Can't Be That Bad

Can't Be That Bad

Can't Be That Bad
Can't Be That Bad

aka patrick gets a taste of his own medicine

an: based on a convo with @artstennisracket we had a while back. this is kinda short and silly but i felt like getting something small out while i try and source my energy into another bigger thing ill write tomorrow or sunday.

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You lay on your side, curling in on yourself tighter, tighter, tighter still till there was no closer you could get to your own insides without popping. Knees to chest, chin to knees, arms wrapped around your bare legs like the ribbon atop a gift, holding things in place until the long-awaited relief of getting the product you want. The ache was dull, deep beneath your skin, festering like a wound, and it was sharp at the same time. Sharp, thudding, pulsating, echoing. Reverberating off the walls of your abdomen until it hits each piece of flesh within you, a muscular soreness that spreads where it shouldn’t. Even the expansion of your lungs with much needed oxygen seemed to hurt, the sharp feeling widening, pulling, growing taller with your chest, then shorter with exhale. It made your voice come out funny, shaky, like a sickly child. Patrick looked down at you from his place standing, which he so aggravatingly gets the continuous capacity to do, at the dresser, naked from the waist down. Why he would ever dress himself shirt first is beyond you, but if he ever changed his routine, you’d think the world was freezing over. The words come out muffled behind the cotton of the white tee he’s pulling over his head, but they’re there all the same.

“Seriously, babe. It can’t be that bad.”

And your body which once felt like it was heated by an internal coal furnace has suddenly frozen over. You must be glaring, not even with intention, because he briefly raises his hands to his shoulders as if to call for mercy. That smug little boy of an adult man can’t even bother to verbally apologize, but then again, you can’t verbally respond. You’re still heaving for air like you’d run a marathon. 

“Like, I’m sure it sucks, yeah, but… can’t you just, like, tough it out? Trust me, I’ve been hit in the stomach with a tennis ball, like, more times than I can count, so I think we’re both even, anyway.”

He’s putting on his pants now, boxers having been slipped on somewhere distant, hazy and blurred through your simmering anger. If looks could kill, the sheepish smile he sends you while buttoning his jeans up tells you that he’d have died a painful death about a minute ago. He makes up for it, momentarily, by striding to your side of the bed, leaning over to press a kiss to your damp hairline, your eyes sliding shut like he’d connected his lips to yours. It’s salty and gross. You know it’s gross, you know he thinks it’s gross, but he doesn’t mention it. 

“Left you some meds on the nightstand, kay? I’ll be back later.”

It’s a little ‘I love you’ without the heavy weight of actually saying it. He’s got a little stubble on his cheeks, he last shaved three days ago. You know this because he does. It’s one of very few things that Patrick is consistent about. Call it vain, but he likes to keep his appearances up as best he can. If the world is going to see him panting and sweaty most of the time, he better have a clean face doing it, even if flushed red from exhaustion. He left the room before you had the chance to meet his gaze without any annoyance, and you sigh, slowly straighten out each bend and curve of your bed until you’re on your back. He’s an idiot. It is that bad, and no tennis ball to the gut, eye, or crotch is ever going to change the fact that your entire body is beating like each cell was a little heart all its own. You’d seen so much red that the room now looks like it’s made up of mottled shades of gray. He’s an idiot. But, then again, he doesn’t have to be.

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“Jesus fucking Christ!”

He hisses through his teeth, eyes screwed shut like he’s bracing himself for impact, more accurately, like he’d already been hit. Badly. He’s certainly behaving as if that were the case. The dial in your hand reads an embarrassingly small number: 5. A 5 out of the possible 10 levels, and he’s practically writhing around against the plush cushions of your couch. You almost feel bad about it, almost, considering you’re only standing over him, watching with sinister glee, because of those painkillers he so kindly supplied. However, your friend had lent you the actual cramp simulator, and only one of those things is actively teaching Patrick he’s a dumbass. You’ll have to Venmo your friend something letter, just for an accurate measurement of gratitude.

“Aw, come on, P. Man up!”

He’s gripping his stomach like he wants to pull it off and suddenly things are less fun, your thumb twitching over the dial, until he looks back up at you and tries to steel himself. Emphasis on ‘tries’, because all he really does is grimace. You turn the dial to 8. 

“Fucking- Just turn it off, please!”

“Why? Can’t be that bad.”

He raises a hand to give you quite possibly the most pathetic middle finger you’ve ever seen, all wobbly and brief, like one of an elementary schooler believing themselves to be rebellious. His entire body is twitching, like it no longer knows what to do with itself from the sheer amount of sensory input. The overflow of pain signals. A civil war in his body, and one that you’re controlling. He looks like he might cry if he’d let himself do so without believing it to be embarrassing, which he won’t. Doesn’t mean he doesn’t want to, though. You slide the dial back to 0. 

“ ‘M sorry.”

You grin, kneeling between his bent legs to pull the adhesive pads from his stomach, feigning ignorance. 

“What was that?”

“I said I’m sorry, you evil-”

He cuts himself off, shakes his head. Meh. Not worth it. If that’s what he felt like upon waking up, he’d be evil, too. You’re well within your right. You place a kiss to his knee, which bounces in place. Still on high alert, even when there’s nothing to be scared of anymore. Besides pissing you off, maybe. You left him water and Advil on the coffee table beforehand, just in case. A small ‘I love you’ without verbally saying it. ‘I love you, even if you’re so, so painfully dumb.’ Patrick Zweig was an idiot. It can be that bad. He knows this because you do.

More Posts from Asheepinfrance and Others

2 months ago

happy challengersversary angels!! i'm so endlessly grateful for all the lovely friends i've made here, you truly do mean more to me than you know. i'll try and repost any and all old fics of mine from the previous account, though i do have several reposted here if you choose to scroll down a bit. i'm still a bit shaky on my feet, but i'll be back to writing soon. regardless, this isn't about me. this is about my little babies turning one. and i love them. happy birthday to them.

Happy Challengersversary Angels!! I'm So Endlessly Grateful For All The Lovely Friends I've Made Here,
Happy Challengersversary Angels!! I'm So Endlessly Grateful For All The Lovely Friends I've Made Here,
Happy Challengersversary Angels!! I'm So Endlessly Grateful For All The Lovely Friends I've Made Here,

smooches for them. and smooches to my friends.


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1 month ago

Inside of ATP’s Tennis bags

Inside Of ATP’s Tennis Bags
Inside Of ATP’s Tennis Bags
Inside Of ATP’s Tennis Bags

Special mention to my girl who gave me the idea @bl4ncanievess 🫀

1 month ago

YEAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

… how do we feel about an all tashi release. need to show that girl some love (and give those white boys a BREAK)

… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
… How Do We Feel About An All Tashi Release. Need To Show That Girl Some Love (and Give Those White
1 month ago

gripping onto my vintage ghostface figurine and giggling with glee

 LOVE ME TO DEATH .ᐟ
 LOVE ME TO DEATH .ᐟ
 LOVE ME TO DEATH .ᐟ

LOVE ME TO DEATH .ᐟ

part one ・ part two

summary: After surviving the Stanford massacre, you try to start over—move away, change your name. But Art, Patrick and Tashi were never caught. Strange messages and disappearances begin again, and the paranoia you thought you’d buried resurfaces. You’re not sure if you are being hunted… or if they’re luring you back in to finish what they started.

cw: 1.5k words. apt!scream au. paranoia and stalking. psychological trauma. gaslighting. violence (implied). threatening messages. fear and dread. obsession. loss of control.

genre: psychological horror / slasher / thriller.

taglist .ᐟ @blastzachilles, @lvve-talks, @jordiemeow, @strfallz, @222col, @soulxinxthexsky, @diyasgarden, @jinxedbambi, @lexiiscorect, @religionlost, @bluestrd, @jclolz22, @magicalmiserybore, @destinedtobegigi, @fwaist, @idyllicdaydreams, @sohighitscool, @shahabaqsa0310

 LOVE ME TO DEATH .ᐟ
 LOVE ME TO DEATH .ᐟ

You don’t dream about the knife anymore. You dream about the silence that came after it. The moment you realized no one was coming. The moment their hands let go of your throat—not because they took mercy, but because they wanted you to live.

You were their final girl. And you didn’t ask for that.

After the attack, the cops found your dorm soaked in blood—whose? You never knew. Your screams woke up the entire west quad after escaping the athletic building lockers. You gave them names—Tashi Duncan, Patrick Zweig, Art Donaldson—and you gave them details. You told them where the rest of the bodies were buried; little secrets the killers had told you before letting you go. Which drawers held the Ghostface masks. What the blood under your fingernails meant.

But they were already gone. No phones. No footage. No fingerprints. Like the whole thing had been a story you made up during a psychotic break.

But you know the truth. They let you live. And monsters don’t vanish forever.

You moved across the country six months later.

New name. New school. No tennis courts. No whispers of Ghostface. You enrolled in a tiny liberal arts college in Vermont where no one had ever heard of Tashi Duncan or her star-crossed boys. You found an apartment—alone this time. No roommates. No shared keys. The walls were thin, and the pipes moaned in the winter, but at least it was yours.

You even got a therapist. Sometimes you lie to her. Sometimes you don’t. Mostly, you tell her you’re fine. Mostly, you try to believe it because life goes on.

But it starts with little things, at first. A knock on your door when no one’s there. A lightbulb unscrewed. A voicemail filled with static. You chalk it up to anxiety. Or trauma. Or both. The mind plays tricks when it’s lived too long in fear.

Then you find a postcard. No return address. No note. Just a photo of Stanford’s tennis courts. You stare at it for hours. Your hands don’t stop shaking for days.

You start checking your locks.

Twice. Then three times. You push furniture in front of the door. You stop answering calls from unknown numbers. You carry a knife in your jacket, one in your bedside drawer, and a third tucked between your mattress and the wall.

You tell yourself it’s just leftover fear; a scar from a time when your life wasn’t your own. But sometimes, at night, you hear the floor creak, and you know you locked the door.

You see her at the grocery store, just for a second. An hallucination, a dream, something real. A flash of dark curls. Her beautiful skin. That posture you could recognize anywhere—the cocky, impossible tilt of someone who never lost anything in her life.

Tashi.

You drop your basket. Run to the end of the aisle. Gone. You ask the cashier if they saw her, they say no one matching that description came in tonight.

You don’t sleep anymore. You stop going to the store. You stop going anywhere.

You install a camera. Just one, to be sure. Outside your door. You check it every night like a drug you can’t escape, refreshing the feed, watching for a shadow that never appears. Until one day it’s turned around, facing the wall.

Your therapist says you’re experiencing PTSD-induced paranoia and you simply nod at her.

But in your gut, you know, they’re still out there. And they’re not done with you.

The power goes out one night during a storm.

You light a candle. Sit in the kitchen. Try to calm the breathing that’s too shallow, too fast. You try not to think of knives or black robes or dripping masks. Then your phone buzzes. A single message. No number that you recognize.

“Still bleeding, final girl?”

You drop the phone. The screen cracks. You throw up in the sink that night, sweat spilling through every pores of your body with the fear consuming you. It’s like an awake-nightmare.

You go to the police the next morning. Again, like you had done before; a few days after Stanford, a week after Stanford, a month after Stanford – remembering the paranoia.

You tell them someone is stalking you. That you’ve received threats. That you survived a massacre and the killers were never caught. They write it all down.

They promise to look into it. They never call back. They never did.

You start to think you’re losing your mind.

You hear music sometimes. A tennis match broadcast faintly through the walls. A whisper behind your head when you’re brushing your teeth. You hear your name in the shower steam. You unplug everything. Cover mirrors to not see behind yourself. Start sleeping in the tub with the door locked, a knife in hand and every noise waking you up.

But they keep getting in. Somehow. They always get in.

You wake up one morning to find a trail of red shoe prints across your carpet and you almost throw up again. They are tiny tennis court prints. A racket on the table of your living room—you haven’t played tennis since Stanford. You never wanted to hear about it ever again.

Like someone dipped them in blood. You call the cops again. They don’t find anything, no prints, no camera footage; nothing.

The next time you see Patrick, it’s in a dream.

He’s sitting in your kitchen. Perfect posture, one leg crossed over the other, sipping tea from your mug like he’s lived here all along. “You’re slipping,” he says without looking up.

“I’m not.” You try to convince yourself – him, it’s all the same. Your heart is in your throat with the fear you feel. He’s not real, he’s not here; but he still has that hold onto you that you can’t escape. “You’re unraveling,” he continues. “It’s okay. You weren’t meant to live through it. That’s why it hurts so much.”

You try to scream, but your voice is gone. Patrick finally looks at you, and he’s wearing the mask. The scream is his now. Quiet and observing.

You try to leave town after a few days. Throw clothes into a bag. Book a motel two states away. You don’t leave a note. You don’t tell your therapist. You just go.

Halfway down the highway, your car dies like it was meant to be. Completely.

You sit on the shoulder, shivering, dialing roadside assistance. Then you check the trunk. Inside—under your spare tire—is a Ghostface mask. And a photo of you sleeping in the Vermont apartment.

You stop fighting it after that. You stop trying to convince anyone. No one believes the girl who lived. No one believes the crazy girl.

And they’ve made sure of that. They’re not just stalking you anymore. They’re gaslighting you from the inside. Everything around feels like a joke they created; a world just for you to suffer the lies and manipulation.

The final straw is the rabbit. You find it on your porch one morning. Tiny. White. Gutted. Its throat slit clean, like a signature – like something to remember them by. Pinned to its side is a note written in perfect, feminine script; the handwriting of Tashi that you can visualize back on the Stanford books.

“You should’ve died when we gave you the chance.”

You move the next day. You don’t care where. Anywhere but here.

The new place is better. Brighter. Busier.

There are windows that face the street, and you can see people. Real people. Families. Kids on bikes. Joggers with golden retrievers. It helps. For a while. You let yourself laugh again. Smile at strangers. Go out with friends you made in the tiny city.

You even start writing about what happened. Not for anyone else. Just for you. Just to get it out of your body before it rots you from the inside. Your therapist says it’s good progress. That you’re reclaiming your narrative.

That you’re healing. That you can be better.

And then, on a rainy Tuesday morning, you get a package. No return address. Inside: a VHS tape and a matchbook from Stanford’s campus bookstore. You don’t own a VHS player, but your neighbor does.

You tell her it’s for a film class and you watch it alone. It’s footages of you, in your old dorm. Sleeping. Showering. Crying into your pillow after the attack. You see Tashi in the corner of one frame. Art in another. Patrick whispering into the camera, smiling.

“We missed you.”

The walls start closing in again. You don’t sleep. You don’t eat. You let yourself go.

You start hearing tennis balls thudding in the hall at night. You find your own handwriting scribbled across mirrors. You find locks broken that were never touched.

Sometimes you think about just walking into the woods, into the dark, into paranoia. But that’s what they want. They want you gone; but why?

So you start preparing. Not to run. To fight. To take back what’s yours. You buy cameras, wire your windows, train yourself to wake at every sound. You read books on serial killers, on survival, on how to set traps.

You wait. Because they’re coming. They always do. And this time, you’re not going to let them write the ending. But deep down; you know what you really fear.

Not that they’ll kill you, but that they’ll love you while they do it.

And that part of you… will love them back.

2 months ago

Wish I could tell them that everybodys got a thing

challengers x sing

Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing

innocence sharpened to a blade — the quiet cruelty of being underestimated — a whisper that rewrites the room

Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing

elegance born from exhaustion — the quiet choreography of self-sacrifice — strength mistaken for serenity

Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing

fury knotted behind the ribs — longing that forgets how to ask — devotion that tastes like blood

Challengers X Sing
Challengers X Sing
Challengers X Sing
Challengers X Sing

thank you @asheepinfrance @diyasgarden @blastzachilles!

2 months ago

talia liked this

lollipop | tashi duncan x patrick zweig x art donaldson x reader

warnings: SMUT 18+, porn with very minimal plot

Lollipop | Tashi Duncan X Patrick Zweig X Art Donaldson X Reader

The bass is sticky-sweet and sinful, the kind that slides down your spine and coils low in your stomach. Lights strobe like they’re trying to catch secrets midair, but none of them land on you—yet.

You’re leaning against the bar, mouth wrapped around a cherry lollipop and eyes scanning the crowd like you’re on the hunt. But you already know exactly who you’re waiting for.

You haven’t seen them in months. Not since New Rochelle. Not since you told them to lose your number, and Patrick laughed like it was a challenge. Since Art told you, with terrifying calm, that you’d come crawling back. Since Tashi just kissed your jaw, eyes unreadable, and walked away.

You hadn’t planned on seeing them tonight. You’d heard they were in town for the tournament, sure, but you weren’t stalking their schedules anymore. You’d come out with friends. You’d worn this dress for yourself. The lollipop had been a joke. A dare. Something stupid.

Except it wasn’t a joke. Not really. Everyone who knew you knew the lollipop meant something.

You used to walk onto the court with one in your mouth. Superstition, maybe. Distraction tactic. Or maybe it was just habit—your particular brand of psychological warfare. Patrick used to call it bait. Tashi called it smart. Art never called it anything. He just stared.

And now they’re all here.

Art sees you first.

He stops walking mid-stride, mid-laugh. His mouth still shaped around something clever, but no sound comes out. Tashi clocks the shift instantly, turning her head and following his gaze. Her eyes narrow.

Patrick, as always, takes the longest. But when he sees you, his mouth splits into a grin that’s all teeth and no kindness.

You raise the lollipop to your lips and bite down hard enough to crack it.

They cross the club like gravity. The crowd parts. You should leave. You don’t.

“You’re really here,” Patrick says, breath warm near your temple. “Cute dress.”

You twirl the lollipop between your fingers, not looking at him. “I wore it for someone better.”

“Yeah?” Tashi’s voice is close, cool, a whisper by your ear. “How’s that working out for you?”

You turn, smile too-sweet. “Pretty well, actually. Until now.”

Art doesn't speak. He just watches you like he’s memorizing something he plans to wreck.

Patrick leans against the bar beside you, close enough that his shoulder brushes yours. “Still sucking on candy like a baby?”

You roll the stick over your tongue, slow and deliberate. “You're just mad I'm not sucking your dick anymore.”

“Not mad,” he murmurs. “Only a matter of time.”

Tashi’s hand slides to your hip. Her grip is possessive. Familiar. “We should talk,” she says, but she’s already pulling you toward the VIP section, not waiting for permission.

Art finally speaks. “She doesn’t want to talk.”

Patrick snorts. “Not with words, anyway.”

You go because it’s easier than fighting. Because you want to. Because you’ve already lost.

The VIP room is low-lit and velvet-lined. Music muffled. Private.

You’re barely inside before Patrick sits, spreading his legs like he’s home. Art leans against the wall, arms folded, gaze locked on you. Tashi pulls you to the center of the room and turns you to face them.

“On your knees,” she says softly, like it’s a suggestion. Like you won’t do it unless she asks nice.

You smile, sickly sweet. “I don’t take orders.”

Art pushes off the wall. “Sure you do. Just not in public.”

You sink. Slowly. Lollipop still between your fingers, now sticky with sweat and anticipation.

Patrick unzips with a lazy smirk. “Show us what that smart mouth is really good for.”

You glance up through your lashes, tongue dragging along your lower lip as you stroke him once, slow and warm, before you wrap your mouth around the head of his cock.

The lollipop clatters to the floor.

Patrick groans. “Fuck, I forgot how good you are at this.”

You hum around him, smug, spit already slipping down your chin. He grabs your hair, not hard yet, just enough to let you know who’s in control.

Tashi kneels beside you, mouth at your ear. “No teeth. No attitude. Be useful.”

You glance at her, eyes glassy, and she kisses your cheek like she means it.

Art unbuckles his belt with one hand. The sound is enough to make you clench around nothing.

“You’ll take all of us,” he says. “You love your lollipops, don't you, baby? We’ll see how sweet it tastes with three different flavors in your throat.”

And then there’s no more pretending.

Patrick thrusts shallow and slow, easing his cock past your lips, but it doesn’t stay gentle for long. His grip tightens in your hair, guiding your head, dragging moans out of his throat with every wet, messy stroke.

“Don’t stop,” he pants. “You wanted attention? Fucking take it.”

Tashi’s nails dig into your scalp as she holds you still. Her other hand slips down, trailing under your jaw. “Messy little thing,” she murmurs. “You look better like this.”

You choke when Patrick pushes deeper. Your eyes water. Spit drips down your chin, onto your chest, and you don’t care.

Art is behind you now. You hadn’t even noticed him move. His hand slides down the back of your neck, soothing for a second—before he pushes your head farther down Patrick’s length.

“She can take it,” he mutters. “She’s done worse with less incentive.”

Patrick grunts. “Fuck, I’m close.”

Tashi pulls you off his cock with a pop just before he comes. You gasp for air, blinking through tears.

“Not yet,” she tells him, then turns to you. “Open.”

She climbs onto the couch beside Patrick and leans back, spreading her thighs. Her underwear is already discarded. You don’t remember when she slipped them off.

She smells like heat and sweat and control. You lower your mouth between her legs, tongue dragging through her slick folds, and she sighs like she’s been waiting for this since the moment she saw you tonight.

You lap at her slowly at first, just the tip of your tongue, teasing over her clit until she grabs the back of your head and rolls her hips into your face with zero patience.

Her moans are sharp and indulgent. One hand in your hair, the other pinching her nipple beneath the fabric of her shirt. She rides your tongue, thighs clamped around your ears, telling you exactly how she wants it.

"Faster. Right there. Don’t you fucking stop."

Your tongue aches. Your jaw burns. You flick and circle and suck until she gasps, trembling, thighs shaking as she clamps down, grinding into your mouth with a low, shuddering whine.

She comes like it hurts, like she’s been holding it in for far too long. And she keeps you buried between her legs until the aftershocks fade.

When she finally lets you go, you’re breathless, chin glistening, and Patrick is already grabbing you by the jaw.

“You ready now?” he rasps.

You nod, lips red and swollen.

He fucks your mouth without mercy this time, fast and brutal, his cock slamming against the back of your throat as he growls, “Don’t waste a drop.”

You swallow every bit of it.

Art is the last.

He pulls you into his lap on the floor, tilting your head up. His hand strokes your cheek—almost gentle.

“You think you’re still in charge?” he whispers, brushing your hair back from your face like he doesn’t want to see a single thing in the way.

You nod, breath catching. Barely.

He smiles. “Then prove it. Make me come without using your hands.”

He doesn’t push. Doesn’t guide. Just waits, watching.

You sink onto him slowly, tasting salt and heat, letting your lips wrap around the flushed head of his cock. He exhales like you’ve knocked the wind out of him.

You go slow. Excruciatingly slow. Hollow your cheeks. Twist your tongue on the upstroke. Let him feel every second of your mouth, every flutter of your throat.

“Jesus,” he murmurs. His head tilts back, hips twitching upward as you swallow him halfway, then deeper.

You look up at him as he starts to lose control—his mouth parted, chest rising fast, hands gripping your hips like he’s fighting the urge to fuck up into your throat.

“Keep going,” he growls, voice wrecked. “Don’t fucking stop.”

You don’t. You push until your nose brushes the soft skin at the base of him, until his breath catches in his throat and he chokes out your name.

He comes with a groan, hand tight in your hair, cock twitching as you milk every drop from him. You swallow because you want to. Because he told you not to use your hands, and you want him to know you listened.

When he finally lets go, you slump against his thigh, dazed, used, lips slick and trembling.

Tashi crouches down and lifts your chin. “That’s better,” she says, like it’s a reward.

Patrick chuckles. “Told you it was only a matter of time.”

You close your eyes.

Sticky. Breathless. Satisfied.

And craving another taste.

-----

tagging: @kimmyneutron @babyspiderling @queensunshinee @hanneh69 @jamespotteraliveversion @glennussy @awaywithtime @artstennisracket @artdonaldsonbabygirl @blastzachilles @jordiemeow

2 months ago

We moved on from young dad!art too fast his sexy ass

I NEED HIM!!!!!

We Moved On From Young Dad!art Too Fast His Sexy Ass
We Moved On From Young Dad!art Too Fast His Sexy Ass

Young dad!Art who takes his baby to the little gym every Wednesday (the one day he doesn’t have an afternoon practice) to make friends and play :(

Young dad!Art who coordinates his outfits to match when he takes the baby out for shopping or to run errands

Young dad!Art who constantly gets told he’s such a good older brother by total strangers for taking care of his own baby

Young dad!Art who tastes every single jar of baby food before he makes his baby try it because if it’s gross he can’t make them eat it :((

He’s just so…. And it’s getting really…..

2 months ago

HELLO?????????????????????

Thwwackkkkkk!
Thwwackkkkkk!
Thwwackkkkkk!

Thwwackkkkkk!

template by: cal-kestis

1 month ago

happy birthday jaw chokeonher!

Happy Birthday Jaw Chokeonher!

love this goober that i do not know


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