which one of u was going to tell me that tea tastes different if u put it in hot water?
i keep thinking about how rfk said that autistic people "will never write a poem." i keep thinking about that, about if humanity is calculated on the back of old verse. how far we measure personhood is in baseball and stanza breaks.
i keep thinking - i have over 7k poems on here alone. language can be a special interest, after all. did you know the word autism comes almost direct from the greek word autos, meaning "self"? self-ism.
maybe he is right - i haven't really played baseball. i was a ballet dancer instead. and besides - my sister once accidentally hit me in the face with an aluminum bat. i'm not sure if the injury gives me half points. am i only a person in the dugout? hand in a mitt? swinging?
does softball count? does cricket? am i a person if i throw the ball to my dog. am i a person as long as the ball is in the air, or do i stop being a person as it rolls into the bushes. i took my girlfriend to fenway recently; was i a person in the sun, with my hands up, with the game laid out at my feet in a diamond. i felt like a person, but that was back in the summer, and i often feel my most person-like then.
am i more of a person because of the sheer number of things i've written? does quality matter, or is it quantity? i used to write entire books every summer in high school - i wasn't doing well. i felt the least like-a-person back then. but then - does any person feel human in high school?
in the library, ink on my skin, i feel personhood shutter at the edges of myself. actually, writing feels blissfully like not being myself. it feels birdlike; escaping into creation so my body dissolves and i survive only by muscle memory. i am not there, i am writing.
but who can deny the falconlike focus of warsan shire, the tenderness of mary oliver, the sheer skill of amanda gorman. those are poets. they are certainly human. you could line them up with the way their words have influenced us and measure their literary shadows like wings.
perhaps it was very assumptive of me to want to be a poet rather than "a [ label ] poet." i wanted the work to fill itself in, rather than be stained by what i am. i do not write in despite of my neurodivergence, i am just neurodivergent and writing.
does the poem have to be in english or can i send it through my palms into the coat of my dog. does the poem have to make sense. does the poem have to love you back.
if i break a glass, will the poem appear naturally? or is the act of breaking the glass human-enough. the shards of my life glittering out beneath me - do i have to write the poem, or is it self-evident in the pile of glass splinters? i cannot grasp this world the way other people can. regardless, i endeavor to touch - even the mess - very gently.
i broke my toenail against my coffee table recently. i released a bug outdoors. i made coffee. i walked my dog.
i didn't write a poem about any of these things.
something else, then. existing without humanity.
when i leave this tight fit of an exoskeleton
i wonder what will be found from those times
when something was lost to the tide
rather than gathered and disposed of
there are some things
you just cannot rid the world of
corn cob husks
used-up push-pop tabs
empty of disinfection tablets
all the library books i could never return
paperbacks so worn down
with indentations and water damage
you can barely decipher the original text
neon orange, made to eat
inside-out wrappers, forgotten sweets
saved for never, piano sheets
shucking
prying
always denying
hoarding away contrabands
collecting what’s left for the next finding in the sand-
but even hermit crabs
in their ever adapting, tenacious habits
leave behind something worth remembering
you think you are something less real than you are by Wendy Xu
i know we’re both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what i’m saying is that i love you but i think we both drive over the speed limit when it’s raining. what i’m saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what i’m saying is that i’m here for you and if the train comes please move.
you can pry starting sentences with 'and' or 'but' out of my cold, dead hands
Greetings bugs and worms!
This comic is a little different than what I usually do but I worked real hard on it—Maybe I'll make more infographic stuff in the future this ended up being fun. Hope you learned something new :)
If you are still curious and want to learn more about OCD, you can visit the International OCD Foundation's website. I also recommend this amazing TED ED video "Starving The Monster", which was my first introduction to the disorder and this video by John Green about his own experience with OCD.
The IOCDF's website can also help you find support groups, therapy, and has lots of online guides and resources as well if you or a loved one is struggling with the disorder. It is very comprehensive!
Reblog to teach your followers about OCD
(But also not reblogging doesn't make you evil, silly goose)
# 31
My chest feels like a big red balloon.
Switching between over-swelled, Bulging, Tight.
To deflated and limp.
Again and again and again.
In. Out. In. Out.
The breaths come faster.
The balloons limitations heighten, only so much air can pass through at a time.
I grasp at the stings that dangle from my shirt. Who is sending all this so fast?
They need to slow down.
But I don't hate it and I can't stop it.
In. Out. In. Out.
The strings are wrapped three times around my wrists.
When did I do that?
In out. In out. In out.
The air is whooshing over and over.
I can’t-
Inoutinoutinoutinoutinoutinoutinoutinoutinoutinoutin
I force myself to focus on the softness of my sweater buttoned around my taut chest.
I fold my hands and feel the roughness of my palms, the smoothness of my nails, the surety of my string around my finger.
I focus on the lights above me and count the tiles on the ceiling.
The balloon miraculous slows a bit and I can feel my head again.
In out. In out. In out.
It didn't float away.
I didn't fly away on an overwhelming air currant.
I am still here.
I plant my feet in the ground and feel fresh roots make a home below me, anchoring me to reality, to the world.
The air gets slower and slower until I feel flowers bloom between my toes.
Until I feel the strength return me to a slow and steady flow of air in and out of my lungs.
In. Out. In. Out.
i feel like throwing up