Kanasuwa Redraw

my little brother & i are having a scholarly debate about mornings

hey, don’t cry. one half flour one half yogurt knead into dough and fry for easy flatbread and dip in balsamic vinegar, okay?

Mollusca - The Gastropod, Cephalopod, and Bivalve Pokémon

Prints can be found here!

The rest of the Pokémon Naturalist designs are also available here!

Higgledy-piggledy unparliamentary green parrots quarrel outside in the trees

Squawking out epithets uncomplimentary Squads of unmannerly Oversized peas.

Undertale's usage of wordplay in the key phrase of 'Determination' is something which fascinates me in its complexities of interpretation.

First of all, we have the most standard definition: 'firmness of purpose; resoluteness.' This is the most obvious of the meanings. one's sheer willpower. and the ability to inflict that will upon the world.

Next, we have a secondary definition: 'the process of establishing something exactly by calculation or research.' This may seem to be rather unconnected to the concept of determination itself, other than perhaps tangentially by the extensive research of Determination and the subsequent formation of the Amalgamates, but I would posit that it may also refer to something different, something I was reminded of by the exact phrasing:

this secondary definition could also refer to a pattern of behavior which seems to arise when a given entity has reached the tipping point of Determination needed to create a Save Point- namely, the need to 'see everything that can happen'. To establish it exactly, by way of experimentation.

Next, there is 'a judicial decision or sentence.' This one is barely anything, nothing more than simple neuron activation against the scene within the Hall of Judgement. Moving on.

Now, we come to something very interesting indeed. 'the controlling or deciding of something's nature or outcome.' It can definitely be said that the player character, the possessor of the highest level of Determination within the underground, is the one responsible for the outcome of monster society- after all, this is the entire reason the Routes exist to begin with. This is likely not an aspect of Determination itself, but more of a consequence of its holding almost always resulting in one being powerful. However, there is a much more significant aspect to this choice. Or rather, to the fact that it is Choice. To summarize, this definition is essentially a statement that Determination is a synonym for Choice. And, extrapolating from this, if this line of dialogue is as important as people seem to think...

It might be interpreted to mean that Determination or the possession of such may hold ultimately no importance within the wider story of Deltarune(which, seems relatively obvious so far, but you never know what might happen).

And this serves as a great segue to the last item I have here to present:

Determinism:

'the doctrine that all events, including human action, are ultimately determined by causes external to the will. Some philosophers have taken determinism to imply that individual human beings have no free will and cannot be held morally responsible for their actions.'

This has some fascinating implications about The Player as an entity within the context of Undertale and Deltarune, primarily Deltarune. What those implications might be, however, I shall leave to others- I am content to simply point out the existence of the link.

Whether any of this has true meaning or not, I genuinely do not know. Confirmation bias might have conjured this out of thin air. But, I felt it was interesting enough to post nevertheless!

Addendum:

I believe this particular bit has been pointed out somewhere before, but it is worth cataloguing nevertheless: De-Termination, or, the undoing of death.

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version

As you like it: you'll find here an outdoor stage adaptation and here the BBC version

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston

Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.

Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.

Measure for Measure: BBC version here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version

Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)

Romeo and Juliet: here's the 1988 BBC version.

The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

In the spirit of encouraging people to comment on fanfics while also making it easier to do so, I feel obliged to share a browser extension for ao3 that has quite literally revolutionized the comment game for me.

I present to you: the floating ao3 comment box!

From what I've seen, a big problem for many people is that once you reach the comments at the bottom of a fic, your memory of it miraculously disappears. Anything you wanted to say is stuck ten paragraphs ago, and you barely remember what you thought while reading. This fixes that!

I'll give a little explanation on the features and how it works, but if you want to skip all that, here's the link.

The extension is visible as a small blue box in the upper left corner.

(Side note: The green colouring is not from the extension, that's me.)

If you click on it, you open a comment box window at the bottom of your screen but not at the bottom of the fic. I opened my own fic for demonstrative purposes.

The website also gives explanations on how exactly it functions, but I'll summarize regardless.

insert selection -> if you highlight a sentence in the fic it will be added in italics to the comment box

add to comment box -> once you're done writing your comment, you click this button and the entire thing will automatically copied to the ao3 comment box

delete -> self explanatory

on mulitchapter fics, you will be given the option to either add the comment to just the current chapter or the entire fic

The best part? You can simply close the window the same way you opened it and your progress will automatically be saved. So you can open it, comment on a paragraph, and then close it and keep reading without having the box in your face.

Comments are what keep writers going, and as both a writer and a reader, I think it's such an easy way of showing support and enthusiasm.

my #1 Bloodborne take is that though the game strongly implies Gehrman's mania for Maria was romantic in nature, i think it fits the themes of the game far better for it to be paternal.

In killing Kos' orphan, he loses his own child and seeks a surrogate; becoming a mirror of the Moon Presence.

The Doll as a warped daughter and not lover, paternal and not romantic abandonment just seems more Bloodborne to me. particularly when you consider Gehrman's own relationship with the Moon Presence.

Anyways