Ok but his hand on her butt is unnecessary.
///
definitely. but it felt like they needed something *different* so it won't look like it's basically the same as her and joe bahamas trip (it is still the same lmao).
I guess so. The funniest part is it looks like they had guides take them in a small boat over to this deserted island. They set up shop for some staged pics and left.
Swifities who think this is real should be asking themselves:
Why would paps be stationed on a literal deserted beach? They wouldn’t. They were either called or someone on team Tayvis took them.
How did the paps get there? A boat…that needs to be docked somewhere and is visible. Or again the call is coming from the inside of the house.
How did they get pictures of Taylor and Travis in the water, with the ocean behind them? Because whoever took the pics was standing on the beach. Visible.
So they want to be seen but make it look like it’s a private vacation. Throw a hand on her bottom to amp it up. Ick. She’s a queen with an insane brain, I hate seeing her so inauthentic like this.
karlie x japan✨
Does anyone else feel like they’re at the point in a horror movie where they have an inkling of what’s about to happen and they want to warn everyone but also are intrigued and can’t look away? 🫣
She’s about to pull off the biggest bait and switch. Everyone thinking Karma is a song about good karma coming to those who keep their side of the street clean and while it is for some, it’s also about how the general public, media, industry, and toxic fandom are getting their 🍑es handed to them…
/you flipped the script for the hell of it,
addicted to betrayal, but you’re relevant
you’re terrified to look down
cause if you dare, you’ll see the glare of everyone
you’ve burned just to get there
It’s coming back around/
/watch her put your opps on the throne,
got you wavin’ pretty white flags, feenin’ for that cash
now ya switchin’ up ya behavior, thinkin it’ll save ya/
Karma IS the guy on the Chiefs…
but not in the way everyone is led to believe.
The response is going to be HUGE.
and you knew what it was, she is in love
i wanna be LSK but… //
I’m so sorry anon, but I personally find it really funny when people hear the songs where taylor is working through her feelings of being betrayed by Scott B and attribute them to karlie instead.
It’s like finding a man holding a gun standing over a dead body and saying, hang on a minute… what if the real murderer is the victim’s gf… because two of her friends liked a gossipy tweet written by a known shit-stirrer!
that is to say, we know for a fact that taylor felt deeply betrayed by scott b, seeing as he’s verifiably the actual person who sold her masters to scooter, after treating taylor like family since she was very young. it’s pretty self-evident he deserves the level of vitriol in the smallest man who ever lived (besides the other descriptive details that link him to tsmwel, mtr etc).
as for taylor and karlie suddenly never being seen together again (seemingly drifting apart a whole year before the heist even happened, remember?), well she hasn’t spoken on that, so naturally we read between the lines in the songs to find out. some people have taken the masters heist songs to be about karlie, and ran with that. but others see karlie and taylor’s retreat into privacy reflected in songs under the ‘love blackout’ theme (especially around here, you’re on a longtime kaylor blog 🙈)
love blackout = the hints taylor has put out again and again that she intentionally distanced her public image from karlie’s because it was too dangerous to carry on as openly as they had at first. 2016 election sadness themes, secret love themes, all consistent over the years. all while writing new love songs that use callbacks to the rep muse, to yail even 🥺. as if taylor’s been using all the confusion and her masterful quill of misdirection to achieve her priority of protecting karlie. not protecting karlie’s public image and clout with swifties, which she doesn’t need to maintain her success because she was always successful in her own right! no, it’s all for Karlie The Person in their secret bubble of reality. all this showmanship, you know. the great war, hello!!!! too many songs to name where the kaylor chandelier is safely out of sight, but you can still see flickers through the boarded up windows ❣️
so forgive me for having a chuckle. to any anons who sincerely🛸want to believe, I’m just throwing it out there that there are plenty of us that never found the karlie-betrayer theory convincing at all. if you take a closer look at everything, the timeline of events and all the songs since, does it really make sense? (especially when there are so many shitty men in the mix who are more obviously to blame lol)
~ if you post, thank you for facilitating this rant 9wing, I’ll get off my soapbox now xxx
yup yup
i think a lot of people are predisposed to blaming karlie and so everything becomes a sort of confirmation bias.. which partially, i would argue, was by design.. so in a sense i do not fault gaylors or others for falling into this hole. but i do sometimes feel like faulting them a tiny bit for those who never climb out of it. there’s plenty of information and clues needed to figure it out and climb out of it.
one thing i don’t like about the whole “let’s not talk about muses” discourse is while the spirit of it is supposed to be “let’s study why these songs sound gay instead of commenting taylor lyrics on these people’s instagram pages,” in practice the phrasing almost is like giving yourself permission to pass judgement on the people in taylor’s story and then never reevaluate them. people often say ~lets not talk muses that’s invasive and gross~ and conveniently refuse to adjust their perception of karlie (for example) based on what taylor is putting out there, while making convenient exceptions for any interpretation they find that works to reinforce their already negative perception of her. and then after bitching about her they’ll cover their timeline in lisa frank dolphins because apparently that’s what paradise is. i dunno. it all feels dystopian to me atp 😆
https://x.com/taybeloved_/status/1782484406256407001?s=46
Karlie Kloss #ABOUT FUCKING TIME!
.
Imagine being Karlie Kloss in high school listening to “Our Song” having no idea you’ll one day be the muse of at least 5 albums from Taylor Swift
To the antis! 😙🤙🏼
November 2022:
When Taylor posted this, I saw it in several other places and got asks again saying we were "crazy" for thinking this photo was a reference to a baby Kaylor and that this car seat belonged to Blake and Ryan's youngest daughter.
Well this morning I woke up thinking about this photo and went to do minimal research and found this.
July 2021:
At that time 👆🏼, you can see from this photo that Blake's youngest would probably no longer fit in the car seat where Benjamin is lying. That child on Blake's lap is way bigger than Tay's cat.
And 1 year after that image (in October 2022), when she would already be 3 years old or about to turn 3, that would be practically impossible for that little girl to sit in this baby car seat. 😉
I love that almost 100% of the time, if you only do minimal research you end up with most anti theories. 😂
👶🏻🦒💙
I've always been fascinated by Taylor's lyrics that imply friends to lovers and childhood/teenage sweethearts trajectory and creating a story that spans decades and eras..
And while many of her earlier songs may be written for some other paramours, I still have so many lingering questions/thoughts
Taylor’s first time attending a runway show was Tommy Hilfiger’s Spring/Summer 2010 in September 2009—and funny enough, it was also one of Karlie’s shows. They both wore the same shade of red too. After that, a lot of the fashion shows Taylor showed up to either had Karlie walking in them or had her at the same parties. Some of these appearances even happened in the middle of Taylor’s tours, during those rare one-week breaks—she’d spend them in NYC, Paris, or sometimes London (I think?).
In one interview, Taylor mentioned spending a lot of holidays in St. Louis because some of her relatives still live there—side note: her grandma Marjorie actually grew up in STL.
Karlie showed up at the 2013 Grammys before she and Taylor were publicly seen together in November that year. It was right in the middle of New York Fashion Week—she flew to LA for the Grammys after walking some shows, then flew straight back to keep walking more. I know she was there for MTV’s House of Style, but I still wonder why that was such a priority. Also, Taylor performed “We Are Never Ever Getting Back Together” that night.
“Wildest Dreams” was written in October 2013 (so... who exactly was tall and handsome as hell back then?). “How You Get the Girl” came in January 2013. And “You Are in Love” was written and recorded in January 2014, before Big Sur. So yeah, the 1989 timeline is kinda sketchy.
And when Karlie went to the Eras Tour, she wore a bracelet with an “Enchanted” charm. Like… if you supposedly have songs linked to you from five or six different albums, why choose that bracelet?
For her first Vogue US feature Taylor was documented saying "I love Karlie Kloss. I want to bake cookies with her" unprompted by the interviewer. Others would consider this a soft-launch.
Also—how does she even calculate all those 8s and 3s? There’s no way those are just random coincidences.
Why hide as early as that? And why were the other girls not as hidden and didn't really require an elaborate soft-launch