YESSS LET’GOOO

Billy appreciation post <3

He has to deal with so much, yet he still had the mental strength to lead everyone into the fights with Pennywise!!!! Even if he was a little guided by anger to kill the thing that killed his brother, he still guided all his friends and made sure they were safe above all <3 tbh I really like how the book focuses on a single person for a long time. I’m at a part where it’s Bill centric, it really opened my eyes to how caring he is to the people he loves!!!! He’s easilyyyy making his way up my faves list

(Also the fact that I (platonically) love Jaeden with a passion)

that’s why pennywise’s forehead is so big. it’s full of secrets

The losers club thoughts: the reason why the losers are so chaotic and unhinged in the second movie(besides you know the trauma and memories coming back) is because Stanley Uris was like 90% of their impulse control. With Stanley gone everything turns into pure chaos. Honestly Stanley should have been a lawyer instead of an accountant with how much chaos and law breaking all these guys get into.

Continued.

Bill looked confused. Of course Georgie couldn’t quite understand why his big brother was confused. Wasn’t he happy to see Georgie? Wasn’t that the whole reason they were down in that dark, scary place? To save seven year old Georgie from the monster that had taken him? He didn’t know what his brother was confused for but he was still happy to see Bill! Georgie shifted from foot to foot, reaching out with his arm. “Yeah!” He answered, stepping forward. “It’s me.” He answered. Georgie looked between the familiar faces he knew and the unfamiliar faces he didn’t know.

“Who are your new friends, Billy?” The boy questioned curiously. Before he could say much else, he watched as Stan whispered something to the older Denbrough boy. Georgie tilted his head curiously as he watched his brother’s friend move closer. Georgie brought his hand up and waved at the other boy. Georgie looked between Stan and Bill as the former stopped in front of him. “Can we get some food?” He asked as Stan leaned forward as if he was examining him like a doctor would. His brows furrowed as Stan looked at him in alarm. “What?” He demanded, stomping his foot on the ground, missing Stan's quiet. "Bill, I think it really is him."

“Come on! Can’t we just go? I want to go home.” Georgie pleaded, lip quivering as he started sniffling. “I don’t wanna stay here anymore! That scary clown might come back!” The small boy flung himself at his big brother and clinged to the older boy, his face buried in Bill’s side. “Please, Bill…” @scribedhorror

every charcater in Welcome to Derry better be doomed by the narrative, I want this to be a tragedy

** FLASH WARNING **  I’ve been working on this fanimatic after work or on lunch breaks for like five months HAHA. I love Clown Movie. RIP, E.

Music Credit: “Can’t Help Falling In Love With You” Elvis Presley Cover feat. brook / / Produced by Tomme Profitt

Camouflage

I love the idea behind Pennywise’s costume design to make it look doll-like and monochrome, “almost like a shadow”, as costume designer Jaine Bryant expressed (see full article below).  You see how he easily can stand out with his tall frame AND YET blend in with his surroundings with that dull grey silk.

Imagine if the costume comprised bright colours like the 1990 series: I would find him silly rather than menacing.

Photo: Marco Grob/Warner Bros.

Article  by Anthony Breznican - August 16, 2016 AT 12:00 PM EDT:

Imagine this staring at you from inside the concrete chamber of a storm drain.

We’ve already gotten a close-up of Pennywise the Clown from the new film version of Stephen King’s It (out Sept. 8, 2017), but here we step back for a fuller view of the creature that likes to take the form of a leering, sinister clown.

Bill Skarsgård is playing the ageless, supernatural beast who feeds on the fears of children, and it’s clear director Andy Muschietti (Mama) is steering away from the modern, baggy-suited, rainbow-hued clown for something a bit more… archaic.

For that, the filmmaker relied on Emmy-winning costume designer Janie Bryant (Deadwood, Mad Men) who crafted a form-fitting suit that draws upon a number of bygone times – among them Medieval, Renaissance, Elizabethan, and Victorian eras.

Pennywise, after all, is infinite.

“The costume definitely incorporates all these otherworldly past lives, if you will,” Bryant says. “He is definitely a clown from a different time.”

                                                                                                                                                                There’s a classic Harlequin quality to the elegant red lines, drawing up his cheeks like fangs to bisect his eyes. In this new image, we can more clearly see the fissures in the caked-on makeup atop his domed brow, resembling the sutures in the plates of a skull.

We even get a hint of his yellow, buck-toothed smile — or might those  be something sharper?

His neck is frilled by a thick, puffy collar, like a ruff from the late 16th century, and here’s where we zoom in and venture into geek-out territory for costume enthusiasts. Every part of the costume is meant to suggest something both ancient and disturbed.

                                 “That pleating is actually Fortuny pleating, which gives it almost a crepe-like effect,” Bryant says. “It’s a different technique than what the Elizabethans would do. It’s more organic, it’s more sheer. It has a whimsical, floppy quality to it. It’s not a direct translation of a ruff or a whisk, which were two of the collars popular during the Elizabethan period.”

For Pennywise, there’s no need to stay faithful to any era’s fashions. He is a manifestation of what an immortal, supernatural being thinks of as a clown, amalgamating various styles it finds appealing. …Or maybe he’s just thinking of a toy that once belonged to a child he devoured.

“There is almost a doll-like quality to the costume,” Bryant says. “The pants being short, the high waistline of the jacket, and the fit of the costume is a very important element. It gives the character a child-like quality.” Even the gloves are so tight and seamless they make his hands look like porcelain.

                                  At 26, Skarsgård is a much younger Pennywise than Tim Curry, who was in his mid-40s when he played the role in the 1990 TV movie. The costume accentuates his youth, making it look like The Blue Boy outgrew his dandy outfit.

“If you look at the sleeves, there are the two puffs off the shoulder and biceps and again on the bloomers, I wanted it to have an organic, gourd or pumpkin kind of effect,” Bryant says. That includes the peplum at his waist, the flared, skirt-like fabric blossoming from below his doublet.

“It helps exaggerate certain parts of the body,” Bryant says. “The costume is very nipped in the waist and with the peplum and bloomers it has an expansive silhouette.”

It’s all aimed at creating a subliminal suggestion of a creature with long, lanky limbs, a head and neck like a cephalothorax, and a bulbous, arachnoid abdomen. But this creature is walking upright, and calling to you with a fistful of balloons.

The main color of his costume is a dusky gray, but with a few splashes of color.

“The pompoms are orange, and then with the trim around the cuffs and the ankles, it’s basically a ball fringe that’s a combination of orange, red, and cinnamon. It’s almost like Pennywise fades into his environment. But there are accents to pull out the definition of the gray silk.”

While studying those pustule-like ball fringe around his shins, you’ll also note the red and white boots with a pompom at the tip aren’t actually standing on anything. They’re floating.

                                  While this isn’t the bright and cheery Pennywise, Bryant’s version of the character prefers to camouflage himself and strike rather than lure children with lively plumage.

“It makes him almost like a shadow,” she says.

I need me a real stupid au where Richie is like a comedian version of Hannah Montana. Like he wears a wig and takes off his glasses and all of a sudden he's Richie Trashmouth and Richie has to constantly bounce between being Richard Tozier, average teenage boy, and Richie Trashmouth, hilarious babyfaced comedian, as he tries to he in two places at once. Wentworth and Maggie support this endeavor as best as they can so their son can stay grounded, but most of the time that just means telling Richie he has to do the dishes when they fly back to Maine.

His friends learn about his Richie Trashmouth persona one by one and next thing he knows they're also dawning little disguises everytime they're in public. This leads to some wacky stuff, like Henry bullying Richie regularly but thinking Richie Trashmouth is the funniest comedian ever. Richie smacking his head against a wall as Connor Bowers drools over Trashmouth and ignores Richie exists. All the while nobody ever points out "hey... that kid with the exact same sense of humor as that comedian guy also looks just like him." because it's hannah montana rules.

I love it when the Losers make Richie to keep watch for Beverly's dad when she shows them the bathroom.

That kid has ADHD and doesn't know how to shut the fuck up, let alone wait patiently.

You just know he was out there kicking rocks and spinning in circles while probably either talking to himself or acting out some sort of scene with the different accents/voices he does.

I laugh just thinking of it

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