The real fun is that Eddie and Steve switch off on who looks like a homeless man and who looks like a hooker. Never know what you're gonna get
Am I the only one who thinks that Steve, Dustin, and Eddie's relationship perfectly fits that one audio that goes like:
I got three looks, and that's it.
a homeless man
a twelve year old boy
and a hooker.
just sayin.
legit so annoyed about the way the corporate media wants to paint those women waiting outside the court as crazy and as only being there because Luigi is hot. I looked up pictures of them outside the court and they all held signs and were there to send a message: "health over wealth", "denial of medical care = violence", "murder for profit = terrorism", "the United States healthcare stole my livelihood", "insurance lobbyists line politicians' pockets", "healthcare reform NOW". Yeah, they're there because he's hot for sure. Also, there were a lot of men as well but hey, that's not helping the narrative right?
Sometimes I think about the kids seeing billy lounging at the pool with a shirt on in s3 and literally going like “oh no, he hasn’t got his tits out, something is wrong!!” and the funniest thing is that they were right
He's not evil he's just drawn that way.
The radio crackled on. Robin clutched the microphone as steady as she could, the poor thing not used to the rough location of Steve's beat up Beemer.
"Evening, Hawkins," she announced into the mic. Not in her typical bravado. This was all Robin: trembling, scared, but defiant against it. "This is Rockin' Robin, here with Sailin' Steve in what very well may be our last broadcast."
She adjusts her spear, getting Steve to double check his shield. Not easy to do while speeding down the road, but when their destination is the same no matter where he goes, it doesn't quite matter anymore, does it?
"It's been a pleasure serving you lovely people and WSQK Radio," Robin continues, her voice shaking less as the certainty of her words takes over. "But it's time for us to sign off one last time."
"The end of the world is calling, baby," Steve says, loud enough for the radio to pick up. It's the first time he's ever dared to speak into it, and the wave of power it gives him makes him feel possessed. With the way his hand moves off the wheel to twist the knob of the barely functioning sound board between them, turning the music up as he accelerates and fueling his words, he may as well be. "We're here to pick up the call."
Steve grips the stick in front of the sound board, clutching the leather as familiar as the denim beneath his war clothes. "We've got one final song for you all, dedicated to an old friend of mine."
He smells ash. Tastes blood on the tip of his tongue. Feels the sting in his sides like a call from the other side.
Not painful. Hopeful.
Daring.
Trusting.
Fueling.
"We're gonna finish what you started, bud. I'm gonna make him pay."
As the first notes of the guitar solo to "Crazy Train" begin rattling his car, as his fingers tighten impossibly more on the wheel and a tear rolls down his cheek, he feels the ghost of a hand on his shoulder.
Ring laden.
Strong in its fear. Familiar in its loss.
Steve grits his teeth. Takes a deep breath as a calmness burns just as bright as the fire of vengeance.
"Eddie Munson, this is for you."
Then he shifts the stick, grips the wheel, and speeds straight into the apocalypse.
Kendrick: America is built off of the backs of slaves whose descendants, who were promised freedom and reparations they never got, are now being told that they're not good enough for this country. We're told that we're too black, we're too ghetto, we make everything too political. The elite like to watch us fight amongst ourselves because that way they'll be safe from the consequences of their actions.
Y'all: HAHA wow, Kendrick played Not Like Us!!! Everyone called Drake a pedophile!!! Kendrick is such a hater about This One Guy and This One Guy Only, this is a single instance after all, that's so funny. Anyway (proceeds to never interact with anything else he makes ever again)
Upholding Luigi Mangione as a class hero isn't actually helping anything; not because killing the ceo was wrong (it wasn't) but because the man still maintains his innocence. You're doing no better than the cops and fraction of the public against the shooter's actions by treating Mangione as if he's unequivocally guilty.
Redirect your energy to fighting the police's bullshit prosecution and blatant public defamation of his image. Stop supporting him on the grounds of heroic actions. Support him on the grounds of there's still literally no proof he actually fucking did anything.
I think you’d have to tell Steve if he was being bullied. Even after he fell off the social ladder, I just don’t think he’d notice because his old friends were assholes anyways and why would someone do that? To him??
However, I think you’d also have to tell Steve that no, Ms Byers doesn’t hate him just because she said ‘Morning’ when he went into Melvards instead of ‘Good morning.’