“You Have To Meet People Where They Are, And Sometimes You Have To Leave Them There.”

How I Edit A First Draft

*Repost*

What is UP y'all I got like four hours of sleep which is always fantastic! This is a wicked old post I made that the majority of y’all haven’t seen! As always, any more stuff you want to ask/add specifically feel free! As a young author myself with limited experience, I just wanted to help those who don’t really know where to start or are looking for other methods! 

First, Don’t Get Discouraged!

This sounds like a basic thing, but nobody really likes editing their own stuff! It’s so easy to call it bad and just shove it in a folder to never look at again. Just remember everything you do is to make it the best it can possibly be and it’s pretty darn heccin good now! Completing drafts are fricken hard, and you’ve made it so far! Writing routines and Pinterest are my major sources of inspiration. 

Read it through!

I know, it sucks. You finished your first draft—comgratulations! And you want to get the editing over with. You think to yourself, “I wrote this and I know what to fix!” Maybe for some this is true, but for people like me, I forget so much. Do not start editing during this step. It is basically just a refresher. Take notes on what to fix later (what scene feels flat, parts that are confusing, etc). The only editing I allow myself to do here is grammar and spelling. Most times you’ll see too it’s not as bad as you think it is! 

How Do I Know What To Cut?

Not everthing that doesn’t work has to be cut. Recycling awesome lines that juts dont fit or even characters into different WIPS. That being said, soemtimes things just won’t work. Ask yourself these starting questions:

Does this supporting character have a purpose or can their role be taken over by a pre-existing character?

Is this action in character?

Does this scene contribute to the plot, character development, or offer a break in tension?

Work From Big To Small

You know those notes you took? The ones on plot and characterization? Fix those first. These big problems usually lead to the smaller issues or even fix them, like if a scene isn’t flowing naturally or something just fells off. If stuff doesn’t fall into place, look at the chapters before it.

Common Questions Ig

Q: Hey, Strange, what do you even know?

A: Nothing

Q: But I like this scene and I don’t want to cut it.

A: Cool. Keep it. If you like it and don’t have any doubts that it’s good, so will your readers and it will add to the book. Stuff like this can be for characterization and establishing relationships, and you can always add to scenes to make them seem more necessary. 

The point is that you like your book.  The point is that you are an amazing writer, even when it’s hard to believe. First drafts are usually trash, and each draft is better than the last. No draft will ever be perfect, it’s the draft that you think is the best you can do and you’re happy with that’s the final. 

“To avoid criticism, do nothing, say nothing, be nothing.”

— Elbert Hubbard

Character development doesn't refer to character improvement in a moral or ethical respect. It refers to broadening the audience's understanding of that character, giving the character a deeper background, clearer motivations, a unique voice.

Developing a character is about making them seem more like a real person, and real people are flawed. Real people make mistakes. They repeat mistakes. They do things other people don't agree with. Real people are more than just 'good' or 'bad' and character development is about showing all of those other aspects of them.

Their interests and hobbies. The song that gets stuck in their head. The fact that their vacuum broke 3 months ago and they haven't gotten it fixed yet. All of those details help build out the character and develop them more.

And yes, characters change as stories progress but that doesn't mean they get 'better' in a strict moral sense. It means that their experiences change the way they interact in the world you've written for them. Just like real people do.

Writing Tip #211

Short stories are a great way to learn writing. They’re short commitments, so if it fails, it’s ok you’ve only lost 3 days and your next attempt will be better.

Here’s a tip! If you want to have girl power in your series or movie, normalize women.

Girl power shouldn’t be about proving that women can do things the same or better than men even if they are women! Girl power should be about women being equal to men and not diminished for being a girl.

Avoid having the male characters get surprised that she’s a women, avoid them saying things like “She’s a woman, but she’s strong!” or “Holy shit she’s a woman!?” or “Don’t be too tough on the woman!”. Those kinds of behaviors make it seem that it is surprising for a female person to be strong and/or independant. Equality is women getting treated the same as the men, not having people be surprised that she can do all those martial arts while being a woman! Wether the character is male, female, or non-binary, they should be treated socially equal regardless of their gender!

Slashing Your Word Count

A guide for over-writers. 

So there I was, sitting in front of my 120,000 word YA Fantasy manuscript having a breakdown. Why? you ask. Well, because I want to be traditionally published and no one will buy a YA debut that long. 

Why not? This answer would a post on its own. Or a 24 minute video. Luckily Alexa Donne has already done that work and you can watch it here. 

Now I’m going to summarise all the advice I was given that had lead to me doing a brutally cut down draft in two sections, the big cuts, macro level, and the small cuts, micro level. 

Micro Level Cuts

Reduce each description by 1 or 2 words - @coffee_loving_artist

Reduce dialogue. Single spoken words can carry more emotional weight than elongated lines. 

Cut down on dialogue and action tags. If it’s clear who is speaking, don’t use anything! - @parisandherbooks

Cut repeated sentences. It’s not as dramatic as you think it is. 

Simplify convoluted sentences - @jade_d_brown

Cut words like very, quite, sort of, kind of, it was, there was, that, now, then, suddenly and any crutch words you have - @just.a_simple_writer

Change passive language - @laurenkayzles

Macros Level Cuts

Chop off the beginning and the end of long scenes. 

Cut info dumps

Never get lost in internal monologue. Keep it to a small para at most. 

Cut fluff scenes - @teen_writing_101 & @cakeyboy 

It doesn’t take 1000 words to make a small point – condense it!!

Cut unnecessary dialogue or chit chat 

Merge scenes that feel repetitive 

Cut the prologue 

Cut the epilogue 

(Remember that those can go back in after your book has been bought) 

If you’re desperate, delete a POV - @thewritingfirebird

Ask your Beta’s which subplots/characters could go - @howwhyandsowhat 

[If reposting to instagram please credit @isabellestonebooks]

“Sometimes the smallest things take the most room in your heart.”

— Winnie the Pooh 

Writing Tip #167

Having the way a character organizes their home mirror how they organize their life can be a really helpful literary tool and a subtle way to flesh out your character.