Sharing The Sofa Like Normal People

Continuing yesterday's post. This is take three of "My Life" the early version of "(Just like) Starting Over". The lyrics were completely different from the final version. The early version shows the romantic plea, the offering of one's life to someone you love deeply. In the vein of "Can't Help Falling in Love With You" - "Take my hand, take my whole life, too"

Hey it says pause on the…. Argh! My life. Take three. Where is the mic? Oh, there it is. My life take it, it's mine to give Take it, let me live in you My life, take it, it's yours Do what you will, I dedicate it to you. What's the use in waking? If you're not there To share the dreams and nightmare My life, take it for better or worse Why waste time? We both know Together is the only way we'll make it Anyway, take it, my life. My life is you. What's the use in waking? If you're not there To share the dreams and nightmare I've only myself to… I've only myself to give For better or worse I dedicate, My life to you.

GEORGE HARRISON and PAUL McCARTNEY signing The Beatles dissolution papers at the Plaza Hotel in New York City, December 19 1974.

I’m curious about something. Is there concrete evidence of John attempting to strike Linda? I’ve. seen it mentioned various places but I’m a little skeptical. If it’s true that seems like it would be very hard for Paul to forgive. Your thoughts? Thanks.

Hiya @missu4everjohnny,

So for anyone reading this post who might not already be familiar with the story in question, Ill give you some brief business context: 

The company Northern Songs was set up in 1963 by Dick James and Charles Silver, in order to publish Lennon/McCartney songs.

February 1965 it became a public company on the London Stock Exchange.

John and Paul each have 750,000 shares (15% each), while George and Ringo have 40,000 (0.8 %) each. During his divorce, John sold over 100,000 of his shares in order to set up a trust fund for Julian. Paul on the other hand bought 1000 shares (or 0.02% of the company). 

By January 1969, Dick James had a growing concern about John Lennon’s recent behaviours, and the negative consequences they may have for the Northern Songs company in terms of stock value.

March 1969, Dick James and Charles Silver sell their shares in Northern Songs to ATV for £1,525,000, giving John and Paul no notice or the chance to buy them out. That way, ATV acquired 1,604,750 shares, which, in addition to the 137,000 they already had, gave them nearly 35% of the company.

John and Paul, who were both away on their honeymoons as they received the news about Northern Songs, felt betrayed and upset by James’s choice to sell his shares. 

In April 1969, John found out that he had 644,000 shares (£1.25m), while Paul had 751,000 shares (£1.4m). John was furious with Paul. 

@thecoleopterawithana did a particularly good breakdown on this whole saga, touching on both the business logistics and the emotional responses within it from John and Paul. So massive credit due to them for explaining the Northern Songs situation in a way that My-Little-Pea-Brain can actually understand, and do go give their post a read for a far more comprehensive understanding of all this!

But onto Johns reaction and whether he did in fact attempt to physically assault Linda McCartney. 

Ken McNab writes in his book And In The End: the last days of the Beatles:

Various accounts over the years have suggested the two men almost came to blows. One unverified report has the volatile Lennon shaking his fist at Linda McCartney with Klein holding him back. Sheepishly, McCartney tried to defend his underhand actions: ‘I had some beanies and I wanted more.’ (pg. 101)

And Peter Doggett wrote in You Never Give Me Your Money: 

Then Klein informed Lennon that McCartney had secretly been increasing his stake in Northern Songs. ‘John flew into a rage,’ recalled Apple executive Peter Brown. ‘At one point I thought he was really going to hit Paul, but he managed to calm himself down.’ One unconfirmed report of this meeting had Lennon leaping towards Linda McCartney, his fists raised in her face. (pg. 79)

These are the only two texts I could find specifying the report that John had made an attempt at physically assaulting Linda. Unfortunately, neither writer cites a source for the unconfirmed report, and Ive been unable to locate the claims origins—so I cant tell you how reliable its author is. 

To the extent of my knowledge, no one else present during the occurrence has spoken about the alleged incident either—however, Peter Brown makes note that he believes John came close to physically attacking Paul, although in his original text The Love You Make he doesn't write anything on this:

“You bastard!” John spit. “You’ve been buying up shares behind our backs!”

Paul blushed and shrugged limply. “Oops, sorry!” he smiled. 

“This is fuckin’ low!” John said. “This is the first time any of us have gone behind each other’s backs.”

Paul shrugged again. “I felt like I had some beanies and I wanted some more,” he said. (pg. 305)

So what is the likelihood of this being true, and what do I personally believe?

Honestly, I don’t know. I see it as plausible being that John has a history of physical violence, which Ive written about in more depth here. Im aware that he made conscious-efforts to change his behaviours over the years, and claimed in his 1971 interview with Peter McCabe and Robert Schonfield to have given up violence following the Bob Wooler incident in 1963—but we know from May Pang that there were still occasional incidents of physical violence. During a moment of stress, I could imagine he might have returned to old habits (and please note as well that ‘stress’ would not be a justification of this action in any way) and tried to attack Linda.

If John did make an attempt to physically attack Linda, my guess as to why Paul have been able to forgive (and seemingly forget) about the incident, is because it would have remained a hypothetical. It never really happened, so I feel like it would have been relatively easy for him to brush it off, because there were no actual consequences (or at least, no physical harm towards Linda caused). 

However, I can also see that theres reasons not to believe the story. Both McNab and Doggett write of an ‘unconfirmed’ or ‘unverified’ report, meaning we have no idea who made this claim. As far as we know, the original claimant might not have even been in the room; it could be complete bollocks. 

And although I wouldn’t really be surprised if Paul and even the Eastmans had chosen not to make a big deal out of the incident, Id be surprised if no one else present mentioned it—especially Peter Brown, given that he thought John came close to attacking Paul. 

However, to counter that last point, another theory I have is that if Paul had been standing close to Linda at the time, perhaps it wouldn’t have been clear based on Johns erratic behaviour who he was aiming for—so while some people might have believed John was attempting to attack Linda, others might have thought he was aiming for Paul.

So in short—and I apologise about the very dissatisfactory response—my opinion on this really is just an ‘I Don’t Know’ one. It could go either way imo. It would be easier to discern an answer I think if we had access to the original report, but as far as Im aware, that hasn’t been released. 

Sources:  

Northern Songs breakdown (x) — @thecoleopterawithana

Dick James sells his Northern Songs shares to ATV (x)

The Beatles and ATV fight for the control of Northern Songs (x)

You Never Give Me Your Money — Peter Doggett

And In The End: the last days of The Beatles — Ken McNab

The Making Of John Lennon — Frances Kenny

The Love You Make: an insiders story of The Beatles — Peter Brown & Steve Gaines

For The Record — Peter McCabe & Robert Schonfield

Brian Epstein watches The Beatles performing at the Washington Coliseum, 11th February 1964

John: Uh, this is John Lennon talking to you from the heart of the West Side of New York in an interview exclusive — full interview — with brand new New Yorker Sean Ono Lennon, spelled S-E-A-N. Okay? Now tell me Sean, what’s your first impression of New York? Sean: [Baby noises] John: I see. 

An interview John did with his son, Sean, circa 1976. The Lennon family had just gained permanent residency in New York. Sean had been born October of the year prior. I apologize for the background music - I didn’t add that. My favorite quotes/partial transcript:

John: I was wondering if the fiscal crisis of New York had any — 

Sean: [Baby noises]

John: Uh-huh, that’s the one I was talking about, yes.

Sean: [Baby noises]

John: Exactly!

[…]

John: I see you know which subjects to avoid and which not to. Very sensible. Must be running for office, is that what it is?

Sean: [Baby noises]

John: It is exciting, isn’t it? And such a strain on the - on the old ticker. [Laughs]

[…]

John: Oh, he’s smiling, folks. 

John: [Very softly] Perhaps you’d like to tell me your favorite color?

Sean: [Baby noises]   

John: That’s not good enough, I’m afraid.

Sean: [Baby noises]   

John: [Normal voice] No interesting color.

[…]

John: Will you be doing any concerts while you’re staying - while you’re here?

Sean: [Baby noises] 

John: Yes, I thought so. You haven’t got the group together. I understand completely. 

Sean: [Baby noises] 

John: Uh, I heard you were backstage at the [Bob] Dylan concert, or was that just a rumor?

Sean: [Baby noises] 

John: An outright lie? My goodness.

[…]

John: I was wondering what it’s like being the son of such astoundingly famous, beautiful, and talented parents as John and Yoko? I wonder what it’s like… 

Sean: [Baby noises]

John: Oh, I see. I mean, could you - could you give me — 

Sean: [Slight cry]

John: Ah, mhmm, yes - more full… background into that?

Sean: [Baby noises] 

John: I see you’re very fascinated by this - this black box that I’m interviewing you with - this tape recorder. In fact, it seems to inhibit you a little bit. I mean, are you conscious - or self-conscious about the tape recorder?

Sean: [Baby noises] 

John: Well, he’s turned his head away because he got very paranoid [laugh]. It’s alright, you know. Just think of it as a very dark relative.

[…]

John: Elton! What about Elton [John]? He’s your godfather!

Sean: [Fussy baby noises]

John: Do you want to tell me how it is to have such a famous godfather?

Sean: [Begins to cry]

John: Well, I know you haven’t been able to see him yet. That’s because he can’t come into the country until January!

Sean: [Continues to cry]

John: Well, let’s just get him on the phone. Get his ass over here.

Sean: [Fussy baby noises]

John: Well, I think at that point we’ve left the interviewee because he obviously was getting violent at the thought of not seeing Dean Martin and all those people in their prime, as it were.

Paul McCartney listening to his transistor radio in New York, 9th February 1964

Paul talking about ‘Get Back’ on the ‘Fly on the Wall’ podcast with Dana Carvey and David Spade, 12th October 2022

“So, he sent me a little clip, which really saved my life”

“I loved it, I really loved it… it was like having an old home movie of yourself, but perfect. And you know I really… I forgave myself, when I saw that”

“We’re looking at each other, and, you know, that spirit was always there, from the minute I met John to the minute the Beatles broke up, and beyond actually, you know. There was always that sort of… we’re just two guys, goofing our way through the world”

Drop everything, new John & Paul photo from 1974 just dropped!

John Lennon, Paul McCartney, Linda McCartney, May Pang and Harry Nilsson in LA, 29th March 1974. Photo taken by Mal Evans.

For Mal, the sunny afternoon of March 29 would bring pure magic in contrast with the previous evening’s lackluster proceedings. The McCartney clan showed up [at the Santa Monica beach house] out of the blue, this time with daughters Heather, Mary, and Stella in tow, and Mal was thrilled at the prospect of seeing John and Paul together again—twice in the span of two days, no less. And he was by no means disappointed, observing the two old friends reclining on the patio together and, later, walking along the beach, with May, Linda, and the McCartney brood trailing along behind them. “Nice to see him and John together,” Mal scribbled in his diary later that month.

At one point that afternoon, Evans reached for his camera and snapped a photo of the two old friends lounging at the beach house — flanked by their partners, Linda and May Pang, and Harry Nilsson. May would also take some Polaroids of the meeting at some point this day, but there's a very real possibility that Evans' picture is the last photo ever taken of the 20th Century's greatest songwriting duo. (It will be included in the upcoming collection of Evans' diaries and archives, slated for publication in 2024.)

Candid style photos of the boys during their Paris shows in January 1964. These photos, taken by Harry Benson, are studio prints originally owned by John Lennon and given/sold to ‘Bernard Brown’ (which I think could be Peter Brown?) when John moved to New York. They’re up for auction next week. 

Pics: Harry Benson.