Kendrick: America Is Built Off Of The Backs Of Slaves Whose Descendants, Who Were Promised Freedom And

They laugh but I'm actively making a giant project that appeared to me in a dream so I don't know what we're laughing at honestly

No, I am not 'hoarding craft supplies.' I am sourcing materials for a very big project that will be revealed to me at a later date- perhaps in a dream.

The real fun is that Eddie and Steve switch off on who looks like a homeless man and who looks like a hooker. Never know what you're gonna get

Am I the only one who thinks that Steve, Dustin, and Eddie's relationship perfectly fits that one audio that goes like:

I got three looks, and that's it.

a homeless man

a twelve year old boy

and a hooker.

just sayin.

I really try not to be a conspiracy theorist but I’m seriously flip flopping on whether or not I believe Luigi Mangione actually did it, on one hand this guy’s digital footprint is too vast to not be a real person with real motive, but on the other hand the circumstances of how they caught him are so odd that it just doesn’t add up, like, he wore very nondescript clothing and a mask the day of the shooting, suggesting he doesn’t want to be identified, despite this they were somehow able to identify him at a hostel in different clothing without a mask, he not only fled the scene but allegedly fled New York with a fake ID that the police recovered, several days later they found him in Pennsylvania carrying around all of the evidence in his backpack, including a manifesto, gun, and fake ID, the police also claim he had somewhere between $8,000-$12,000 in his bag, yet when asked about it Luigi claims he had no idea where the money came from and suggests it was planted (which raises several more alarm bells because if this “evidence” was planted then what else could they have fabricated to “catch” this guy?)

this not mentioning the fact that I find it really odd that this guy didn’t digitally publish his manifesto and instead chose to carry a physical copy of it around for days

this all could mean that he wanted to get caught but if that’s the case why go to Pennsylvania at all? why not just stay in New York?

I will say, though, that I think some of this can also be explained by this comment on Reddit:

regardless, the circumstances are suspicious as hell

edit: I realized I forgot to mention this part but it’s also so suspicious how everyone, the police, the media, whatever, are all 100% certain that Luigi Mangione did it, I’ve seen so many high profile cases where cops do press conferences and say “this is America, the suspect is innocent until proven guilty!” yet they’re not even calling Luigi a suspect, they’re outright saying he is the shooter and that he did do it, that’s just weird to me

steve teaching robin his evil white boy ways is very important to me. he's boosting her up into a girl's window. she's wearing backwards baseball caps and popped collars and sunglasses inside. sitting on the roof in lawn chairs. throwing random stuff off high places.

the first time she does a keg stand, he cries.

You can literally make anything and anyone problematic if you try hard enough seriously give me people and things and I’ll make them all “problematic” right now.

which one of u was going to tell me that tea tastes different if u put it in hot water?

I've been here for about 13 years I think and I've heard tumbling but NEVER tumblogs

Teach me how to use my tumblog

The radio crackled on. Robin clutched the microphone as steady as she could, the poor thing not used to the rough location of Steve's beat up Beemer.

"Evening, Hawkins," she announced into the mic. Not in her typical bravado. This was all Robin: trembling, scared, but defiant against it. "This is Rockin' Robin, here with Sailin' Steve in what very well may be our last broadcast."

She adjusts her spear, getting Steve to double check his shield. Not easy to do while speeding down the road, but when their destination is the same no matter where he goes, it doesn't quite matter anymore, does it?

"It's been a pleasure serving you lovely people and WSQK Radio," Robin continues, her voice shaking less as the certainty of her words takes over. "But it's time for us to sign off one last time."

"The end of the world is calling, baby," Steve says, loud enough for the radio to pick up. It's the first time he's ever dared to speak into it, and the wave of power it gives him makes him feel possessed. With the way his hand moves off the wheel to twist the knob of the barely functioning sound board between them, turning the music up as he accelerates and fueling his words, he may as well be. "We're here to pick up the call."

Steve grips the stick in front of the sound board, clutching the leather as familiar as the denim beneath his war clothes. "We've got one final song for you all, dedicated to an old friend of mine."

He smells ash. Tastes blood on the tip of his tongue. Feels the sting in his sides like a call from the other side.

Not painful. Hopeful.

Daring.

Trusting.

Fueling.

"We're gonna finish what you started, bud. I'm gonna make him pay."

As the first notes of the guitar solo to "Crazy Train" begin rattling his car, as his fingers tighten impossibly more on the wheel and a tear rolls down his cheek, he feels the ghost of a hand on his shoulder.

Ring laden.

Strong in its fear. Familiar in its loss.

Steve grits his teeth. Takes a deep breath as a calmness burns just as bright as the fire of vengeance.

"Eddie Munson, this is for you."

Then he shifts the stick, grips the wheel, and speeds straight into the apocalypse.