hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god
feel your feelings!!!! tap into them into your body and let them grow!!! grow!! grow!!! release it in whatever way that it looks like!! whether you cry or scream or dance or shake !! whatever it looks like!! please allow yourself to feel it all. it is okay.
this is going to be difficult -> i am capable of doing difficult things -> i have done everything prior to this moment -> this difficulty will soon be proof of capability
On books and reading!
Reading insecurity, katy waldman, slate
The deep space of digital reading, paul la farge, nautilus
The curse of reading and forgetting, ian crouch, new yorker
Why read the classics, italo calvino (pdf)
How reading is like love: italo calvino on the ecstasy of surrendering to other dimensions of experience, the marginalian
Just read the book already, lauren miller, slate
Treasure the books no one else seems to love, molly templeton, tor
Papyralysis, jacob mikanowski, los angeles review of books
How to nurture a personal library, freya howarth, psyche
Brief notes on the art and manner of arranging one's books, georges perec
If I don't remember what I read, did I read it at all? molly templeton, tor
Never do that to a book, anne fadiman, slate
Mary oliver on how reading saved her life and the greatest antidote to sorrow, the marginalian
On the pleasures and solitudes of quiet books, emily st. john mandel, the millions
Being a better online reader, maria konnikova, new yorker
How 11 writers organize their personal libraries, emily temple, literary hub
How many errorrs are in this essay? ed simon, the millions
Adrienne rich on resistance, the liberating power of storytelling, and how reading emancipates, the marginalian
How we read series, wired
Fiction detective: on literary citation and search engine sleuthing, sophie haigney, the drift
our autofiction fixation, jessica winter, the new york times
That C.S. Lewis quote about being "old enough for fairy tales again" is really popular in this section of tumblr, but I think I've hit an opposite stage where I'm old enough for realism again. As a teenager in English class, realism seemed like the boring, baseline option that limited your imagination to only the dullest parts of daily life. If I wanted real life, I'd just live it! Stories should give us something bigger and brighter and more exciting!
But as I get older, I'm starting to understand that realism isn't about limiting yourself to the real world, it's about appreciating it. It's about noticing and caring about those tiny details in life. It's about looking at the seemingly ordinary and unexciting people and saying that their stories are worth telling, too. There's a beauty in gazing upon this world in delicate detail and drawing out those fine shades of nuance that you don't notice in the bustle of actually living life. Realism lets you slow down and recognize that our world has wonders, too, and they don't all have to be big and flashy to be worth our attention.
Younger me also got the impression that realism was depressing--we don't get happy endings because they're not realistic. And it's true that realism has a greater share of sad endings, but that can be a comfort. As you grow up, you have more and more experiences tell you that the happiness of life is buried in a lot of murkier emotions--a lot of turmoil and uncertainty and bad decisions--and realism says that's okay. The story's worth telling even if it doesn't end well, even if people don't rise above their baser natures, even if things are a bit dull. Realism can be happier, in some ways, than those bigger, brighter genre stories, because it acknowledges those murkier imperfections of life and says that they don't erase happiness or make someone's story not worth telling.
Lewis' quote is great, but it's not the whole story. Like Chesterton says, children are fascinated by fairy tales, but the youngest children are fascinated by reality--"A child of seven is excited to hear that Tommy opened a door and found a dragon, while a child of three is excited to hear that Tommy opened a door." Fantasy is a fantastic escape, but like all travel, the point of it is to make us see our own world more clearly when we return home. And that's where realism comes in. Those types of stories aren't about casting off childish fancy and focusing on the grim details of adulthood--they can be about regaining an even more innocent and child-like wonder.
been thinking a lot about anticipatory grief lately. i love you so much that i know losing you will devastate me. i haven't lost you yet but i already miss you. we still have time, but it won't be enough. i think about what i would say at your funeral, and say some of it to you now cause i need you to know how loved you are before you go. you will go where i cannot follow, but you will never really leave me. it won't make it hurt less but it is a part of healing somehow.
reminiscing on the webb telescope photos
when kafka said "all the love in the world is useless when there is total lack of understanding" and when richard siken said “if you love me, you don’t love me in a way I understand.”
A fleeting moment of happiness is still worth celebrating. Even if you’re back to square one the next day. Moments matter.
Life is tragic simply because the earth turns and the sun inexorably risesand sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have. It seems to me that one ought to rejoice in the fact of death—ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life.
James Baldwin, The Fire Next Time
the inherent pain of wanting to start again but also the inherent joy of getting to start again