Is Anyone Talking About How Percy, Who Said He Chose Annabeth For The Quest Because He Thought She'd

new trifecta of movies:

If I think too long about Parker constantly poking Eliot's wounds I go insane. Something something he sees himself as this unredeemable monster but she isn't afraid of him in the slightest and she shows him again and again that she's not scared because she knows him, she knows he's a good man despite what he used to do, even if he doesn't see that.

I adore them

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

i think it’s noteworthy that parker finds a way, multiple times, to pretend to be with hardison in a con. she kisses him in the first david job, she pretends she’s meeting him to have sex in the wedding job, they pretend they’re getting a marriage visa in the zanzibar marketplace job, and they act like they’ve been making out in the jailhouse job. and i can’t think of a time that she’s done that with any of the others?? tell me if im wrong but i don’t think she’s fake-made-out with anyone else, at least.

i mean, parker stabs or breaks the fingers of guys who flirt with her or touch her. yet in the first david job she kisses hardison. in season one, when she’s still so resistant to touch and her heart is so guarded. its just for the con, of course. but a fake kiss, something she can easily write off - that’s all she can do at that stage. she can’t offer her heart, she won’t let herself get attached, and really it takes until the long way down job (ie season 4) for her to start accepting that she is capable of loving and being loved. in season 1, when she was entirely closed off, a fake kiss is all she can do with her feelings for hardison pretzels. she keeps taking the opportunity to kiss him or be together, without the consequence of Having To Talk About It and all the problems she knows would come with that. her method of coping with Emotions is to let herself get into a bunch of mini fake dating AUs with him lol.

i think its worth bringing up because ive mentioned how sweet hardison is with her, and we all talk about how much he cares for her and shows patience and understanding, but its certainly not one-sided! parker’s enamoured with him since pretty early on. her way of showing it is just different and somehow both far less and way more direct lol. they both put effort into figuring each other out and learning to be in a relationship, not to mention that trying to be capable of a healthy relationship with hardison is one of the biggest driving forces behind parker’s character growth. he’s so important to her (and they’re so important to me <3).

ooh what's lockwood and co about should i watch it?

WAS WAITING FOR SOMEONE TO ASK THIS HERE WE FUCKIN GO BROS

So Lockwood & Co is a netflix series based on a book series of the same name. Essentially it's about ghosts and ghost hunters, but with a twist: It's set in our time, but not our time as we know it.

Basically, around the 1970s, ghosts just like. Appeared. For no reason we've been able to figure out. People would die, and their malevolent ghost would come back, especially if they died in a particularly traumatic way. They called this The Problem. The thing about these ghosts, is that if they touch you, you die, and if you make eye contact with one for too long, you become Ghost-Locked, which basically send you into a coma. We're not sure what Ghost-Locked victims see in this coma but they always look horrified so we can assume it's not great. There seem to be 3 types of ghosts: Type Ones are what you normally picture for a ghost, Type Twos can make illusions and are more powerful, and Type Threes are incredibly rare and they can talk and communicate with certain people.

Then there are the ghost hunters. Now ghost hunters are always children, usually teens, because as you grow older you lose your Talent, your ability to sense ghosts/death. There are 3 types of Talents: Seeing, Hearing, Touching.

Another thing about this world is that there's no Internet. You can see in the theme song piles of old broken computers, and I'm not sure it's explained yet WHY the internet was never invented, but we assume it's because of The Problem somehow. But this means that the newspaper and news on tv is mainly how information gets around, and any research done has to come from a library and books.

So basically in this world there are companies that pay teens to hunt for ghosts and get rid of them. The companies are usually run by adults though, so it's fraught with awful shit, they often treat these kids like they're just tools and not like they're actual people. Often the kids don't actually get paid themselves, because their parents can control where their money gets paid to, so parents will send of their kids to ghost war and rake in the money safe at home. Capitalism god ahold of The Problem and figured out how to make hella money of of it, so a lot of these companies that are supposed to help people are actually super corrupt and awful to their employees.

Unless of course, you're Lockwood & Co

These dorks look at em

50 years after the start of The Problem, Anthony Lockwood, the guy on the right, is an orphaned teenager who decided he wanted to start his own ghost hunting company, and the "Co" part of the name includes the two on the left, George Karim and Lucy Carlyle. They run their own 3 person company free from exploitation from adults, which other companies (run by adults) really really hate. Lockwood has a Seeing Talent, Lucy has a Hearing Talent, and George has a Touching Talent.

Basically, these 3 kids are hired for a job getting rid of a ghost, only they find out that this ghost is one of a woman who was murdered, and not of a guy who fell down the stairs like they thought. They look deeper and deeper into this murder mystery and keep uncovering shit that other ghost companies do NOT want them to be uncovering. Things that go beyond exploitation of kids, more murders, weird artifacts, things that might even explain the origins of The Problem itself. So Lockwood & Co decide they want to figure it all out, or die trying.

This show is heartwarming, it's funny, its mysterious, it's got ALL THE FOUND FAMILY VIBES and I think it's a real hidden gem in the piles of TV shows on Netflix. It's been in the top 10 shows on netflix for a bit, but I've never really heard anyone talk about it, I just stumbled upon it when looking for something to watch one day. All in all, yes, you should definitely watch it please please please do it, I swear to god of Netflix cancels this show I'm going to riot

I honestly love them all so much and I can’t wait to start reading the books just to see more of the world. Netflix better fucking renew it.

Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.

Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.

How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!

This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:

How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.

We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.

George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.

The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.

There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.

Literally!!!

Eliot and A'Yan.

Leverage S03E12 The King George Job.

I feel like this is an accurate representation of my current mental state

so i haven't read the books but something i so far really love about lockwood & co is the costume design, particularly with Lucy and Lockwood.

Lockwood spends most of the show dressed up in a pretty, pressed suit, sleeves rolled up and tie removed as necessary, but every so often we see him in a plain white t-shirt, a hoodie, but only in his home, only with his team. But even his suit isn't perfectly formal, the fact that he's still kind of a kid peeks through- pink socks and worn-out sneakers and undone top buttons and rolled up sleeves like the layers frustrate him.

Lucy's outfits, once she escapes the ill-fitting, ugly, and ultimately not very protective uniform of her old company, wears clothes that are practical but still very feminine. Thick sweaters and leggings under her skirts and jackets that actually look as warm as they are cute. Her clothes never compromise that she is, at heart, a young girl, without getting in the way with too-tight fabrics or too-loose skirts or any other male-gaze-style costumes.

I dunno, I just love when costume designs reflect things about characters, especially in terms of practicality.