David Laughing And Michael Wiggling Are Everything To Me

How are we all feeling about Aziraphale’s last “I forgive you”? Does it mean I forgive you for kissing me to try to get me to stay, I forgive you for choosing this moment to reveal your feelings, I forgive you for not coming with me, I forgive you for kissing me period??? What?

I keep going back and forth on it and I NEED to hear what everyone else is thinking. Lay it on me, I’m open to new interpretations because everything hurts and I’m dying.

We drifted here, in the lack-of-light, passing no-time. But we would feel it from so far away... your noisy, boiling universe. We want to travel there, to play your vicious games and win.

Wild Blue Yonder

we do not talk enough about the moment right before crowley puts his sunglasses back on. the "nothing lasts forever" is devastating and if you're like me your eyes were so full of tears you couldn't see the screen the first time you watched it (just like crowley, look at us all twinning in sadness!).

there is a shift that happens in his eyes and i think it is absolutely fascinating and heartbreaking at the same time.

we begin with crowley averting his gaze from aziraphale's face and staring off into the distance instead, and you can see his spirit break. that crowley just lost the one thing in the world he cannot live without and we can see it written across his face like a neon sign.

then, as you'd expect, he gives into the need to cover up his pain, to try and make himself less vulnerable, and even before he lifts his glasses he looks down so aziraphale can no longer see his eyes.

now, the next part is what would not let me out of its grasp all day. we know it happens because of his demeanour afterwards and up until the kiss, but you can actually watch as crowley makes himself numb to the world.

i am intimately familiar with dissociation as a trauma and stress response, and while you can never fully control it, you do eventually find the switch in your mind that makes you snap back into the haze. crowley has had six thousand years to get really, really good at leaving reality behind when he needs and/or wants to.

that's exactly what he does.

he still looks sad, and yet there's just something distinctly distant in his eyes, the shift from openly heartbroken to "i don't want to feel any of this let me leave".

glasses? on

emotions? off

hotel? trivago

i have stared at those four frames more than any person probably should and i don't know if it's the light, if i am going insane, or if there is a single tear sliding out of his right (our left) eye. i'm probably insane and the light is a bitch so if anyone has some high resolution shots or anything that could answer that question without a doubt PLEASE do add it.

by now you are probably ready to threaten me with a knife in a dark alley but before you do that or drive your car off a cliff, let me tell you the best part:

aziraphale notices.

they might be communicating on two different frequencies but aziraphale knows crowley. he knows and loves him, and, most importantly, over the last few years he has gotten used to seeing crowley without his glasses. aziraphale could probably write a book on the expressions in his eyes alone and watches that shift happen and is devastated.

look.

he tries to make himself hope the same second, tries to convince himself crowley is putting on his glasses so they can leave together, but he knows.

aziraphale sees the light leave crowley's eyes, sees crowley leave, knowing that he is quite literally running away from him. you and me against the world, angel, but in that moment crowley firmly pushes him back to "the world" (or tries to, anyway).

the entire season we see crowley take off his glasses whenever he enters the bookshop to the point where he's running around without them on in broad daylight with jimbriel right there.

can you imagine how hurt and confused aziraphale must be?

because what crowley is telling him, if we really, really break it down, is that aziraphale is no longer a safe person for him. and repairing that trust is going to take time and work, no matter how much crowley loves him, how badly they love and need each other.

anyway to seal this off and really rub in the pain - how it started vs. how it ended. <3

oh one last thing: now crowley no longer has a single person he can be himself around, no one that knows him, no one he trusts. no one in whose presence he can take his glasses off.

and outside of the bentley and his own flat, he no longer has a place to do so either. the bookshop was theirs. with aziraphale gone, is it really a safe place anymore? is it somewhere he can just let himself be knowing he will be looked after and protected?

easy answer: no.

alright, off i go. see y'all on the next angst post or in the tags.

I think there's actually something really profound in Donna's 'missing everything' gag. Like, yes, it's objectively funny that this woman has somehow missed every alien invasion in the entirety of her time on Earth.

But there's more to it than that. She's the most compassionate companion, the most down to Earth as the saying goes. She sees things that others don't. Like the missing sick records, the way others are treated, Martha's ring. Sees the inside of the Tardis before she sees the outside. And perhaps most importantly, she doesn't see The Time Lord - that big otherworldly figure. She just sees the Doctor. Sees his need for true companionship, his need for guidance, his need for someone to carry a burden he is being crushed under.

She misses the big things, yes, but in exchange she is so wholly, beautifully immersed in the small things no one else sees.

NO listen! for i have the true Crowley kiss analysis!!

He put distance as soon as Aziraphale pushed the idea of coming to heaven on him again after Crowley's confession. he already knew this was over, but when Aziraphale stops him they take second shots at explaining themselves to each other.

"we can be together!"

This is when Crowley tenses up, even if I cant for the life of me find a gif of it. Aziraphale thinks he's saying the same thing Crowley was during his speech about going off together, but he isn't.

"I don't think you understand what I'm offering you"

"I think I understand better than you do"

Crowley knows they couldn't really be together in heaven, not the way he wants. They could only be colleagues, essentially go back to the way they were working on Earth before. Sanctioned this time, but still just the same.

"you idiot. we could've been. us"

Crowley starts trying to describe exactly what the difference is. no nightingales, we could've been us, anything of their coded language that might get through to Aziraphale. but everything falls just short.

So he tries just what he did in the first episode. "just breathe, breathe and count to ten. that's what humans do"

he tries the human way.

it still doesnt work.

I just cried - “he doesn’t know how to do this!”.

……well if no one else is going to say it there’s no way that wasn’t crowley and aziraphale’s respective first kisses. the hands. the non moving faces. just pressing their lips together. sorry to all u “they slept around” headcanoners but those r lovesick virgins

And so it ends. I love an open ending - you're free to imagine what have they talked about afterwards, and how it went, and whether the Doctor found what he needed when he came looking for Grace, and whether it was with a heavy heart that Grace let him go again - or whether she made peace with her past and with herself of that past.

And both are written with such heartfelt precision. The Doctor is so on edge, so unsure of - well, pretty much everything, so wound up and deeply distressed, yet somehow determined. And Grace is seemingly - outwardly - fine, but still affected by what has happened, never not to be affected, and she knows it. She knows that no matter how much time passed, she would still be wondering and questioning her choice.

Part 3 of this untitled Doctor Who fic post Waters of Mars where 10 meets up with Grace Holloway again. (Well, I say untitled, and then I realized that when I posted the first bit to tumblr, I used the working title Saving Grace when linking it in this post, so let's go with that for now, shall we? It's better than my document title.) Posted for @gentildonna.

(Previous)

The Doctor made sure he was disconnected from all the machines before he set to work starting up his second heart. It wasn’t easy, not by himself. He would’ve liked to have someone else to help him. But he doubted the hospital staff would give him a good walloping on the back without what they deemed to be good reason, even if he specifically requested it. Not that he would, of course, because that would require explaining himself.

And when explaining himself didn’t work, he tended to run.

That would be slightly harder to do, given the conditions his clothes were in.

He’d started mending them, just a bit, so that he could get by. He could do a bit with the sonic screwdriver, mending fibres here and resonating dried blood off there. He was a bit surprised that, considering he had all manner of things in his pockets, he didn’t have a needle and thread. He made a mental note to put some in there in case anything like this ever happened again.

Though, if and when it did, he probably wouldn’t be wearing this suit anymore. Or this jacket.

Still. He’d worked quickly. Enough so that he’d finished before his scheduled appointment with the good Dr. Holloway. He doubted she’d be particularly disappointed, what with how she felt about him now.

He wished she hadn’t thought he was teasing her, poking fun at her stories. That hadn’t been his intention at all. He should have just come out and said it, but he hadn’t. He had such a gob on him in this regeneration, but did he open his mouth when he should? Of course not.

And now he’d missed his opportunity.

It was just as well. He shouldn’t have come. He managed to ruin them all, somehow, one way or another. This was simply proof that he was making more mistakes, not trying to compensate for his last one. How could he, when he ruined everything—everyone—he’d touched?

No shoes, but at least he was dressed in his suit again. Not that it fit quite as well as it ought to. Bit lumpy. He wasn’t the greatest at stitching. Never had liked all that domestic stuff. But it would do.

It wasn’t as conspicuous as a certain coat he’d worn in the past, one that would put the biblical Joseph’s to shame.

He’d get by.

Though he would like to find his trainers first.

Shouldn’t be too hard.

And then he could slip away to the TARDIS, no worse for the wear, and leave before he ruined Grace’s life any more than he already had.

-|-

The TARDIS refused to let him in.

Even when he claimed it would just be to get a change of clothes.

But she knew better, and he hadn’t been able to win an argument with her yet.

So he went back.

Not back to his hospital bed, no. No, he could do without that. He’d be fine. He’d only lost a bit of blood. Nothing serious. No broken bones, nothing lodged in his body, both hearts fully functioning, memory intact—not much more he could ask for.

He waited outside instead. It was, he thought, perhaps 2004, 2005. Grace may still be in San Francisco, but that didn’t mean she hadn’t moved. And, really, last time he’d been at her place, she hadn’t even had a couch, so she’d either have needed to buy quite a lot of furniture or move to a smaller place. And her place had been a bit of a hike from the hospital, if he remembered correctly. Not normally something that would bother him, but he was, perhaps just a little bit, under the weather.

The Doctor winced as he tried straightening up. Not quite healed up yet. Shouldn’t’ve tried running, really. That probably hadn’t helped. But he was sore enough that he figured pacing probably wasn’t the best way to pass the time, so he found a bench and sat down, waiting.

He was very quickly reminded why he rarely sat down with only his thoughts for company.

Ignoring the pain and his fatigue, he started walking, slowly, around and around and around the hospital grounds.

When he noticed someone watching him, he stopped that and sat down again.

But the itch to be moving remained, gnawing at him.

He wondered why he was doing this.

It wasn’t like he had a lot of time left, as far as he could tell.

His song was ending.

And here he was, waiting, doing nothing except thinking, rehashing everything he’d thought before, when there were worlds to see and places to explore and people to meet and—

Lives to ruin.

That kept him in place, that single thought.

The Doctor waited, deciding what to say the next time he saw Grace.

Because as far as he could tell, he’d only have one shot to get it right. And if he didn’t—if he started off on the wrong foot again—well, then, he wouldn’t get what he needed out of it. Not that he was entirely sure what he would get, or did need, precisely. Not closure. Not peace of mind. More…understanding. So that he would know for the future. So that, perhaps, once he regenerated—if the circumstances were such that he could regenerate—he might be able to see it, in the future. And if he could see it, he could avoid it.

And then he’d never, ever—ever—make that mistake again.

The fact that he’d done it once still scared him.

Almost as much as what would have happened, had someone else not taken it upon herself to correct it, even knowing what that correction would cost.

-|-

Dr. Grace Holloway was not happy to learn that their patient, the self-proclaimed Dr. John Smith, had somehow managed to escape the hospital and that not a single security camera had seen him leave. She hadn’t been particularly pleased with him, pulling the stunt that he had, but he wasn’t in good health, and if he really was a doctor—something she was strongly doubting—then he ought to at least acknowledge the foolishness of his actions. It was something too few people did, thinking they’d just pull through something on their own when they needed some sort of medical care.

Then again, if she were in another country without a passport or so much as a cent to her name, she might have run off, too.

Still, that didn’t explain why he’d singled her out, nor why he’d tried pulling that cruel joke. There was no reason for it. She’d learned, very quickly, to make the entire thing out as a story. And she’d told it, time and again, when she visited the children’s ward. She told other stories, too, but somehow, she always went back to that particular one.

Perhaps because that particular one wasn’t just any story—or just a story at all.

But the amount of detail she’d put into her retellings of it had some people questioning her. Perhaps because the details never changed, as the details of invented stories tended to do. She’d been shocked by the first remark she’d gotten, and even by all the ones that followed, despite knowing better by then. Not that anyone ever meant anything by it, really, as far as she could tell. They were only joking about it—with her, in their eyes. But the comments still stung.

To have snippets of the story repeated back to her, in a manner that hid the joke a little bit too well…. It felt cruel. Uncalled for. And it wasn’t even April Fool’s Day.

Perhaps it wouldn’t bother her so much if she hadn’t spent so much time thinking about it. Wondering, for the most part, what she had missed out on. Whether she’d made the right choice. Whether she’d change her mind, given the chance to. Whether it really had all been just a story or a dream.

The hospital records of that particular John Doe had been destroyed. Explaining away a dead man walking was a bit more difficult than simply burning a couple of x-rays and covering up the death in the first place, but it could be done. Rationalized. It had been late. The orderly had been confused, half-asleep, mixing up reality with that blasted movie he’d been watching. The door hadn’t been closed properly and had been loose on its hinges. It had been battered during normal use but had functioned well enough to not be reported, but its evident failure of function had ultimately required its immediate replacement, holiday or no holiday.

And things had simply fallen into place, logically, rationally, and everything that hadn’t fit had been shoved under the rug and had become unmentionable.

She’d even tried to find Chang Lee, once, when it was all said and done. She hadn’t been successful. She suspected it was because of the two bulging bags he’d held the last time she’d seen him. She still didn’t know what had been in them, but she knew they were from the Doctor. And that…that meant that they could have held anything within them from trinkets to cash to something as outrageous as gold dust.

Grace laughed, a bit bitterly. Oh, look at her now. Pining away after a forgotten possibility. All because some skinny idiot who had no idea what he was doing, how much he was hurting her, was dredging up her memories and shoving them in her face. Someone would have had to put him up to it, she was sure. They’d gone to a lot of trouble, telling someone all her stories. Perhaps he was a friend or relative of someone, thinking he’d have a go at her and have a laugh at her expense.

Although the wounds had been all too real. And the heart trouble wouldn’t have been faked, either. She wondered if they still had those x-rays. She’d be able to tell if his heart was overworked, as he’d kept insisting, by its size.

Grace put her coffee cup down. It was cold anyhow, though the brew had barely been lukewarm to begin with when she’d gone on her break.

Still. John Smith. Doctor. She should have seen through it immediately. The lack of ID, the odd things in the pockets, no money. And then the jelly babies. Oh, it had been planned, all right. Carefully. Not the stabbing, though she expected he’d have come up with one reason or another to see her. It was quite understandable that they didn’t replicate circumstances too much—and it wasn’t easy to fake a gunshot wound, not unless the entire hospital staff was in on it except her. The heart trouble may have been unexpected, or it may have been the reason he’d been the one to try it. She couldn’t be sure. X-rays inconclusive her foot. Perhaps they hadn’t even been taken.

Pursuing that thought, she went to check. But when she got there, she was informed that they had already been disposed of. She demanded to know why, without her even seeing them, particularly before they’d had a chance to take more, and had simply been told that it was out of their hands.

She cornered the newest addition to the staff. She didn’t know the man very well, and she wasn’t good at intimidating people, so she didn’t even try it. She merely pulled him aside and asked for the truth. What they had looked like.

Double exposure.

Double exposure. Yeah, right. As if she’d buy that after all this. Apologetic tone or not, even if he had been the one to take the blasted things— That didn’t matter. They were all in on it. What was this for? There was no rhyme, no reason. Who was trying to make her life hell?

She needed a break. And not just a measly five minutes. She wasn’t the only cardiologist in the hospital. They could cover for her. Oh, not easily, but they’d make do. She might lose her job, but, given the circumstances, she wasn’t so sure that wouldn’t be a bad thing. She’d thought about leaving after that first time, back in 1999. She hadn’t. She’d hung on, clinging to normality after her life had spun out of control. She’d used it as an anchor.

But some things you couldn’t bury so easily.

Given time, it would resurface.

Time.

She’d seen it backtrack, loop around, and play again. Just the once. But that experience had changed everything.

They always say that if it doesn’t matter in five, ten years, it doesn’t matter now, not really. Well, it had been five years. And it was still affecting her. And she was fairly sure another five wouldn’t change that.

She didn’t head to the parking lot, to her car. She knew she’d come back. But now…she needed to walk, now. Just to work off some of her frustration, expend her energy. She needed some time to think, where other things weren’t crowding her thoughts.

She nearly didn’t see him, sprawled on the bench as he was, fast asleep.

“Dr. John Smith,” she said, looking him over. She frowned as she studied him further. She’d seen the condition his clothes had been in, bloodied and torn. And while they were a bit raggedy, there were no gaping holes, no dark red stains stretching across large portions of the shirt. But she knew it had to be the same, because there were smaller spots of blood still there. Only, when she moved closer to get a better look at the material, she couldn’t tell that it had ever been ripped. The holes had closed up as if they had never been there.

How the hell had he managed that?

She shook him, intending to wake him up. He didn’t stir.

She felt for a pulse and yanked her hand back. He was cold. How long had he been out here? She pried open his eyelids, wishing she had a flashlight to better test pupil reactions, and then tried checking for a pulse again. She couldn’t find it, but his pupils had contracted slightly in the light when she stopped shading them with her hand. He wasn’t dead.

He really was in trouble after all.

It was all a bit more serious than she’d been led to believe, then.

“I’ve got to get you back inside,” she said. She looked dubiously at the lanky body splayed over the bench. He’d be heavy enough if she had to carry him. She’d be better off going inside and getting a wheelchair or someone to help her than struggle with him alone.

“And here I only wanted some time to think,” she muttered as she arranged the unconscious man into the recovery position.

She’d just finished making sure his head was tilted at the right angle when his eyes snapped open.

It was a bit hard not to shriek at that.

A grin spread across his face. “Hello, Grace,” he said as he pulled himself into a sitting position. “Just the person I wanted to talk to.”

“You need medical help,” she hissed, too angry with herself for losing her self-control earlier and for letting her emotions interfere with how she’d treated a patient than to wonder about how quickly he’d woken up, let alone how he’d woken up at all.

“Nah, better now. Had a bit of a rest. Didn’t expect to. Well, didn’t mean to. I did expect it would sneak up on me. Haven’t had much the last few days, and then, what with getting stabbed and all, well, I do need to replenish my energy now and then. Even I can’t run full-out forever.”

She grabbed his arm and only just stopped herself from pulling him roughly to his feet. “Come with me,” she said, her tone not allowing for argument.

“I don’t need to check back into the hospital if that’s what you’re thinking. If I need anything, I ought to see if I’ve got another zero room hiding out in the TARDIS somewhere. Listen, please. I just…. I think I need to talk to someone.”

Oh, and he was still at it. TARDIS indeed. Not that she knew where he got that bit about a zero room from, but that was beside the point. “I’ll make sure someone will be there to listen to you.”

He frowned, carefully extracting his arm from her grip. “I don’t need a visit from psychiatric,” he groused. But then his expression fell again. “Or perhaps I do, by your terms. But it wouldn’t help. Well, not me. I don’t need to end up in a padded room, thank you very much. Plenty to do without having to deal with that.” He sucked in a breath. “Please. You have to listen to me. I….” He trailed off. “It’s different now,” he said, starting again. “I’m alone now. Gallifrey’s gone.”

“Why do you insist on doing this?” Grace demanded, but she was uncertain now. There was something in his eyes….

“I can regenerate twelve times. But don’t worry; you’re the only one to kill me by punching a hole through my second heart. I’m not about to make that mistake again. Not that it was working earlier. Sign that I wasn’t doing so well, that. But she’s pumping now.” He caught her hands and placed one on either side of his chest before she could think to fight him—maybe because she didn’t want to. Maybe because she wanted it to be true.

A near-impossible duality of rhythm beat beneath her palms.

“There, see?” he asked, giving her a lopsided grin. “I’m easy to find. I’m the guy with two hearts.”

thing is - and hear me out - if s3 does by any minute chance incorporate any suggestion of a sex scene, it is imperative for me that they commit to the bit. i need crowley to nearly topple over trying to get out of his jeans, i need aziraphale to complain that they cant do anything downstairs because that would be scandalous, and i need them to trip over going up the stairs because they keep getting distracted. i need one of them to accidentally get an elbow to the face, i need them to have a long forgotten book digging into one of their backs, and aziraphale is horrified when crowley launches it across the room, and i need there to be hard cut to whickber street having a huge power surge, lines sparking, all the power going out, and every car alarm in a 2-mile radius start screaming, i don't need it to be explicit or overly romantic but i do need it to be fucking funny

can we all just take a minute to say how fucking BRAVE CROWLEY WAS 😭

Everything Is Meant (long S2 analysis, part 3)

Part one

Part two

There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.

So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.

I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.

Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.

Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.

Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.

It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?

They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.

And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)

And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.

Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.

It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.