Gripping Onto My Vintage Ghostface Figurine And Giggling With Glee

gripping onto my vintage ghostface figurine and giggling with glee

LOVE ME TO DEATH .ᐟ

part one ・ part two

summary: After surviving the Stanford massacre, you try to start over—move away, change your name. But Art, Patrick and Tashi were never caught. Strange messages and disappearances begin again, and the paranoia you thought you’d buried resurfaces. You’re not sure if you are being hunted… or if they’re luring you back in to finish what they started.

cw: 1.5k words. apt!scream au. paranoia and stalking. psychological trauma. gaslighting. violence (implied). threatening messages. fear and dread. obsession. loss of control.

genre: psychological horror / slasher / thriller.

taglist .ᐟ @blastzachilles, @lvve-talks, @jordiemeow, @strfallz, @222col, @soulxinxthexsky, @diyasgarden, @jinxedbambi, @lexiiscorect, @religionlost, @bluestrd, @jclolz22, @magicalmiserybore, @destinedtobegigi, @fwaist, @idyllicdaydreams, @sohighitscool, @shahabaqsa0310

You don’t dream about the knife anymore. You dream about the silence that came after it. The moment you realized no one was coming. The moment their hands let go of your throat—not because they took mercy, but because they wanted you to live.

You were their final girl. And you didn’t ask for that.

After the attack, the cops found your dorm soaked in blood—whose? You never knew. Your screams woke up the entire west quad after escaping the athletic building lockers. You gave them names—Tashi Duncan, Patrick Zweig, Art Donaldson—and you gave them details. You told them where the rest of the bodies were buried; little secrets the killers had told you before letting you go. Which drawers held the Ghostface masks. What the blood under your fingernails meant.

But they were already gone. No phones. No footage. No fingerprints. Like the whole thing had been a story you made up during a psychotic break.

But you know the truth. They let you live. And monsters don’t vanish forever.

You moved across the country six months later.

New name. New school. No tennis courts. No whispers of Ghostface. You enrolled in a tiny liberal arts college in Vermont where no one had ever heard of Tashi Duncan or her star-crossed boys. You found an apartment—alone this time. No roommates. No shared keys. The walls were thin, and the pipes moaned in the winter, but at least it was yours.

You even got a therapist. Sometimes you lie to her. Sometimes you don’t. Mostly, you tell her you’re fine. Mostly, you try to believe it because life goes on.

But it starts with little things, at first. A knock on your door when no one’s there. A lightbulb unscrewed. A voicemail filled with static. You chalk it up to anxiety. Or trauma. Or both. The mind plays tricks when it’s lived too long in fear.

Then you find a postcard. No return address. No note. Just a photo of Stanford’s tennis courts. You stare at it for hours. Your hands don’t stop shaking for days.

You start checking your locks.

Twice. Then three times. You push furniture in front of the door. You stop answering calls from unknown numbers. You carry a knife in your jacket, one in your bedside drawer, and a third tucked between your mattress and the wall.

You tell yourself it’s just leftover fear; a scar from a time when your life wasn’t your own. But sometimes, at night, you hear the floor creak, and you know you locked the door.

You see her at the grocery store, just for a second. An hallucination, a dream, something real. A flash of dark curls. Her beautiful skin. That posture you could recognize anywhere—the cocky, impossible tilt of someone who never lost anything in her life.

Tashi.

You drop your basket. Run to the end of the aisle. Gone. You ask the cashier if they saw her, they say no one matching that description came in tonight.

You don’t sleep anymore. You stop going to the store. You stop going anywhere.

You install a camera. Just one, to be sure. Outside your door. You check it every night like a drug you can’t escape, refreshing the feed, watching for a shadow that never appears. Until one day it’s turned around, facing the wall.

Your therapist says you’re experiencing PTSD-induced paranoia and you simply nod at her.

But in your gut, you know, they’re still out there. And they’re not done with you.

The power goes out one night during a storm.

You light a candle. Sit in the kitchen. Try to calm the breathing that’s too shallow, too fast. You try not to think of knives or black robes or dripping masks. Then your phone buzzes. A single message. No number that you recognize.

“Still bleeding, final girl?”

You drop the phone. The screen cracks. You throw up in the sink that night, sweat spilling through every pores of your body with the fear consuming you. It’s like an awake-nightmare.

You go to the police the next morning. Again, like you had done before; a few days after Stanford, a week after Stanford, a month after Stanford – remembering the paranoia.

You tell them someone is stalking you. That you’ve received threats. That you survived a massacre and the killers were never caught. They write it all down.

They promise to look into it. They never call back. They never did.

You start to think you’re losing your mind.

You hear music sometimes. A tennis match broadcast faintly through the walls. A whisper behind your head when you’re brushing your teeth. You hear your name in the shower steam. You unplug everything. Cover mirrors to not see behind yourself. Start sleeping in the tub with the door locked, a knife in hand and every noise waking you up.

But they keep getting in. Somehow. They always get in.

You wake up one morning to find a trail of red shoe prints across your carpet and you almost throw up again. They are tiny tennis court prints. A racket on the table of your living room—you haven’t played tennis since Stanford. You never wanted to hear about it ever again.

Like someone dipped them in blood. You call the cops again. They don’t find anything, no prints, no camera footage; nothing.

The next time you see Patrick, it’s in a dream.

He’s sitting in your kitchen. Perfect posture, one leg crossed over the other, sipping tea from your mug like he’s lived here all along. “You’re slipping,” he says without looking up.

“I’m not.” You try to convince yourself – him, it’s all the same. Your heart is in your throat with the fear you feel. He’s not real, he’s not here; but he still has that hold onto you that you can’t escape. “You’re unraveling,” he continues. “It’s okay. You weren’t meant to live through it. That’s why it hurts so much.”

You try to scream, but your voice is gone. Patrick finally looks at you, and he’s wearing the mask. The scream is his now. Quiet and observing.

You try to leave town after a few days. Throw clothes into a bag. Book a motel two states away. You don’t leave a note. You don’t tell your therapist. You just go.

Halfway down the highway, your car dies like it was meant to be. Completely.

You sit on the shoulder, shivering, dialing roadside assistance. Then you check the trunk. Inside—under your spare tire—is a Ghostface mask. And a photo of you sleeping in the Vermont apartment.

You stop fighting it after that. You stop trying to convince anyone. No one believes the girl who lived. No one believes the crazy girl.

And they’ve made sure of that. They’re not just stalking you anymore. They’re gaslighting you from the inside. Everything around feels like a joke they created; a world just for you to suffer the lies and manipulation.

The final straw is the rabbit. You find it on your porch one morning. Tiny. White. Gutted. Its throat slit clean, like a signature – like something to remember them by. Pinned to its side is a note written in perfect, feminine script; the handwriting of Tashi that you can visualize back on the Stanford books.

“You should’ve died when we gave you the chance.”

You move the next day. You don’t care where. Anywhere but here.

The new place is better. Brighter. Busier.

There are windows that face the street, and you can see people. Real people. Families. Kids on bikes. Joggers with golden retrievers. It helps. For a while. You let yourself laugh again. Smile at strangers. Go out with friends you made in the tiny city.

You even start writing about what happened. Not for anyone else. Just for you. Just to get it out of your body before it rots you from the inside. Your therapist says it’s good progress. That you’re reclaiming your narrative.

That you’re healing. That you can be better.

And then, on a rainy Tuesday morning, you get a package. No return address. Inside: a VHS tape and a matchbook from Stanford’s campus bookstore. You don’t own a VHS player, but your neighbor does.

You tell her it’s for a film class and you watch it alone. It’s footages of you, in your old dorm. Sleeping. Showering. Crying into your pillow after the attack. You see Tashi in the corner of one frame. Art in another. Patrick whispering into the camera, smiling.

“We missed you.”

The walls start closing in again. You don’t sleep. You don’t eat. You let yourself go.

You start hearing tennis balls thudding in the hall at night. You find your own handwriting scribbled across mirrors. You find locks broken that were never touched.

Sometimes you think about just walking into the woods, into the dark, into paranoia. But that’s what they want. They want you gone; but why?

So you start preparing. Not to run. To fight. To take back what’s yours. You buy cameras, wire your windows, train yourself to wake at every sound. You read books on serial killers, on survival, on how to set traps.

You wait. Because they’re coming. They always do. And this time, you’re not going to let them write the ending. But deep down; you know what you really fear.

Not that they’ll kill you, but that they’ll love you while they do it.

And that part of you… will love them back.

Big Shoes to Fill

or, lily follows in her parents' footsteps.

an: i've only ever written small portions of stories from lily's perspective, and i think this was a fun little challenge at expanding that. i feel she needs more love. thank you @tashism for choosing this story, i hope i did you justice. extra thank yous to @newrochellechallenger2019, @artstennisracket, @ghostgirl-22, @grimsonandclover, and @diyasgarden for their willingness to help me out. it is not unappreciated.

tag list: @glassmermaids

Lily’s new shoes are pink, and the white rubber toes shine when the sun hits. She had wanted the pretty ones with the rhinestones, the ones that light up when she stomped her feet, but Mommy said no. She insisted the tennis ones were so much prettier, baby. That they were ‘professional’, the kind the big girls wear. As she looks down at them now, laces tied in a haphazard tangle by small fingers on the left, and a precise, delicate bow on the right by her mother’s hand, she thinks she should’ve fought a little harder for the light-up shoes. Her skin is tacky with sunscreen and perspiration, cheeks flushed, hands just a bit too clammy to hold the racket the way she’s meant to.

“Fix that grip, Lils!”

And then a flying yellow blur floats over the net and to her side, she stretches her little arms to reach, and hears that little tink of connection. It bounces, rolls, rolls, rolls… then stops like it’s proud of itself, right against the bottom of the net, the white line amongst the yellow fuzz beaming smug and stuffed to the brim with schadenfreude. Lily hears a sigh, the steady tap, tap, tap of a foot against the clay court, and then the half-hearted smack of hands against thighs. Mommy does this sometimes, when she’s upset at Lily. Or upset because of Lily’s playing, as Mommy insists is different. But, as far as she can tell, it’s still her fault. Mommy wouldn’t be sad if she could just figure out the tennis thing. And she just can’t. Not with all the coaching, or the miniature rackets, or the nights spent falling asleep on the couch because Mommy and Daddy are up too late watching matches to tuck her into bed.

Mommy went inside, probably for a break, maybe a little AC, maybe to stare at old photos of herself and breathe just a little bit harder. Sometimes, she swaps Lily out with Daddy. In terms of tennis, he’s rare to disappoint the way Lily was. He racked up win after win after win, smothered in trophies and sunscreen and something blue and bruised beneath his skin, and that’s what he was known for. So, he became therapeutic, in a way. A distraction, a lover, a means of vicarious victory, and the target of misplaced frustrations. Lily sits on the grass for a bit and blows some dandelion fuzz into the breeze. She thinks about what it’d be like to be a flower.

Mommy went to bed right after dinner (Mommy and Lily had a burger and fries, Daddy just ordered a salad), complaining of a headache that just wouldn’t quit. Her lips are quirked politely, something like a smile that never quite made it all the way resting on her cheeks. Lily knows that’s a fake one. She’s learned the difference. Lily knows it’s fake because her chest isn’t burning with that warm, golden feeling. Mommy really smiles when Lily makes a good serve, or when her drawings are deemed good enough to hang on the fridge with a little U.S. Open magnet. And Lily watches her face lift and her eyes crinkle and thinks, for a second, she really is as special as her parents say she is. She doesn’t feel that now. Daddy brushes Lily’s back with his fingers when he passes behind her to put the used forks in the sinks, Mommy doesn’t like the plastic ones, and she doesn’t move.

“What’s going on in that big brain of yours, Lilybug?”

She shrugs, huffs a little bit, doesn’t giggle when he blows a raspberry into her temple. She wants to, but she’s got to make it clear this is serious. Adults never laugh when things are important, she thinks. That’s why Daddy looks so angry during matches. He pulls back and frowns a bit, hands on his hips. She turns his way, and the visual makes her lip puff out and tremble a little. She can’t help it, really, but she just keeps upsetting people. She’s tired of making everyone so sad.

“Do you think Mommy is mad at me?”

He does something funny then, curves in by his tummy. It looks like the fallen Jenga tower from last week’s game night. Daddy always chooses Jenga, says he’s too good to beat. Lily always beats him, and it’s the only time he looks happy to lose. She thinks that’s silly. He pulls up a chair at her side, and she doesn’t like the way the metal sounds against the wood floor. It’s easier to be sad when it’s quiet.

“No, baby, ‘course not. Why’d she be mad at you?”

She shrugs, places a small chin in a smaller hand, stares at the granite countertop like it’s personally offended her. Like it’s staring back.

“‘Cause I’m supposed to be like you guys, and I’m not. It makes Mommy angry that I’m so super bad at tennis.”

He wants to smile, but he can’t, not when this little girl at his side is feeling things bigger than her body, than her vocabulary can provide her with a word for. Sweet girl, too, that she cares. That she just wants her mama to be happy, proud, something that isn’t going to wrack her with guilt for being herself. Still, he takes in that miniature pout, the one her mother so often wears in moments of her own frustration, and places his fingers in her hair, puffing up what had been pressed flat by a ponytail moments ago.

“She’s not angry. She’s just… well, it’s hard. You know what happened to Mommy. You know how bad she misses it. She just wants to see you grow so, so strong, like she was. That’s all.”

Lily nods. She knows. She knows as much as she’s been told, at least. Not with words or stories, but through little tell-tale signs. Through her mother’s insistence on long skirts, or taking extra with her lotion at the bend of her knee, right where the little white line is. She got hurt. Something band-aids and boo-boo kisses couldn’t make go away. She’ll get an ice pack for Mommy next time she sees her.

“But, what if I can’t grow big and strong like she did? What if I can only do it the Lily way?”

He pauses his hand’s movement in her hair, breathes through his nose like the air was pressed out of him. He wants to say that Tashi could take it, that she’s an adult woman who’s worked through these things, because she’s supposed to have done so. She’s meant to be able to feel pride in other people’s successes, rather than hate that they’re doing what she can’t. But, Art knows the resentment. He feels it some days, when he loses a match she’d have one. When Anna Mueller wins. So, he smiles, presses his lips to the curve of her nose, watches it scrunch.

“Then you do the Lily thing, and we watch you shine.”

She hums when she smiles, the way Daddy does sometimes when things are only a little funny, but mostly make her feel like her head is a balloon, and it’s flying away from the rest of her body.

“But she’d like me more if I did it the Mommy way, right? If I was good at tennis?”

He squeezes her shoulder with his palm, and finds that it doesn’t fit right in the cup of it. He thinks she’s grown too fast, and yet she’s still so small. And she’s too smart to lie to. He’s too dumb to know.

“I’m not sure, Lilybug.”

The answer is yes.

A few months later, Christmas lists were being made, toy catalogues searched, circled, conspicuously left by coffee machines and Daddy’s yucky green ‘First thing in the morning’ drinks. But they don’t make her all jumpy and giggly, the way a good gift should. So, when Grandma calls, her face shaking in and out of view on the screen of Mommy’s phone, and Grandma asks ‘What does our Lilybug want for Christmas?’, she replies,

“I want more tennis lessons.”

And she watches Mommy smile like she’s never smiled before, even though she tries to bend her head down into the paperwork she’s doing at the coffee table to hide it. It’s still see-able, and Lily can feel herself fill with that gold feeling again, from her toes to the top of her head. She just wants to make Mommy smile.

She’s been staring at this assignment for hours, and for all her might, she just can’t make sense of these numbers. Stupid logarithms. Stupid math. She shuts her laptop, watches her face turn a glowing white to a healthy gold in her vanity’s mirror. She’ll do it tonight, probably. Or in the morning, before early practice. She hopes her eyes are functional enough to write real, understandable symbols at two in the morning. She hopes she gets enough sleep to even wake up in time. She knows she can help it, but she still feels her stomach sink at the sight of a big, red ‘F’ on a page. She’s glad she does well enough in tests to make up for it, or her spot on the National Honor Society would be someone else’s, and, most importantly, Mom and Dad would flip their shit.

She flips her phone over where it laid next to her laptop, the screen flashing a text from Amy.

“Sorry babe can’t do tonight i’ve got dance and sth with andrew at like 7 :((( tm tho?”

Dance. It’s always dance. She remembers watching those clips of Amy on her Instagram story like they were miniature blockbusters, watching the way the fabric of her skirt moved when she bent her leg a certain way. How her arms flowed like waves, even if they were made up of jagged bone. Fucking dance. It’s not even a real sport, and Amy breathes it more than air.

“That’s alright :)) tomorrow then”

She pushes herself out of the spinning chair, pockets her phone and snags her earbuds from off the foot of her bed. Ignores the way her knees pop a bit. She’s been sitting for a while. Besides, she could use the practice.

“Where you going, Lils?”

Her mother calls from the kitchen, not looking up from some ad mock-up. Looks like another Aston Martin thing, if she can read it properly from where she is.

“Practice.”

She calls over her shoulder, stuffing one earbud in. She sees her mother nod, hide a smile behind the palm of her hand. Rare Tashi Donaldson, nee Duncan, approval. Her shoulders roll back, and her spine straightens just a little bit before she makes it through the sliding glass door.

She came back inside at 11 pm. Four missed calls from Amy and a ‘Hey plans got canceled you still free???’ lighting up her lockscreen, blocking out the tennis ball in the photo of a little her, fairy wings, missing front teeth, and a racket half the size of her current one. Maybe she should change it to her with friends.

She walks past the empty dinner table, bowl of something still steaming and waiting for her at her usual spot in the corner, dropping with a haphazard flop onto the couch, clicking the TV on.

“So, pick me, choose me-”

“Fifteen found dead in Oakland, Cali-”

“And little Ms. Duncan, daughter of famed tennis couple Art Donaldson and the former Tashi Duncan has had a great season so far. So far, undefeated, and with just a few weeks before the Junior Opens, she really has a shot at the win. Thoughts?”

She sits up a little, watches pictures of her flash, half-way through a grunt, braid whipping behind her. There had to have been a better photo of her.

“Well, Rog, I’d just like to see a little more out of her. I mean, what with her mother being what she was, it’s just a shame to see it look so much more aver-”

The TV is off with a click. She shuts her eyes, rubs at her temples, lightly raps her knuckles against her head like it’d knock out the sound. She thinks they’re wrong. She hates that they’re right. She wishes it was more natural. Everyone knew her mother was dead in a living body till she stepped on that court, and it all clicked into raw, animalistic passion. With Lily? Procedure. She didn’t feel adrenaline, or a spark, or anything but duty. Steps. Tired. She falls asleep in the fetal position, alarm unset. She only has enough time to step out the door before early morning practice when she’s up.

Her opponent’s get a birth mark on her right shoulder the shape of a ballet slipper. It’s just a little darker than the rest of her skin, only visible when she served. Her mother is sat on the stands behind this girl, hands braced on the rails like she’s ready to pull herself over and onto the warm clay ground beneath her if things go south. But, for now, the score’s even, like it has been the whole match, and that wedding ring is glinting in the light. She’s not even the court and she’s controlling it, back straight and face stony like an emperor watching two gladiators in the colosseum. She just hopes she’s not the one ending with her head detached.

She can’t see Dad, thinks he’s probably gone to get a hot dog, now that he can eat them again, or maybe he’s just too non-threatening to matter to her right now. But, vaguely, she thinks she remembers hearing a ‘That’s my girl’ in that stupid, slightly nasally voice she pretends to hate as much as she can. You’re not supposed to like your parents at her age. Her mother is staring, she can tell. Those sunglasses don’t hide a thing. She can read her mother better than that, and they both know it. She’s thinking. Something. Something sharp, biting, maybe hurtful. Maybe hurt. She doesn’t see her opponent set up to serve, she doesn’t see the birth mark slip into view, just a bright yellow blur headed her way. She lunges as best she can, practically on the tips of her toes to make it, and she hears a tink. And then a crunch.

She kisses the concrete like it grabbed her by the hair and pulled her in, and her teeth scrape her tongue and leave gapped indents there, heavy and bleeding. She doesn’t hear her mother, or the gasps of the spectators, or the medics asking the other girl to clear the ground. She can hear her own breath, her pulse, and laughter. Wild, hysterical laughter she only notices is coming from her when she looks down and sees her stomach contracting with it. And then she sees it, that abnormal, jagged looking leg of hers. Bone not made to wave. And she cries as hard as she’d laughed.

“Hey, Dad?”

It’s later than he’s normally up. Generally, he’s out at 9 p.m., still careful to be healthy where he can be. Where it’s normal.

“Shouldn’t you be in bed? You’ve got prac… what’s up, Lily?”

She bites her lip, shifts back and forth on her feet the best she can. Her right leg is just a bit more bent than the left, wrapped in soft, beige bandages. She didn’t like the brace. She doesn’t want to look at him, so she looks at the wall. There’s a photo of Mom, fist raised, mouth agape in a scream, dress white and pristine. The Junior Opens. She sniffs.

“Can I just… I don’t know. Can we pretend like I’m little again?”

He shifts, pats his lap, smiles like it’s the only thing keeping something aching and raw at bay. Something that’s needed to be touched for years.

“‘Course, Lilybug.”

And she falls into place like it hadn’t been ages. Like she’s allowed to like her Dad, head on his thigh, eyes trained on the coffee table. There’s a letter from some college there with her name on it, somewhere cold and rainy. Somewhere they could use a name to their tennis team.

“How’s Mom?”

He tilts his head to look down at her, the side of her head, the shell of her ear, the soft lashes of her eyes that are slightly damp.

“Oh, Lily… how are you?”

She swallows, places a hand on his thigh and squeezes there, not tight, but firm. Like it was a natural place to settle. Something unharmed and soft and a healthy, functional leg. Her throat tightens. The world looks blurry. She thinks the letter says Yale. The water makes it hard to tell. Her voice is just a bit too quiet when she responds.

“‘M fine.”

It’s silent for a moment, one heavy breath, then his lighter one. A volley. She rolls onto her back to look him in the eyes, and finds a spot of brown in the left one. How had she never noticed that before? It looks like the color of Mom’s eyes. Even he’s got her little territorial marks on him.

“Can I say something stupid?”

He nods, hums his affirmation, waiting like it’s all he wants to do. To look at her and wait and let it just be quiet. She appreciated the stillness. It’s easier to be sad when it’s quiet. It’s easier to love then, too, melancholic and bittersweet and sticky like saltwater taffy.

“I always wanted to dance.”

He buries her face into his stomach when her lip trembles. She wouldn’t want him to see. He doesn’t want her to see his watching teartracks. In the room over, Tashi sits with her head in her hands and her eyes downcast. She hopes Lily would consider a coaching position.

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asheepinfrance

1 month ago

YEAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

… how do we feel about an all tashi release. need to show that girl some love (and give those white boys a BREAK)

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asheepinfrance

1 month ago

you already know

fancy

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asheepinfrance

1 month ago

annie can we kiss under the slide

Snippits from "Endure" [sfw]

A longer piece I'm slowly working on, exploring Patrick's life. It jumps back and forth from the past to the present as he recalls moments from his childhood while also visiting his family properly for the first time in years. If you've stuck around, you've seen me post bits from this before.

I'm taking a mini-break for school right now so I don't have anything new and complete, but I'd like to give you guys a little more from what I've shared before. This is my favorite work in progress right now!

Patrick has a small list of memories he allows himself to think about. He prefers the company of the time he first kissed a girl ('02, Cindie McLoud), or the last time he got a ribeye steak, imagining how the juice pooled down his tongue and throat, the rosemary butter in his nose and the meat in his teeth. They were bittersweet, but they passed the time and dulled the ache in his heart.

His longing heart. How it begged for Patrick to remember more.

There are times he lets himself remember, crystal clear recollections that he calls to only when the cold of winter nips at his bones through the door of his CR-V, the heater cranked too high and Hot-Hands stuffed everywhere he can get them. When the memory of a ribeye does nothing for the groaning rumble of his stomach, as his account mocks him with $27.89, and his tank teasing E. It was a different kind of pain to feel than the freezing bite of cold.

He's biting the end of an unlit cigarette so hard he can taste the filter and even the nicotine, grimacing and spitting it out onto the sidewalk. When he moves to grab another one to light, the pack's empty. Everything Patrick has left is for gas and something to eat tomorrow, so he leaves it, going back to staring at the house before him.

Patrick hasn't been here in almost fifteen years, but it feels like the most familiar place on Earth. He could still map it out, give every corner and every secret and every detail with his eyes closed, tell you the best spots to hide. It almost feels good to be back, like something died in him is giving its last croaking breath and reaching out to that house, and he wants to just shove it back in and turn around.

His father, narrow-browed and imposing at the head of the table, sipping from wine as he fired accusations across to him.

"How's your forehand? It better be improving."

"I've spoken to your coaches, do you think you're doing good? Don't lie to me, boy"

"Your teachers say you've been slacking off. Is this how your mother and I raised you? A slacker. A failure?"

The last one spoken as he loosened his tie, the table quiet and as tense as a pulled bow. Everyone waited for his fingers to slip, for the arrow to shoot. Patrick could feel it strike him right in his heart. His longing heart.

"Your mother and I've decided you're staying during the breaks. It's a waste of time— I'll pay someone to keep coaching you there."

He was bleeding into his lap, sputtering onto the table, pooling across the floor beneath him and soaking into his socks, and nobody cared to ask.

The next Christmas break is spent on the court, hitting targets and biting the inside of his cheeks. Going back to climb into his empty room with his arms screaming exhaustion and legs shaking with every step, Art's side silent and empty, with a small envelope on his bed and $500 inside. Flipping the envelope upside down. Maybe, just maybe... no. No card.

His eyes stayed on the flashing red and green lights out his window, wondering what they're doing back home, listening to Backstreet's Back low on Art's stereo. Imagining the taste of his grandmother's challah and brisket and wishing his father was pulling that bow and pointing it to his chest at the table. Patrick whispered what he thought he'd say, harsh and cutting and accusatory, the words seeping into the wallpaper and holding them for him.

He couldn't look at it, at those walls holding his pain in its pores. Patrick could hear them spoken back like an echo, and covering his ears did nothing to stop them. The words like water seeping through the cracks in his fingers, pouring and absorbing into him until they became everything he is. His whole body the voice of his father across the table. Even now, at thirty-one, he's never been wrung dry.

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asheepinfrance

2 months ago

death with no dignity; patrick zweig

“ amethyst and flowers on the table

is it real or a fable ?

well, i suppose, a friend is a friend

and we all know how this will end ” - sufjan stevens

cw (18+) : mentions of depressive symptoms, masturbation, and heavy yearning.

wc : 1.9 k

When Patrick was eighteen, he killed a doe.

It was an accident, it truly was, in every sense of the word.

He had been driving home from Art’s house around 11 PM and had been playing some stupid song on the radio. He’d thrashed his head and slapped his palms against the leather steering wheel to the stupid beat, carefree and unassuming. It had been so dark, and he was distracted, and then suddenly the deer was in the center of the road. Big, black, shiny eyes and pointed ears and a deep brown coat. She was beautiful. For the split moment that he had before the impact, that’s all he could think about.

He didn’t have enough time to swerve and avoid her because he’d been speeding, and everything afterwards happened in slow-motion. The skidding squeal of his tires against the asphalt. His heart lurching in his ribcage, almost enough to make him feel sick. The harsh jolt of the car and the brutal sound of metal hitting muscle, followed by the animal being sent hurtling a few feet forward and onto her side, accompanied by the painful sting of the seatbelt digging into his chest. When the car finally came to a stop, Patrick froze. His hands stuck to the wheel, shaking, and his eyes were peeled open wide as he stared through the windshield at the lifeless creature he’d just hit with his car. He was practically panting. He didn’t quite recall ever being so scared in his entire life, not even when he’d played his first professional match. Not even when he’d nearly drowned one summer years ago when he and Art were swimming in a lake upstate.

He’d never killed anything before. Not like that.

The aftermath was a blur. He almost called the cops to let them know that there was a large, dead animal in the road on so-and-so street, but he didn’t. To this day, he doesn’t really know why. Maybe it was all of the adrenaline. Maybe it was all of the guilt. Regardless, he’d mumbled a soft, “Oh, god, I’m sorry,” and then slowly pulled off and around it. He never told his parents, or anyone for that matter, that he had cried so hard on the rest of the drive home that he felt lightheaded by the time he was in the driveway.

Mommy and Daddy Zweig offered–no, begged–to get him a new car the next evening (when they got back from Greece) because his hood and bumper were horribly dented, but Patrick had refused. He’d laughed off the incident in front of them, and then waited until they went to bed to slink into their massive garage and pick all of the little tufts of fur out of the vehicle’s grille.

He’d traced his fingertips along the indentations and the scratches in the paint and blinked away the wetness clouding his vision. Tried to mentally retrace his steps that night, too. What if he hadn’t been listening to that stupid song? What if he hadn’t left his best friend’s place so late? What if he’d been quicker? Smarter? Luckier?

Could things be different? Could he have spared a life?

Could he have spared the victim, and himself, the pain?

Patrick’s twenty-one now, and he does a lot of retracing his steps these days.

Tennis is his priority; he’s always on the court, or in a car or a bus that’s traveling to a court of some kind. Forehands, backhands, volleying, serving, smashes–it’s all he lives and breathes. And, of course, it’s easier now to focus on tennis when he no longer has friends.

Art and him haven't talked in many months (has it really been years?), not since Tashi’s knee had gotten injured during that match at Stanford.

Fuck that fucking match. And fuck them.

He didn’t need them, he was doing just fine on his own.

If his best friend of over a decade wanted to kick him to the curb like he was nothing more than a dog that had bitten him a smidge-too-hard to be loved, then whatever. If his grotesquely-talented girlfriend wanted to break up with him because he didn’t want to be treated like a lesser athlete nor sit in her shadow, then fine. He’d enjoy his tennis career and roll freely in the expendable income he was sure to continue collecting.

But that’s not really who Patrick is.

And so he can’t help but lie awake at night, trying to pin-point where things went wrong–what he could have done to prevent this outcome–and tracing the indentations and scratches in his relationships that surely were only indicative of his faults. Compulsively picking at the tufts nestled in the wreckage. Eyeing the bloody brutalization, punishing himself by reliving the sting.

Sometimes he drags his fingertips over some of his old, banged-up rackets that he can't bear to get rid of, and he thinks about all of it. Tennis academy days with the shy, funny blonde kid that he became close with from day one. Learning and teaching and discussing with him all of the typical adolescent lessons that gave way to life outside of the bubble. Doubles matches–so many doubles matches. So many wins. First beers, first girlfriends, first cigarettes, first kisses. They shared everything with one another and they (almost neurotically) timed their experiences to happen around the same time so that they'd be able to talk to each other about them afterwards. As they got a bit older though, Patrick began to realize that he was feeling things for Art that he probably wasn’t supposed to tell him about. And he usually told Art everything.

That was his first mistake, he thinks, like when he hadn’t heeded the speed limit that night. Or, maybe, that was like playing the stupid song on the radio and going home late. It was the start of their untimely end.

When he’s in one of his usual depressive spirals, the kind in which he can’t seem to find his appetite and he forgets to shower and he ignores his manager’s texts, he argues with himself about what exactly could be considered the “impact”. Was it when he had cheekily served like Art during that one casual training session, ball to the neck of the racket, confirming that he had slept with Tashi and thus beginning the festering of that awful jealousy in his friend? Or was it when he praised her in front of Art before her match in the singles tournament that fateful afternoon, igniting his friend's interest? Patrick remembers the look that glossed over Art’s eyes when he first caught sight of her; he had looked at her and suddenly Patrick felt like he’d been forgotten–like he’d melted into those bleachers and disappeared. He can’t really blame him, Tashi was talented and beautiful and ambitious and confident and mature–she was everything that Art steadfastly admired in a person. She was twice the person that Patrick had been back then.

Usually though, he comes to the painful conclusion that the impact was certainly the day of the Stanford match. More specifically, it was when Art had yelled at him for the first time in the entirety of their friendship.

“Patrick, get the fuck out!”

Those four words ring through his head on the worst of days.

He knew he’d fucked up by not pushing aside his pride and going to support Tashi after their fight, so he could pretty easily swallow down the discomfort that came with being yelled at by her. They yelled at each other pretty often when they got into their little spats, it was relatively normal. But god.. It was so much different when it was him. Patrick's muscles had locked up; he was shaking and breathing hard like he’d just run a marathon, able to see nothing but that pair of angry, familiar eyes. The vitriol that came spurting from the blonde’s mouth was like the worst toxin he’d ever known. It paralyzed him and began to rot his insides from that very moment on. And then all of the suffocating memories came flooding back as he turned and walked out of that campus health center.

Giggling under blankets with a flashlight, reading comics until the sun started to come up. Practicing for hours on the courts at the academy, sometimes until they both got sunburns and heatstroke. Sleeping in the same bed on summer nights at Patrick’s house–tiredly watching the way Art’s chest rose and fell with each of his breaths and trying not to look at his lips. Holding each other when Art’s parents got divorced and he cried so hard that he got a nosebleed. Bandaging each other’s blisters. Wearing each other’s clothes. Having each other's back.

He doesn’t understand what he did to truly deserve being treated like that in the end by Art.

He’d been a good decent friend, hadn’t he?

How could Art’s infatuation with her be enough to snuff out everything that they built together? It was supposed to be the two of them for the rest of their lives. Sure, they could each get married, pursue a career, have kids, but at the end of the day it was always meant to be them, wasn't it? Fire and Ice? Did he get that part wrong?

He habitually questions how much he really meant to him.

When Patrick does muster up the strength to drag himself to the shower, he generally stays in there for at least an hour. “Waste of water” be damned. He closes his eyes and lets the warmth run over his hair and his naked body. He presses his back to the cold shower wall and rubs his eyes until he sees white flashes dancing in the darkness. It’s not uncommon for his mind to wander back to you-know-who. In fact, that’s who’s usually on his mind whenever he’s not trying harder to forget. And it’s easy for Patrick to fixate on those blurry white flashes and suddenly see yellow curls, bright blue irises, deep smile lines, flushed cheeks. Breath smelling of that peppermint gum he always chewed. The sound of his nervous laughter and joyous cheers. Patrick would know him even if all of his senses were somehow dulled or taken from him. He would know Art by the feel of his soul breathing life into his own. He would know him, surely.

And maybe it’s an act of pure filth and desperation, or one of flesh-tearing grief, but many times Patrick winds up touching himself. Slow, steady, tender–the way he assumes Art touches Tashi. The way he had always wanted to touch Art, though he never even gathered the courage to try to hold his hand. He thumbs his weeping slit and keens as he feels the sadness and arousal roiling in his gut. He chokes on little moans that sound like sobs that sound like screams. He’s starved. How is it possible to miss someone when they’re everywhere? He thinks it’s funny that he’s forgotten what Art’s speaking voice sounds like but also refuses to watch any of his latest interviews on TV. He doesn’t want to see if there’s a ring on his finger, and he certainly doesn’t want to think about all of the ways Tashi gets to keep him as her own. He was mine, he unfairly thinks as he strokes himself under the scalding water, he was mine and I loved him and you lured him in and then he was gone.

The orgasm usually comes quick, spurred on by the near-lethal dose of petulant thought. He feels his thighs tremble and then his hand starts to lose its rhythm and then he’s crying out as he comes hard over his curled fingers. Sticky, clotted, putrid evidence of his lack of control. When he finally opens his eyes again, salt spills down his ruddy skin from wet lashes. He gets dizzy from the heat and the steam, he feels like he’s choking on all of it. He brings his dirtied hand under the showerhead and watches as his mess is rinsed away, down the drain in a gurgling spiral. It takes everything in him not to collapse.

“Oh, god, I’m sorry,” he whispers, before he forces himself out of the bathroom and collapses in a wet heap over his bed. His skin sticks to the sheets and makes him feel like some sort of dirty, beastly thing that crawls out of swamps and swallows up all of the good it can touch. He figures that the feeling is not far off from the truth.

When Patrick was eighteen, he killed a doe.

And that doe followed him for the rest of his life.

note : to anyone who's ever had a childhood crush on their best friend. to anyone struggling with the grief.

This was intentionally written to be a bit "all over the place"; I wanted to show how scattered Patrick's thoughts can be. Also I love, love, love Tashi, I just think Patrick maybe sometimes (early on, before he helped her cheat) blamed her for his and Art's split for unjust reasons.

tags : @venusaurusrexx @tashism @grimsonandclover @diyasgarden @weirdfishesthoughts @gibsongirrl @newrochellechallenger2019 @jordiemeow @artstennisracket @cha11engers ♡

222 notes View Post

asheepinfrance

2 months ago

doc.... is she gonna make it

prolly not

7 notes View Post

asheepinfrance

1 month ago

what is wrong with you

connor murphy perchance with a cheerleader reader who secretly has the same struggles and they bond over that if not them js getting high together and they confess

french exchange student reader with ATP maybe new kid in the academy or player against Tashi, wanting to get all close!!!

hiiii!!! i loved your requests so much. here’s the connor one first 🤭 umm also im sorry i kind of went overboard and felt angsty… don’t hate me

tw: depression, suicide

—

the thing about being a cheerleader is that people assume you’re always happy.

like glitter and pom-poms are a substitute for serotonin. like cartwheels and short skirts cancel out the quiet panic that curls into your ribs at 3am.

but you know better.

and so does he.

connor murphy sits like a shadow at the edge of the world (or at least the school parking lot), head down, eyes daring anyone to look at him too long. you don’t mean to sit next to him. it just happens. like gravity. or like bad decisions.

he looks over, slow and suspicious.

you offer a half-smile and a joint.

“world’s ending,” you say, as explanation.

he shrugs. “cool.“

you pass the joint back and forth like a secret. like a lifeline. smoke curls around you both, and the silence between you shifts from awkward to gentle.

“you don’t seem like the type, you know,” he says finally.

you raise an eyebrow.

“to sit on the ground with me. and do drugs. and not cry about it.”

you laugh. “give it time.”

when the stars come out, you’re still there. his head tilted back, yours resting against his shoulder in a way that feels accidentally on purpose. you tell him things. not the big things—just breadcrumbs. like how you hate pep rallies. how you once cried during halftime. how you wish you could just… not be this person.

he blinks. slow, languid. “same.”

and it’s stupid. and sweet. and kind of sad. and it’s the first time you feel understood in forever.

“hey,” you say softly, voice barely louder than the wind.

he turns to look at you, like the moon’s caught in his eyes.

“i think i’m gonna like you.”

a pause.

“yeah?”

“yeah.”

“okay. good. me too. but like… don’t tell anyone. i have a reputation to uphold. i’m pretty popular.”

you grin. “oh yeah?”

“oh yeah.”

the joint burns out. the night drips quietly on.

—

you start seeing him more. not on purpose, at first. just… by coincidence. or fate. or whatever cosmic joke put the angriest boy in school and the sparkliest girl in the same orbit.

at lunch, you start sitting near each other. not at the same table, not yet. just close enough for the air to feel familiar. for a certain electricity to linger.

he nods at you. you nod back.

it’s stupid. it means everything.

eventually, he lets you into his world. little pieces at a time.

like how his mom keeps pushing therapy schedules into his hands like they’re birthday gifts. how his dad barely speaks unless it’s disappointment wearing a polo.

how his little sister, zoe, plays four instruments, volunteers at a vet clinic, and still finds time to win at everything.

“they love her,” he says, exhaling smoke out the passenger window. “like, it’s easy. natural. with me, it’s like—i have to earn it. and even when i do… it’s not enough.”

you don’t say anything at first. you just reach over and squeeze his sleeve.

later, you say, “my mom makes me smile in photos even when i’ve just had a panic attack.”

and he looks at you like you’re the only real thing in the whole fucking world.

you hang out on rooftops. in empty stairwells. behind the bleachers, where the grass is too long and the world feels far away. you skip class sometimes. not together, but somehow you both end up in the same hallway, sprawled out on the floor like fallen angels.

one day, he mutters, “i’m supposed to be this freak. the scary one. i hear what they say. maybe they’re right.”

you tilt your head. “do you want to be?”

he hesitates. “not always. not really.”

“then don’t be. be whatever you want with me.”

he stares at you like he’s waiting for the punchline. it doesn’t come. just your hand brushing against his. just the ache of being seen.

he starts texting you. a lot.

everything felt perfect. a perfect friendship, a perfect maybe-more-than-friendship.

until it finally snaps.

you’re curled up together in the backseat of his car, parked under the old oak trees near the edge of town where the stars don’t have to compete with streetlights. the blunt burns slow between you, smoke curling like a lullaby.

he’s lying with his head in your lap, eyes half-lidded, mouth a soft line.

“do you ever feel,” he says, “like you were made for sadness?”

you comb your fingers through his hair. “maybe. but then you happened. and now i think i was made for you.”

he looks up at you, eyes glassy but focused. his lips twitch into something that’s almost a smile.

you expect a joke. a typical connor deflection. something sarcastic to break the tense moment.

instead, he says, “i love you.”

quiet. like it’s the first true thing he’s ever said.

your heart stutters. the world stills.

you whisper, “i love you too.”

and for a moment—just a moment—it feels like everything might be okay. like the universe hit pause on the bad parts and gave you this night, this breath, this boy who sees you like no one else does.

he kisses you, and it’s slow, deep. his lips taste like weed and that raspberry slurpee he’s always got and something saltier—regret, maybe, or all the things he can’t say out loud.

his hand moves to your cheek, unsure, like he’s checking if you’re real.

you are. you lean into him like gravity’s made of need.

your fingers curl in the fabric of his hoodie, pulling him closer—not desperate, just aching.

the kiss deepens a little. not fast. just fuller. like an exhale you’ve both been holding since the first time you looked at each other and didn’t look away.

you fall asleep with your head on his chest, dreaming of maybe.

—

friday, no text.

saturday, nothing.

you send a stupid tiktok. no reply.

you try calling. voicemail.

you tell yourself he’s just spiraling. that he does this sometimes.

but not like this. never this quiet.

by monday, he’s not in school. you wait by your locker. you wait in the usual hallway. you check the parking lot.

his car isn’t there.

your texts pile up.

you start asking people. zoe doesn’t answer her phone. neither does his mom.

your chest feels like it’s collapsing in on itself.

you hear whispers in the hallways. an ambulance? a body found?

no.

he could be fine. he could be in the hospital. he could be anywhere. he could be—

you call again. straight to voicemail.

you leave one more message.

voice shaking.

tears falling.

“connor. please. i love you. you said you loved me too. you promised.”

—

eventually it’s confirmed, a monotone, grim announcement over the intercom.

a hushed assembly.

teachers blinking back tears they never showed him in life. posters about mental health taped crooked on hallway walls. a vigil with candles that don’t stop anything from hurting.

no one knows he kissed you like he was saying goodbye. no one knows you held him the night before. no one knows he said he loved you with the stars watching.

and now he’s gone, and you can’t say any of it without sounding insane.

you’re back in uniform the next week.

lip gloss. ponytail. fake smile stretched like skin too thin.

people pat your shoulder. say vague, hollow things like

“wasn’t he that angry kid?”

“i didn’t know you even talked to him.”

and you nod. and you smile.

and inside, something is rotting.

you go through the motions like a ghost trapped in the wrong body.

pep rallies feel like static. he was the only one who knew you hated them.

your bedroom walls are too quiet.

his last voicemail is still saved on your phone,