something about those little moments in s2ep3 with crowley alone in the bookshop while aziraphale is in scotland. I watched them all as a single sequence and it's just... SO MUCH.
look. the fact that crowley is cool as a cucumber when aziraphale is around, but when he isn't... well. there's the deep, deep breath he takes while he watches azi drive away, and i can't tell if he's more scared of being alone with gabriel or worried about azi going away alone. because as someone pointed out, aziraphale gets the car keys right after muriel arrives, and obviously it's safer for him to take the bentley which will hopefully keep him safe as it usually keeps crowley safe; but at the same time, crowley has to give up what's basically an extension of him, the one protection he has ready, to shield himself or to run away with, should anything happen while the guardian of the eastern gate aziraphale isn't there.
and then crowley is alone, without aziraphale, without his comfort car, stranded in his favorite place which has ceased being safe and has become instead somewhat inhospitable because his mortal enemy now lives here too. and the way he's wearing no jacket, no waistcoat, and he's just so thin, and snake-like, especially standing there near gabriel, who is built like a tank and you just know that if he's right, if by any chance gabriel became hostile, even in a non-magic fight crowley wouldn't stand a chance.
and yet, AND YET, he's quietly explaining gravity to him, then trying (and failing) to make Maggie and Nina vavoom and also explaining THAT to jim (azi didn't stop to hear his very romantic plan so at least maybe does jim? Can I hear a fucking wahoo?!), and you can't help but feel how badly he needs to talk to someone, anyone nonhuman around who isn't immediately outright hostile, without censoring himself, without complicated feelings in between.
and then, the exact moment later, the temporary peace is broken by gabriel himself remembering something ominous and ONE MOMENT LATER YET shax is outside, complete with background screaming chorus, and then crowley is desperately trying to convince her they don't know where the archangel is, still playing cool but swallowing like that, and then she says Hell will declare war and he's just thrown for a moment and says "to me?!" in THAT voice! but it's even worse than that, because they'll actually declare war not on him but on his friend, and he could maybe cope with hell wanting his scalp (again) but Aziraphale's?! And then STILL keeping that facade and telling her that anyway the angel is inside in the basement, because he knows that Aziraphale is safe while he's inside the bookshop, and therefore trying to keep her off Aziraphale's back while he's outside and alone? Which btw doesn't work because she somehow knows anyway and proceeds on harassing the angel in the bentley the very next time we see him?! AND at the same time he's trying to keep her from realizing he is all alone, here, in the bookshop?!?
And he's been flippant throughout, but the moment she leaves he's like, wreaked?! And his first instinct is of course to go back at being mad and threatening at Jim, but even that feels pointless, because the machine is already in motion, and it's always too late, it's "we're doomed" all over again, isn't it? and the fact that he's shaking all over as he comes to this conclusion?
and then we learn that he hasn't slept all night after this, and as soon as Aziraphale is finally back he's immediately out as if he'd been looking out the window all night waiting for him to be back home safe, and for his car to be available for him to finally feel safe into, and i've seen people wonder why he bolts the fuck out of there as soon as azi is back as if he didn't need a breather after all he's been through, AND THE FACT THAT LATER ON HE TELLS AZIRAPHALE CaN I WaTcH AS IF HE'S AT ALL INTERESTED IN HIM RUNNING ERRANDS ACROSS ALL OF SOHO AND NOT IN FACT UNABLE TO LEAVE AZIRAPHALE'S SIDE NOW THAT HE'S FINALLY BACK AFTER A FULL DAY AWAY DURING WHICH HELL IS APPARENTLY ABOUT TO DECLARE WAR TO HIM SPECIFICALLY WHAT THE FUCK WHAT THE FUCK WHAT THE ABSOLUTE FUCK
anyway what i want to say is this sequence is the epitome of anxiety and claustrophoby for me, and it plays like a horror movie. It's just A Lot
1960’s ineffable wives but Crowley looks like this
Okay I'm still thinking, because it's not the fall that made Crowley angry, not on its own, anyway. It's nothing inherent to being a demon. Being an angel again wouldn't fix anything.
It was the flood. It was the flood, and then Job, and Jesus.
The fall sowed the seeds, obviously. But until the flood, it's like Crowley had a bit of hope that things might be different. And the flood is the confirmation that God claiming to love and taking it away isn't just a one time thing. That they're just going to keep doing it, over and over again. And with the shift from the flood to Job, the only thing that's going to change is God isn't going to say sorry anymore, no more rainbows because we're all going to pretend it's hell's fault now.
Pictures beneath the cut:
There's still an innocence to Crawley in Eden. His attitude is… playful. He's kinda bouncy. His questions and his doubt are like, mildly frustrated at best. Overall, a pretty chill demon.
When he first pops up in Mesopotamia, same thing. He's excited to see Aziraphale, to tease this weird angel some more.
And he is bouncy with energy right up until Aziraphale says "Wiping out the human race." And Crawley goes still.
He keeps falling into stunned disbelief, right up until:
And there's the anger. Humans have only been here 1000 years before God withdrew their love.
Now, Job. Land of Uz. About 500 years later. A much more subdued Crawley, monologuing to goats. Projecting on them like he will his plants, but with a little more sympathy. Hey, at least they're getting an answer.
And then Aziraphale shows up, and even after he drops the angelic light show, Crawley...
Doesn't really move? Barely engages with him? Night and day to the last time they saw each other, and being reminded of the flood can't have helped.
The only smiles we see here are these awful grimaces.
I'm going to skip ahead to Crucifixion. Aziraphale is a little bit on his side now. But what does that even mean?
Crowley's back to slithering up behind Aziraphale in a move very similar to Mesopotamia, but way more stiff. Waits to hear whether Aziraphale agrees with this.
They watch the horrible death of a very bright young man, who (like Job) doesn't blame God for abandoning him. Who only asks for forgiveness for the people doing this to him.
Whose death forgives the sins of those who ask for it.
But still not Crowley. Not that he wanted it or anything.
No, Angel, I am what I am, if that bothers you leave me alone.
But he doesn't. And we see Crowley's first real smile in a very long time.
when simm says ‘I don’t know what I’d be without that noise’ and ten says ‘I wonder what I’d be without you’ it makes me so insane because like
they’re both naming something that actively hurts them, that has fundamentally changed who they are and that has made them a darker, less controlled version of themselves. it has caused them so much pain and yet they’re terrified to be without it
for the master, there’s the drums and for the doctor, there’s the master
finally made my archive of doctor who Confidential able to be shared! here you got the full episodes, the youtube videos, and such! all is here according to the Tardis wiki episode list! (even some of the episodes are in hd, the ones i managed to find in full!
When we think of an apologetic Doctor, the 10th Doctor immediately leaps to mind. But is he really the most apologetic incarnation? Here's a number crunch of all the times the Doctor has apologised ...
These are from televised episodes/telemovie only, using keywords like 'sorry,' 'apologise,' and 'apology.' Retracted apologies or those used for clarification haven't been included. Episodes counted in serials for classic era. And of course, there's not guarantee how many of these were genuine apologies ...
Most Apologetic Doctor (By Average): The 15th Doctor takes the crown with a whopping 4.67 apologies per episode. Though, given his short stint so far, there's still plenty of time for that to change.
The Usual Suspects: The 10th Doctor, unsurprisingly, ranks high with 2.79 apologies per episode. But the 11th and 13th Doctors nudge him aside with averages of 3.09 and 3.16, respectively.
Not So Sorry?: The 1st Doctor had a measly 0.70 apologies per episode. Grumpy and not in the least bit sorry about it.
The Rise of Remorse: There's a clear trend of increasing apologies as we move through the modern era. Recent incarnations (10th, 11th, 12th, 13th, 14th, and 15th) seem to be getting more in touch with their feelings.
The Sorriest of Them All: The Tenth Doctor might not be the sorriest on average, but with 145 total apologies, he's got the highest raw number of sorries.
Companion-Driven Apologies: Some Doctors apologise more depending on their companions. For instance, the 12th Doctor's high apology rate coincided with Clara and less so for Bill.
If you like data, you'll like this.
Whoniverse Facts for Friday by GIL
Any purple text is educated guesswork or theoretical. More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →😆Jokes |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴
“This one’s dedicated to you, pal”
an angel and a timelord walk into a bar……..
EXACTLY the kind of story we need, not only nowadays - but any day, actually.
Just finished the panel with Rich Keeble at Ineffable Con.
He told the most hilarious story about him, David, Michael and Jon Hamm all sitting around playing Wordle whilst waiting for their scenes.
David admitted he didn't get it that day, defeated, and went off to set, popping in his contacts on the way. The rest of them continued to sit there on their phones, brows furrowed in concentration as they try to solve it.
Jon Hamm gets it in four, then goes off to set, leaving Rich with Michael who is still frowning at his phone.
Then Michael suddenly jumps up and shouts victoriously, something along the lines of "YES!! Got it in THREE!! I've got to go and tell David... I'm sure he won't mind me interrupting his scene."
And David, deadpan, just sticks up his middle finger🖕
So basically we've learned that the version of themselves we saw in Staged is EXACTLY who they are 🤣
I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):
It's a phrase taken from the Book of Job. Here's the quote in full (King James version):
When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls. --(Job 30:29)
Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.
Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.
They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.
Your punishment is terrible, tormenting loneliness.
(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)
To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the saddest of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.
So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.
Because this story is about Aziraphale.
The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.
He does so fully believing that he's giving in to a temptation.
He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.
And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.
Fallen or not, that's the kind of knowledge that...separates you.
(Whoooo-eeeeee, tormenting loneliness!!!)
Aziraphale is the companion.
...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:
Check out Crowley's glasses.
(screenshots from @seedsofwinter)
Crowley is the owl.
Doctor Who, Good Omens and basically everything DT is in | Not a shipper per se, but feel rather partial to tensimm f***ed-up dynamics. Some other stuff as well - Classic Rock (mostly British), Art Deco, etc
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