“Have You Ever Been In Love? Horrible Isn’t It? It Makes You So Vulnerable…It Means That Someone

“Have you ever been in love? Horrible isn’t it? It makes you so vulnerable…It means that someone can get inside you and mess you up.”

— Neil Gaiman (via quotemadness)

More Posts from Justanothergirlsblog and Others

4 years ago

It drives me crazy when I think that almost all of Mark Twain's quotes are valid in the present. He was so ahead of his time!

Here we are, in 2020, in quarantine, when we're obviously wishing to be somewhere else and suddenly this post appears, which encourages us to read.

““Books are for people who wish they were somewhere else.””

— Mark Twain (via teandcats)


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4 years ago

“A writer, I think, is someone who pays attention to the world.”

— Susan Sontag

4 years ago

Writing Tip #209

With miniature narratives, have a gentle/delicate ending. You don’t need to have an explosion or anything dramatic, the story should gently build up to an ending that seems natural.

4 years ago

“Start writing, no matter what. The water does not flow until the faucet is turned on.”

— Louis L'Amour (via quotemadness)

4 years ago

“If they don’t know you personally, don’t take it personal.”

— Khleo Thomas 

4 years ago

Hi there! I was curious for your advise on how to get back into writing after a long absence? I haven't written for at least 3 years and I can't seem to figure fire out a way to motivate myself and get excited about something to write. I'm incredibly out of practice and stories rarely come to me nowadays. It seems to be easier to just continue with life mindlessly, not trying to write since when I think about trying to write I immediately think about what a failure it would be.

Kate’s masterlist of motivational content...

Choosing Your Writing Path

Restarting Your Writing Passion

How To Motivate Yourself To Write

Reasons To Improve Your Lifestyle

Tips & Advice for Aspiring Authors, Writers, and Poets

On Getting Started As A Writer

On Hating Your Old Stuff

Depression As An Inhibitor

Healthy Forms of Motivation

How To Have A Productive Mindset

How To Fall In Love With Writing

How To Incorporate Health Into Your Writing Routine

So You Want To Start A Blog?

Writing Through Mental Health Struggles

How To Improve Your Life In Little Ways

 Dear Writers Who Are Hesitant To Start Writing

Insecure About Writing Without Formal Training?

“All First Drafts Are Crap” -- My Thoughts

Getting Back To Writing After A Long Hiatus

Why “Burnout” Is Oay - The Creative Cycle

For Writers Who Want To Become Popular

Wanting To Finish A Story You’ve Fallen Out of Love With

You Don’t Need To Be A Professional To Practice Advanced Writing

Getting Motivated To Write

“Does What I’m Writing Matter?”

Taking Writing Seriously For The First Time

Sharing Your Writing With Others

Getting Burnt Out Near The Finish Line

The Beginning of The Writing Process

Benefits of Low-Stakes Writing

Taking Risks With WIPs

Masterlist | WIP Blog

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.

4 years ago

“You have to meet people where they are, and sometimes you have to leave them there.”

— Iyanla Vanzant 

4 years ago

for the draft thing: when i start writing novels i always have a lot of beginning, a fair amount of backstory, a solid ending, and maybe one or two key events in between, but nothing in the middle. i'm never sure how to approach this and it usually kills a lot of my projects :/ not sure if this is a question you can answer easily but if there's any tips i'd love to hear it!

Planning the middle...

I’ve gathered a couple of resources that I believe may help you with this. 

Coming Up With Scene Ideas

How To Engage The Reader

Pacing Appropriately

Balancing Detail & Development

Writing The Middle of Your Story

Powering Through The Zero-Draft Phase

Maintaining Writing Momentum

How To Prevent Getting Stuck

Writing Your Way Through The Plot Fog

Resources For Plot Development

Guide To Plot Development

How To Foreshadow

Novel Planning 101

Tackling Subplots

Things A Reader Needs From A Story

Planning A Scene In A Story

How To Fit Character Development Into Your Story

And some prompts in case you have trouble getting the creative juices flowing while you’re brainstorming...

Romantic Prompts

Angst Prompts

Dramatic Prompts

Suspenseful Prompts

Sad Prompts

20 Sentence Story Prompt

31 Days of Character Development : May 2018 Writing Challenge

31 Days of Plot Development : January 2019 Writing Challenge

Masterlist | WIP Blog

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.

4 years ago

“Do you think the universe fights for souls to be together? Some things are too strange and strong to be coincidences.”

— Emery Allen

4 years ago

Writing Theory: Controlling the Pace

Writing Theory: Controlling The Pace

Pacing is basically the speed of which the action in your story unfolds. Pacing keeps the reader hooked, helps to regulate the flow of the story and sets the tone of the entire book. So how can we write it?

Genre & Tone

Writing Theory: Controlling The Pace

Really in any novel the reader has an expectation that the book will be fast paced or slow. Readers will go into an action novel, expecting it to be fast paced. Readers will pick up a romance novel and expect it to follow a steadying climb of pace as the story goes on.

Pace is a good indicator of how the story is going to feel. If you want your readers to feel as if they are in a calm environment, you don't place the events immediately one after the other. If you want your readers to feel some adrenaline, you keep the curveball coming.

How to utilise Pacing successfully

1. Give your readers time to recover

Writing Theory: Controlling The Pace

When readers are reading a fast-paced novel, they need a breather and so do you and your characters. By peppering in a few moments between peaks of fast pace, you are allowing your readers to swallow down what they've just read and allows you to explore it further. Consider this like the bottle of water after a run. You need it or you'll collapse.

2. Track Events Carefully

Writing Theory: Controlling The Pace

When planning your book's outline or at least having a vague idea of it, you have a fair idea when things are going to happen. Usually books have an arc where pace gets faster and faster until you get to the climax where it generally slows down. If you're writing a larger book, you have to space out your pacing properly or else your reader will fall into a valley of boredom or find the book a bumpy ride. The climax should have the fastest pace - even if you start off at a high pace. Your story always should peak at the climax.

3. Localising Pace

Writing Theory: Controlling The Pace

If you want to put your reader into a certain state of mind throughout a chapter or even a paragraph, pay close attention to your sentence bulk. Long flowy sentences but the reader at ease, slowing the pace for them. Short, jabby sentences speed things up. An argument or a scene with action should be quick. A stroll through a meadow on a lazy summer's noon should be slow.

4. Information is Key

Writing Theory: Controlling The Pace

When writing pace in your overall novel, the reader should be given more information as you go through the story. You begin any story estentially with the who, what, where of everything. But peppering in all the whys, you broaden the story and keep the reader feeling more able to keep up with everything. For example, in any murder mystery your reader is given the body. As the story goes on, your reader should be given more and more information such as the weapon, the where until you get to the climax.

5. Off/On Stage

Writing Theory: Controlling The Pace

All events of the story do not need to be shown on stage. When you want to slow things down, allow things to happen away from the readers view. If you show event after event at your readers, everything is at a faster pace.

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justanothergirlsblog - =A weird girl=
=A weird girl=

I'm just a weird girl who likes to read about history, mythology and feminism.

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