New Yorker Cartoon

New Yorker Cartoon

Millennial holding newborn baby: Where the like button on this binch!!!

More Posts from Zholtochnik-blog and Others

6 years ago
Agnès Varda
Agnès Varda
Agnès Varda
Agnès Varda
Agnès Varda
Agnès Varda
Agnès Varda

Agnès Varda

- Le Bonheur / Happiness

(1965)

6 years ago
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
The Eve Of Ivan Kupalo/Vecher Nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968

The Eve of Ivan Kupalo/Vecher nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968

“A master of Ukrainian poetic cinema, Yuri Ilyenko gained world-wide acclaim as the cinematographer of Parajanov’s Shadows of Forgotten Ancestors. As a director, he stands proudly in the anti-realist tradition of Dovzhenko: of his nine films, all but one were banned until last year, when A Spring for the Thirsty stunned SFIFF audiences. The Eve of Ivan Kupalo-based on Gogol’s rendering of a Ukrainian folk tale-is probably Ilyenko’s most inspired and experimental work. The opposite of what one expects from a film taken from peasant mythology, it is neither quaint nor corny, and doesn’t depend on broad acting and hearty singing. Suffused with the earthly pantheism of a half-pagan Christianity, Ilyenko’s film celebrates the unbridled passions of a people linked to nature and the rites of the seasons, to animals and the spirits of the forests. The story-a young peasant’s pact with the evil spirit in order to win the hand of a rich man’s daughter-is a simple parable of the evil power of gold over man. The cinematic treatment is dazzlingly complex, a series of astonishing and inventive images-boldly composed in color Cinemascope-married to an equally ambitious sound montage of music and stylized effects.”

6 years ago
image

no cringe culture, we XD like men

image
6 years ago

character: *falls asleep in a chair or at a desk from sheer exhaustion*

their love interest: *places a blanket over their shoulders, gently to avoid disturbing them*

me:

Character: *falls Asleep In A Chair Or At A Desk From Sheer Exhaustion*

their love interest: *picks them up and bridal carries them to a more comfortable surface while their head nods against their shoulder/chest*

me:

Character: *falls Asleep In A Chair Or At A Desk From Sheer Exhaustion*
6 years ago
Item: Wristwatch Containing A Bored But Hardworking Pixie That Points At The Time For You
Item: Wristwatch Containing A Bored But Hardworking Pixie That Points At The Time For You

Item: wristwatch containing a bored but hardworking Pixie that points at the time for you

6 years ago
Ta-dah!
Ta-dah!

Ta-dah!

6 years ago
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)
The Firebird Segment — Fantasia 2000 (1999)

The Firebird segment — Fantasia 2000 (1999)

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zholtochnik-blog - I Am The Shepherd
I Am The Shepherd

Jewish • I like psychiatry and anthropology and linguistics

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