I Keep Thinking About How Rfk Said That Autistic People "will Never Write A Poem." I Keep Thinking About

i keep thinking about how rfk said that autistic people "will never write a poem." i keep thinking about that, about if humanity is calculated on the back of old verse. how far we measure personhood is in baseball and stanza breaks.

i keep thinking - i have over 7k poems on here alone. language can be a special interest, after all. did you know the word autism comes almost direct from the greek word autos, meaning "self"? self-ism.

maybe he is right - i haven't really played baseball. i was a ballet dancer instead. and besides - my sister once accidentally hit me in the face with an aluminum bat. i'm not sure if the injury gives me half points. am i only a person in the dugout? hand in a mitt? swinging?

does softball count? does cricket? am i a person if i throw the ball to my dog. am i a person as long as the ball is in the air, or do i stop being a person as it rolls into the bushes. i took my girlfriend to fenway recently; was i a person in the sun, with my hands up, with the game laid out at my feet in a diamond. i felt like a person, but that was back in the summer, and i often feel my most person-like then.

am i more of a person because of the sheer number of things i've written? does quality matter, or is it quantity? i used to write entire books every summer in high school - i wasn't doing well. i felt the least like-a-person back then. but then - does any person feel human in high school?

in the library, ink on my skin, i feel personhood shutter at the edges of myself. actually, writing feels blissfully like not being myself. it feels birdlike; escaping into creation so my body dissolves and i survive only by muscle memory. i am not there, i am writing.

but who can deny the falconlike focus of warsan shire, the tenderness of mary oliver, the sheer skill of amanda gorman. those are poets. they are certainly human. you could line them up with the way their words have influenced us and measure their literary shadows like wings.

perhaps it was very assumptive of me to want to be a poet rather than "a [ label ] poet." i wanted the work to fill itself in, rather than be stained by what i am. i do not write in despite of my neurodivergence, i am just neurodivergent and writing.

does the poem have to be in english or can i send it through my palms into the coat of my dog. does the poem have to make sense. does the poem have to love you back.

if i break a glass, will the poem appear naturally? or is the act of breaking the glass human-enough. the shards of my life glittering out beneath me - do i have to write the poem, or is it self-evident in the pile of glass splinters? i cannot grasp this world the way other people can. regardless, i endeavor to touch - even the mess - very gently.

i broke my toenail against my coffee table recently. i released a bug outdoors. i made coffee. i walked my dog.

i didn't write a poem about any of these things.

something else, then. existing without humanity.

More Posts from Bustlingblankverse and Others

1 year ago
Image of a distressed-looking person with curly hair in the front window of a trolley, framed by red text that reads "we all know about the trolley problem." The words "trolley problem" appear to be dripping with blood.
Red text that reads "An impossible scenario of life and death: who do you kill? One innocent orphan boy, or a group of wanted criminals?" accompanied by a drawing of split tracks with an orphan boy on the left and a row of criminals on the right. They are all tied with ropes.
Red text that reads "Your elderly grandma? Or a child you don't know?" On the left is a drawing of a curly-haired smiling old woman, and on the right is a black-haired grinning child. Both have a red, dripping hole in the center of their chests.
Red text that reads "we see it when we vote," then a drawing of a bloody hand with a pen above a ballot. The options are "Dr. Evil" and "Cruella D." The red text continues, "when we buy," with a drawing of another bloody hand holding red-stained cash.
A drawing of a woman lying in bed looking up at her hands as they drip with blood, framed by red text that reads "we dream of it in visions of the apocalypse."
A drawing of a person clutching their own hands, once again covered in blood. A red, dripping "X" is on their chest, and their face is splattered with red as well. They look deeply haunted, and they are surrounded by black scribbly shading. "But at some point," the red text reads, "when we are tired of choosing who deserves to be spared, it becomes relevant to ask..."
A red background behind drawings of faceless people in black suits and white ties, only differentiated by head and facial hair. In the foreground is a fist at someone's side, dripping with blood onto doubly carved-in red text that reads, "who is tying people to the tracks?"

the trolley problem vs. systemic oppression: a comic.


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1 year ago

online communities are so strange because people slip away so easily. you can be on here for years, folding people you've never met into the fabric of your daily life, and then they disappear, leaving only ghost posts scattered across tumblr behind. or their blog stays dormant, for weeks, months, years, until you're only still following them because you remember that they love sunflowers or they were kind to you when they didn't have to be or the last thing they posted was sad and raw and you still worry about them sometimes.

and sometimes they come back when you least expect it, years later, even, and there's this sudden rush of relief like there you are, there you are, even though you barely knew each other.

there's a strange kind of love to it. i don't know you and i want to hold your hand across miles and time zones and oceans. i can still see the imprint of you in this community you left. you don't anyone will notice or care when you're gone, but we notice and we care and we wish you well.

i hope you're all okay out there. i hope the sun is shining on your face and you are breathing deeply. i miss you.


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1 year ago

#1,484

I picked up

one of those perfect published

poetry anthologies

flipping through its pages

fumbling for this authors sense of style

tripping headfirst into the phrase

“if writing would kill you, would you still write?”

my joints crack on impact

god there are weeks

when i can’t even dream

of pen and paper’s sordid affairs

but there are moments upon moments

where it’s the only impulse

I have left

i may never achieve

that coveted haven

on a barnes and nobles

new releases shelf

but god damn

i

will

write

until

i

die

or

i

cease

to

be

complete


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1 year ago

you spent hours in libraries and in art supply stores trying to absorb the artist tips from books your parents didn't want to buy you. on each page of every "how to draw" is a version of the same four things: this is how you shade a sphere. this is how you shade a cone.

this is what a man looks like. he is hard and angular and jutting. his chest narrows a triangle down to his sharp hip and long legs. his jawbone is a square. he is powerful, imposing, his hands are big and meaty. he is a leader.

this is what a woman looks like. she is soft and her hands tuck her long hair back behind a delicate ear. she is big-eyed and round (but not too round, she is skinny, here is the faint sketch of her abs showing), she is smaller and lighter and pretty. she has thick black lashes and her tits do not come with a massive ribcage to offset the weight we put on her - she has curves, but they are impossibly slim without giving her backache trouble. there is a large red hourglass outlined on top of her figure, the way there is a triangle outlined on top of the man. her face is a heart-shape, and her lips are pouting.

here is how you draw the woman and the man together. the man should be in action shots. the woman's ass should be in action shots. she should fit against the man to compliment his negative space - she should slot into his shadow so when they hug, they become one uniform space. here is how all the other artists have done it, see how good it looks when the man (angles, fire, passion, action) and the woman (roundness, water, emotion, supplication) complement each other? he begins the sentence, she is his ending.

do you want to kiss another girl? that is round-to-round. that is fitting the wire into the wrong socket! how would the faces look together? a single silhouette you sketch and then hide, scribbling over it.

do you want to look like a girl? by sheer genetic happenstance, you absolutely don't look like that, and you never have. you don't look like a man, either, though, do you. you don't feel like you truly belong to either gender, but there is not a "neutral/fluid" drawing in the book. there is male (triangle) or female (hourglass).

but you have a square jaw and square hands and "masculine" proportions. but you have curves and roundness and full lips and "feminine" features. someone online says, definitively, that any form of gender noncompliance is "a mental illness." this comment has over one thousand likes from people who agree.

here is how you shade a square. none of the clothes at the store look good on you, you always somehow feel like you're wearing a weird kind of costume. here is how you shade a sphere. your friend's mother calls the school because she's horrified you're in the same changing room. here is the neutral body figure: it is a wooden man. technically the wooden man is genderless, but that is because masculinity is the default, and everyone calls the figure "a wooden man." you must be small and posable and skinny and featureless, then you can be masculine enough to not have gender.

here is how to draw a person. begin with some shapes. choose the right shapes to get that person's gender correct. do not kiss her. shade in short, sharp lines.

when she laughs, look away.

1 year ago
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”
“and The Universe Said…”

“and the universe said…”

1 year ago

#1,200 hermit

when i leave this tight fit of an exoskeleton

i wonder what will be found from those times

when something was lost to the tide

rather than gathered and disposed of

there are some things

you just cannot rid the world of

corn cob husks

used-up push-pop tabs

empty of disinfection tablets

all the library books i could never return

paperbacks so worn down

with indentations and water damage

you can barely decipher the original text

neon orange, made to eat

inside-out wrappers, forgotten sweets

saved for never, piano sheets

shucking

prying

always denying

hoarding away contrabands

collecting what’s left for the next finding in the sand-

but even hermit crabs

in their ever adapting, tenacious habits

leave behind something worth remembering


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1 year ago
There's Laundry To Do And A Genocide To Stop By Vinay Krishnan

there's laundry to do and a genocide to stop by vinay krishnan

1 year ago
From Codi Barbini's Chapbook, It's Always This Beautiful, I Just Can't Always See It, Available From
From Codi Barbini's Chapbook, It's Always This Beautiful, I Just Can't Always See It, Available From
It's Always This Beautiful, I Just Can't Always See It, by Codi Barbini
Bottlecap Press
Prose poetry, chapbook, 36 pages, from Bottlecap Features. In It’s Always This Beautiful, I Just Can’t Always See It, gratitude becomes a me

From Codi Barbini's chapbook, It's Always This Beautiful, I Just Can't Always See It, available from Bottlecap Press!

8 months ago
A tumblr post, edited fridge-magnet poetry style to read, "wake up and read the news / CRY for the world / go on living // live today / this will end / it must // be a fire / have hope for the future".

cry for the world / go on living this will end / it must be a fire / have hope

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bustlingblankverse - Bustling Blank Verse
Bustling Blank Verse

~ Poetry Blog in Progress~ They/He ~

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