Illustrations by John R. Neill for DOROTHY AND THE WIZARD IN OZ (1908).
Here are just a few french films you can watch to improve your language skills:-)
Films : - 120 battements par minutes (2017) - Grave (2016) - Trois souvenirs de ma jeunesse (2015) - Comment c’est loin (2015) - La tête haute (2015) - L’étudiante et monsieur Henri (2015) - Réparer les vivants (2015) - Respire (2014) - Yves Saint Laurent (2014) - La vie d’Adèle (2013) - Jeune et jolie (2013) - De rouille et d’os (2012) - Intouchables (2011) - L’amour dure trois ans (2011) - Polisse (2011) - Gainsbourg, vie héroïque (2010) - Le premier jour du reste de ta vie (2008) - Je vais bien, ne t’en fais pas (2006) - Jeux d’enfants (2003) - Le fabuleux destin d’Amélie Poulain (2001) - La haine (1995) - 37.2 le matin / Betty blue (1986)
Animated movies : - Ma vie de courgette (2016) - Persepolis (2007) - Princes et princesses (1999) - Kirikou et la sorcière (1998)
if you have any question, feel free to ask me : http://mi2kle.tumblr.com/ask
The Merchant of Venice (2004) | Belmont
This book in Hannibal’s kitchen is Mastering the Art of French Cooking by Julia Child, Louisette Bertholle and Simone Beck, volume 1.
Mastering the Art of French Cooking is the result of a collaboration among Julia Child , Simone Beck, Louisette Bertholle, illustrator Sidonie Coryn, and Paul Cushing Child (Child’s husband), and was the impetus for Child’s long and successful career as a pioneering television chef.
Julia Child’s goal was to adapt classic French cuisine for mainstream Americans. The collaboration of this cookbook proved groundbreaking and has since become a standard guide for the culinary community. Mastering Volume 1 was originally published in 1961 after some early difficulties. Volume 1 was a broad survey of French flavors and techniques, and grew out of the work the three women had done for their Paris cooking school, “L'École des trois gourmandes”. Mastering Volume 2, released in 1970, again a collaboration between Julia Child and Simone Beck but not Louisette Bertholle with whom the professional relationship had ended, expanded on certain topics of interest that had not been covered as completely as the three had planned to in the first volume (particularly baking and charcuterie).
Taken together, the two volumes are considered one of the most influential works in American cookbook history. Julia Child has long been accorded near-universal respect in the cooking world, in part due to the influence of these books.
Sending love and puppies to xshiromorix for identifying the book. :-)
—-
All books in Hannibal are here.
Cultural Dark Academia
After my last post about the lack of representation in academia, I felt it neccessary to provide some examples of what I’m talking about. Obviously there are more countries in the world than I can list and provide books for, so for a quick list this is what I got. !! Keep researching !! If you have any more books by POC please reply them !! If a country isn’t listed, that doesn’t mean it’s not important, this is just what I could get together real quick. If I made any mistakes, please let me know, we’re all learning. We need to help each other end eurocentrism in academia, so value representation and educate yourselves 💓💓💓
Chinese:
The Art of War by Sun Tzu
The Dream of the Red Chamber
The Water Margin
Romance of the Three Kingdoms
The Journey to the West
The Scholars
The Peony Pavilion
Border Town by Congwen Shen
Half of Man is Woman by Zhang Xianliang
To Live by Yu Hua
Ten Years of Madness by agent Jicai
The Field of Life and Death & Tales of Hulan River by Xiao Hong
Japanese:
A Personal Matter by Kenzaburo Oë
Pakistani:
Moth Smoke by Mohsin Hamid
How to Get Filthy Rich in Rising Asia by Mohsin Hamid
Ghulam Bagh by Mirza Athar Baig
Masterpieces of Urdu Nazm by K. C. Kanda
Irani/Persian:
Rooftops of Tehran by Mahbod Seraji
Savushun by Simin Daneshvar
Anything by Rumi
The Book of Kings by Ferdowsi
The Rubiyat by Omar Khayyam
Shahnameh (translation by Dick Davis)
Afghan:
Earth and Ashes by Atiq Rahimi
A Thousand Splendid Suns by Khaled Hosseini
Indian:
The God of Small Things by Arundhati Roy
Aithihyamala, Garland of Legends by Kottarathil Sankunni
The Gameworld Trilogy by Samir Basu
Filipino:
Twice Blessed by Ninotchka Rosca
The Last Time I Saw Mother by Arlene J. Chai
Brazilian:
Night at the Tavern by Álvares de Azevedo
The Seven by André Vianco
Don Casmurro by Machado de Assis
Colombian:
Chronicle of a Death Foretold by Gabriel Garcia Marquez
Delirio by Laura Restrepo
¡Que viva la música! by Andrés Caicedo
The Sound of Things Falling by Jim Gabriel Vásquez
Mexican:
Bless Me, Ultima by Rudolf Anaya
Adonis Garcia/El Vampiro de la Colonia Roma by Luis Zapata
El Complot Mongol by Rafael Bernal
Egyptian:
The Cairo Trilogy by Nahuib Mahfouz
The Book of the Dead
Nigerian:
Rosewater by Tade Thompson
Things Fall Apart by Chinua Achebe
Malian:
The Epic of Sundiata
Senegalese:
Poetry of Senghor
Native American:
The Inconvenient Indian by Thomas King
Starlight by Richard Wagamese
Almanac of the Dead by L. Silko
Fools Crow by James Welch
Australian Aborigine:
Dark Emu by Bruce Pascoe
First Footprints by Scott Cane
My Place by Sally Morgan
American//Modern:
Real Life by Brandon Taylor
Namesake by Jhumpa Lahiri
The Hate U Give by Angie Thomas
The Poet X by Elizabeth Acevedo
Internment by Samir’s Ahmed
Their Eyes Were Watching God by Zora Neale Hurtson
Rivers of London Series by Ben Aaronovitch
With the critical success of the new film Belle, there’s a lot of interest in the life of its heroine, Dido Belle. Many have even hailed the movie as as Austen-esque, with it being centered around a headstrong, 18th century woman who doesn’t quite fit in with her stuffier surroundings. And yet, there is quite a bit of (circumstantial) evidence that suggests that it was Jane Austen who was inspired by Dido’s story for her novel, Mansfield Park.
About a year ago, I wrote a research paper on the historical and literary events that may have influenced Austen’s Mansfield Park. If you’re interested in the subject, here’s some excerpts from that paper, including some of the sources I used:
“Historically speaking, the characters of Fanny Price and the Lord and Lady Betram seem to have been loosely based on the life of Dido Belle, the illegitimate daughter of a British Admiral and African slave, who was sent to live with her uncle in England…
There is evidence to back up the fact that Austen knew about the life of Dido Belle and the Mansfield family. Lord Mansfield was a Lord Chief Justice and a distinguished figure of society, whose “public image…[was] of a brilliant judge and a man of impeccable integrity… famous for his silver-tongued oratory” (Adams 1). In 1772, he made a controversial decision in the case of a black man, James Somerset, who was being forced to leave England to be sent back the American colonies as a slave. Lord Mansfield ruled in Somerset’s favor, essentially freeing the man from his enslaved state. This case became “widely interpreted to mean that all enslaved people in England must be ‘discharged’… [giving] great momentum to the movement of abolition”(Jones). The circumstances of this case is believed to have partially influenced William Cowper’s poem The Task, a poet whom Austen is known to have read and alluded to in several of her books, including Mansfield Park (Pemberly). Christine Kenyon Jones, in her essay “Ambiguous Cousinship: Mansfield Park and the Mansfield Family,” sees the following lines as evidence of Mansfield’s ruling as being influential in Cowper’s writing: We have no slaves at home—then why abroad? And they themselves, once ferried o’er the wave That parts us, are emancipate and loosed. Slaves cannot breathe in England; if their lungs Receive our air, that moment they are free, They touch our country and their shackles fall. (2.37-42) The imagery of the first line compares “slaves at home” to slaves “abroad,” making the case that it is hypocritical to want one’s own immediate surroundings to have the appearance of moral uprightness, while simultaneously profiting from slavery abroad and away from view. One can apply this to Mansfield’s own household, as well as Sir Thomas’ in Mansfield Park: once Sir Thomas returns from his plantation in Antigua that he desires to treat Fanny as an equal instead of as the kind of servant she is used to being treated as; likewise, it was widely speculated at the time that Mansfield’s ruling was partly influenced by the presence of his niece, Dido, who was, after all, the product of his own nephew’s capture of a slave woman and taking sexual advantage of her. That is, his first-hand experience with slavery and its effects may have given him a fuller perspective of the horrors of enslaving human beings.
In addition to the possibility of Austen being influenced by Cowper’s poem and Lord Mansfield’s reputation, she was also acquainted with Lady Elizabeth Finch-Hatton, who was the cousin and childhood companion of Dido Elizabeth Bell. Citing Austen’s letters as evidence, Jones suggests that her association with Lady Elizabeth inspired the “elegant-but-dumb” character of Lady Bertram of Mansfield Park and even Lady Middleton from Sense and Sensibility. In a letter to her sister Cassandra, Austen imparts her meeting of the Hattons in August of 1805: “Fortune was also very civil to me in placing Mr. E. Hatton by me at dinner. I have discovered that Ly. Elizth for a woman of her age & situation, has astonishingly little to say for herself…” (CE, #45). Jones believes that Austen’s remarks suggest that “she was aware of Lady Elizabeth’s ancestry and origins, and was disappointed not to find her a more interesting person or forthcoming I conversation.” In her later letters, however, this disappointment in Lady Elizabeth’s lack of personality becomes amusement for Jane and Cassandra, just as Lady Bertram’s presence in Mansfield Park provides comic relief. In another letter, Austen briefly mentions her with some mocking: “Lady Eliz. Hatton & Anna-maria called here this morng;-Yes, they called,-but I do not think I can say anything more about them. They came & they sat & they went” (CE, #91). Here, Lady Elizabeth’s presence is mute and unremarkable; yet despite her seeming lack of personality, Austen mentions her several times in her letters in much the same way, suggesting that while colorless and dull, she was worth mentioning for this same reason. In Mansfield Park, nearly every mention of Lady Bertram is irrelevant and unrelated to the plot—she is referenced as a side note or afterthought.
Austen often mentions her in terms of her non-presence, as in her unenthusiastic, almost lifeless responses to the events that occur around her. Often, “Lady Bertram [makes] no objection” (89), “[makes] no opposition”(41) or is “perfectly quiescent and contented, and with no objections to make” (264). Austen seems to be consciously making correlations between Lady Elizabeth and Lady Bertram. The luxurious lifestyle of both women contrasts greatly next to their relationship with their less fortunate relatives, Dido and Fanny, and the similarities of their stories do not seem coincidental. It is almost a certainty that Austen knew of Dido Belle’s story, and makes use of it in her creation of the character of Fanny Price.
Dido Belle and Fanny Price have a lot in common. Both begin life with disadvantages. While Fanny is born into a poor, overcrowded household, Dido was born to a slave. Both girls were sent to live with wealthy relatives who could better provide for them. Because of her mixed-race status, Dido’s role at Kenwood was rather unclear, much like Fanny’s presence at Mansfield. When Fanny arrives to Mansfield, she is made to believe herself unequal to her cousins, and is treated like a servant by Mrs. Norris and Lady Bertram. An invitation to live with rich relatives should have been a privilege to appreciate, but as Christine Kenyon Jones points out, Fanny is, at first, made to feel reliant on their benevolence. Jones explains that though Fanny receives “the advantages of comfort, wealth, and education…Fanny was a poor relation whose status at Mansfield was unregulated and totally dependent upon the good-will and affection of those around her.” Dido Belle, while given better treatment than most slaves or even servants, was still considered unequal to her cousin, Lady Elizabeth, who also lived at Kenwood. Thomas Hutchinson, an American who visited Kenwood, made detailed observations of Dido Belle in a 1779 diary entry. At one point, he speculates that Dido is some kind of glorified servant: “And she was called upon by my Lord every minute for this thing and that, and shewed the greatest attention everything he said” (Adams). Jones concludes her argument for the connection between Dido and Fanny: “While neither the novel nor the painting is ‘about’ slavery, both evidently allude to its effects and probe the uncomfortable realities of inequality, power, and obligation concealed beneath the smooth surface of family representation.” Austen’s allusion to Dido’s life adds depth to Mansfield Park beyond its rags-to-riches storyline.”
Works Cited:
Adams, Gene. “Dido Elizabeth Belle: A Girl at Kenwood.” Camden History Review 12 (1988). Web.
Jones, Christine Kenyon. “Ambiguous Cousinship: Mansfield Park and the Mansfield Family.” Persuasions Online 31.1 (2010). Web.
Slavery and Justice at Kenwood House. n.d. Web.
(To cite my essay, please refer to MLA handbook and use “Violet Pamplempousse” as the author)
Satine (Nicole Kidman) Sparkling diamond costume.. Moulin Rouge (2001).. Costume by Catherine Martin and Angus Strathie.
The Scarlet Flower illustrated by Nadezhda Komarova
(Allora, amo tantissimo la pagina fb #cartoorin, e ho voluto provare anche io a mischiare i film d’animazione con alcuni dei luoghi più belli della mia regione natia. Hope you like it 💙)
Here are just a few french films you can watch to improve your language skills:-)
Films : - 120 battements par minutes (2017) - Grave (2016) - Trois souvenirs de ma jeunesse (2015) - Comment c’est loin (2015) - La tête haute (2015) - L’étudiante et monsieur Henri (2015) - Réparer les vivants (2015) - Respire (2014) - Yves Saint Laurent (2014) - La vie d’Adèle (2013) - Jeune et jolie (2013) - De rouille et d’os (2012) - Intouchables (2011) - L’amour dure trois ans (2011) - Polisse (2011) - Gainsbourg, vie héroïque (2010) - Le premier jour du reste de ta vie (2008) - Je vais bien, ne t’en fais pas (2006) - Jeux d’enfants (2003) - Le fabuleux destin d’Amélie Poulain (2001) - La haine (1995) - 37.2 le matin / Betty blue (1986)
Animated movies : - Ma vie de courgette (2016) - Persepolis (2007) - Princes et princesses (1999) - Kirikou et la sorcière (1998)
if you have any question, feel free to ask me : http://mi2kle.tumblr.com/ask
Women in Restoration by Isabella De Maddalena