It Has Thick Vibes Of Scandinavian Films: Nothing Is Said To You By Words, But You Understand It Anyways

Fu Ling and Chong Zhao: all in one. Part 2 of 2

But all good things come to an end, and the evil demon master (who tried to kill Chong Zhao off so many times, LOL) finds out that Chong Zhao is the shell of the Devil deity he wanted to resurrect all this time, so he accomplishes his mission, and resurrected Devil deity occupies Chong Zhao's body.

"The Deity is back, bitches!" I don't like that the former dweller of deity's shell in this drama is another person, not a part of deity's soul, because I'm against reproducing by budding while having genitals it cuts off deity's potential of broadening their mental horizons: while fusing their main soul with the "mortal" part of it, they could learn something that can be experienced only by mortals/humans. Although I find this plot decision strange, both in the main heroes' as well as in Mo Li's cases, I understand that otherwise it would be probably impossible to kill Mo Li the way he was killed: it would requite to study Mo Li's character and to remove focus from the main heroes to Mo Li's inner processes, and the luxury of it is affordable only for the main characters. The mechanics of interactions between Chong Zhao and Mo Li looks like the one of the different parts of the same consciousness, though. So, Mo Li is back. He regains control over his shell, and the first thing he sees when he wakes up is a lover of his "mortal" consciousness, lying unconscious on the floor. If I would be a deity, who absolutely doesn't care about the previous life of his "mortal" part of the soul, I would overstep her unconscious body and go further, but look what did this deity do:

Bridal carry [3], as a deity. He says that he didn't kill her because it would upset his future wife Bai Shuo (the main heroine, Fu Ling's mortal sister), but the truth is, he doesn't give a damn about Bai Shuo's unhappiness, Fu Ling doesn't matter in their "let's marry or I'll destroy the whole planet" thing. So, there is something else.

"He is still here, in the furthest corner of my mind. I know everything he knows". Btw, the Devil deity Mo Li is absolutely adorable (in a devilish way). He has nothing in common with Chong Zhao: he is charismatic in a way, infinitely bored with his unlimited power and full of crazy thoughts: for example, to kill everyone (but dude, why? you are the most powerful creature in the world anyways, no one is a threat to you!) or to have a forced wedding with a girl who doesn't like him (and, moreover, he doesn't like her either! What a crazy man!).

"You? Will kill me?"

The situation is desperate: Fu Ling is imprisoned in Mo Li's palace, her lover is a tiny part of Mo Li's consciousness now, and Mo Li himself is invincible to the killing attempts of mere humans/demons/whoever. Yet Fu Ling stupidly proceeds attacking him:

"Keep trying to kill me, I like it".

"Why wouldn't you kill immortals and humans for me, as you did it previously, when you were Fu Ling?"

It feels so painfully delicious: she knows her lover is gone, but, at the same time, he is somewhere there, inside of this ethereal, inhuman being. And the deity, in his turn, is slightly interested in her, not romantically, but still. If Mo Li and Chong Zhao were two parts of one consciousness, I would say it is the echoing of Mo Li's other self who loved her. Their feelings could be fused. A deity is too ethereal to fall in love with someone (Xing Yue laughs hysterically at this statement), but his mortal part isn't, so, when Chong Zhao would mingle into Mo Li's soul, he would bring this shade of unfamiliar for deities feelings with him, and it would look like this slightly different attitude towards her.

They look at the starry sky [2], Mo Li x Bai Xi version. "This purple moon won't protect any of them".

"Tomorrow it all will be over".

And now it's time for their story to be over. She was attracted to him since they had met each other for the first time as children, and he was touched by her attitude towards him, too. She wanted to keep him safe when they met each other anew, and he wanted to keep her safe, too. And later, as he became the Devil deity, he didn't plan to kill her either (can't say the same about her, but her attempts were hopeless and her goal was to free her lover's body from being possessed by the deity). But it happened that he did kill her. Unintentionally. She has shielded her sister from his spear with her own body and died.

The next scene is the most powerful moment of this drama for me. A heartless deity doesn't even understand at first what happened to him: a little piece of his consciousness takes over the body for a moment, fueled by the power of his grief over his deceased lover, and the deity starts crying:

And it is here where the destiny plays out: if Fu Ling would stay alive, no one could ever defeat Mo Li, because the only weapon that can kill him is the long lost Divine Bow of Xing Yue deity. And this bow is Fu Ling's soul.

This plot twist was so beautiful! It broke my heart, but, at the same time, left me highly in awe. I like it, when the only reason for a villain to get defeated is his own decisions. The unintentional killing of his lover that allowed his enemies to get the only effective weapon against him is truly marvelous plot decision. She could be the person, who would care about him the most, but became his death. Their fates were intertwined long ago, but it was still up to him: was it "destined to love" or "destined to kill" fate, - and he chose the latter.

The Divine Bow in use. To summarize: this story deserved to be the main plot line of some drama, and I see the potential of another ending for it if it would be the main plot line with more screen time for the last character arch. But alas, every main character in China should be bleached till they lose all their moral greyness and complexity, so I should accept my fate and proceed enjoying secondary characters, outliving their deaths, fixing their stories in my Mind Palace and not giving up on hope to see someday a good, heart-wrenching story again. Here is Part 1

Thoughts on Blossom

Well… It was good. Was it well-made? Yes, absolutely. Did it meet my expectations? No, not at all. The screenwriting was thoughtfully made, not overly fairytail-ish as it usually is in c-dramas. And even not the main heroine was the most Mary Sue among three transmigrators into the past, which is nice. But at the other hand, this drama is mostly about gen intrigues, not about romance, despite description.

"I'm just a dying man who gave his loyalty to unworthy people." "Yes, we both are."

I always complain about a love interest being only a function in a romantic story, not really a character with their own desires and life, and Blossom shows very well that if both heroes of the romantic story ARE characters with their own plot arch, it is not a romantic story anymore. I was starving for love plot during Blossom, because a gen plot overshadowed any love so hard that I decided in the end not to wait for something romantic anymore and to watch it as gen.

Another thing is that healthy relationship is boring. There was a guy who was wronged and forced to choose a dark path of no return, then a girl said “I can fix him” and, because he was a normal guy in difficult circumstances, she indeed fixed him. And her friend tried the same, but her guy was unfixable, so she killed him as soon as she understood her attempts were in vain. So healthy! No emotional swings! It’s not what I watch c-dramas for.

I was glad to watch a good in terms of plot drama, but I doubt I'll add it to my “favorites” list.

they're like the sun and the moon 🥺☀️🌑

Asian dramas and my favorite types of characters

There are my favorite types of characters as a list. A villain with a fatal weakness

Drama: The Scholar Who Walks the Night /밤을 걷는 선비 Character: Gwi Screentime: Secondary Gwi is an ancient vampire and a master of puppets (and Joseon's king is the main of them). He is merciless, invincible and scheming all the drama long, until he accidentally kills a girl, who was his hostage and recalcitrant puppet from her childhood on and was the only one who could scold him and deny him. Nothing about it is said directly in the drama, but after her death he goes insane, kills all of his puppets and this way causes his own death. So, I suppose, she was his only weakness, and I like this type of a personal drama for a villain.

Drama: Moonlight Mystique /白月梵星 Character: Mo Li Screentime: Minor The shell of Devil lord Mo Li (which has got his own consciousness) falls in love with the demon girl (and has a very complex enemies-to-lovers relationship with her). Later, Devil lord occupies his shell, cornering shell's consciousness into the darkest corner of his mind, and treats his shell's girlfriend with no particular interest (but better than he could). However, he ends up unintentionally killing her off, and it becomes his doom, because her death releases the ancient weapon, the only thing that can kill him, and the main heroes use it to destroy him. So, she was his only weakness, literally.

Punch-Clock Villain / the Dragon

Drama: 100 Days My Prince /백일의 낭군님 Character: Moo-yeon Screentime: Secondary Moo-yeon works as an assassin for the killer of his father, who is constantly threatening him with the life of his sister. Moo-yeon is a man of a very ill fate: his family was accused of a treason and executed, his sister became a fugitive, he was forced to sell his conscience for his and sister's lives and, as a cherry on the top of this cake, fell in love with the daughter of his captor. And died trying to save her... His story is sooooo sad, but it makes me feel for this character fully. Also, he is the king of whump because the half of the drama he is injured and suffers from his wounds. The whole sad story of this guy is analyzed by me here, here and here.

Drama: The King Loves /왕은 사랑한다 Character: Moo-suk Screentime: Minor Koreans, obviously, like this type of characters, too, so there is another Dragon of the main villain, Moo-suk. In his free from dirty deeds time he h̶e̶l̶p̶s̶ ̶o̶l̶d̶ ̶l̶a̶d̶i̶e̶s̶ ̶c̶r̶o̶s̶s̶ ̶t̶h̶e̶ ̶r̶o̶a̶d̶ literally saves cute children and restores self-confidence of young ladies. And then he falls in love, rethinks his life and dies from the hand of his master. Predictable and sad. Still a memorable guy, though.

Drama: The Legend of Shen Li /与凤行 Character: Mo Fang Screentime: Minor A son of the main villain has been groomed from his infancy to plot against the main heroes to avenge his father. Later, he falls in love with the main heroine and rethinks things he was taught about. His resistance, however, doesn't help him much - his body ends up being possessed by the evil spirit without even an opportunity to kill himself in order to break free... No HE, as you understand. 50 shades of a Byronic Hero

Drama: The Wolf / 狼殿下 Character: Chu Youwen Screentime: Main A Mowgli boy was adopted by a wicked emperor, brought up like a cruel beast and was forced to do some dirty stuff for the emperor. He is mysterious, severe and you never know what's on his mind. As a true Byronic hero. He is some kind of Dragon, too, but it's a Chinese drama and he is a main hero in it, that's why he doesn't really do anything bad during the series. His soul is kind and his heart is pure, but he hides it from his love and deals with all of his problems on his own. It's the reason why all of this drama is a masochistic tango between him and his love. Whump lovers will be happy, too, because he is constantly in chains, pierced by arrows like a hedgehog or works as a slave in mines. As any other Dragon, he has a BE.

Drama: Lost You Forever /长相思 第一季 Character: Xiang Liu Screentime: Secondary A mysterious demon general, whose name makes everyone shake in fear. A former demon slave, who is true to his word enough to fight for his benefactor even if he knows crystal clearly that it's hopeless and he and his army will die in the end. A man who has huge problems with expression of his emotions in a socially approved way. Edward Cullen of Chinese dramaland. He is enigmatic, with thick vibes of a bad guy, yet very loyal to his benefactor as well as his love and very selfless. Because of this loyalty he will die and the love of his life will never-ever find out about anything he has done for her during the story.

Drama: My Journey to You /云之羽 Character: Gong Shangjue Screentime: Secondary A guy was through trauma in his childhood and it made him look intimidating and unfeeling. A tsundere is born! He coped with his trauma by taking extra responsibilities for everything and everyone and turned to be a walking killing machine instead of a man. But an enemy assassin comes to his life and teaches him how to be a human once more. It's a painful experience, but it`s necessary in order to grow up as a character and is beautifully fulfilled. It was a great joy to know that he survives at the end of the story, it's a rare thing for this type of characters, so even if there is season 2 someday, I will not watch it in order not to spoil my impression of the first one. I wrote about him detailed here, here, here and here.

Drama: Princess Agents / 特工皇妃楚乔传 Character: Yan Xun Screentime: Secondary It's the transformation story, too, like a previous one, but this time it's transformation from an ordinary man to a villain. Prince Yan Xun is a hostage colony prince in a metropolis empire, but he enjoys a noble life along with other nobility youth. The society around him is awful, each of these noble youths is a psycho who appreciate human hunt and so on, but cheerful and easy-going Yan Xun doesn't think their bloodthirstiness could turn against him. When relationship between the metropolis and the colony become tense, though, Yan Xun's friends of yesterday are happy to drink his blood. He loses his whole family and, insanely longing for revenge, slowly turns to one of those monsters himself.

Drama: Fangs of Fortune / 大梦归离 Characters: Li Lun Screentime: Secondary The Great Demon was dumped by his boyfriend because of his aggressive ways of protecting people of his own species and still can't get over their break-up. He goes through all five stages of acceptance of their break-up while being a villain of the story. In the end his obsession brings him to his doom, because he loves his ex-friend too much. He is morally grey yet a versatile and interesting character. I wrote about him here: 1 , 2, 3 and 4.

Drama: A Journey to Love / 一念关山 Character: Li Tongguang Screentime: Minor This guy has got a very realistic personality and background: he is a bastard who was deprived of mother's love since he was a child. The first circumstance made him power-hungry, scheming and outwardly emotionless, the second one made him longing for mother's love on insanely level. So he is invincible outwardly, but turns into a teary mess when it's about his female tutor, who is a mother figure for him. The contrast between these two personalities is enormous and makes this character very alive and interesting. During the drama he will not cope with his Oedipus complex but circumstances will solve this problem for him.

A pure-hearted hero

Drama: Creation of the Gods Ⅰ / 封神三部曲 Character: Ji Fa Screentime: Main It's maybe strange to find this type of characters in the list of my favorite types, but morality and selflessness of a character is very important for me, too. This story is some kind of King Arthur's legend, but in a Chinese way. The emperor is bewitched by a demon and is bringing the kingdom to it's downfall, the Gods are here to find the savior with the help of a magic scroll that can be opened only by a true king. Ji Fa, a hero of this story, doesn't care about scrolls, but his heart is loyal to his kingdom and to his family (in this very order). He genuinely wants to help his friend-prince to be a king his kingdom deserves and, despite awful things that were done to him and his family, doesn`t harden his soul and betray his ideals. And, I suppose, although he isn't aware of this, he IS the future King Arthur of China.

Interesting character decisions

Drama: The Legends/招摇 Characters: Jiang Wu Screentime: Minor This character is something like a rival of the male lead. He is a xinmo - an inner demon of some other character and represents the darkest features of a human's soul. He is a ruthless killer, a dark sorcerer without conscience, but what was very unique, being literary the worst part of a human personality, he values his assistants a lot and genuinely cares for them. A villain is usually a lone wolf. He doesn't trust anyone and doesn't value anyone, his loneliness is usually his weakness and a key to his downfall. So I was pleasantly surprised that sometimes a villain is capable of building healthy relationships with his subordinates.

Drama: Sh**ting Stars / 별똥별 Characters: Do Soo-hyuk Screentime: Minor

This guy truly surprised me. Firstly, he is supposed to be something like a third wheel in relationships of the main couple, but he just calmly got a refusal from the female lead, said "OK" and, absolutely relaxed, proceeded to live his life further. It's something unbelievable for me, because I used to see the insanity caused by an unrequited love to be the plot engine of a lot of dramas. Secondly, he is well-written as a character, straightforward, principled and has tsundere-ish or Byronic vibes - all the character features that I like =) Also you can see: Asian dramas and relationship dynamics (Pt. 1) Asian dramas and relationship dynamics (Pt. 2) Asian dramas and Love tropes Enemies to Rivals/Lovers recipe

Love this book a lot, so I`m very excited to see the drama! Enemies to lovers is my jam, you know. Especially if there is a lot of sufferings and than the HE.

Spending the night on your roof

Spending the night on the roof of one's beloved is an ancient Chinese way to confess one's love. This is it.

I didn't want this to happen.

This is an English translation of my Russian poem, which you can read here.

How to be a more interesting character than the Main Hero (Pt.3)

Shangjue and his didi (pt.2/2)

Yuanzhi wants to save Shangjue from any kind of pain so badly, and not only because he feels guilt for brother's loss, but also because he is able to see brother's true personality: Shangjue is an invisible root of Gong tree.

When an assassin and didi have a conversation in the final part of the drama, she says that there are people, in front of whom Shangjue could be vulnerable, but Yanzhi smirks and says that the Martial World won`t allow it. And it happens to be true: he knows that Shangjue’s fiancée is an assassin and he knows that, no matter how much Shangjue is into her, she would not hesitate to kill him if she had a chance, so Shangjue`s soft spot for something (such as a woman he likes) would be his doom. But he needs to look invincible, because the whole clan counts on him and relies on him.

Because Shangjue is a root of Gong clan, everyone sees only thriving and green branches and beautiful flowers (which are wealth, power and secure of Gong clan), but no one sees that it wouldn`t be possible without a root, strong yet hidden under the soil (aka one hardworking man).

I often find the fate of Shangjue's type of heroes very unfair: a person unnoted takes care of everyone and is rewarded at the end only with sufferings and death. But this story is different, because Shangjue has got his didi, who doesn't care about world but eagerly takes care of him while he takes care of anything else. This scene was the second one during the drama that upset me a lot. I spoiled myself some shots of Yuanzhi crying over brother's body and I was sure he would die because he isn't fluffy and spotless enough to stay alive in Chinese drama. Fortunately, he didn't:

It works vice versa, too:

Yuanzhi is, I suppose, coded as someone like Asperger: he is kinda genius, he preferred insects and plants to people as he was a child, he couldn`t understand why people cry and felt uncomfortable with someone`s touching (he slipped out of Shangjue’s grip when Shangjue took his hand). And Shangjue did a great job socializing him.

Being an adolescent, Shangjue hadn`t problems with feeling expression. Things Shangjue taught his didi in a flashback are the opposite to those the Main Hero’s mum taught MH and to those Shangjue believes now. Shangjue told Yuanzhi that a man should cry because in that case someone would understand one's woe and this sympathizing could help to recuperate one's soul, but now he never cries in front of someone. However, Yuanzhi learned his lesson well and isn`t embarrassed to express his feelings freely.

I found this scene very weird (if not taking into account that the flower is obviously a red herring): the Main Hero and Shangjue both fancy girls, while didi fancies a magic flower. But later, as I finished the drama, I understood: didi fancies Shangjue the most. The unique and almost extinct flower isn`t some treasure for him, it matters only that this flower can save Shangjue`s life and increase his inner powers. The previous one was taken away from Shangjue, and Shangjue allowed it to happen, because his needs didn`t matter to him compared to prosperity of his clan. (Later, as we know, it was spent in vain by a villain, which made me feel terribly sorry for Shangjue). But his didi values him enough to try to take care of him once more (and for this time he has planted more than one, in order something would end up in Shangjue’s hands even if clansmen would need this flower, too. How smart of his!). And I like that his love is not in vain – Shangjue loves him, too, and believes him in any situation, and that warms my heart. I love their relationship a lot.

And the most vivid feeling that he freely demonstrates is a jealousy towards Shangjue’s fiancée (btw, I like that Shangjue understands it and pardons his tantrums):

"Go ahead, tell me what's on your mind." *opens his mouth to start talking* "Well, rather don`t. I can see it on your face." *smiles*

So, in the part 4 I will talk about Shangjue and her. Shangjue. Introduction Shangjue and his didi, Pt. 1 Shangjue and his fiancee

It is time for my friend Nastya to suffer from my drawing skills =)