“No Conozco Mejor Lugar Para Esconderme Del Mundo Que Entre Tus Brazos.”

Black Magic Seals

Agares - Provides knowledge of all tongues, brings back runaways or can prevent desertion, can cause earthquakes, and bring about the downfall of important men causing them to lose their position, public honor, and respect of others.

Aim - He spreads destruction by means of fire. Also teaches cunning and shrewdness, and will answer questions of things unknown.

Alloces - A warrior who may be sent to revenge yourself from secret enemies.

Andras - Very destructive, he can bring ruin to an enemy in the twinkling of an eye, causing him financial havoc and personal despair.

Andrealphus - Can transform humans into birds at will. Also teaches mathematics.

Andromalius - Knows all—recovers lost articles, finds money, and reveals any secret plots of intrigues planned against the possessor.

Asmoday - Confers invisibility, answers any questions, and enables the petitioner to know the innermost thoughts of those he meets.

Bathin - Transports one from one place to another at the speed of light by supernatural means. Tells the virtues of all stones and herbs.

Bifrons - Can move corpses magically, and coerce spirits of the dead to assist the magician or answer inquiries. Is capable of enlightening one on astrology, mathematics, herbs, and stones.

Camio - Will teach the tongues of all animals so that they may be understood, and can also reveal the mysteries and secrets of the other worlds.

Corcell - Produces great noises, confusion, and indecisiveness in one’s foes. Gives knowledge of geometry, art, literature, history.

Dantalion - Produces hallucinations in others if requested, influencing the minds of men against their will and without their knowledge. He can reveal the innermost thoughts and desires of others.

Decarabia - Knows all pertaining to the powers of plants and stones.

Focator - Causes winds to blow, ships to sink, and death by drowning.

Furfur - Bestows love of battle, causes thunder and lightning, and can reveal the secret thoughts of others.

Glasya-Labolas - Can cause murder and death, make men invisible. He knows all ancient wisdom and occult secrets, can teach all sciences.

Haagenti - A powerful alchemist who can change any metal into gold, and water into wine.

Halphas -  Causes wars, punishes sinners, and can make those who have wronged the magician suffer the tortures of the damned.

Haures - Protects the magician against other spirits. Knows all secrets and will bring harm to one’s foes.

Leraie - Causes wounds not to heal, starts battles. He can be persuaded to break up rival’s love affairs and even marriages.

Malphas - It is claimed that he helped Solomon build many things. Causes anything to be made by magical forces.

Murmur - Causes souls of the dead to appear and answer any questions the petitioner may ask. Also teaches philosophy.

Ose - Transforms the petitioner into any form he desires. Will bring delusions and insanity to others if asked, and the person affected will not be aware that he has been changed.

Paimon - Confers upon the magician the power to influence and control those he wishes to subjugate. Will produce familiars to serve the possessor, and can bring any honor desired upon one.

Purson - Tells past and future, reads the thoughts of others and conveys the message to the possessor.

Raum -  Creates love and reconciles enemies. Can also demolish a reputation, destroy property, and will steal money to bring to the possessor.

Ronove - Teaches languages, and humbles an enemy who does not show partiality toward the petitioner.

Sabnock - Can cause wounds not to heal, arguments to inflame, and turn a small dispute into a full-scale battle. He controls military camps and protects soldiers.

Samiginia - Gives account of the dead souls that died in sin, and teaches all liberal sciences.

Seere - Controls time to suit himself and the wishes of the sorcerer who calls upon him. Can cause things to happen instantly magically.

Shax - Can cause one to become deaf, dumb, or blind. Will steal money or possessions, and can lead the way to almost any hidden things or stolen goods. Can create a familiar to assist the owner.

Sitri - The Prince of love and lust. Will cause any man to love a woman, or any woman to desire a man. Compels women to display themselves in the nude to the one who calls him. 

Valefor - In charge of occult medicine, curing all ills magically. Can make a man skilled with his hands and sharp with his brains. Can change men into animals at will.

Vepar - Controls the sea. Can cause storms, death, and disaster.

Vine - The only spirit which will tell a magician the identity of other sorcerers and witches. Knows ail secrets and can destroy the enemy or defend the magician against the attacks of others.

Zagan - Can change liquids—water into wine, wine into blood. He can bring to one’s mind the humor and wit in all happenings.

*Please don’t dabble in darker magic unless you are well protected and have done your research.

Source : Anna Riva - Secrets of Magical Seals

APRENDAMOS DEL UNIVERSO -1

Existen leyes y principios “Universales” que afectan nuestra vida a cada momento.

Hay principios invisibles que contribuyen a modelar nuestras vidas.

Es sorprendente que muchas personas crean que todo el “Universo” no es gobernado por leyes, salvo sus propias vidas y su propio éxito o fracaso… entonces hablan de suerte y casualidad.

Pues bien, resulta que somos parte del “Universo”, como del Cosmos, y necesitamos mantener un equilibrio, como lo mantiene el resto de la Naturaleza.

Toma tiempo crecer y sanar, necesitamos el tiempo adecuado para descansar y recuperarnos, si existen leyes que gobiernan nuestra vida, la luna, las estrellas y la hierba que crece en nuestro jardín.

Somos hoy, en este momento, en este mismo instante la causa de lo que ocurre en nuestras vidas y es más aún de cómo hemos transformado esas experiencias de manera única e individual.

Sí, nuestros pensamientos nos hacen ser “causa”, son fuerzas, es manejar energía…

Marco Aurelio, el Emperador Romano decía: “El hombre es aquello en lo que piensa todo el día”, siempre habrá quienes digan: “nada sirve, nada importa, nada cambia, y que la vida es un sufrimiento constante”, en este caso debemos evaluar primero la calidad de vida de este tipo de persona antes de inscribirnos en este club.

El Universo se rige por:

La Ley de desarrollo en ciclos, pues nuestra vida también por analogía.

De modo que siempre habrá tiempos fáciles y difíciles, con la misma inexorabilidad con que una estación sigue a la otra.

Uno de los grandes retos de la vida es enfrentar el invierno, mientras esperas que mejoras las cosas, las cosas siempre han de mejorar “después de la tormenta viene la calma”, siempre es así, el problema es que a veces nos rendimos y regresamos a casa demasiado pronto, hay que tomar en cuenta que la marea siempre baja.

La Ley de Usarlo o perderlo, lo ilustra claramente la Naturaleza cuando un río deja de moverse y se pudre, lo mismo ocurre con nosotros cuando dejamos de movernos física y mentalmente, lo mas recomendable para nuestras vidas es mantenernos “en servicio”; en todo la Creación nos exige que nos involucremos en todas las esferas de la vida, nos brinda el incentivo de la práctica, y al practicar nos superamos.

* * *

“We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infinitesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas.”

— Alan Watts

Ley del Efecto Inverso

Para conocer la Ley del Efecto Inverso, primero hay que conocer la Ley de Causa y Efecto, la cual consiste en el binomio acción-reacción, el cual se aplica tanto a nivel físico como espiritual. La Ley del efecto inverso no es más que la Ley de Causa y Efecto actuando, sin embargo, se le llama Efecto Inverso porque mientras la propia mente está pensando en algo que desea, el corazón está sintiendo lo contrario a lo que esa mente desea, por ejemplo, supóngase un sujeto que desea éxito laboral,  en su mente crea imágenes específicas del éxito que desea, el ambiente laboral, el monto exacto de lo que quiere percibir como remuneración, etc., pero si mientras en su mente crea esas imágenes y en el corazón se siente sin éxito, el universo (Ley de Causa y Efecto) le dará más de lo que siente, y no de lo que piensa, en otras palabras, el Universo le entrega justo lo contrario de lo que quiere, a esto se le llama Ley del Efecto Inverso.

El Universo al ser un campo energético vibratorio, resuena ante las vibraciones de la energía emocional, pero surge la pregunta: si los pensamientos también son energía ¿por qué el universo no responde a ellos? Retomemos a nuestro sujeto hipotético que desea éxito laboral, en principio si desea es porque le falta, de lo contrario no lo desearía, si desea éxito laboral es porque no lo tiene, este detalle es tan obvio que pasa desapercibido.

Si desea, entonces estará enviando el mensaje de desear, mas no el de poseer, y el Universo en su perfección infinita responde de manera perfecta al mensaje enviado, el cual fue desear, es decir, no tener algo o estar en carencia de algo.

Wayne Dyer decía: “el Universo te dirá `sí´ a todo, el Universo sólo conoce una palabra: `sí´, y es con la que siempre y en todo momento, te responderá”. Si sientes que no puedes, el Universo te dirá: `Sí, efectivamente, no puedes´, y te pondrá todo lo necesario a tu disposición para que no puedas. Si dices: `cómo desearía tener más dinero”, el Universo te responderá: `Sí, efectivamente, cómo desearías tener más dinero´.

El Universo siempre, invariablemente, perfectamente, divinamente responderá un flamante `Sí´a todo lo que emitas, y quien le habla al Universo no es una mente limitada sino el corazón (el Ser). Sin embargo los pensamientos sí son importantes porque hay que equilibrar mente y corazón, es decir, equilibrar la energía pensamiento con la energía emoción para que el efecto sea contundente, ya que el Universo responderá: `Sí, efectivamente´.

Cuando piensas y sientes que ya tienes el éxito laboral (por ejemplo), el universo responderá:`Sí, efectivamente´, y pondrá de inmediato a tu disposición todo lo necesario para que tengas dicho éxito.

Cuando pensamiento y emoción no están calibrados entre sí, se obtiene lo inverso a lo que se desea y eso es una Ley.

Psicología de Alta Consciencia

Instagram: Inkoherente.

27/03/2019 - A quiet library session after the longest day yesterday, drinking herbal iced tea and listening to chill music on my study playlist 

Esgrima

TEATRI - TEATRO GRECO TAORMINA, ERACLEA MINOA, PALAZZOLO ACREIDE, SEGESTA, SIRACUSA, TEATRO MASSIMO PALERMO, TEATRO REGINA MARGHERITA CALTANISSETTA, TEATRO PIRANDELLO AGRIGENTO, TEATRO MASSIMO BELLINI A CATANIA, TEATRO VITTORIO EMANUELE MESSINA.

THEATER AND SICILY - 02 THEATER: EMOTIONAL SITE

The first theaters in Sicily were the Greek ones that built them in every city they founded. I love these theaters that have the sky on the roof and the sea in front of the spectators, where the spectators surround the actor and the word arrives everywhere with the same strength and beauty. The Arabs did not bring theaters but minstrels and poetry, the Normans with their deeds created the starting point for the puppet theater. The Arab minstrels soon became Storytellers and created a theater without actors where the music and the verses and the drawings of events described the story. Although the Pupi theater appears poor and primordial it was an important constant of Sicilian culture. The Pupari visited the villages and created a theater in every square reciting the history of the Paladins with rhymes and verses. In every big city there was a puppet theater that the priests did not criticize and where poor and rich attended as it spoke of love and honor, of duties and traitors, very strong elements in our culture.

Towards the end of 1700 began the first theaters of which you see some photos and that were frequented by the nobility and rich bourgeoisie. In reality there were others much more popular that were an evolution of the puppet theater. But these are not the only theaters in Sicily. I remember that the first time I went to the theater was when I was five years old to see a company that played a very funny farce but based on betrayals and loves, that I did not understand. The theater in which I was was very large, with the stars for the ceiling and all of us spectators around the stage. This theater was the square of the village where a truck had climbed with a small stage and the painted backdrops to offer a show for the patronal feast. That company of popular actors (in the sense that they came from the people, reciting texts for the people), remembered what had been the “Commedia dell'Arte” those small companies of actors who invaded Europe in 1500-1600 disclosing the art theatrical. Now there are poor companies with few means that do not always visit my old town to still recite the classics of popular theater; But I see that the young people of my village regularly act as actors, creating a stage in the square to play on.

And that’s what I wanted to tell you: a theater to play in Sicily is not just a building but a popular concept to find and listen, to participate, laugh and eventually think. And these places that create, sow and spread emotions in Sicily there are many because Sicily itself is an emotion.

TEATRO E SICILIA - 02 - IL TEATRO: IL LUOGO DELLE EMOZIONI

I primi teatri in Sicilia furono quelli greci che li costruirono in ogni città che fondarono. Io amo questi teatri che hanno per tetto il cielo e per fondale il mare, dove gli spettatori circondano l’attore e la parola arriva ovunque con la stessa forza e bellezza. Gli arabi non portarono teatri ma menestrelli e poesia, i Normanni con le loro gesta crearono il punto di partenza per il teatro dei Pupi. I menestrelli arabi diventarono presto cantastorie e crearono un teatro senza attori dove la musica ed i versi ed i disegni degli avvenimenti descrivevano la storia. Il teatro dei Pupi benché appaia povero e primordiale fu una costante importante della cultura siciliana. I Pupari visitavano i paesi e creavano un teatro in ogni piazza recitando con rime e versi la storia dei Paladini. In ogni grande città vi era un teatro dei pupi che i preti non criticavano e poveri e ricchi frequentavano in quanto parlava di amore ed onore, di doveri e traditori, elementi molto forti nella nostra cultura. 

Verso la fine del 1700 incominciarono a nascere i primi teatri di cui vedi alcune foto e che erano frequentati dalla nobiltà e ricca borghesia. In realtà ve ne erano altri molto più popolari che erano una evoluzione del teatro dei pupi. Ma non sono solo questi i teatri in Sicilia. Io ricordo che la prima volta che andai a teatro fu quando avevo cinque anni per vedere una compagnia popolare che recitava una farsa molto divertente ma che basandosi su tradimenti e amori, io non capivo. Il teatro in cui ero era grandissimo, con le stelle per soffitto e tutti noi spettatori intorno al palcoscenico. Questo teatro era la piazza del paese dove era salito un camion con un piccolo palco e dei fondali pitturati per offrire uno spettacolo in occasione della festa patronale. Quella compagnia di attori popolari (nel senso che venivano dal popolo, recitando testi per il popolo), ricordava quello che era stata la “Commedia dell’Arte” quelle piccole compagnie di attori che invasero l’Europa nel 1500-1600 divulgando l’arte teatrale. Ora vi sono compagnie povere e con pochi mezzi che non sempre visitano il mio vecchio paese per recitare ancora i classici del teatro popolare; io però vedo che regolarmente sono i giovani del paese a farsi attori, a creare un palco nella piazza su cui recitare. 

Ed è questo che volevo dirti: un Teatro per recitare in Sicilia non è solo un edificio ma è una concezione popolare per ritrovarsi ed ascoltare, per partecipare, ridere e alla fine pensare. E questi luoghi che creano, seminano e diffondono emozioni in Sicilia ve ne sono tantissimi perché la Sicilia stessa, è un emozione.

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