It's About Crowley Bearing Witness To Aziraphale's Desire, About The Way That Desire Is Animal And Visceral

I am so insane about the Job arc.

God says, "I will destroy Job's children," and Aziraphale says, "How did he wrong you?"

God says, "I will destroy Job's children," and Aziraphale says, "How will you make it right?"

God says, "I will destroy Job's children," and Aziraphale says, "Gosh, I don't doubt you know what you are doing and all, but maybe we could slow things down a little and talk about this? And it's essential to the divine plan? Are we sure?"

Crowley says, "I will destroy Job's children," and Aziraphale looks him in the eye and says, "No, you won't."

woke: the nazis recognized crowley because he was working for british counterintelligence 

also woke: crowley didn’t actually know exactly when and where aziraphale’s book deal was going down, he just had a vague idea, so he’d been busting into churches at random for about the past month and a half, hopping around on his burning feet, and each time he did it he Loudly announced his entrance like “here comes anthony j. crowley to save the day!” because he had a whole plan, he was gonna be so suave, but it was never aziraphale, and he ended up interrupting several other clandestine nazi meetings so that word got around in nazi circles of anthony j. crowley, the weird hopping church guy, and then when he finally did happen upon aziraphale’s deal, he was just so incredibly happy to see his angel that he completely forgot his smooth introduction, but the nazis recognized him as the weird hopping church guy so they did it for him.

Another sketch from Magma 🤧

Funny (and kinda revealing) thing is that for years I’ve stuck to that moody picture of the Doctor walking through the clouds/smoke to the TARDIS as my lock screen wallpaper. Then I went through a couple of official posters for GO S1, then reverted to my trusted and almost monochrome Ten… and now this.

I see some parallels, so to say.

You Say Potato, I Say Excellent! Or blocking, accents and legacy of morality tales in ‘The Resurrectionists’ minisode PART II

Alternate title: how Aziraphale’s naivety in this episode was supposed to make you a bit outraged

I have to shout out to @bowtiepastabitch for their AMAZING historical analysis of this minisode - it prompted me to finish this long ramble that has been drifting in my notes. Anyway, I have a major obsession with the ways blocking and dialogue interplay in Good Omens - you can check out my analysis of the blocking in the flashbacks in S1. But The Resurrectionists is really something special. This got so long I am splitting it into two parts. 

What we see in this minisode is a morality tale - a genre of children’s literature that was extremely popular in the early 1800s where the minisode is taking place. Catch up on the historical background in Part I.

When looking at this minisode, it is really important to look at two complementary narrative tools - Crowley’s accent and the placement of Aziraphale in relation to Crowley. Through the minisode, Crowley switches between his standard English accent and a delightful Scottish accent. But the switching isn’t random!

Scottish lines =  character Demon Crowley, who moves the plot of the story along

English lines = Crowley, the moral guide leading Aziraphale

Additionally, the two of them swap sides in their blocking frequently in this episode. Their standard placement is A/R + C/L but the swap to C/R + A/L is almost the norm in this minisode.

Analyzing Blocking and Dialogue

We open in the graveyard, with Aziraphale and Crowley in their standard placement, observing the statue of Gabriel. But then they notice Elspeth, digging up a corpse. When Aziraphale approaches Elspeth to inform her that her actions are Not Good, he actually ends up swapped with Crowley and finds himself on the left because what he is doing - making moral judgments on the actions of Elspeth with no understanding of what led her here - is doing Good, not good.

The next scene finds Crowley helping Elspeth cart the corpse away from the graveyard, while the trio debate all the other ways Elspeth could make money - Aziraphale suggests running a bookshop, farming, weaving, giving the standard Good party line about hard work blah blah blah. Aziraphale remains on the left - after all, those supposed options are completely unrealistic, unobtainable professions for someone in Elspeth's socioeconomic position. They aren't remotely helpful suggestions.

Aziraphale only finds himself back on the right when he and Crowley are introduced to Wee Morag, and have some time to listen and observe the reality of their situation.

Then, off we go to complete our journey to sell the body. Aziraphale and Crowley find themselves having a debate about morality, but Aziraphale is again ON THE LEFT as he waxes poetic about the virtues of poverty - doing Good, not good again. What I loved here was you saw the clear purpose between Crowley’s two accents as he switched mid-line -

Crowley: (SC) Oh, I'm down with wicked! (EN) Anyway, is it wicked? She needed the money. 

Upon reaching the lodging of Mr. Dalrymple, FRCSE, Crowley and Aziraphale take their standard places but this scene has one really important moment that I want to highlight. When they open the barrel to find the rotted corpse, the look on Crowley’s face is so telling. He often finds Aziraphale’s machinations amusing even when they are annoying, but here he looks decidedly disappointed. Aziraphale might have done Good by rendering the body unsellable, but what good did it do? The body is still been un-interred. Elspeth has wasted her energy, and has made a terrible first impression of the surgeon whom she needs to pay her for her services. It looks like Crowley wants to say something, but he stops himself and clenches his jaw. The PATIENCE he is showing to Aziraphale - this is a quality that Crowley has in SPADES but we really see him exercise it here.

After the discussion with Mr. Dalrymple, in which Aziraphale realizes the importance of dissections for educating medical students and thus leading to better care for the living, he asks the right question - why should the poor have to risk death to obtain bodies? But he let's himself get sidetracked by a blatant appeal to his emotions...

At this point, Aziraphale goes all in on body snatching being Good. Which... it still isn't because it is based on a broken system that disadvantages the poor? FOCUS, angel. He even goes as far as to offer to help Elspeth and Wee Morag in obtaining another corpse but note that again, he is on the LEFT -

Remember, Wee Morag is deeply conflicted about the morality of body snatching, and instead of explaining anything to her (like, that having your body dissected won't keep you out of heaven would be start) Aziraphale just sort of joins Elspeth in pressuring her to join in - which is pretty awful and coercive, but gee if that isn't just heaven's playbook for doing Good, not good.

So we return to the graveyard, and this is where everything goes sideways. Aziraphale spends basically this entire sequence on the left. First, he notices the ingenuity of the grave guns but fails to acknowledge the travesty of so much energy being spent on protecting wealthy corpses while the poor suffer. Then, the tragedy strikes. After Wee Morag is shot, Aziraphale wastes time justifying saving her, resulting in her dying before he can act. And after all this, after the heart break of seeing her partner die, we see Elspeth come to the logical conclusion. If body snatching is Good, then might as well take Wee Morag off to Mr. Dalrymple, right?

What shouldn't be overlooked is what takes place when Elspeth gets Wee Morag's body to Mr. Dalrymple. Because while Aziraphale is very clearly illustrating the dangers of black and white morality through religion, Dalrymple is showing that black and white morality through science is just as bad. Dalrymple has unshakable belief in the power of science and knowledge to alleviate human suffering and sees his work at Good. He cares about preventing illness, but ignore his role in perpetuating poverty - an unfortunate side effect of rigid belief systems of all shapes and sizes. He is downright cruel to Elspeth.

This is already getting real long, so we won't go into the absurdist comedy of the scene in the tomb - suffice to say that the surreal nature of Crowley's bargaining with Elspeth smacks of a fantastic tales of pacts made with the devil. It's delightfully unhinged.

The one line I think worth pointing out?

"Do I sound like a goat?"

I think this line is key in the narrative connection between the three minisodes in S2. All three flashbacks show Crowley and Aziraphale engaging in acts of deception, but they all have important differences:

In A Companion to Owls, the two work together, and they manage to pull off the trick and evade punishment.

In Nazi Zombies from Hell, Aziraphale comes up with a plan and Crowley goes along with it, and they barely manage to evade punishment.

In The Resurrectionists, Crowley comes up with a plan and Aziraphale goes along with it, and Crowley is sucked down to hell.

I think it's worth noting just how silly Crowley is in the first two minisodes. Bildad and Scottish Crowley are FUN even when dealing real heavy shit. Just a complete joy to watch. And we never see that level of silly from him again. Whatever happened in hell was clearly really bad since the next time we see him in St. James Park he is asking for holy water. He may have moments, but he is never the same.

Questions, comments, additional thoughts? Lay them on me. I'd love to dig into new lines of inquiry on this minisode because I just love it so much <3

if there’s one thing season 2 showed us it’s that of course crowley’s love language is acts of service. crowley who comes from hell, a place designed to make existence as tedious and miserable as possible through cramped dirty offices and every inconvenience imaginable. and of course aziraphale’s love language is physical touch. aziraphale who comes from heaven, a place of infinite flat, impersonal office space, inhabited by angels so averse to any sort of contact (emotional or otherwise) that they struggle to touch material items and turn their noses up at food and drink. and of course aziraphale and crowley meet each other and think to themselves i’m not going to make you suffer with that, you deserve more, i’m going to give you what i wasn’t.

Such a Gallifreyan stance.

Heaven planned to do a Rassilon on... well, on everyone and everything.

I’ve seen a lot of posts about Az being controlled by the Metatron but I don’t buy it. 

I’m fully on board with Aziraphale making stupid decisions for what he believes is the greater good. We’ve had evidence time and again of him wanting to get Crowley back on the side of angels so he’ll be safe. “they’ll destroy you”/“they’ll kill you” was his biggest fear all through S1 and that fear hasn’t gone away, especially now the neutrality protection has gone from the bookshop and Heaven and Hell can both get in.

You’ll notice he said “I don’t want to go back to heaven” until the moment the Metatron tells him that it means he could guarantee Crowley’s sanctuary and safety. And this is not ten minutes after the rest of heaven’s archangels were planning on wiping Aziraphale completely from the book of life and leaving Crowley alone? The Metatron didn’t have to threaten Crowley. The threat has always always been there. Aziraphale didn’t choose death because he’s predictable.

Trouble is that the Metatron knew Crowley wouldn’t want it (he’s always been an independent one, going his own way, asking questions) and is using this as something to drive a wedge between them. Because the Metatron fully admitted that “we’ve kept track of your history” and as Gabe said re. Armageddon “at least we know who’s fault it was” that it stopped.

Together, Crowley and Aziraphale have stymied Heaven more than once. Together, they produced a miracle that exceeded the power of the Supreme Archangel and could raise the dead 25-fold. Together, their interference/cock-ups led to the failure of Armageddon and Heaven doesn’t want to risk that when they’re working up to the big one, The Second Coming.

They know Aziraphale and Crowley together would be a liability. They needed them separated by whatever means and they have it. They knew Aziraphale would want to do good - everyone knows Aziraphale is a good guy. Even Gabriel, when his memory was gone, went straight to Aziraphale because he instinctively knew this is someone who would protect him. And everyone knows that Crowley is the rogue angel. The Metatron clearly knew him and described him as someone “who always wants to go his own way”.

The Metatron played on both their fears. He also played on Aziraphale’s belief that Heaven can still be good: he came in just in time to save him from erasure from the book of life, he implied that he’s much more like Aziraphale by bringing him nice sweet things and encouraging him to imbibe them, he offered safety and protection for Crowley to keep him out of harms way. But simultaneously, he slammed Crowley’s big red horror button at the idea of being under Heaven’s thumb again. He knew exactly what he was doing.

TLDR: Aziraphale did what he always did. He’s a guardian. He’s doing what he feels he needs to in order to keep people safe. And Crowley did what he always did by rejecting Heaven. The Metatron used that and pressed his and Crowley’s buttons to make sure he split up the dream team to make sure the next Armageddon isn’t interrupted by their interference.

this promo photo. this. as a promo photo. that's just cruel

going through my second rewatch of good omens season 2, and i've spotted something on Nina's chalkboard...

let's look a little closer........

CROWLEY + AZIRAPHALE