Cultural Dark Academia
After my last post about the lack of representation in academia, I felt it neccessary to provide some examples of what I’m talking about. Obviously there are more countries in the world than I can list and provide books for, so for a quick list this is what I got. !! Keep researching !! If you have any more books by POC please reply them !! If a country isn’t listed, that doesn’t mean it’s not important, this is just what I could get together real quick. If I made any mistakes, please let me know, we’re all learning. We need to help each other end eurocentrism in academia, so value representation and educate yourselves 💓💓💓
Chinese:
The Art of War by Sun Tzu
The Dream of the Red Chamber
The Water Margin
Romance of the Three Kingdoms
The Journey to the West
The Scholars
The Peony Pavilion
Border Town by Congwen Shen
Half of Man is Woman by Zhang Xianliang
To Live by Yu Hua
Ten Years of Madness by agent Jicai
The Field of Life and Death & Tales of Hulan River by Xiao Hong
Japanese:
A Personal Matter by Kenzaburo Oë
Pakistani:
Moth Smoke by Mohsin Hamid
How to Get Filthy Rich in Rising Asia by Mohsin Hamid
Ghulam Bagh by Mirza Athar Baig
Masterpieces of Urdu Nazm by K. C. Kanda
Irani/Persian:
Rooftops of Tehran by Mahbod Seraji
Savushun by Simin Daneshvar
Anything by Rumi
The Book of Kings by Ferdowsi
The Rubiyat by Omar Khayyam
Shahnameh (translation by Dick Davis)
Afghan:
Earth and Ashes by Atiq Rahimi
A Thousand Splendid Suns by Khaled Hosseini
Indian:
The God of Small Things by Arundhati Roy
Aithihyamala, Garland of Legends by Kottarathil Sankunni
The Gameworld Trilogy by Samir Basu
Filipino:
Twice Blessed by Ninotchka Rosca
The Last Time I Saw Mother by Arlene J. Chai
Brazilian:
Night at the Tavern by Álvares de Azevedo
The Seven by André Vianco
Don Casmurro by Machado de Assis
Colombian:
Chronicle of a Death Foretold by Gabriel Garcia Marquez
Delirio by Laura Restrepo
¡Que viva la música! by Andrés Caicedo
The Sound of Things Falling by Jim Gabriel Vásquez
Mexican:
Bless Me, Ultima by Rudolf Anaya
Adonis Garcia/El Vampiro de la Colonia Roma by Luis Zapata
El Complot Mongol by Rafael Bernal
Egyptian:
The Cairo Trilogy by Nahuib Mahfouz
The Book of the Dead
Nigerian:
Rosewater by Tade Thompson
Things Fall Apart by Chinua Achebe
Malian:
The Epic of Sundiata
Senegalese:
Poetry of Senghor
Native American:
The Inconvenient Indian by Thomas King
Starlight by Richard Wagamese
Almanac of the Dead by L. Silko
Fools Crow by James Welch
Australian Aborigine:
Dark Emu by Bruce Pascoe
First Footprints by Scott Cane
My Place by Sally Morgan
American//Modern:
Real Life by Brandon Taylor
Namesake by Jhumpa Lahiri
The Hate U Give by Angie Thomas
The Poet X by Elizabeth Acevedo
Internment by Samir’s Ahmed
Their Eyes Were Watching God by Zora Neale Hurtson
Rivers of London Series by Ben Aaronovitch
Another Country (1984) | Maurice (1987) | The History Boys (2006) | Brideshead Revisited (1981) | Dead Poets Society (1989)
《Mad Hatter》
A story about little hatter I drew last year.
Wow, this is almost inexcusably late Dx I’m so sorry, this should’ve gone up last week. It took me so long because I was waiting for Fate/Extra -which premiered three weeks into the season for inexplicable reasons- and then other stuff came up during the week. The good side is that it’s allowed me to get a better grasp on what these shows are doing and rank them more accordingly to my expectations rather than just the first impressions (except Fate Extra because I’ve only watched one episode -_-. Anyway, here’s the list for the Winter shows I’m watching
Pop Team Epic: Not my kind of comedy. Honestly that’s all there is to this show, whether it’s type of comedy (or anti-comedy) works for you. It didn’t extract a single chuckle from me, so no point in watching more of it.
KOKKOKU: The premise is interesting, the interactions between the family members felt very human and realistic and the main character was pretty cool, but the look of the show is terrible and the pacing is stressfully slow. At the end of episode 2, the nephew and the brother hadn’t been rescued yet -and there seemed to be no hurry in that regard- and that just made gratuitously anxious
Sora Yori Tooi Basho: I think that this show, like Girls’ Last Tour, has a lot of potential, but I’ve been burned before and with the pacing of episode two I just had this nagging feeling that the show would manage to flounder around all season without the girls ever making it to Antarctica, which would be a bummer. So I’ll wait for the season to end, and if they do end up getting there I’ll pick it up again.
Citrus: Citrus leaves me in a complicated position because Yuzu is a very charming lead and it’s very easy to root for her, I strongly feel that I want to follow her story. But on the other hand, her love interest / stepsister (thanks Japan) is utterly unlikable, and so far every “romantic” advancement in the story is basically sexual assault. It’s odd because Yuzu herself feels realistic, but the development of the romance is immensely artificial. By the end of episode 2, Yuzu declares she’s inequivocally in love with her sister (idr her name), even though none of the events of the show to that point make her quick infatuation believable at all, considering the sister in question only insults her, dismisses her or sexually assaults her every time they interact. (Update: After episode 4 I want nothing to do with the Everyone is a Lesbian and All Lesbians are Rapists show)
Basically, I’m gonna drop one or more of this shows sooner than later. I’m still not sure of which one
Darling in the FRANXX: If you thought Welcome to the Ballroom was aggressively heterosexual, DarliFra wants you to hold its beer. Episode 1 was a little iffy with its eyeroll inducing cliché meet-cute between the two leads, itsheteronormative central conceit (a man-woman pair is necessary to operate the giant robots and they take on roles named after the reproductive parts of flowers), but if that wasn’t enough for you, episode 2 is 24 minutes of cheap juvenile innuendos at least 70% of the dialogues have very obvious, very intentional double-meanings- coupled with extremely unsubtle “hyuk hyuk they are totally not in a sexual position” imagery, plus an infinite numer of ass shots (only of the girls, obviously). The whole thing reeks of sleazy, hipocritically critical of the dystopian society it depicts whilst simultaneously objectifying and sexualizing its adolescent leads with the most bottom of the barrel, lowest common denominator possible jokes and framing. Depending on how episode 3 goes I’ll either drop it or choose it as my hatewatch show of the season. (Update: Episode 3 was a mixed bag, so I guess I’ll keep watching for now)
Basilisk Ouka Ninpou Chou: We’re three episodes in and it doesn’t feel like this story is going anywhere. The production values are terrible, and the initial conceit -that Oboro and Gennosuke had time to make babies at some point during the original Basilisk series- makes literally no sense whatsoever. I’m a huge fan of the original Basilisk, but this is giving me nothing so far. Honestly the only thing keeping me around is how close the designs are to the original, basically the character designers are invoking my fondness for the original series and cheating me into believing I like this one too. Which I don’t, but for the time being I’ll hang on.
Violet Evergarden: I’m having war flashbacks to the Summer of 2017 when all the shows I was most excited about turned out to be hugely disappointing. Violet isn’t “hugely disappointing” yet but it’s very… eh. Violet herself (or, in the incredibly wise words of @shaniajurgen , “Full Metal Saber”) is just incredibly unrelatable and unoriginal as a character. I’ve seen this exact same story (emotionally stunted lead learns about human emotions) at least a dozen times, and the stories we’re seeing here so far are following the same plot beats as other stories of the ssame kind. The production itself is beautiful, but Violet feels more like a kuudere waifu than an actual character. I’m hoping it will improve and that it’ll have stories I haven’t already seen 10 times before, and that the emotional payoff is worth it
Koi wa Ameagari no you ni: This is a complicated show to talk about because the subject matter is inherently iffy -a 17 year old girl falls in love with a 45 year old man- The opening also pretty much gives away that they will in one way or another pursue a romantic relationship, so no hopes of this turning into a heartwarming parental dynamic like Amaama to Inazuma . It is important to note that writing fictional stories with fictional characters about this subject matter is not in itself problematic, but the framing of it can absolutely be malicious. Thus, if someone feels uncomfortable about it, that doesn’t make them a prude, but at the same time, enjoying the show doesn’t make you a pedophile. Bottomline is that the framing will make or break the show, and so far, it’s treading a very delicate line in that regard. On one hand, both Akira and Kondo are treated as realistic human characters; on the other, there are certain aspects of the narrative that seem to play up to the ‘nice guy’ mentality -she was throwing herself at me! I’m completely harmless!-. It’s not heavyhanded enough to be off-putting, but it does make me feel cautious about where they’re going with this. (Update: Episode 4 was definitely off-putting, enough to make me consider dropping it.)
Stuff I’m watching that I’m not super passionate about I guess
Fate/Extra Last Encore: Well, this sure is a SHAFT show. Of course, Extra has a disadvantage against the other shows, having aired one episode vs the others’ 3-4, so for now I’ll keep it on a trial run. It’s bizarre and overly criptic and please don’t cut yourself on that edge son. I’m also not a fan of bringing back the original Fate cast, just replacing the original Palurdo with a different Wake ME Up INSIDE Palurdo. Apocrypha was decent because it avoided most pseudo philosophical Nasu bullshit, but they’re doubling down on that here, so that could be a problem. We’ll have to see how they handle the action scenes and whether they’re able to create compelling character dynamics
How to keep a Mummy: It’s a cute show. An aggressively cute show. Occassionally too triehard in its cuteness. If you’re into cute shows this is for you, if not, there’s really nothing to chew on. I hope we get the new monsters soon or some sort of character arc, much as I enjoy the cuteness, I do need a little bit more meat in my Chinese cartoons
Classicaloid: My feelings on Classicaloid vary wildly depending on the last episode I watched, and in this case, the latest episode wasn’t really good. I loved the part with Beethoven being blown away by the performance of the 9th, but otherwise the jokes felt like cheap potty humor. You can do much better Classicaloid
Hakumei to Mikochi: So, rather than a fantasy adventure, this is actually a fantasy slce of life. Which is fine in itself, but in a season that has a dozen feel-good slice of life stuff, it needs an extra punch to stand out. The characters are good and fun to watch and the stories are cute, the visuals have a lovely children’s book look, but there’s not much that is particularly memorable. But it’s cute and there are worse shows I’m watching, so I’ll keep it around.
Hakata Tonkotsu Ramens: This is a weird show because I slept through most of episodes 1 and 2 but the final cliffhanger of each episode made eager to keep watching. After episode 4, I’m definitely interested in seeing where they go with this premise. The dynamic between Lin and Banba is great and although the direction and production are mostly uninspired, the story seems interesting enough to grant some attention
My favorite stuff of the season and the only thing keeping me from launching myself into the sun given how sucky my classes this semester are
GARO Vanishing Line: The plot thickens as our heroes approach the mysterious El Dorado. Now that we’ve had a Gina-centric and a Sword-centric episode the cast feels well rounded and their deynamics have evolved in a really wonderful way. I definitely love the family-like relationship they have now, with the latest episode shedding some light on how Sword may be seeing her sister in Sophie. I’m really happy with how this show has developed since its early episodes.
Yowamushi Pedal Glory Line: There’s not much I can say about Yowapeda at this point, you either like to see 3 kilometers of a bicycle race stretched into an hour of television or you don’t. I do find it interesting that Onoda seems to have fallen completely to the sidelines, hardly appearing in the first four episodes. I also wonder how long this’ll be because we’re 4 episodes in in and we haven’t been able to finish the first day of the race, even though we started like 3km off of it, so unless this is two-cour I worry we won’t see the end of the Inter High.
Seven Deadly Sins: Revival of the Commandments: I’m quite ahead of the manga for this one so there are hardly any surprises here. I think implementing the numerical power levels was very stupid and I’m not sure what Suzuki was thinking when he decided to add it but w/e. Ban is my favorite character so ‘m enjoying these first episodes centered on him. I’m mostly excited to see Escanor though! And the choreography of the Diane vs Gowther fight was superb.
Sanrio Danshi: I must admit this show has fallen a little from my good graces in the recent episodes. Episode 2 was brilliant and it made me think maybe this show could be better written than your average toy commercial. And although it is, episodes 3 and 4 haven’t lived up to the highs established by 2. Instead of just focusing on the issues the boys face from liking Sanrio things, they’ve overcomplicated the conflicts, making them incomprehensible, and the resolutions feel rushed here’s hoping we have more episodes like 2.
Gakuen Babysitters: The surprise of the season! Although it stumbled a little in the first half of episode 3, this overall wins for the cutest show of the season, and the one with most heart. It’s struck an excellet balance showing the chiildren’s cutest and also most obnoxious sides too. The end of episode 1 in which Ryuuichi realizes he can’t call his parents for help was extremely well executed, striking at the heartstrings with a very realistic and human approach to tragedy. Also, I love Kirin and her kirin plushie. Hope we get a Kirin centric episode soon. Just delete the “pedo” character please.
Mahoutsukai no Yome: My thoughts on this show are about the same as last season, it’s a lovely story with extremely powerful moments that is occassionally brought down by weird pacing choices, like how they rushed Chise’s transformation into a fox. I do have to call the show out for the OP, it’s the laziest thing I’ve ever seen, completely made up of recycled shots from the first cour. As much as I love May’n, the song falls short to the power JUNNA’s Here had. If they weren’t gonna add anything to the OP that was relevant to the second cour they should’ve just kept the first one.
Card Captor Sakura: Clear Card: I am so happy and so relieved to see Sakura has escaped the curse of “20 year later reboot” that befell on other classics. They nailed the feel of the show to a tee, and I’m just overall so happy to get to see the characters I so love once again. I am concerned about the repetitive plot beats and about the original cards getting seemingly forgotten, but I’m confident in this team that has proved to make justice for such a beloved show.
That’s the winter season, a few standouts, a few great surprises, a lot of stuff that is just kinda there and a shitload of slice of life. What are you thinking about the season? Which are your favorite shows and which ones have you dropped so far?
Youtube is a wonderful resource with lots of helpful information on it! I’ve collated together all the Divination Lessons I could find. If any of these links break, or you find something that should be added to the list, please message me!
This is as much a resource for me as it is for you - I have only watched part of most of these so take them with a grain of salt!
Learn the 78 Tarot Cards in Two Hours (Part 1, Part 2)
Tarot Cards - Understanding Reversals
How to Practice Tarot Readings when you’re on your own (Part 1, Part 2)
How to Shuffle Tarot Cards
How to Get Good Results Every Time with Tarot
The Only Way To Learn The Tarot (and a bit about what Pages mean)
How to read a Tarot card easily and comfortably
Putting it all together in a Tarot reading
Know How To Use Your Tarot Cards By Munisha Khatwani
Tarot - An Introduction by Munisha Khatwani
22 Major Arcana Cards In Tarot - Munisha Khatwani
Tarot Cards Use and History
7 Tarot Tips for Learning Tarot Card Meanings
How to read runes (Part 1, Part 2, Part 3)
How to Cast Runes (Runes for Beginners)
What are Runes?
150. A Technique for Memorising Runes
How to make Runes
Your First Rune Readings: Practicing with Meanings
The Long History of the Rune Stones
All About Runes (Intermediate Magic) (Part 1, Part 2)
How to Use a Pendulum (Basics)
Your Pendulum and Its Secret Uses
An introduction to dowsing with a pendulum
How To Use A Pendulum For Divining
How to use a Pendulum for Spirit Communication
How to use a Pendulum to get answers from your Subconscious
How to Scry (Part 1, Part 2)
Magical Techniques: Part 1 - The Art of Scrying.
One Witch’s Way - Crystal Ball (Part 1, Part 2)
Crystal Ball and Mirror Gazing Tutorial
Crystal Spheres and Scrying
Simple Water Scrying
How to Scry
Scrying Mirrors | Witchcraft 101
Tea leaf reading with Amber McCarroll
Tea Leaf Reading
Tea Leaf Reading
What Is Tea Leaf Reading? | Psychic Abilities
Tea Leaf Reading with Shaheen
Tea Leaf Reading
Fortune Telling with Playing Cards
Playing Card Meanings - How to read a deck of cards - Cartomancy
Fortune Telling Cards (Reading & Meanings)
173. The Art of Bibliomancy
Bibliomancy
Bibliomancy
Bibliomancy introduction
How to do Bibliomancy, divination with books!
Read your palm ! - only 7 minutes lectured by Japanese Ninja
Secrets Revealed in Your Palm
Secrets Revealed in Your Palm - Part 2
PALMISTRY: THE FATE LINE
wealth indications in detail more points palmistry
palmistry detailed analysis (very refined hand)
Palmistry Saturn Line Fate Line Money Line Wealth Line Analysis
It’s all Hallows Eve the moon is full
will she trick or treat I bet she will
@mistergandalf asked top five historical women
Rabbit-Holes in Film Pt. 2 (1970′s - 2010′s) she found herself falling down a very deep well
Grab your popcorn guys this is gonna be long, I decided to sum up the whole parody of Pride and Prejudice that was published this year in italian Topolino
here we go,
PRIDE AND PREJUDICE
Art: Stefano Turconi
Texts: Teresa Radice
(aka best duo in comic history)
We start with Jane Austen herself (her duck self to be precise) telling to her friend about her new book with the aforementioned title!
Then we meet our protagonists!
The wonderful family Pennet, living in suburban England, with Jane (Paperetta / Dickie Duck) and Elizabeth (Daisy) being the eldest daughters
The family usually hangs out at their neighbour’s, Fethry Bingpap’s lavish parties, with Bingpap and Jane developping mutual feelings
At the party we also meet Bingpap’s sister Amelia (Magica De Spell) and
Donald Ducky!
(yes, Donald keeps that look on his face until the very end)
The contrast between the two friends’ characters is very evident
And here we have Duckcy’s and Elizabeth’s first moment! (boy, everything happens at that party)
Continua a leggere
A collection of biographies of historical and mythological women by Giovanni Boccaccio, composed in 1361-62. It is the first collection devoted exclusively to biographies of women in Western literature. Boccaccio also compiled a collection of biographies of famous men, De Casibus Virorum Illustrium (On the Fates of Famous Men) at the same time of his compilation of De Mulieribus Claris.
– list of historical films –
– 1500s–1600s –
1. the other boleyn girl (2008)
2. elizabeth (1998)
3. elizabeth: the golden age (2007)
4. anonymous (2011)
5. shakespeare in love (1998)
6. the libertine (2004)
7. the three musketeers (1948)
8. lady jane (1985)
9. stage beauty (2004)
– 1700s –
1. the duchess (2008)
2. marie antoinette (2005)
3. pride and prejudice (tv, 1995)
4. sense and sensibility (1995)
5. becoming jane (2006)
6. the madness of king george (1994)
7. perfume: story of a murderer (2006)
8. a little chaos (2014)
9. girl with a pearl earring (2003)
10. belle (2013)
– 1800s –
1. young victoria (2009)
2. mrs brown (1997)
3. victoria and abdul (2017)
4. jane eyre (2011)
5. mr. turner (2014)
6. wilde (1997)
7. dorian gray (2009)
8. the woman in black (2012)
9. anna karenina (1948)
10. the importance of being earnest (2002)
11. bright star (2009)
12. viceroys house (2017)
13. miss potter (2006)
14. creation (2009)
15. the invisible woman (2012)
16. from hell (2011)
17. the limehouse golem (2016)
18. hysteria (2010)
19. effie gray (2014)
20. great expectations (2012)
21. far from the madding crowd (2015)
– 1900s –
1. maurice (1987)
2. brideshead revisited (tv, 1981)
4. suffragette (2015)
5. the englishman who went up a hill but came down a mountain (1995)
6. enid (tv, 2009)
7. sunset song (2015)
8. finding neverland (2004)
9. war horse (2011)
10. a dangerous method (2011)
11. another country (1984)
12. jimmy’s hall (2014)
13. the edge of love (2008)
14. their finest (2017)
15. gosford park (2001)
16. glorious 39 (2009)
17. easy virtue (2008)
18. dunkirk (2017)
19. the danish girl (2015)
20. atonement (2007)
21. queen & country (2014)
22. private peaceful (2012)
23. the book thief (2013)
24. testament of youth (2014)
25. boy in striped pyjamas (2008)
26. the others (2001)
27. anthropoid (2016)
28. zoo keepers wife (2017)
29. the royal night out (2015)
30. a united kingdom (2016)
31. another mother’s son (2017)
32. the woman in gold (2015)
33. the king’s speech (2010)
34. the monuments men (2014)
35. the wind that shakes the barley (2006)
36. the man who knew infinity (2015)
37. suite française (2014)
38. the theory of everything (2014)
39. the imitation game (2014)
40. the railway man (2013)
41. the magdalene sisters (2002)