Night Startled By The Lark, 1820, William Blake

Night Startled By The Lark, 1820, William Blake

Night Startled by the Lark, 1820, William Blake

More Posts from Toivosworld and Others

4 years ago

“— Sé a qué se refiere. — ¿Lo sabe? Sí, tal vez. Empiezo a creer que sí lo sabe. — Las sombras de quienes pudimos ser y no fuimos… ¿No se trata de eso?… De quienes soñamos ser y nos hicieron despertar. Las sombras de aquellos a quienes una vez amamos y no conseguimos jamás, de quienes nos amaron y cuya esperanza matamos por maldad, estupidez o ignorancia.”

El maestro de esgrima.

Arturo Pérez-Reverte.

4 years ago
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?
But What Is Art Other Than Revealing Human Nature?

but what is art other than revealing human nature?

the judgement of cambyses, gerard david. anatomical pieces, théodore géricault. apollo and marsyas, luca giordano. the fall of the rebel angels, luca giordano. judith beheading holofernes, artemisia gentileschi. saint sebastian, guido reni. tityos, jusepe de ribera. saturn devouring his son, peter paul rubens. the conversion of saint paul, caravaggio.

4 years ago
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague
Malleus Maleficarum By Jacobus Sprenger And Heinrich Kramer The Hammer Of Witches Translated By Montague

Malleus Maleficarum by Jacobus Sprenger and Heinrich Kramer The Hammer of Witches Translated by Montague Summers and edited with an introduction by Pennethorne Hughes London Folio Society 1968 [First Edition thus]

4 years ago

Díganle que me rompe cada vez que llora, que quiero sanarla, pero no puedo hacer nada, que quiero abrazarla, pero la distancia no me lo permite.

Díganle que amo cada una de sus liricas, sus versos en prosa, sus letras en poesía.

Díganle que noto lo profundamente rota que esta, que veo como sus versos lloran intentando sanar, que me duele y me destruye no poderla ayudar.

Díganle que he muerto en cada uno de sus versos, que no puedo darle un abrazo, por sufrir en el infierno, que noto como los demonios se han apoderado de su ser, pero no puedo hacer nada, solo la observo, y me quiebro, ella está sola, de seguir así, morirá en silencio.

Con su corazón sin latir, y sus pulmones sin aire..

El suicidio verbal no será su solución, si la siguen apuñalando más, morirá, y no a causa de depresión.

Díganle por favor que aguante, que sea fuerte, que sane, que no cometa el mismo error que yo, y muera antes de comenzar a amarse.

-Manuel.

4 years ago
“Michelangelo Did Tell A Lie. See, It Took 500 Years For Someone To Notice Something Hidden In Plain

“Michelangelo did tell a lie. See, it took 500 years for someone to notice something hidden in plain sight. It was a doctor who noticed the shape of the human brain. The message being that… The divine gift does not come from a higher power… But from our own minds.”

4 years ago
IMPETIGO “Ultimo Mondo Cannibale”

IMPETIGO “Ultimo Mondo Cannibale”

4 years ago

Some Westworld thoughts

Probably two of my favorites short stories in Westworld are about animals behavior, and how we’re not so different from them.

Firts story is from season 1 episode 5 “Contrapasso” told by Doctor Robert Ford to Old Bill about his greyhound:

Some Westworld Thoughts

“You want to know the saddest thing i’ve ever saw? When I was a boy my brother and I wanted a dog, so our father took in an old greyhound. A greyhound is a racing dog. Spends its life running in circles, chasing a bit of felt made up like a rabbit. One day, we took it to the park. Our dad had warned us how fast that dog was, but we couldn’t resist. So, my brother took off the leash, and in that instant, the dog spotted a cat. I imagine it must have looked just like that piece of felt. He ran. Never saw a thing as beautiful as that old dog running. Until, at last, he finally caught it. And to the horror of everyone, he killed that little cat. Tore it to pieces. Then he just sat there, confused. That dog had spent its whole life trying to catch that… thing. Now it had no idea what to do.”

Some Westworld Thoughts

It’s been a year and a half, but I can’t stop thinking about that story. It’s like something a pursuit in life. And when I get to something I really wanted, I don’t know what to do next. And I think many people chase what they think they want and disere, what would make them happy and satisfied, but don’t know what to do once they achieve it. Also that story reflects on so many characters through out the show. Not just on Ford himself. Hector and the empty safe. Man in Black and the Maze. His desperate search of meaning (even now, in s2ep2 he’s still trying to find the “real ending”). El Lazo with his “My whole life I’ve imagined this moment. Victory. This struggle. How long have i’ve been fighting? And now when I won I find…nothing”. Great stuff!

And now the scene from season 2 episode 2 “Reunion”, which is told by El Lazo to Man in Black, but I think also was written by Ford:

Some Westworld Thoughts

“Before the revolution, when I was just a little boy, my parents took me to the circus. I wanted to see the elephants. This mighty creatures. They held them in place with a stake. They could tare a tree right out the ground. And yet…a simple stake kept them in place. I didn’t understand. But then, my father told me. He said, the stakes were used, when elephants were just young, too small to pulled them up. And then the animals never tried to pull them up again." 

Great example of how sometimes we’re held back not by the reality, but by ourselves. Our own believes, fears and past. And that sometimes in order to be "free” we should let go. I think it’s the exact thing Ford wanted William to do, by saying: “It ends, where it began”. And that William needs to let go of his past to truly escape Westworld.

Anyway, I love this show so much🔥🔥🔥

4 years ago
Se Puede Ser Muchas Cosas En Un Año…. Gemela 2
Se Puede Ser Muchas Cosas En Un Año…. Gemela 2
Se Puede Ser Muchas Cosas En Un Año…. Gemela 2
Se Puede Ser Muchas Cosas En Un Año…. Gemela 2

Se puede ser muchas cosas en un año…. Gemela 2

4 years ago
Sandro Botticelli,The Birth Of Venus (details)
Sandro Botticelli,The Birth Of Venus (details)
Sandro Botticelli,The Birth Of Venus (details)
Sandro Botticelli,The Birth Of Venus (details)
Sandro Botticelli,The Birth Of Venus (details)

Sandro Botticelli,The Birth of Venus (details)

4 years ago
 Lao Tse Dijo:

 Lao Tse dijo:

 Quienes sirven a la vida se adaptan a los cambios cuando actúan. Los cambios surgen de los tiempos; quienes conocen los tiempos no se comportan de manera fija, por ello digo:

 «Los caminos pueden ser guías, pero no senderos trazados; los nombres pueden ser designados, pero no etiquetas fijadas.»

 Los escritos se producen mediante palabras, y las palabras proceden del conocimiento; los intelectuales no saben que ellos no constituyen un camino fijado.

 Los términos que pueden ser designados no forman libros que puedan ser atesorados.

 Las personas instrui­das llegan una y otra vez a un callejón sin salida; esto no es tan bueno como mantenerse centrado. Acaba con el escolasticismo, y no habrá preocupaciones; pon un final a la sagacidad, abandona el conocimiento, y la gente se beneficiará muchas veces.

 Los seres humanos son tranquilos por nacimiento; ésta es la naturaleza celestial.

 Al sentir las cosas, actúan; esto es deseo natural.

 Cuando las cosas vienen a ellos, responden. Éste es la acción del conocimiento.

 Cuan­do el conocimiento y las cosas interactúan, surgen las preferencias y las aversiones.

 Cuando las preferencias y las aversiones están formadas, el conocimiento va hacia las cosas externas \ no puede retornarse al ser; de esta manera desaparece el diseño celestial.

  Por consiguiente, los sabios no sustituyen lo celes­tial por lo humano.

 Externamente evolucionan con las cosas, pero internamente no pierden su verdadero estado.

 Así, quienes realizan el Camino regresan a la clara tranquilidad.

 Quienes descubren el secreto de las cosas acaban sin tener estratagemas.

 Alimentan la inte­ligencia mediante la calma, unifican el espíritu median­te la abstracción, y se dirigen a la puerta de la nada.

 Quienes siguen el cielo viajan con el Camino; quienes siguen a los humanos se mezclan con lo vul­gar.

 Por ello, los sabios no dejan que los negocios per­turben al mundo y no permiten que los deseos con­fundan los sentimientos.

 Hacen lo que es apropiado sin argucias; se confía en ellos aunque no hablen.

 Tie­nen éxito sin pensar en él, logran sus metas sin estrata­gemas.

 Por lo tanto, cuando están arriba, la gente no lo toma a mal; y cuando no están al frente, los demás no les atacan.

 Todo el mundo recurre a ellos, los traicio­neros le temen.

 Como ellos no luchan con nadie, nadie se atreve a luchar con ellos.

 * * *

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toivosworld - Toi Díaz
Toi Díaz

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