Grieve AND Organize.

This is literally one of my favorite posts ever

I think the best most human thing in the world is strangers doing a silly thing together

Happy birthday to me!!

In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson

Happy Birthday jesus 🥳

it's my birthday, bitches, love meeeeeee

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

Ok if any aroallo people see this, can you like... explain what being aroallo is like to me or something? One of my characters is aromantic bisexual (ish), but I literally have no fuckin clue how to write an aroallo character. please help lmao

I saw something in the news today that truly took my breath away. If you have been paying attention to U.S. politics over the past few days, you’ve most likely seen this woman:

This is Bishop Mariann Budde, and on Monday (Trump’s inauguration) she led an interfaith prayer for Trump and the incoming administration. During the service she asked him to have mercy for LGBTQ+ Americans and undocumented immigrants. This was badly received by the Trump administration (as expected).

After seeing headlines about this woman, I read something that I wanted to share. In 1998 a man named Matthew Shepard was murdered for being gay. I’m not going to get into the details of his death on this post, but please be warned it is extremely triggering if you do choose to read more on your own. Matthew Shepard’s death caused a lot of change in the U.S. regarding how LGBTQ hate crimes are handled, and laws that were passed to protect LGBTQ+ people.

Now you’re probably wondering what Matthew Shepard has to do with an Episcopal bishop. For years after Matthew Shepard’s murder, his family had held onto his remains, too scared to lay him to rest in fear of his final resting place being vandalized. In 2018, Budde had his remains interred at the National Cathedral, which is also the place where the interfaith prayer for Trump and his administration took place. The impact of this really had an effect on me. Budde could have led a non confrontational prayer service, and chosen not to mention the harm that will come to the people Trump and his administration are going after. Instead she chose to call out hate and fear in front of some of the most powerful people on the planet, and at a place that has such a large historic meaning to the LGBTQ community.

In the next few years there will be many challenges in protecting free speech, standing up against hate, and protecting those in our communities. But I would like to believe that for every Donald Trump and Elon Musk, there are people like Marianne Budde. There are those of us who can’t speak up for themselves, so it’s important for those of us who can to amplify our voices, even if it’s not the ‘popular’ thing to do.

“And he said you should apologize. Will you apologize?

I am not going to apologize for asking for mercy for others.” - Mariann Budde’s response in a Time interview

Link to articles: x x x

Link to the Matthew Shepard Foundation if you would like to donate

can someone just. explain to me what romance is. please. cause I really got no fucking clue and I wanna know but every time I google it I'm met with "picnics and dancing and stargazing and GENERALLY PLATONIC THINGS"

or is this just me being. really fuckin aroace.

Horsie