Batman Master Collection
face studies with the vaqueros i did some time ago!đ¤ đ¤
...and some white guy ig.
Nightwing: I wish I was an only child again..
Red Hood: and I wish I was dead again..
Nightwing *looks at him*
Red Hood *preparing to be scolded*
Nightwing:
Red hood:
Nightwing:
Nightwing *quietly*: damn never mind forgot I had more siblings *walks away*
Red Hood:
Red Hood: Was he- were you actually considering killing me-
I love them your honor
yay!!!!
A quick request.
dead man walking
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or, cyberpunk 2077 tarot (the magician) but itâs ghost
The missiles are very eepy
Twitter saw it first because I always forget to share my artworks on tumblr too, sorryyyy đ§đ˝ââď¸
being mercenaries with mama
Summary: Simon Riley never learned to let go. He lets the pain follow him, swallow him, devour him whole.
For once, he wants to be the one who consumes.
Warnings: Dead dove do not eat, cannibalism, blood and gore, whump, hurt no comfort, 18+.
A/N: Vague ghoap thing. Not sure what it is actually blacked out wrote it stared at it in horror then proceeded to post it anyways.
âUsed to be a butcher, yâknow.â Simon breathes into the open air, dragging the cigarette to his lips with an unsteady hand. âWhen I left school. Smelled like shit, but taught me to be good with knives before I knew Iâd need to be.â
The block has been pulled from the wall, torn down and leaving a gaping hole in itâs emptiness. His knives are scattered across the counter, unorganised and glinting in the clinical white light that swings above them. It creaks. Heâd tear it down if he didnât need it.
Heâs reminded that he doesnât need it; that he could close his eyes and bring the cleaver right down where he needs it to be and it would cut clean. He was always good at that bit. Heavy-handed enough so that he never had to sit and hack away at the meat. Not like the other lads. Better. He had a natural affinity for it.
For hacking and sawing and tearing and skinning. For bleeding dry and hooking and hoisting up over his shoulder until his arms burned.
âWasnât bad pay either, for a youngin.â He adds. âGot me by. âTill I joined up.â
He stubs the cigarette out on the table, pushing it down until the ash whispers out around it and the butt crumples up beneath his fingers. He brushes it away but it leaves a sear stain on the wood.
âShouldnât have brought you here, Johnny.â He admits. âDonât know why I did.â
Thatâs a lie, and he grimaces at how badly itâs told. Something in him nags, like he should at least do his Sergeant the dignity of seeing the deceit through. Playing it up, they both know he knows how. He hasnât made it as far as he has without being a liar.
Heâs been lying all day.Â
Lying to the Captain was the hardest. Not because of any difficulty in doing it, lying came to him easier than breathing did these days. It was knowing the Captain knew he was lying, and knowing he didnât do anything to stop him.Â
God, Simon wanted to say something. He wanted to be stopped. He wanted to be kicked in the teeth and to bleed his own blood into his mouth. Be his own victim for a change. But he didnât want it enough. Couldnât help himself, and then againâŚhe never really could.
He could never keep up with his mouth, eyes too slow to catch what he was doing, brain whirring on and on beyond and before what he could trap between his teeth.
âBut, youâre here now.â Simon whispers, but the words echo anyways; bouncing off of the checkerboard tiles plastered on the wall. âAnd I canât take you back.â
He blindly skims the counter, hand dusting across until the thick of the blade presses a papercut into his thumb. Then, he closes his fist around the handle. Knuckles click, chains rattle as he ambles around the room.
Itâs an art. A dirty art.
But Johnny is beautiful. Johnny is clean. The morgue did a good job; painted the warmth back into his skin, the redness back into his lips so it looks like the bloodâs still flowing. Simon leans over, thumbs the cold, cracking skin there and smears the lipstick away. Rubs until it comes off on his own skin, and thereâs only pale white death left on Johnnyâs mouth.
He streaks a line of it across his own. It smells chemical, dries too quick on his skin.Â
The light creaks again.
Simon clatters his free fist against it, drawing back and back again until the strip hangs lopsided and flickers out of life. The darkness swallows him whole, buries the room in it. His eyes adjust quick, enough to see the outline of Johnnyâs bicep- where it attaches to the shoulder.
Itâs art.
The moment he brings the cleaver down, itâs art. When the blade lodges into the table and he doesnât bother to yank it out, itâs art. He cradles the cut in his hand, softly dislodges it from any stringing cartilage attaching it to the shoulder and runs his fingers over the separation, buries into the now loose muscle, the blood bubbling up around his nail beds and burrowing beneath the overhang.
Itâs art. Itâs art. Itâs art. Itâs beauty, itâs creation not desecration.
The ashes wouldnât be enough. Heâd have to share them, split them. Halve and quarter them and quarter them again until he gets maybe an eighth. Simon canât bear to lose a morsel of him.Â
A scribbled recipe sits untouched by the oven. Simonâs eye catches the crinkle of the paper, the yellowing sheet crumpled and then smoothed out over the countertop.
He canât keep up with his mouth.
His teeth vanish into the cut of flesh, incisors cracking against canines, molars clinging to what meat they can find. Itâs acrid in his mouth, his tongue swims in the blood that floods there. He pulls too hard, the arm almost slipping out of his grasp as he yanks his head back in some failed cinematic replica of how heâs seen the consumption go in films.Â
It doesnât go down easy, fights every inch of his mouth and gullet as he rips it apart with his teeth and sits the chunks on his tongue. Heâd laugh if it meant he wouldnât choke. Itâs just like Johnny, to make things so difficult.Â
He almost pukes the first mouthful up, has to tenderly set the arm down and grip the table with one hand, barricading over his mouth with the other until the nausea in his stomach settles. Until Johnny settles.
Simon sucks the blood from his teeth, wipes it down with his tongue, content to make it go down with his own saliva out of fear that water might dampen the taste. Heâs so used to death that he canât distinguish the smell of it, but the taste is fresh. Only ever been had second-hand, when too much blood seeps out of the bodies he leaves behind him and taints the air with its decay.
He wonât taste it ever again. Not like this, not this whole, not this fresh. Not if itâs not Johnny.
He couldâve left anyone else at the morgue. Quite happily, he could have visited the body and said his goodbyes and walked away and been okay.Â
No one else fills him with the desire to have and be had like Johnny does.Â
Looming over the corpse, Simon sighs. He presses a bloody hand to the outline of Johnnyâs face, tugs the manâs lips ajar. Sobs into his open mouth. Spits the blood back in, heaves and crushes his eyes shut so he doesnât have to see. Clumsily travels his fingers down the arm thatâs still attached, interlocks their fingers together. He has to curl Johnnyâs into his manually. Stiff bone by stiff bone, until they sit, lax, in his own.Â
His head wants to apologise, to sew the remaining arm back on and zip Johnny back up in the bag. Put his tux back on and drive him back to the morgue before morning light, take his eighth of the ashes and pour them into a vial he can keep in his jacket pocket.
Shaking and swallowing back salt and iron, Simon peels himself away from Johnny. He fixes the man's fingers back into place, before rounding the table and jiggling the cleaver out of the wood.
The cut of arm feels less heavy, and itâs jagged around the top where the bone peeks out above the mountain of flesh. Simon turns, fumbles for his phone and clicks the flashlight on- angling it at the floor as he drags his feet along the tiles and trudges to the freezer door.
He doesnât bother with a coat, but winces at the way the cold nips and tugs at his skin. An array of hooks decorate from wall to wall, hanging from ceiling to floor. He presses his thumb into Johnnyâs arm, before sinking the meat into a hook- watching the sharp point pierce up through the skin, the tiny squirt of blood that follows it.
A weak apology mumbles itâs way out of his mouth. The bite mark, the chunk missing, makes the meat look ugly. He squeezes a hand around a cold finger, before stepping out and slamming the door behind him.
He squints, and the cleaver glints on the wooden carving desk.
ghoap au where soulmates share pain. ghost with chronic pain who takes care of himself enough to stay alive vs soap whoâs got spread sheets and slide shows on pain management and pacing for the day he finds his soulmate.