- đ§Ąđđ€đ©”đ - she/they - aspiring writer - endless WIPs - loves cats, coffee, and music -
83 posts
Greetings bugs and worms!
This comic is a little different than what I usually do but I worked real hard on itâMaybe I'll make more infographic stuff in the future this ended up being fun. Hope you learned something new :)
If you are still curious and want to learn more about OCD, you can visit the International OCD Foundation's website. I also recommend this amazing TED ED video "Starving The Monster", which was my first introduction to the disorder and this video by John Green about his own experience with OCD.
The IOCDF's website can also help you find support groups, therapy, and has lots of online guides and resources as well if you or a loved one is struggling with the disorder. It is very comprehensive!
Reblog to teach your followers about OCD
(But also not reblogging doesn't make you evil, silly goose)
EVERYBODY GO WATCH A NIGHT'S TALE - A JEGULUS SHORT FILM BY MISCHIEF MANAGED ON YOUTUBE RIGHT NOW.
IT IS THE BEST THING EVER IT WILL CHANGE YOUR LIFE.
just saw this on pinterest and it hit me like a truck
Instagram credit: chaptersofshau
I'm on my third reread of Red White and Royal Blue and wow I will never tire of it. This is literally one of my favorite books of all time I love it!!!
Lmao I can attest to the American one (being American myself has its perks) and yeah there's a reason we say it so much
bastard sounds great in an irish accent. if an irish person calls you a 'daft bastard' it just feels right
the welsh have the monopoly on things ending in hell. fuckin hell and bloody hell hit different in a welsh accent. its like music to my ears
the scots have piss and shite for sure. "its pishin it doon out there" "this is a load of shite" absolute poetry
if i may speak for the english i think we do penis related words very well. dickhead, knobhead, bellend, etc.
and for all the shit we give them, you gotta admit that no one can deliver a 'goddamn' quite like an american. theres a certain weight to it that you just cant achieve in other accents. when an american says goddamn you know shit just got real
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
In the past fifty years, fantasyâs greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isnât that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.
Whatâs texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesnât usually care much about these details, because it doesnât usually care much about the little people â laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuinâs remarkable attack on this tendency in her own writing.) So the fantasy writer defaults â fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)
Defaulting is the root of a great many evils. Defaulting happens when we donât think too much about something we write â a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brainâs subsconscious autopilot, invokes the easiest available prototype â in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonistâs hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. Itâs not done out of malice, but itâs still done.
The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You donât need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies âordinarilyâ work, what they âordinarilyâ eat, who they âordinarilyâ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, youâll produce sexist, racist writing â because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And youâll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Donât assume that the world you see around you, its structures and systems, is inevitable.
We... need worldbuilding by Seth Dickinson
The fact that The Hobbit is such a lighthearted family-friendly book, especially when compared to LOTR, actually breaks my heart when you consider that it is Bilboâs writing. That journey was anything but a fun trip for him. He went through real dangers and horrifying moments. He saw violence for the first time. At the end of it, he lost his love. And he went home traumatized, heartbroken, and forever changed.
Yet when he wrote the story down, he emphasized the more successful and fun parts, and glossed over the depth of his pain and grief when the losses happened (even leaving FĂli and KĂliâs deaths to a throwaway line.)
Because what else could he have done? Nobody else could possibly understand his pain. Bilbo wasnât like Frodo. He didnât have a Sam who he shared the experience with and could talk to about it every day afterward, to help him work through writing down the details of the darker parts of the story. And his other friends lived far away and could only visit occasionally.
And the hobbit children were all full of wonder about Elves and dwarves and trolls, so he put the focus on that.
I feel like that was his way of dealing with his trauma.
Also if anyone cares I just updated literally my entire intro post, so go check it out; it's wayyyyy better now lol
I've been super obsessed with dragons recently, and it's great because I'm finally getting into worldbuilding and developing my fantasy world and the race of dragons more, but like... I have school. That I'm currently slacking off on to be able to work on dragon stuff more. So.
Ugh I'm so sick of college and school work I'm actually just going to give up this is horrible
Horsie
that post thats like âyouâre not unlovable youâve just been spending a lot of time alone in your roomâ is true for everyone but me. iâm unlovable iâve just coincidentally been spending a lot of time alone in my room
I just finished the first season of Game of Thrones, after starting the show like 2 days ago and let me tell you. I am in awe, and also devastated, and also Game of Thrones is going on my list of favorite tv shows immediately. I love it sm
This is exactly why he's my favorite fantasy character of all time.
guys do you get it when i say aragorn is the definition of the words "gentle", "love", and "beauty". not in the conventional way, but i think aragorns existence itself defines those words. the ranger in him grins, as free as the winds and you see that chaos in him and yet you also feel his quiet strength that makes him uniquely aragorn. the whimsy of the elves as estel grew up to be the man now known as aragorn. gentle as he sings to the trees, sings to his horse.... his calloused hands cradling everything with such tenderness someone might wonder how he does that when it's been hardened by years of fighting with a sword and shouldering burdens.... aragorns love at the same time is something beyond either romantic or platonic, its the type of love that you just give out to the world. love built on courage, and kindness, and faith, and hope, as what his name estel means.... and to be able to love like that..... i think is what you call a being who embodies beauty.....
"do you want women competing against trans athletes" yes? I also want women competing against male athletes. and competing alongside them. because segregating sports by gender is extremely shitty actually?
No tags needed for this reblog.....tissues, though, that's a different story....đ„șđ„șđ„ș
Uh.....lore lore lore let's see....I love history (like obsess over it lol), I listen to a band called Paradise Fears that I've literally never heard anyone else ever listen to, I have a tiny scar on my right pointer finger from a camping trip a couple years ago, and I love collecting journals even though I never write in them.
@daybringersol @eternalpeaceisoverrated @mynteuphoria
it's so weird to me that everyone on this website is a human person outside of their weird internet niche so rb this with a random bit of your lore
vote bitches (affectionate) this is important information
hey not sure if you heard but it's actually probably better if you don't go gentle into that good night
I need everyone to know that the ship Götheborg, the world's largest ocean-going wooden sailing ship, answered a distress call the other day.
Imagine waiting for the coast guard or whatever to show up and instead a replica of 18th century merchant ship pulls up and tows you to the coast.
bring back tumblr ask culture let me. bother you with questions and statements
I'm serious. Please write it. If you need a sign to start, continue, or whatever is inbetween, this is it. Go do it.
I spent the past couple weeks indulging myself in some BookTok recommendations. While some were indeed good (Kings of Sin, my beloved), some were just...I don't need to finish my sentence there.
I DNF'd some books for the first time since I read Lord of the Flies (sorry Golding, you put me to sleep with your descriptions) and I powered through others in hopes that they would eventually get better. The general consensus I ended up getting was that I could not understand for the fucking life of me how these books got published. The writing in some of them was no better than that of a 2010s teen writing Maximum Ride fic on Wattpad for the first time, with the characterization abysmal enough to match.
I don't want to knock any specific author or book here, because I will concede one thing: they finished their books. They got them published. They're successful. For that, I commend them, because I'm still on my way there myself and I can't take that away from them. Jolly good show.
But that brings me to my point: if they can do it, YOU absolutely can do it too.
If some of these Amazon and NYT bestsellers can have prose on a Wattpad level with characters that have enough poorly-written cognitive dissonance to make Deadpool or Walter White jealous, your fleshed out, deeply intuitive, and remarkably creative epic can sit right alongside them no problem. Whether you're writing the next GoT or a romantic slice-of-life, there is a not a goddamn thing on this planet stopping you from rolling up with the big dogs.
If these guys can do it, so can you.
So, stop telling yourself you can't. Stop letting other people tell you you can't. Stop comparing yourself to these authors who, respectfully and bluntly, can't write for shit (or at least need to fire their fucking editors, good lord).
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
GUYS
IM GOING TO A HOZIER CONCERT
I GOT TICKETS TO GO WITH MY BROTHER IN JULY AND IM SO FUCKING EXCITED THIS IS AMAZING
Lesson 6: "Let's Have a Talk, First"- Stereotypes, pt 1
Lesson 6: âWhyâs she so rude?â (Sheâs Not)- Stereotypes, pt2
Lesson 6: "Is He the Threat (Or Are You?)"- Stereotypes, pt 3
Application Example: How to spot a Stereotype: An Example
Before you ask me this, I need you to read every lesson and click and search through every single link!
There are as many ways to accidentally (or purposely!) scribble up a stereotype as there are stories to tell. It takes our entire lives to learn and keep up with the ways media (fiction and nonfiction) will find ways to depict us negatively in a narrative. Why would it be any easier for you? đ
If you actually want to develop the skill to see what and how stereotypes manifest in your media, you have to study it. It will take you time! You will have to read, and then you will have to apply what you've read! That's part of media analysis and comprehension! Because at the end of the day, I could present you with a surface level, lovely story containing a stereotypical narrative, but if you didn't know what to look for and why, you wouldn't see it.
And again, I will always tell you to engage with Black stories. Why do you want to put me in your stories, but you don't want to engage with anything created by me? Why do you want to know how to write my voice, but you're not willing to read anything spoken by my voice? How else do you plan on figuring that out? What is your intention, here? Let's ask ourselves these questions!
Got called a weirdo irl for the way I write my fics sooo
I am the âwrites in document tabsâ if anyoneâs wondering