One Of Those Anime-style Spells Of Fuck Your Shit Up Where The Verbal Component Is A Long Monologue That

Warlock: You’ve been Pavlov-ing me. You’re only nice to me when I’m not killing people. Paladin: That’s also in line with, you know, basic morality, but sure we’ll stick with the psychology if it makes you feel better.

Me: *looking at a porcelain hand in the home decor aisle of a store* if I lost my hands in some kind of tragic accident, I’d decorate my entire home with hand-shaped things. Then I’d invite guests over for like, dinner parties and such and sit there expectantly just basking in their discomfort.

My boyfriend: Do you hear what you say when you talk? Do you know what you just said to me?

"Ophélie" by Jean-Baptiste Bertrand, 1867

Does Marge have friends? by  Raphael Bob-Waksberg — i’ve read this a couple years ago and it has always stayed with me…wanted to draw to it

LGBTQ AI generated art

lesbian | gay | bi

trans | queer | pan

ace | aro | nonbinary

so i made these before i knew the site would be making NFTs, but since they’re already done i figured i might as well share them <3

Blue Mosque - Istanbul, Turkey.

something i have always found really weird is when english texts italicize words from other languages.

i remember reading a book as a kid and the author continually italicizing the word tamales

Thinking about how succinctly LM 1972 was able to convey the Montparnasse and Éponine dynamic. First by simply having her use a less formal greeting for him than she does for the other gang members, the way she does in the Brick.

Then, check out her reaction when he pulls the knife on her. There’s this fleeting expression of surprise, fear, and dare I say hurt? Before she switches back to that bravery and tells him he doesn’t scare her. But that brief moment, it’s SO GOOD—with just a fleeting facial expression we get such a clear suggestion of their history.

And then THIS MOMENT. The way he looks back at her is so chilling and threatening. Especially because when they’re making the decision to leave, he looks so angry with her—dude’s jaw is so tense. So then when he looks back like this it is incredibly menacing.

And then the way she lets herself fall apart afterwards really solidifies the danger and the menace of what we just saw.

Like future adaptations please take note—you can give us a sense of the connections between various characters that are present in the Brick without taking up very much time at all.

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