There is something so fun about the abundance of eye imagery in a completely non visual medium
[ID: Three drawings of three modelled Filipinianas against a shared background which looks like aged paper. Each one is labelled a different entity which goes, from left to right, the Eye, the Vast, and the Dark. All the models are faceless. Three close ups follow the main image.
The Eye Filipiniana is an 1890s traje de mestiza featuring a brown panuelo with green embroidered trimming resembling ink pen tips and green strips resembling eyelashes at the opening, a translucent wide-sleeved striped baro in alternating off-white and green with green embroidered eyes for trimming, a dark cyan tapis with rows of books patterned on, and a silky striped saya in alternating yellow and green with an eye where the saya and the tapis meet and embroidery of people walking at the hem. Finished with accessories of a silky green necklace with a hanging realistic eye and a dark blue folding fan with an eye pattern. The model has brown skin and straight black hair up in a bun.
The Vast Filipiniana is a Commonwealth Era Style Baro’t Saya featuring a violet umbrella with a bright galaxy on the inside that the model holds on her shoulder, a magenta panuelo with yellow and orange stripes held together with a bright yellow star-shaped medallion, wide translucent butterfly-sleeved baro with a sunset to sky blue gradient from top to bottom with embroidered white clouds on the sleeves, a tapis with different shades of blue going from a light blue to dark blue top to bottom with embroidered silver fish of differing sizes, and a silky dark-blue-to-deep-blue saya with a long saya de cola with dark silhouettes resembling tentacles creeping up the sides. The model has pale tan skin and wavy hair held up in a loose lower bun.
The Dark Filipiniana is an 1840s Baro’t Saya styled for church-wear featuring a translucent plaid-patterned magenta panuelo, a striped straight-sleeved camisa in alternating dark magenta and off-white, a dark purple tapis embroidered with hands in alternating red and blue gripping each other by the wrist, a plaid-patterned magenta saya, and dark purple sandals. The models holds a dark purple hood over her head, the outside is a dark purple trimmed with white embroidery meant to look like closed eyes, the inside is a dark mass filled with open white eyes in strange positions, the dark mass drips down the edges of the hood, some eyes following. The model has ashy tan skin and combed back brown hair.
./.End ID]
Finally finished it! I’ve wanted to do this for a while but pushed it off until now. The Entities as a couple versions of the Filipiniana. I don’t have plans rn to make the others since I suspect I will soon be busy again. Still, I have some ideas, particularly for the Web. Have a favourite?
My inspiration+info under the cut! :D
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the fact that elias hired martin to be a disposable assistant to jon but in the end martin was the only archival assistant jon managed to save
OMG I am so happy rn
Aspecs just keep on winnin'
assigned homosexual at comprehension of this one line from hamlet i guess
The first set of Pride Knights featuring an animal theme is finally finished! Super happy with how they turned out. Thank you everyone for your feedback! ⚔️ 🌈
i love shakespeare academics. i fucking love them. there’s this one guy who wrote an essay about how claudius is actually possibly innocent, or at least didn’t kill the king by putting poison in his ear, and the ghost was in part a hallucination (it’s a really interesting essay with many good points and i’m using it in my final synthesis for this class) but. BUT. some guy read it on a train. and he lost it.
this guy literally said this essay drove him to “insanity”. he went off the fucking rails about it so much so that he wrote a book over the course of EIGHTEEN YEARS about what ACTUALLY happened in hamlet and dedicated it to the guy who wrote the essay as a big “fuck you”. and that exchange between them is literally inescapable when reading about the play today. here’s an excerpt from the beginning:
this is like. the equivalent of someone making a well-thought out discourse post and then out of nowehere someone reblogging it with thousands of words of pure furious rambling about why op is wrong YEARS LATER. this bullshit started a hundred years ago, literally in the middle of the first world fucking war, and i STILL cannot escape it while reading a book on hamlet published in fucking 2000 because it’s so iconic. and i love it.
depression/lonely/trans moodboard for anon
(images aren’t originally mine)
I haven't had much time to draw fanart lately but I started tma and I'm brainrotting so hard but I don't want to start any large pieces until I finish so!! I made some doodles
He/They • ftm • digital art • mostly random fandom stuff
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