A Concept: Your Typical Ragtag Team Of Misfit Supers, But They All Follow Different Realities/logics

Bruce Wayne except he texts like an ominous boomer

wdym you can't tell if he's threatening them?

Based on this post by @mysterycitrus :)

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Bonus:

Happy birthday, Tim 🥰

I beggggg

american tma au where Martin is from gravity falls and jon is from nightvale

Sonic - Hedgehog Biology Headcanons

(These apply to all the hedgehogs, not just Sonic!)

They're insomnicacs, thanks to being a nocturnal species forced into a mostly diurnal society. Whilst there are groups of hedgehogs who choose to live a nocturnal life with others like them, if you want to be part of general society you'll have to flip your sleep schedule.

Sonic's insomnia is even worse thanks to the energy that comes with his super speed; most nights he ends up going for intense long runs just to try tire himself out enough to get to bed. However, after particularly grueling battles, he'll drop light a log any time of day.

Amy makes sure to cover the bags under her eyes each morning, since otherwise diurnal people worry about her. 'This is normal', 'this is just what I look like when I live with you people', she'd tell them. They never listened.

You'd think Shadow would be set, living with a bat and a robot. And he mostly is, with Rouge favouring the cover of darkness anyway. However, he keeps finding himself in situations where he has to flip his sleep schedule to match. Spoonfulls of coffee beans come in handy.

Silver's future is still mostly diurnal, sadly for him. He's mostly managed to cope with it thanks to invented therapies and methods to help him adapt to the lifestyle, so it's always a stark reminder when he heads to the past and sees 'Team Messed Up Sleep Schedules'.

The rest of these will be more quickfire, since I can only fit so many hedgehog-headcannons in one post responsibly. </3 I'd delete the extra detail of the first one to match, but I can't bear to :,,)

When in an intense fight, they instinctivley huff, click, and puff their chests, with quills stood on end. It doesn't always intimidate as intended, it's moreso their violent glares that seals the deal. However, their screaming and hissing can really grate on the ears.

They're all lactose intolerent. Some choose to ignore this fact.

Occasionally they find themselves craving bugs and berries, as well as to hunt them. One of those foods is far more socially acceptable than the other. I'll let you work out which.

Really disgusting foods and smells remind them of poison, and will make them instinctevly self-anoint. Some find this funny to watch/do, but others think it's disgusting and bordeline taboo. Due to the latter, the less 'uncouth' of society mask the urge.

Their eyesight is naturally abysmal. This means that many hoglets will get lazer eye surgery as soon as it's safe, but some use glasses, contacts, or go back to their roots and rely on their ears and nose.

Winters are pretty hard for them, as their body fights to hibernate. Productivity dips in these months, combined with other hibernating people. If they can't get enough sleep, which is likely, they're likely to suffer from seasonal depression. This behaviour also kicks in when exposed to prolonged cold, so most hedgehogs prefer to only go to cold places out of necesity, or for a relaxing holiday.

They can lose their quills for a variety of reasons, including sickness or stress. It took solid days of work to clean the Resistance HQ of shedded pink quills after Amy's duty was over.

You might hear a typical persons stomach rumble when hungry, but hedgehogs will start to chirp. It's a cute noise, so those trying to keep up appearences do their best to stay well fed.

I really love what this says about Dick and his relationship with both Bruce and Selina--he knows Bruce better than almost anyone, so when he says that Bruce wants to see her, he's telling the truth. But Dick also knows that he can only push either of them so far, he can only leave the door open for these complicated assholes, but also this is why they all love him so much in return. He respects Selina enough to understand she's going to do what she's going to do, he can only show that he cares very much about her and that they all want to help her, but he won't force the issue, and that's why she can open up with him, even if just a little. This is why Dick Grayson is so important to the family, because he shows he cares, but also knows when to walk away, he respects them, he'll read them the riot act when they deserve it, he'll give them a hug when they need it, and then he has his own life to live. He takes the time to go out of his way to show that he still genuinely cares but still respects boundaries (because he's a weird asshole about his own boundaries and understands that, too).

battinson befriends the tiny child playing with his ipad in a corner at this gala. it’s timmy :)

Batman being aggressively secretive towards the Justice League is one of my favorite tropes, but it gets INFINITELY funnier when you take the younger generations of heroes into consideration.

Barry Allen? He doesn't know shit about Batman, still partially convinced he's not human, still a little bit scared to talk to him. But Wally West? That's Nightwing's best friend. He's been around Dick since both of them were kids. He's had sleepovers at the manor since he was thirteen.

I just think it would be hilarious if all of the younger generations 100% know that Batman is Bruce Wayne. They've slept at the manor, some of them have taken various Batkids to school dances, they've been offered Alfred's cooking. And all because they've gotten close to at least one Batkid and said Batkid wore Bruce down until he let them reveal their identity. But all of them manage to keep this information from their mentors. Either purposefully or completely on accident.

Then you end up with a situation where the younger generations grow up and join the League and the older members Very Quickly realize that they seem a lot more comfortable with Batman than they should be.

*releases pack of dads into home depot* go……be free

I think Nightwing really kinda has a villain problem, I was thinking adaptations and which of his villains would make a good one in a movie and I got a few but not a lot actually that are just his.

Blockbuster is the first one that comes to mind that is his completely.

You could also take Deathstroke, he is a Titan's villain with a special interest for Dick and he has been an antagonist in his solo before.

He has other villains but they are not great, And would need to be remade for the movie to have more substance (Raptor could be a good one actually).

There are other options though: like take a Batman villain who he has a lot of history with and adapt that coughTwo-Facecough but I feel like Nightwing needs to be established and have that history with the world and the villain before they do that.

They could take one of the batman Rogue created during the DickBats period like Professor Pig or Flamengo. They did it in the comics when Damian came.

The suggestion I am going to make next is a controversial one...They could make the court of Owls... His instead of Batman ? I don't know how I feel about this one,I'm kinda torn because on one hand, I don't really like the Court of Owls in general as villains for reasons but I don't know, maybe it could be interesting in live-action and Dick is extremely important to the Court of Owl storyline in the comics and they are kinda as much his villains as Batman in the comics.

Maybe Owlman could be a Nightwing villain ? Considering the relationship he has with his Earth's Dick Grayson in the comics, the weird attachment he has to our Dick because of that and the parallel/contrast between Bruce and Thomas ?

Ex-Villain angst

Exactly what it says on the tin.

Ex-Villain from a crime family that has to watch and participate as their family is taken away by the heroes

Ex-Villain who spent their villain years chasing the approval of their mentor/villainous idol/villainous loved one, only to find themselves 'redeemed', now chasing the approval of the heroes

Ex-Villain changing their behavior, but never getting better. In fact, they're not sure they've ever felt worse

Ex-Villain only ever being seen as that, an Ex-Villain

Guilt tripping, so much guilt tripping. They don't even argue anymore, they just give in.

Nobody wants a villain, Ex-Villain is rejected almost everywhere, which can make it easier for hero organizations to keep them under control because they have nowhere else to go.

Ex-Villain losing sleep over their past, unable to think of anything other than what they've done wrong

Ex-Villains dyeing or cutting their hair and changing their appearance until they're unrecognizable, because maybe then they can at least pretend they're a different person now

Ex-Villain who still suffers with violent impulses, unable to ever get help for them because admitting they have them would make everyone distrust them

Ex-Villain who learns the hard way that that 'power of friendship' thing only applies to people the heroes like

Ex-Villain who's trying, they really are, but find it increasingly difficult to believe it'll ever actually make a difference

A quintessential early-career Robin that fits the tone of The Batman

This post was originally written for Reddit, where folks are much more opposed to having Dick be in The Batman universe than on Tumblr. But still, I thought I would share it here!

Bruce, in trying to be more publicly a part of Gotham’s community, is out in the world again and in one of his public outings, he comes across the orphaned 15 year old Dick Grayson. This could be Haley’s circus but it doesn’t have to be - but Dick’s acrobat and gymnastics past should be retained.

(Another way to modernize it is to have Dick be an Olympic gymnast prodigy - but it’s not the most relevant. Theoretically you could tie this into the Grayson murder plot, but you don’t have to. Anyway…)

Bruce, against Alfred’s advice, wants to foster Dick himself and let him live with them at Wayne Tower. Alfred thinks this is a crazy idea because of Bruce’s nighttime activities as The Batman and because he’s far too young and emotionally-detached to be a father-figure, but Bruce is insistent on it after recognizing the extent to which Dick’s pain mirrors his. Bruce has an opportunity here: to give Dick what he wish he had when he was young and orphaned. Alfred comes around once he sees this too, in a moment mirroring Alfred seeing the footage of the mayor’s son in the first movie. Bruce gets an opportunity to emotionally reach a younger version of himself, and Alfred gets a chance to be more of what he wish he could be, a warmer father figure to both Bruce and Dick. This is a story about second chances. It’s a second chance for Bruce, it’s a second chance for Alfred, and it’s most vitally a second chance for Dick.

Here’s where things get interesting: even though Bruce adopts Dick early-on in the film, for most of it, neither of them are operating as a duo. Bruce and Alfred are keeping The Batman identity away from Dick, *and Dick is secretly hunting down his parents’ killer as a street vigilante inspired by Batman* - using a rudimentary version of the Robin identity. This becomes a major subplot and eventually connects back to the central antagonism of the film - whoever they choose, the killing of the Graysons is banally tied to this similarly to how the killing of the Waynes is ambiguously tied to the Falcone story in the first movie. At the same time, the dual deception between Bruce and Dick on each of their respective nighttime activities is a core obstacle to their relationship deepening. They can’t truly reach each other because they don’t trust each other- and Dick is singlemindedly focused on vengeance. It also gives us a chance to show Dick as a smart kid; he’s able to successfully elude the suspicions of both Bruce and Alfred while living with them and living a double life.

At the end of the second act, Batman comes across this proto-Robin and sees through it, and realizes the extent to which Robin is the same as him. He’s also a young boy who can’t move past his pain and is lashing out at the world and trying to make sense of the horror of it. Bruce does what he’s never done before. He takes off the mask and he lets Dick see him for who he truly is. *This* is when the Dick-Bruce relationship really begins.

Have Dick play a supporting but pivotal role in the third act. He needs to sabotage, distract, inform, scout, something. Give him agency and let him navigate the world, in between his new relationship as Batman’s semi-partner and still grappling with what this means for him. And have it coalesce in a moment where he chooses to accept his pain in a healthier way, to follow Bruce’s example. And the film ends with Bruce choosing to train Dick, to better him as a person and to offer him what Bruce sorely needed when he was his age.

Okay, now that the thematic plotting is out of the way, let’s talk about vibes. Vibes are super important to this universe and a core reason why people seem to have hangups around including Robin in the Reevesverse.

Early vigilante proto-Robin should navigate this world of orphaned street-bound teenagers who are parts of gangs and criminal networks. It should feel kind of like Victorian London’s child street gangs, but it can also be reminiscent of modern organized crime recruiting children. This is the world Robin navigates to get what he wants in the story, and it’s a world that is unfamiliar to Batman until Robin officially becomes his partner. Then it becomes a resource he can use to keep tabs on different goings-on in the city and make Gotham safer. This also echoes how Batman treats children and sex workers in the comics. Because Batman treats the vulnerable and disenfranchised with respect and humanity, it makes him a stronger and more capable hero to protect the communities he operates in.

Proto-Robin operating separately from Bruce should have a similar ad-hoc DIY vibe to The Batman, just lower tech and more discreet. It’s important textually that Robin was also inspired by The Batman without knowing him or coming into contact with him. It parallels Riddler ironically, it shows that the tragedy of Edward’s descent into vengeance and rage has had an effect on Bruce and that’s why he fights so desperately to keep the same fate from happening to Dick. Dick is someone who has had everything taken away from him, he was a brilliant gymnast whose aspirations were dashed when he lost his parents. Bruce can’t let him descend further into that spiral.

Robin isn’t a fighting partner in this film. He’ll become that when he’s older, closer to 16-17 in Part Three, but right now he’s a rogue agent navigating this world on his own, and Bruce has him as a mix between an informant, a spy, and an intel source. We need to sidestep the child soldier allegations, and it also means that Robin can do things Bruce can’t. Robin isn’t famous, Robin isn’t a fully grown adult. He can navigate spaces and places and worlds Bruce can’t, and that makes both of them stronger heroes for it.

In this sense, this version of Dick Grayson is a loose amalgamation of the first three Robins. He has Jason’s rage, brashness, and involvement in the underworld; he has Tim’s shrewdness, detective skills, and sense of loyalty; and he has Dick Grayson’s backstory and sense of optimism. We’re not just watching this boy become Robin, we’re also watching him transform into the version of Dick we know so well - the same way we’re watching Bruce transform into Bruce in this story.

Why I think we fucking need Robin in The Batman Part Two? Because Part One is a film about Bruce realizing that he can’t be vengeance alone, that he must be hope as well. Part Two needs to be a film about Bruce coming to understand what vengeance has done to those who have seen his example, and Dick presents a tangible opportunity to actually instill a better example in someone who went through what he did. They would act as foils to one another, they would be permutations and mirrors of each other, and we would finally get a faithful, beautiful, and compelling version of the Batman-Robin dynamic on the live action big screen.