8 Facts About Nebulae

∆Some more Color Correspondences∆

Silver: femininity, awakening to spirituality and the cosmic mind, intuition, the moon, divination

Gold: masculinity, divine protection, wisdom, inner knowledge, universal energy, the sun

Black: contemplation of the universe, protection, elegance, power, mystery, the unknown

Grey: dignity, seeing between white and black, unseen health problems

Indigo: intuition, divination, psychic awareness, akashic records, clarity of the mind, third eye chakra

Lavender: dreams, imagination, etheric energy

Turquoise: sensitivity to emotions, compassion, healing, counseling, immune system health

Emerald: healing, love, emotions, love of others and oneself

Violet: spiritual sensitivity, intuition, psychic power, healing of body and mind, deep awareness, gateways to spirit

Part 1

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— Venus, 1997 ⚘

Salón de Baile, 

Enrique de Aguilera y Gamboa, XVII Marquis of Cerralbo Palacio, Madrid

My travel log, where I collect my favorite photos from past trips.

Thomas Jefferson illegal smuggled Italian rice from Italy in 1787 to help boost the American economy by shoving it in his pockets. Just imagine Jerfferson walking as casually as possible with pockets full of rice trying not to get arrested.

Omelas = Paradiese/Heaven???

The only chronological element of the work is that it begins by describing the first day of summer in Omelas, a shimmering city of unbelievable happiness and delight. In Omelas, the summer solstice is celebrated with a glorious festival and a race featuring children on horseback. The vibrant festival atmosphere, however, seems to be an everyday characteristic of the blissful community, whose citizens, though limited in their advanced technology to communal (rather than private) resources, are still intelligent, sophisticated, and cultured. Omelas has no kings, soldiers, priests, or slaves. The specific socio-politico-economic setup of the community is not mentioned, but the narrator merely explains that the reader cannot be sure of every particular.

Self-admittedly, the narrator reflects that “Omelas sounds in my words like a city in a fairy tale, long ago and far away, once upon a time. Perhaps it would be best if you imagined it as your own fancy bids, assuming it will rise to the occasion, for certainly I cannot suit you all.” The narrator even suggests that, if necessary, the reader may include an orgy in their mental picture of Omelas.

Everything about Omelas is so abundantly pleasing that the narrator decides the reader is not yet truly convinced of its existence and so elaborates upon one final element of the city: its one atrocity. The city’s constant state of serenity and splendor requires that a single unfortunate child be kept in perpetual filth, darkness, and misery.

Once citizens are old enough to know the truth, most, though initially shocked and disgusted, ultimately acquiesce with that one injustice which secures the happiness of the rest of the city. However, a few citizens, young and old, silently walk away from the city, and no one knows where they go. The story ends with “The place they go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.”

Sonata In G Minor For Violin & Piano, L.140 - I. Allegro Vivo

By Composer Claude Debussy

Joshua Bell, Violinist ~ Jean-Yves Thibaudet, Pianist

Artwork : “Falling Petals” By Artist Daniel F. Gerhartz 

Science fact time! Neutron stars.

Is “starquake” not the coolest word?