Damn, I forgot my will to live
I would like to reiterate on the fact that Mark Zuckerberg is in fact a robot
What's the robot up to this time
even if billie joe was straight (he’s not) teenagers getting offended he used the word faggot in american idiot 16 years after the fact would still be some of the goofiest discourse i have yet to see on this website. if you were young and gay in 2004 that shit rocked your world bc we were living through one of the most powerful resurgences of blind american patriotism and anti-gay evangelical bullshit of the last three decades. i dont think most of yall understand how radical that song, that album, and green day’s overall anti-bush pro-gay stance was for the time. even though we were at the cusp of bush becoming unpopular by the time it was released, american idiot saw a fairly mainstream rock band condemning not just him, but the bigoted, ignorant american culture which created him. to remove all of this context from the song and act like green day was just throwing around homophobic slurs for the hell of it is exactly why people joke nobody has reading comprehension on this website lmao. he’s not weaponizing the term; he’s using it to identify with an alternative american society.
Fuck everything about this
The airbag idea is great.......this particular execution... not so much
the future :(
:(
There was definitely something inside the garage. And whatever it was, it was alive. She got out of bed, wondering why these things always seemed to happen in the middle of the night, when her husband was out of town.
I don’t mean flaws in character design, even though they possibly do. I mean the problems your characters SHOULD have. The problems they face in your story ie. villains, conflict, war, homophobic parents, not having a date to the big dance. Y’know…like a plot.
1. Your Characters Need to Make Decisions
This may sound obvious, but it isn’t always. The Problem™ isn’t just something your character has to go through that sucks—they should be faced with options, and have to make Active Decisions™ that affect the outcome of the story. This gives your characters agency—if they don’t have agency, if they don’t make decisions, your characters will be read as passive. Passive characters aren’t interesting.
2. These Choices Need To Be Hard
Give your characters inner conflict.
Hard, tough decisions to make. How to face their big problem. In figuring out what options your characters will choose, remember their
Motivations
Background
They way they were raised
Moral/Ethical/Spiritual beliefs
Fears
Loyalties
3. Figure Out The Stakes
Based on what kind of story you have, the stakes for your protagonist are going to be different.
SciFi novel about how the world is going to get obliterated by an evil force in 2 days? High stakes.
Romance novella about 29-year old Tequila Sheila who can’t seem to find a date to her brother’s wedding? Lower stakes.
And there’s nothing wrong with having higher or lower stakes—but do think about where your stakes should be for your particular story. Many stories don’t have high enough stakes for readers to be captivated; these stories need to be reconfigured, after realizing what exactly is at stake and to what degree. Understanding what your stakes are can help you figure out what kind of reading experience your book will be.
Remember if you’re out at a store and someone says “This is a robbery” you can say “no it’s not” and then the robber will leave because theyre a robber and this is no longer a robbery .
VACCINATE YA KIDS FFS
slieve league cliffs, ireland
my favourite take on the suez canal incident tm