jannisyulieth

Latest Posts by jannisyulieth

love how when zoro rides with chopper he is in cool big bro mode and when he's with luffy he's goofing around

i love owls

The OVA's fantasy RPG ending was soooo cute!! had to draw something from it as well X3

Some more watercolours for you all since you liked Jiang Cheng so much

damn i wonder where else did i see a similar shot

oh.

celestial 🌙🌟

tsukkiyama in a studio ghibli au request.

Training camp squad💥

WANTED posters - Puss in Boots 2: The Last Wish (2022)

I love this fam 👉👈

#sobbing over perrito comforting puss through a panic attack

Puss in Boots: The Last Wish (2022)

i keep thinking about how when JC catches up to WWX, LWJ, and NHS at the Tiannu goddess statue cave, he plays a joke to scare them by standing behind the statue and pretending to be the statue talking to them

and then walks out from behind the statue looking slightly embarrassed but also a bit satisfied with himself and also clearly thinking "WWX why didn't you tell me where you were going why did you leave me behind :(" and also "we're going to get in trouble back home why are you like this *eyeroll*" and also "i'm so glad you're safe"

they were once so young...they fooled around and played jokes on each other and were more open to each other like the kids they were...

Thank you!

The empty space where you used to be; the part of you that's a part of me

nika + asura crumbs …?

🫴🏼💫 hands...

kagehina × fall season 🍂🤎

all credits to the original artist @qyhssss on X & weibo

Kagehina coded

《研究中》

Setters & Hinata

To me, the craziest thing about this panel isn't the extremely charged handshake, nor the intense eye contact, but rather the perspective.

Furudate is really good at toying with perspective to convey the story's motifs and themes. Here, thanks to the perspective, it looks like the net is above Hinata and Kageyama, when in fact it isn't that tall. In fact, I know it's right between them. But with the way this panel was drawn, it looks like they're facing each other with an unobstructed view.

The imagery here is clear: it doesn't matter that they're on opposite sides of the net now, there's nothing keeping them apart anymore. They stand on even ground, on equal footing, face to face.

I'm here now

as if you’re holding the world in your hands

hurry!!

bullying him

letter to theo by vincent van gogh

🐍

There is truly nothing that can convince that Toei doesnt have an agenda towards Sanji.. I see why I took a break from the anime 🤦🏿‍♀️

Giving heart eyes to Bonney, a minor.. 😑 when he never did that in the manga.

And removing him from this group scene ..

hope is incurable haemophilia // “how do you know he died for sure?”

David Mitchell - Slade House / Emily Brontë - Wuthering Heights / Hanif Abdurraqib - Rumours and the Currency of Heartbreak / Mathias Salina - Dream / Katie Maria - I wanted to ask / Andrew Kozma - Song of the Insensible / Rebecca Solnit - A Field Guide to Getting Lost / [??? Not sure can’t find it now] / Richard Siken - Portrait of Fryderyk in Shifting Light / Amy Engel - The Revolution of Ivy / Michael Dickman - Killing Flies / Sue Zhao / Ada Limon - Bright Dead Things / Amy Tan - The Joy Luck Club / Translation from MDZS Extra ~ Villainous Friends / Richard Jackson - Nothing But Trouble / Louise Glück - Persephone the Wanderer

[ID: A web weaving featuring Jiang Cheng from The Untamed and quotes.

"Grief is an amputation, / but hope is incurable haemophilia:"

Jiang Cheng looking argumentative and saying, "How do you know he died for sure?" and then looking upset when Lan Jingyi says, "People say you killed him yourself."

"You said I killed you - haunt me, then."

Jiang Cheng angrily asking "Mo Xuanyu" "Who are you?"

"If I have the destruction of something that I once loved to carry with me at all times, isn't it like I still have a companion?"

"You wander around town, looking in dumpsters, checking pawnshops, asking strangers, hoping to find the thing you love."

A civilian saying, "However, for the past 16 years the young clan leader, Jiang Cheng, still hasn't found his body."

"I don't / want you to be sorry / I want you to / come home."

"If my brother's dead, I am not alive. / If I'm alive, my brother can't be dead.""

Jiang Cheng looking at "Mo Xuanyu". He looks almost hurt and confused

(A continuation of the first quote) "you bleed"

'those who do not love each other are not separated.'

Wei Wuxian asking Jin Ling, "Do you know why your uncle wanted to catch me?"

"You hate someone as deeply as you love them"

Jin Ling replying, "He suspects you're Wei Wuxian."

"I made a shape of the shape he made, subtracted what he shared with anyone else. There wasn't much left but it felt like him, wild and scared."

Jiang Cheng after Wei Wuxian reveals himself through Fairy.

"I don't understand how the pain of losing him can be a pale shadow in comparison to the pain of finding him again."

(A continuation of the first quote) "and bleed"

"I sit down for dinner / with my dead brother / again / This is the last dream I ever want to have"

Jiang Cheng angrily saying to Wei Wuxian, "You didn't go to Lotus Pier when you were revived."

"One day - I will tell you about the dream I had, where you and I were together and you did not leave, where I was not terrified and you were not numb, where things were the way we wished they could be and not the way they are."

"You're the muscle / I cut from the bone and still the bone / remembers, still it wants (so much, it wants) / the flesh back, the real thing, / if only to rail against it, if only / to argue and fight, if only to miss / a solve-able absence."

Jin Ling: "My uncle is always catching those who could probably be him."

"Isn't hate merely the result of wounded love?"

Jiang Cheng watching Wei Wuxian play Chenqing in Guanyin Temple.

"He still thinks Wei WuXian hasn't died. If Wei WuXian returned, he might not search for his sword, but he'd definitely come for Chenqing And so, he would definitely not give up Chenqing."

Jiang Cheng crying in Guanyin Temple as he and Wei Wuxian look at each other.

"Our promises leave without closing the door."

"As is well known, the return of the beloved does not correct the loss of the beloved".

Jiang Cheng with a bittersweet expression, watching Wei Wuxian leave after Guanyin Temple.

(A continuation of the first quote) "and bleed." End ID]