafisi

4 years ago

“Have you ever been in love? Horrible isn’t it? It makes you so vulnerable…It means that someone can get inside you and mess you up.”

— Neil Gaiman (via quotemadness)

4 years ago

Tips for writing quickly

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I am currently writing my debut novel (while working a full-time job) so I thought I’d share my tips on writing quickly. 

Writing the first draft is actually the easy and fast part! When you start editing, that takes the most time.

I work with brief outlines. Some work with strict outlines, but others use basic outlines for writing. I find that with basic outlines and a few points on what is supposed to happen helps me write faster because making the outlines basic gives me more room to keep it exciting.

If you work shifts like I do, identify what time in the day you are most productive and try to write then. For me, I won’t consider working in the afternoon because that’s when I’m in a slump. I prefer working in the morning or even late at night (even when I’ve just gotten home from work). 

Block distractions – I use Forest and the screen restrictions on my phone. 

I use OmmWriter (I got it when it used to be free) to block distractions and keep the music off, but turn the keyboard clicking feature on – since I love the sound so much it encourages me to write on! 

NEVER go back and edit or re-write. Going back to fix anything is the worst thing you can do. Instead, write a note for yourself, a random liner in the document or outside of it, and get it on the second draft.

Research later. If I forget a word or term, I put ELEPHANT or TK and search for it later to replace. If there is something I want to research, I quickly add a comment or note so I can research later. 

There are plenty of writing processors that have Talk-to-text. Use it! 

Do writing sprints with friends, or by yourself. If you have friends who write or study, get on FaceTime or Zoom together and set a specific time where you all get something done. When I’m by myself, I put up “write with me” or “study with me” videos on in the background sometimes to get in the mood of wanting to do something productive. If you’re an ARMY, try this. 

Keep writing notes on hand. Notes are important for names, birthdays, character descriptions, and more. You can have this digitally of course, some have use a binder, others a small booklet or note book. This saves time in finding information. 

Schedules are very important. If you want to write for a living, treat it like a job! Even as my passion, I treat it like a job and strive to be consistent with it. I find it helps to keep up a schedule instead of setting a deadline! The schedule has to be made a priority. You can set a schedule with your family or your partner, where you write after or before work every day, and let them know it is important for you to do. Treat your writing like a priority and everyone around you will, too. 

4 years ago

HOW TO WRITE A SLOW BURN ROMANCE

//@writerthreads on Instagram

(Because these things get me slapping my pillow at 3 AM)

Slow burns are romance stories with a slower pace. They’re more realistic, because you need to build the relationship between the two people. This can either be a subplot or the main plot, and usually takes place through the whole book because time is a big factor in slow burn.

You’re showing the reader how their relationship changes from a friendship to a romantic couple, therefore you need to show the chemistry between the two people. Build the relationship stage by stage. Plan down “breakthroughs” that acsends them up the relationship ladder. Think of scenarios and reasons for them to become more close. (Ex. mutual friends, common interests) Reference real romantic relationships that you might’ve experienced for help!

Like any other relationship, consider how they met in the first place. With the method of “show, not tell”, show their initial, intermediate, and final feelings (at the end of the book) through actions or thoughts, instead of making them say it out loud all the time. If you need help with affectionate actions, scroll down on our feed!

If they’re already friends, you’re a step ahead— you don’t have to deal with formalities in introductions and such, but still, you might want to talk about initial feelings. A first person POV is much more intimate than a third person POV, which can be more casual, so it depends on what tone you want to build with the story.

Also, like any other plot, they’ll encounter difficulties. It doesn’t necessarily have to be a life-or-death scenario, but think about what makes it slow burn, what’s preventing from from making it official. A common problem is because both parties are afraid to make the first move either due to embarrassment, or inexperience. They might be scared to be rejected because they’re not sure whether or not the other person is causually flirting with them, or because the feelings are actually reciprocated. You’ll then have to find a solution to it.

Show the reader how they become more comfortable around each other and how they enjoy the other’s company. Simple ways could be long, easy conversations between them, or simply showing how they’re happy when they’re with the other person. Romantic feelings don’t just occur in two days, people don’t (usually) go saying “I love you” in a week.

In a way, you’re teasing readers with the question “will they, or will they not?”. They’ll be on the edge of their seats, waiting for the moment they finally become official. Therefore, even though slow burns are paced, you don’t want to make them too slow. Not baby steps, toddler steps. Throughout the story, you’re giving out romantic hints. If you want to speed things up, include more obvious ones where character go, “oh my god, they definitely like you!”, and if you want to slow them down, include less subtle ones, and create a small distance between the two people.

In the “talking” stage, there’ll be loads of flirting. This is basically the honeymoon phase. Other characters are going to tease them about it, but the two people will still be unsure. They’ll be texting on phones or sending letters, or talking loads in person. If you’re writing in first person, describe the character’s current feelings. If you’ve got bold characters, use pickup lines, with or without humourous intention. It’s all up to you, and as I always say, do what’s best for your story and the way you want it to go.

As an author writing a slow burn romance, you’d likely want readers to like the couple, and here’s the main way:

- show that they’re “perfect” for each other...

At least for the time being. You’re writing about the present, not the future (that’s for the end of the book where you decide whether or not they end up together). Make them “couple goals”, even though they’re not official yet, where their love is being shown, but not said (yet). This could be through heart-to-heart conversations where they deeply understand each other, or as simple as waiting for each other while the other person is tying their shoelace. All in all, make them happy together. Show that they’re happy with each other— big smiles, laughing at each other’s jokes because they have the same humour, etc.

I’m conflicted about whether or not on-and-off relationships are considered to be slow burn. If the process of it is rapid, I personally think it isn’t, but if it’s a series and there’s a long gap between each breakup and you properly build on it, it could be a slow burn.

Just remember, it’s like any other romantic relationship, except it’s being dragged out. Don’t forget about supporting/ other characters and the subplot/ main plot. You’re still writing a story, and all those aspects make your story ten times more interesting!

4 years ago

“The deeper the wound, the more private the pain.”

— Isabel Allende

4 years ago

Writing Tip #167

Having the way a character organizes their home mirror how they organize their life can be a really helpful literary tool and a subtle way to flesh out your character.

4 years ago

“Maybe it won’t work out. But maybe seeing if it does will be the best adventure ever.”

— Unknown 

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justanothergirlsblog - =A weird girl=
=A weird girl=

I'm just a weird girl who likes to read about history, mythology and feminism.

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