Assigned Homosexual At Comprehension Of This One Line From Hamlet I Guess

We need more aro representation in the media. We need someone to say the word aromantic and explain what it means without implying that they're a terrible human being. We need the people they come out to to not take pity on them. We need GOOD aromantic representation

reblog this to fuckin BITE all your mutuals

If TMA was an office comedy, there would be a running gag about how Martin has had Every Job Ever before working at the institute.

Ex:

“Martin, where did you learn to drive like that?!”

“Oh, I delivered pizzas when I was younger.”

“Since when could you completely repair my 20 year old laptop?”

“I worked at an IT help desk for a few months when I was twenty.”

You know, I fucking hate the jokes that people with ADHD and autistic people just magically get along well.

Like....spoiler alert.....but putting two people with conflicting sensory needs in a room together is a recipe for disaster.

I have ADHD and autism. I have a lot of issues with loud noises or movement. If you put me in a room together with someone who vocally stims, we are not going to get along well. It's not that they're a bad person, it's not that I'm a bad person, we just have conflicting needs.

I stim a lot by pacing and wringing my hands. My dad, who probably has ADHD, gets really anxious when people pace.

This is a big reason why lumping all the disabled students in one classroom is bad idea, like many schools do. Because like all people, disabled people are each different people. With different needs. With different sensory needs and triggers.

Someone could stim by smacking their lips, while another person could have misophonia and have a strong reaction to those sounds.

Treating disabled people like humans is acknowledging that we're all different people, and we don't magically all get along because we share a condition. Like....it would be bigoted to assume that of any other marginalized group, so why would you do that to disabled people?

Details about the original resj Tybalt that make me go insane and changed me as a person:

Although he mentions his father told him “women were just objects”, his closest relationships seem to be with women. He does not seem to respect or like Lord Capulet all that much, but listens to Lady Capulet when she tells him to fix the Romeo situation (he says “I’ll clean this up with his blood” and she replies “Go do it”). The other (and the only normal and healthy) close relationship he has is with the Nurse. He even holds he hand at the ball (which is saying something considering he is so gloomy all the time). This makes me wonder: was the Nurse his nurse as a child, or did he just spend a lot of time with her and Juliet? It’s unlikely he grew up with the Nurse, as it was rare for male children to have nurses (though this Anachronistic Dystopian Verona so who knows but) I’m leaning toward the latter explanation.

He treats the older servant rudely in Act II, but this same servant was gesturing/speaking angrily at him when he hears the gossip about Juliet and Romeo, which makes me think Tybalt is not normally that rude to him and even lets him get mad at him. It seems he is rude and aggressive towards the servants in one moment, then kind and respectful to them in the next. I don’t believe this is an inconsistency in the acting - his emotions and ability to communicate with others are just all over the place.

After he dies, the Nurse hugs his body, and has to be dragged away by a servant.

Also after he dies, two servant women (one of whom was the one who Tybalt grabs in Ez a Kéz Utolér) weep over his body during the entire scene. They don’t even stand up and bow like everyone else when the Prince arrives because they are too busy grieving over his body.

It’s unclear to me if Lady Capulet was ordering him to kill Romeo. She mentions his father’s memorial, and says “everyone will be there. We’re counting on you.”. I don’t know the director’s intent, but I think by saying “everyone will be there” she means that there will be no witnesses (ie the prince) when he goes to harm/kill Romeo.

He and Lord Capulet don't seem to get along. In bootlegs, he turns away when Tybalt has a seizure, and just seems annoyed (maybe even ashamed) by him in general. BUT, the expression on his face when he sees Tybalt’s body is utterly heartbroken. This Lord Capulet is probably the least violent, but he actually rushes at the Montagues to fight them after he finds out Tybalt’s dead. Compare this to Lord Capulet’s unfeeling “we were born to die” speech about Tybalt’s death in Shakespeare.

His impulsiveness seems to be a trait that he shares with Lady Capulet and Juliet. He says things like “when a beloved woman loves someone else, the broken heart will take revenge” and calls Romeo Juliet’s “man” despite the fact they’ve only just met. He’s very dramatic about Juliet only kissing Romeo, and jumps to the conclusion that she loves him immediately. To everyone else that would be a leap, but he’s actually 100 percent correct.

He doesn’t smile ONCE (except bitterly).

At one point he gets Paris away from Juliet and goes to ask her to dance, but she doesn’t see him and goes away before he can ask. He turns back to Paris, who claps at him (presumably making fun of him). Then Tybalt dance-slaps (?) him and congas (it’s not conga-ing but let me have this one) out of the room.

He pours something blue in a cup and drinks it during Belem Eget. I still don’t know what that’s supposed to be. Some kind of medicine for his seizure? An alcoholic drink? Poison? I’m not sure, but there must have been a reason the director chose to do that.

I’ve heard it theorized that the doll he keeps in the cabinet where he keeps the locket (so presumably the things that are secret and important to him) is meant to actually be Juliet. I don’t think that’s the case, in part due to the fact that the doll has light blonde hair, while the main Juliet has darker blonde hair, and the alternate has brown. It’s also unlikely that someone got him the doll, because it’s a “girl” toy. If they wanted to, they could easily have made it a stuffed animal or something that was not meant exclusively for girls, but they didn’t, which makes me think it was actually Juliet’s doll. So either he took it, or Juliet gave it to him, which is why he cherishes it (hopefully the latter explanation). Obviously it’s meant to represent the childhood innocence that was stolen for him, but it seems to me it also could imply he was close with Juliet at one point.

He holds the locket all the time. It appears he grabs it when he has a seizure, and in Bélem Égett after he takes it out of the safe (?) he puts it in for safekeeping. After Mercutio taunts him by ripping the locket off, Tybalt reaches for it while Mercutio holds it, and goes to pick it up after he throws it. He wraps it around his left hand before stabbing Mercutio, then goes offstage. When he comes back, he is wearing the locket.

Speaking of, when he comes back when Mercutio is dying, he (and the other Capulets) goes to catch Mercutio when he falls (this is easier to see in another bootleg). After Mercutio dies, Tybalt goes off to the side of the stage and holds the locket he’s wearing again. He still holds it when Romeo rushes at him, and makes a really weak attempt to defend himself before he dies. I think it’s possible his very weak attempt at self-defense is meant to imply that he actually wants to die.

It’s not actually a small detail, but the way he considers not fighting Romeo during the duel is so important (to me at least). This says so much, especially considering he has an extra reason to hate the Montagues (they killed his father).

Romeo has a reputation as a “ladies man”. Tybalt calls him a “heartbreaker” or “Don Juan” or something to that effect. Obviously, his feelings about Romeo stem from jealousy, but also from the fact that he truly believes Romeo is just using Juliet and will break her heart and ruin her reputation.

Please note I’m not trying to excuse his behavior! He has issues and I’m not denying that. I just find these details really interesting.

Commission for  coffeenoire

thank youuu💓

My sexual orientation is whatever the fuck John Leguizamo was doing as Tybalt

Layers of Fear portraits of wife by Andrzej Dybowski

Asking for directions

Filipiniana inspired by the Entities (the Eye, the Vast, the Dark)

[ID: Three drawings of three modelled Filipinianas against a shared background which looks like aged paper. Each one is labelled a different entity which goes, from left to right, the Eye, the Vast, and the Dark. All the models are faceless. Three close ups follow the main image.

The Eye Filipiniana is an 1890s traje de mestiza featuring a brown panuelo with green embroidered trimming resembling ink pen tips and green strips resembling eyelashes at the opening, a translucent wide-sleeved striped baro in alternating off-white and green with green embroidered eyes for trimming, a dark cyan tapis with rows of books patterned on, and a silky striped saya in alternating yellow and green with an eye where the saya and the tapis meet and embroidery of people walking at the hem. Finished with accessories of a silky green necklace with a hanging realistic eye and a dark blue folding fan with an eye pattern. The model has brown skin and straight black hair up in a bun.

The Vast Filipiniana is a Commonwealth Era Style Baro’t Saya featuring a violet umbrella with a bright galaxy on the inside that the model holds on her shoulder, a magenta panuelo with yellow and orange stripes held together with a bright yellow star-shaped medallion, wide translucent butterfly-sleeved baro with a sunset to sky blue gradient from top to bottom with embroidered white clouds on the sleeves, a tapis with different shades of blue going from a light blue to dark blue top to bottom with embroidered silver fish of differing sizes, and a silky dark-blue-to-deep-blue saya with a long saya de cola with dark silhouettes resembling tentacles creeping up the sides. The model has pale tan skin and wavy hair held up in a loose lower bun.

The Dark Filipiniana is an 1840s Baro’t Saya styled for church-wear featuring a translucent plaid-patterned magenta panuelo, a striped straight-sleeved camisa in alternating dark magenta and off-white, a dark purple tapis embroidered with hands in alternating red and blue gripping each other by the wrist, a plaid-patterned magenta saya, and dark purple sandals. The models holds a dark purple hood over her head, the outside is a dark purple trimmed with white embroidery meant to look like closed eyes, the inside is a dark mass filled with open white eyes in strange positions, the dark mass drips down the edges of the hood, some eyes following. The model has ashy tan skin and combed back brown hair. 

./.End ID]

Finally finished it! I’ve wanted to do this for a while but pushed it off until now. The Entities as a couple versions of the Filipiniana. I don’t have plans rn to make the others since I suspect I will soon be busy again. Still, I have some ideas, particularly for the Web. Have a favourite?

My inspiration+info under the cut! :D

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