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1 year ago

Leverage OT3 Casual Touches

(Cont.)

This is mainly for @werewolfsmile and anyone else who wants to shout into the void with me about this ot3!

So far season 4 started off strong with lots of little ot3 moments I’ve been clocking on my latest rewatch. Today I watched “The Office Job” through “The Gold Job” and wanted to recap. Ngl it isn’t much…

Still good things but it was a lot of what we already see which is still beautiful. But mainly it was a lot of leaning, being in each others spaces, and a lot of the handshake. (For the purposes of this post I’m skipping “The Girls Night Out Job” and “The Boys Night Out Job” simply because those two are a whole other beast of ot3 moments that I would like to gif separately and also not a lot of touching (besides the handshake in the boys night) which is what we’re focusing on here.)

Two men, a taller black man named Hardison and a shorter white man with long hair named Eliot, standing in an office. They slap their hands together twice and then fist bump as the camera zooms in.

“The Office Job” is my favorite comfort episode of Leverage. Everything about is pure gold. Despite Hardison and Eliot arguing the whole time about a sandwich they still manage to pull together in the end and have one of the funniest moments in the episode which is of course topped off by the handshake. Once again mainly in each other’s spaces or leaning this episode.

“The Lonely Hearts Job” also such a great episode of basically the ot3 parent trapping Nate and Sophie and Eliot out here doing the absolute most showing he knows his team in the end of the episode.

As for casual touches a lot with Eliot and Parker (I feel like there’s always more with Eliot and Parker in trying to find more with Eliot and Hardison but mainly they just always lean in each others spaces and orbit each other, compared to Eliot and Parker which sometimes have a similar but different dynamic due to comparing how Parker in the beginning of the series was very adverse to touch. Not from Hardison and Eliot now though:)).

Five people stand around a table. From left to right there is Hardison, a tall black man in a vest and t shirt, Nate, a white man with brown hair, in a button up and blazer. Then Sophie, a tan woman with dark hair, in a black striped dress, Eliot, a white man with long hair in a checkered shirt, and Parker, a white woman with blonde hair and a black shirt.

This scene starts out with them with a gap but they gradually get closer (I know this can happen when scenes are reshot. As I always say though let me read the subtext how I want. They were further apart then they got closer soooo)

closer gif of Eliot in checkered shirt and Parker in black shirt standing closer together.
Parker, a blonde woman with a black shirt and Eliot a long haired man with a checkered shirt walking towards the camera smiling and talking.

My favorite thing is the shoulder bumping as they’re walking out. All I have to say.

Hardison, a taller black man in a yellow shirt, stands next to Eliot, a shorter white man with long hair in a blue shirt. They slap hands twice and then fist bump.

Here they’re betting whoever gets the highest bid gets a steak which is super cute later because Eliot loses and puts up a fight about making it but then totally has heart eyes and smiles when he “loses” that argument too. Why wouldn’t he make his boyfriend a steak. There’s also a later scene I totally forgot to gif when they’re getting the guy flirting with Sophie out of the way and he calls Hardison (who’s in character) an idiot and I know Eliot did not need to take him down as hard as he did all I have to say.

And once again we have the leaning in each others spaces, shoulder touching, and once again the handshake. None of the other bachelors were standing this close on stage just saying.

Then we have “The Gold Job” where Parker literally gets up to sit next to Eliot? Wonderful. But then there’s some shoving but for context the whole scene was kinda tense because Hardison was running his first con. But then right before the camera changes Eliot moves closer!!!

Nate, a man in a white shirt walks towards a rainy window. Parker, a woman, gets up and crosses the room in front of Hardison, a tall man in a grey shirt and vest talking.
Parker sits on the couch next to Eliot, a man in a blue button up shirt with long hair. Eliot shoves her over.
In a wide shot we see Sophie, a woman with dark hair in a black top, sitting on a patterned chair. Eliot and Parker still sit on the grey couch further apart now. Hardison stands at the front of the room and Nate sits at the back.

But then they end up further apart again which I’m assuming may be due to reshoots.

Just generally the comfort between all of them gets me in these scenes. They’ve come a lot way and even though the beginning of season four I feel like shows this a lot more I’m still glad I’m finding scenes with their casual touches as I’m finishing out season 4.

That’s all I have for tonight :D I’m finishing up season 4 tomorrow so I’m sure I’ll be adding to this later.

Hope you like my gifs :) haven’t gifed in so long but I’m happy I’m learning again. Quality still needs work though.

Bonus:

Here’s a bonus gif of Eliot looking like he’s blowing a kiss in the button cam footage in “The Office Job” because I thought it was funny. This is once again getting added to my “why didn’t I notice this before” list. I just wanna know for whom Eliot. :)

upside down gif of Eliot in blue office shirt with long hair blowing kiss to camera. Next to him is Gunter, an older man in a black shirt and glasses.

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1 year ago

My all time favorite quotes of Hardison and Elliot showing support for Parker (S02E13 - the Future Job)

Tara: “He is good.”

Hardison: “He should be shot.”

Parker: “…cut off his arms. And his head. Yeah, I wanna kill him. Can we make that happen?”

Elliot: “Yeah, I can. I mean, I could…” (heavily implies murder)

1 year ago

it's almost like... if you play a movie in 10 cinemas worldwide, it doesn't do as well as it could 🤯🤯

It's Almost Like... If You Play A Movie In 10 Cinemas Worldwide, It Doesn't Do As Well As It Could 🤯🤯
1 year ago

you ever just think about how the leverage writers gave us a canon polyamorous relationship confirmation in the long goodbye job?

like, they didn’t have to go that hard

but they did

parker, hardison and eliot are seen as a unit, working together in sync. there are callbacks to the pilot episode multiple times that are centered around their interactions.

and then there’s the “death” scene: aka, the scene that proves just how ride or die they are for each other. they die in each other’s arms. they die holding hands. what’s even more- the two in a canon established relationship are not the ones holding hands. no- instead, it is eliot who is in the middle. eliot, their hitter, their protector, their best friend. he was the one that was in the middle, holding hands with hardison and then parker. he is the one that reaches out and grabs hardison’s hand, reassuring him one last time and referencing an inside joke. parker then makes a point to move and grab eliot’s hand in her own- her literal last act before dying. you CANNOT tell me that is anything but pure, unadulterated love. they lived together. they breathed together. they died together.

AND THEN, as if that wasn’t enough, we had this scene in the final minutes of the show:

sophie: promise me, (looks at parker and hardison) you'll keep them safe.

eliot: till my dying day.

let's take a minute to acknowledge that literally a minute after nate proposes to sophie eliot says THIS??? something reminiscent of marriage vows about parker and hardison? he will protect them until his dying day and not a second before.

and then we have this:

nate: you know, eliot, I'd say call if you need anything, but you never... never need anything.

eliot: yeah, I did. (looks at parker and hardison) and thanks to you, I don't have to search anymore.

parker never had a family, not really, but it's been established that she knows she's not alone, that she has people that care about her, that she is loved (the white rabbit job). hardison had his nana and his family, but we saw at the beginning of the show he was eager to slide into this new found family of his. he cares deeply, loves deeply. and now, at the end of eliot's arc, he admits that all that time, he was missing something. he looks at parker and hardison and states with conviction that he doesn't have to search anymore.

they all have what they were missing at the beginning of the show- each other.

1 year ago

Is anyone talking about how Percy, who said he chose Annabeth for the quest because he thought she'd push him down the stairs if it meant the quest would succeed, actually did that for her instead?

Bro was literally poisoned and dying and saw how Annabeth was willing to take a stand against the literal DEMIGOD KILLER to protect him and what did he do? PUSHED BOTH ANNABETH AND GROVER DOWN THE STAIRS SO THEY COULD CARRY ON THE QUEST WITHOUT HIM!!!!!

Beautiful. Cinema at its finest! Love me some good ass parallels that develop these characters better than I ever could imagine!

2 years ago

I think my favorite thing about The Old Guard is that, as weird as it sounds, all the immortals have human limits. Like, yeah, they can’t die and they heal hella fast, but the writers didn’t inexplicably translate that into them having superhuman speed or strength or agility like I’ve seen in many other superhero media.

I Think My Favorite Thing About The Old Guard Is That, As Weird As It Sounds, All The Immortals Have

They get tired. I’ve honestly never seen so much sleeping in an action movie.

I Think My Favorite Thing About The Old Guard Is That, As Weird As It Sounds, All The Immortals Have

And they can be restrained with zip ties and buckles and held down by normal-ass dudes and get the shit beat out of them because of course they can.

I Think My Favorite Thing About The Old Guard Is That, As Weird As It Sounds, All The Immortals Have

When they’re injured, they act like it. Even if its just for a few seconds. They moan and groan and limp and wince and never try to pull any of that dumb macho “I’m used to it” bullshit. Pain fucking hurts no matter how many times you experience it and this movie expresses that beautifully. Immortal doesn’t mean invincible.


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10 months ago

Ok why have I never noticed this before I love it

hey, friendly reminder, spider's iconic bow shot:

Hey, Friendly Reminder, Spider's Iconic Bow Shot:

was his almost instantaneous reaction to one of the recom's putting their hands on Tuk. He then has to be convinced by both his siblings to put the bow down and keeps it trained on the recom holding Tuk.

Hey, Friendly Reminder, Spider's Iconic Bow Shot:

when Quaritch approaches Spider, Tuk hisses at him (hard to see in photo cause they were little baby hisses)

Hey, Friendly Reminder, Spider's Iconic Bow Shot:

when Jake tells spider to get "them" out of there, spider immediatly calls for Tuk (and grabs Kiri)

now for some cuter snippets

Hey, Friendly Reminder, Spider's Iconic Bow Shot:

and when Tuk goes to egg on and tease Lo'ak, she hides behind her big brother, and Spider looks amused in the way a big brother is equally amused and tired of their little sisters antics (he's probably defended her, whether she was the one who needed defending or not, many times, especially when it comes to Lo'ak)

Hey, Friendly Reminder, Spider's Iconic Bow Shot:

and she runs for both Kiri and Spider when the war party returns, making it clear she hangs out with them quite often.

my conclusion? she and Spider are besties, no one puts their hands on his baby sister, I rest my case.


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1 year ago
a pixel animation of a small yellow snail with a brown shell moving across the screen from left to right. when it gets to the edge on the right, it jumps up and down three times before moving off the screen.

oh uh. scuse me. just a lil snail crossing your dash

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catradora333 - Daisybelle
Daisybelle

Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!

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