uh uhhh version without the apron under the cut for those who hate fun /j [and so the rendering ive done below it doesnt go to waste]
you can only reblog this today
the music nerd in me is absolutely eating this up rn
oh also, fun little tidbit about orin's songs: dentist has very prominent and consistent percussion (im convinced it was inspired by "oh yeah, maybe baby" by the crystals.) this sets him up as a character who is stable, powerful, methodical, and consistent in his actions. its also a musical contrast to audrey, whose music is very melody-focused
now (it's just the gas), on the other hand (specifically during orin's parts) is the complete opposite. the rhythm speeds up and slows rapidly, which not only makes it a horrifically difficult song to play and perform, it also symbolizes his slow fall toward death! as he gets weaker, that steady rhythm he once had fades and it becomes more erratic and inconsistent. its super clever and im surpised i havent found other mentions of this
I played in the pit of one little silly horror shop musical and now the whole course of my life has changed forever :)
This is driving me nuts
YOU GUYS ARE ALL FUCKING PSYCHOPATHS WHAT THE FUCK IS GOING ON
The older I get the less I can comprehend grown-ass adults being mean to kids, people in customer service, and especially teenagers in customer jobs. Saw some kid in a fast food place in an uniform that clearly stated "work training" and how I feel is almost exactly the same as seeing a little puppy in a harness that says "guide dog in training, do not disturb".
Like oh my god little baby has a job! Good job small baby!
Today, May 17th, would be Howard Ashman's 75th birthday. If you aren't already aware, Howard Ashman worked with Alan Menken to create the wonderful musical Little Shop of Horrors, which has had an undeniable affect on myself and my life. Ashman would go on to work with Menken on multiple Disney films; The Little Mermaid, Beauty and the Beast, and he even did a lot of early work for Aladdin. He sadly passed away in 1991, during the production of Beauty and the Beast.
Howard Ashman was primarily a lyricist, but he was also a very talented and passionate storyteller. He had such a strong grasp on what made a compelling musical, and in all of his work you can feel an earnest passion for what was created, I think. I personally have a lot of love for the stories him and Alan Menken have brought into the world.
I'd like to conclude my post with words posted today by Alan Menken himself:
Howard Ashman would have turned 75 today. And I'll always ponder what we might have shared and the new works we might have created together in those 35 extra years. Still I somehow know, deep in my heart, that his spirit has been an integral part of everything I've accomplished since his passing. Happy Birthday, Howard!
- Alan Menken