Endless Forms Most Beautiful
Moving onto another major branch of Neoaves, we have the Gruiformes, the first family of which we'll look at is Rallidae: the rails. There are 152 living species with a cosmopolitan distribution. Pictured are the pūkeko (Porphyrio melanotus) and the clapper rail (Rallus crepitans).
Rails are generally terrestrial birds, often seen skulking around in dense vegetation. This terrestrial habit, combined with their penchant for dispersing to islands, has made them one of the champions of independently abandoning flight; an estimated 31 extant and recently extinct rail species have independently become flightless after finding themselves on an island. The diets of rails tend towards omnivory, though some species have become more herbivorous. Many species inhabit wetlands and are adept in the water, while others are more strictly terrestrial. One lineage, the coots, have converged on a grebe trait by developing lobed toes to aid in their more aquatic ecology.
Coots are also infamous for the treatment of their young. Pairs typically hatch more chicks than they can reliably feed, so the parents will target certain chicks in their brood to harass and attack when it begs for food, until it eventually stops begging and starves. The pressure of a lack of food is a brutal force.
Happy Star Wars day! May the Force be with you!
Maybe that Mario & Luigi warping footage has driven me mad and now I'm just terminally stuck on MAXIMUM BROTHERLY ANGST but the fact that the Mario movie seems willing to go to a very emotional and sweet place with their relationship is killing me!!! Here are some Mario and Luigi-specific theories/possible moments I've been thinking about for the movie, all nicely compiled (and not just tossed into other people's inboxes, haha) - maybe they'll happen in some way, maybe they won't, but if they DO, oh man, I will be a puddle of goo in the movie theater they'll have to sweep up afterwards:
Mario opening up to Peach and Toad about Luigi, what their life was like in the past, their closeness, and his fears/anxieties about the possibility of not being able to save his brother (some version of this seems EXTREMELY likely in the fire flower scene) (and likewise, Luigi talking to his fellow prisoners about Mario and how much he misses his brother!)
Both brothers taking moments throughout the movie to think of each other and draw inner strength/resolve from that - for instance, Mario struggling with his training, feeling exhausted and hopeless, but thinking of Luigi in danger and how much his brother needs him and that giving him the burst of strength and determination he needs to finally complete the course
LIKEWISE, Luigi panicking or struggling to act in his scary predicaments but thinking of Mario and what he would do/say in situations like this and being able to keep going/stay brave because of that memory
BOWSER FIGURING OUT THE RELATION AND USING LUIGI AGAINST MARIO AT A CRITICAL MOMENT??? (I'm sorry, but it feels like the interrogation stuff has to lead SOMEWHERE) (Bowser clearly is looking for info/weak points he can use against Mario, and Luigi himself ultimately IS that weak point!!!)
This could play out in a lot of different ways - using an in-danger Luigi as bait for a trap, maybe there's some Magic Shenanigans where Kamek throws Luigi's voice to lure Mario away from the group during a battle, or maybe Bowser just taunts Mario about his brother and how Mario's too weak to save him from the torture he's endured/will endure. Whatever the case is, Mario's anger and Ultra Big Brother Instincts overriding all other common sense could cause him to act too rashly or make some serious mistakes in the heat of the moment. :(
Either brother thinking that the other is dead for any period of time and just being BROKEN but also FULL OF FIERY VENGEANCE because of it!!! I know, I know, put me in Angst Jail but Mario could get blown off Rainbow Road and presumed dead for a little while, which could get back to Luigi through Bowser or his minions, OR maybe Luigi escapes but Bowser lies to Mario and tells that he disposed of his brother already and he's too late. I could just see both of them breaking down at first but ultimately being ANGRY above all else and resolving to avenge the other, no matter what ;___; (and this would also make their eventual reunion even MORE emotional and impactful)
Speaking of, the brothers reuniting with the BIGGEST, MOST DESPERATE, CLINGING HUG YOU'VE EVER SEEN IN YOUR LIFE (this is truly all I care about, I just need the movie to get this right, PLEASE)
Bonus points if there's a big lead-up to it where they maybe they just hear each other at first, or they see one another from a far-away distance and they're just RUNNING and FIGHTING and SCRAMBLING to reach each other, calling out all the while, to the point that they can't even stop, they just TACKLE each other at full speed
(They've never been apart this long before! Ever since they can remember, they've been joined at the hip, and this whole time, it's felt like they were missing a limb, but now THEY'RE BOTH HERE and THEY'RE OKAY and there's a lot of fussing over injuries and frantic questions and THE BIGGEST, TEARIEST SMILES EVER and it finally feels like everything's really gonna be okay, even though there might still be an ongoing invasion/final battle to take care of)
After reuniting, there being a situation where they need to split up again temporarily to accomplish different goals in the name of stopping Bowser and Mario is actually the more anxious one for once who really doesn't want to let Luigi out of his sight after they've just found each other again, but Luigi takes a turn reassuring him that it's gonna be okay (and Mario is quietly impressed by how his brother seems a little braver after his ordeal)
ALSO after reuniting, there being a moment before the final battle with Bowser where Mario is self-doubting and isn't sure he can win, but Luigi doesn't understand that because ever since they were little and dealing with playground bullies, he's ALWAYS thought of Mario as a hero - this new role just fits him so well, at least in Luigi's eyes, and he knows that Mario can do this (I KNOW, I KNOW, A LITTLE CHEESY, but!! i just love the idea of Luigi hearing about/seeing his brother as The Hero and being like "yep, my big bro IS amazing and brave and the absolute best, this makes sense!")
At any point, Mario actually seeing Bowser hurt/threaten Luigi and just going ABSOLUTELY BALLISTIC because of it. RIP BOWSER, YA IDIOT
Possibly related to the above, but it feels like a pretty sure thing that the final battle has to be Bowser VS Mario all the way, that's how so many games end, but! I do think Luigi could provide important assistance at one or two moments. Like maybe Bowser is startling to struggle and goes for the power star, but Luigi has already beaten him to it and manages to throw it to Mario before Bowser reaches him - but then he gets STRUCK HARD or even knocked out by Bowser and Mario's anguished reaction sets off the star's power! (I did see that somewhere else, not my original idea - the concept that the star can only be activated by an intense, pure-hearted emotion - but I love it <3)
That's all I got for now - again, even a FRACTION of these happening would be officially Too Much for my little, feeble heart. I'm just so grateful that from everything we've seen so far, the movie really does seem to be centering the brothers' relationship (even if they're not physically together for most of it) and how much they mean to each other and that is everything!
One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.
From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.
Phoenix Wright is the most cagey fucker on the planet.
At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.
In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.
Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.
What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.
This is Phoenix's default coping mechanism.
In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.
But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.
It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.
Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.
And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!
At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:
Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.
AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.
Holy SHIT guys I commissioned Kevan Brighting to say some comforting things as the narrator and it’s giving me LIFE. He did such an incredible job. Please give this a listen. AAAAAAAAAA
Imagine your OC wearing work-out clothing.
TMNT Mutant Mayhem | Teaser Trailer
Bizarre poses
Poorly drawn Squirtle line
whatever you do, don’t think about how important loyalty is to Crosshair.
definitely don’t think about the Batch leaving him behind on Kamino when he was brainwashed—or just how devastating that must have been for him.
and DO NOT, under any circumstances, realize that Crosshair refuses to leave Mayday in the snow because he knows what it’s like to be left behind, and he’d rather risk dying together than leave his new friend (who he’s had for ONE (1) day) to a fate like that.
Don’t have 300 minutes to watch all 13 episodes of BNHA Season 1? How about we cut it down to just 3? Here’s the entire Season 1 condensed down in to one nifty 3 minute long package. Names being pronounced wrong is intentional. Don’t kill me.
Want me to voice something? Send a request!
Welcome to Wolfgangs kingdom, a place for frogs to come together. A young artist who does not post often
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