Jeremy January, Blue Monday* edition: Jeremy spreading awareness about Manic Depression/Bipolar Disorder. In this recording he describes the illness to encourage listeners who may be suffering to seek help. He is speaking for the Manic Depression Fellowship, now called Bipolar UK. Another resource is The Mighty: https://themighty.com/bipolar-disorder/. (I linked only to their Bipolar Disorder page, but The Mighty includes stories and information on a number of mental illnesses and other topics.)
If you are suffering, please, listen to Jeremy and talk to someone about your suffering. If you consider yourself well, please be available to listen as much as your personal capacity allows…be like Edward Hardwicke supporting his friend Jeremy by picking him up from the institution and taking him out for a meal and then home for tea. The world needs more friends like Jeremy and Edward!
*The term “Blue Monday” only recently came across my radar; it is a Monday in January (which one seems to vary by source) and is said to be the most depressing day of the year for Northern Hemisphere dwellers.
I have both. They're really cute. But FunkoRoger keeps falling over 🤣
I'm doing Christmas shopping online and discovered that funko pops have a line for tennis players. Very tempted but unfortunately Rafa is sold out. It doesn't feel right if I only bring Roger home (he won't be too happy here)...
Rafa - I love his bull logo and the purple top. And his wavy hair.
Roger - cute as a button (as usual) but where is his RF logo though?
And then the whole dubious ticket booking service for the SA exhibition went to hell, and made this day even shittier. 💔
Please be okay, babe.
I’ve honestly come to the end of my patience with this show. No more.
When it was first suggested that Lucifer may be making a return to Supernatural, I was among the first to express some skepticism. Not only did it strike me as lazy writing, to resurrect a villain defeated five seasons before, I also had no confidence that this writing team could do the character justice. Experience is instructive, and I fully expected that Carver’s version of Lucifer would be as shallow and spiritless as many of his other villains have been. If it seemed that I was more upset by that thought, than I have been by the treatment of other villains, that is because I believe that the Lucifer of Classic Supernatural, and the story told around him, is such a powerful and complete piece of writing. A piece of writing that I did not want to see subjected to Carver’s usual vandalism.
Unexpectedly, however, I was given cause to doubt my gut instinct on the subject. The first half of season 11 aired, and I was pleasantly surprised. Suddenly it wasn’t the plastic, tawdry junk I had been subjected to for the preceding three seasons. There were episodes that I enjoyed; there was compelling writing, and engaging characters, and Sam and Dean looked a little bit more like Sam and Dean than they had in a long time. For a moment, that ridiculously little flame of hope burning deep in my fannish heart, leapt. Perhaps Carver had clued in to just what a disaster he had made of the show, had recovered his soul and had become again the writer that had given us AVSC and Mystery Spot.
Of course, I should have listened to my gut. Whatever goodwill was earned by episodes 1-9 of season 11, it was disintegrated by the contrived garbage I watched last night.
The only redeeming feature of “The Devil in the Details”, was the acting. With one notable exception, everyone was on their A-game. Pelegrino and Padaelcki were mesmerizing together, and Jensen Ackles was as much Dean as I have ever seen. Even the ridiculous Pantomime Dames of Supernatural, Crowley and his mother, earn a mention for their solid performance (the nonsensical pre-credit sequence notwithstanding). And, I suppose, I should also credit the “broments”. Dean’s “have you met me” line was perfect, and Sam’s strong statement of faith in his brother was a particularly satisfying moment, following as it did four seasons where one might have been forgiven for thinking the brothers really didn’t like each other. If I hesitate to laud those gems of fraternal devotion, it’s because the totality of the episode had the effect of making those moments feel like obligations. They were added because that’s the “Supernatural formula”, and it’s what the fans’ expect. In other words, poor currency that didn’t purchase nearly enough goodwill to endure the remainder of the episode.
I’m not even sure where to begin with my substantive criticism, because there was so much that disappointed, or straight-out offended me. I suppose Lucifer is the obvious jumping point. My principal concern when I heard the Devil was returning for a major part in season 11, was a conviction (not disproved) that Carver would not be able to do that character justice, but worse would completely negate everything that had gone before. The Winchester’s war with the Morningstar was a complete, and powerful story; “Swan Song” the perfect denouement to the drama and pathos of season 5. That fight needed no further elaboration, it needed no further examination. It was perfect: Sam and Dean defeated the Devil, and they did it with brotherly love. Perfection doesn’t require elaboration. Resurrecting the Devil after that would be like Sauron climbing out of the rubble of Mount Doom, or the Emperor clawing his way back up the Death Star’s reactor shaft, or Voldemort appearing on the back of Lucius Malfoy’s head; in other words, a piece of poor quality fanfic, that rendered the trauma and sacrifice of the heroes completely nugatory.
That is, of course, exactly what I think happened last night. In one episode, Jeremy Carver and his team have succeeded in completely invalidating everything that Sam and Dean fought and died for. And for what benefit? The totality of the dialogue in 11.10 was a redux of themes in season 5; almost verbatim in some places. That doesn’t even deserve the title of elaboration; it’s naked, lazy plagiarism. Even more offensive than that, was the opportunity the writers took to make their voices heard through the dialogue. The whole sequence of Lucifer’s play, to the backdrop of Sam and Amelia, was overwhelmingly redolent of Jeremy Carver’s known, and particular, opinion on the brothers and their relationship. I didn’t hear Lucifer speaking in that sequence, I heard Jeremy Carver via Andrew Dabb. Writing 101 teaches that the writer’s voice should never be heard, not even in the narrative; it’s for your characters to communicate your argument, if you have one to make, and communicate it subtly. Not as a piece of anvil-dropping that amounted to nothing so much as a rebuttal to criticism. This is what I heard in that dialogue; not an expression of Lucifer’s character, but an argument directed at the fandom, or at best, a piece of very thin apologia for the character’s resurrection.
Invalidating Sam’s 140 years in hell, and enduring Carver’s lecture, are of course, not the only reasons why resurrecting Lucifer is a bad idea. The other obvious problem is the appalling creative laziness it implies. Apparently, this writing team is completely bereft of ideas for antagonists, themes and characterization. It is an appalling thing to acknowledge, that since Carver took over, the only original villain of the Supernatural universe, is its most irritating, Metatron. Almost all of the female villains – Eve, Abaddon, Rowena, Amara – are near carbon copies of each other, because again apparently the writing team can’t contemplate any female roles that aren’t a version of “sassy hot bad ass, usually with a thing for Dean”. Not a single one of those villains, comes even remotely close to the delicious menace of Meg, or Yellow Eyes, or Lilith or Alistair. Devoid of the skills, or the inclination, to give us an original, powerful antagonists, the season 11 writing team resurrects Lucifer, and rehashes season 5 for us. I’m not inclined to be grateful. If they were going to bring an old villain back, they could at least have given us Alistair or Meg. Certainly, we need another female character now that they’ve killed off Rowena. I was no fan of the Pantomime Witch, but again her death served no purpose other than to show how awful the Devil was (we know, he’s the Devil, we saw him a lot in season 5, remember?), and has successfully reduced female representation on Supernatural to a bit-part reaper, and the cameos of Sheriff Mills and Donna.
Of course, Lucifer wasn’t the only angel to suffer at the hands of the writer’s lack of inspiration. There was Castiel, too. Castiel. What on Earth, is the fucking point? If Castiel is so boring, so irrelevant, that the only way you can make him interesting, is by making him into Lucifer, then you have to start wondering whether it’s worth keeping him. Does he contribute anything, anything at all, to the story, now? Because, it seems that the only time Castiel is relevant, is when he’s not Castiel. Is that meant to be irony? Perhaps his motivation is meant to be ironic; after all he’s making the exact same mistake he made in season 6. More redux from the inspired creative team at Supernatural. It would be funny if it wasn’t so infuriating.
What wasn’t funny was the pre-credit sequence I mentioned earlier. Other than a brief piece of exposition, that could have been disposed of in a line, this added nothing. All I got from it was an excruciating feeling of second hand embarrassment, and an inclination of how the rest of the episode was going to go.
In summary, then, and speaking plainly, the episode was awful. I hesitate to describe it as contrived garbage, because I seem to use that phrase often in relation to this show, and I don’t want to be guilty of a lack of imagination. But contrived it was, and I think that’s Supernatural’s enduring and apparently insurmountable problem. It absolutely is a flaw in the writing, but more specifically a flaw in how the writing is approached. Episodes of Supernatural are no longer flowing, organic pieces of storytelling. They’re Lego Kit writing: a preconceived piece of shallow spectacle, built from little perfectly formed bricks of wow. The ambition here is not to tell a story; it’s to amaze, it’s to impress with the next piece of Dramatic Dialogue, to scintillate with the next piece of awesome SFX; to show how cool-awesome the next Big Bad is. The same gaudy pieces stuck together repeatedly, following a check-list, and packaged to impress us with its style.
The problem is, there is no story beyond the formula it’s built from. The Emperor really does have no clothes.
They kinda explored that angle (Watson being hurt by Holmes’ deception) in the stage play with Jeremy and Edward, did they not? I wish there was video footage of that play somewhere.
The relationship between Holmes and Watson in the BBC adaptation feels downright antagonistic to me, which is one of the (many) reasons I’ve stopped watching that show.
“…my most treasured possession”
And to think that the second one was taken after the bizarre charity doubles match with the not-so-friendly rivals Sampras and Agassi. The latter couldn't stop sniping at each other while Fedal just looked on in confusion 🤣
What a labour of love! Thank you so much for this.
It’s over! it’s done! Quick recap: so basically I uploaded the blu-ray rips of the whole series to Google Drive (36 episodes and 5 movies) so everyone can enjoy them and marvel at the beauty of the cream-colored suit in HD. For now the episodes don’t have any subtitles, none of the subs available out there are synced for the blu-ray rips, so if someone wants to contribute with that please let me know! and that’s all there’s to know about it for now. I really hope you have a nice time watching it whether is the first time you watch the series or the 1000th time :) here are the links:
The Adventures of Sherlock Holmes
A Scandal in Bohemia
The Dancing Men
The Naval Treaty
The Solitary Cyclist
The Crooked Man
The Speckled Band
The Blue Carbuncle
The Copper Beeches
The Greek Interpreter
The Norwood Builder
The Resident Patient
The Red-Headed League
The Final Problem
The Return of Sherlock Holmes
The Empty House
The Abbey Grange
The Musgrave Ritual
The Second Stain
The Man with the Twisted Lip
The Priory School
The Six Napoleons
The Sign of Four
The Devil’s Foot
Silver Blaze
Wisteria Lodge
The Bruce-Partington Plans
The Hound of the Baskervilles
The Case-Book of Sherlock Holmes
The Disappearance of Lady Frances Carfax
The Problem of Thor Bridge
Shoscombe Old Place
The Boscombe Valley Mystery
The Illustrious Client
The Creeping Man
The Master Blackmailer
The Last Vampyre
The Eligible Bachelor
The Memoirs of Sherlock Holmes
The Three Gables
The Dying Detective
The Golden Pince-Nez
The Red Circle
The Mazarin Stone
The Cardboard Box
@robealafrancaise @itsnotchancemrholmesitschess @blogoftangents @acdhw @cynassa @luscious-theomorphic @nine-twentyfive @jazziesb @n-oy-a @jobooksncoffee
I never thought the day would come when a video promoting a campaign supposedly in support of raising awareness about mental health issues would give me an anxiety attack.
Wow that new video of Misha’s is creepy as fuck.
Bye bye Carver, and bye bye show. Singer was the one who brought Castiel back in the first place. Under his direction Misha will be made a lead, and the Gruesome Twosome (Buckner/Ross-Leming) will be made head writers.
HOLY SHIT.
This kinda looks familiar, I'm not sure it's recent? Could be wrong, though.
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