I'm On My Third Reread Of Red White And Royal Blue And Wow I Will Never Tire Of It. This Is Literally

holy hell I just started reading In Memoriam by Alice Winn, and I've already cried like twice in the first 50 pages.

Im doomed. There's no way I'll survive this book, I can already tell

🖤🩶🤍💜

ACES!!! Look at this Scientific American article!!! It makes me genuinely so happy to read. We’re making it!!!!

https://www.scientificamerican.com/article/asexuality-is-finally-breaking-free-from-medical-stigma/

Scientific American

Asexuality Is Finally Breaking Free from Medical Stigma

New research on asexuality shows why it’s so important for doctors and therapists to distinguish between episodes of low libido and a consis

you'd have to stop the world just to stop the feeling!!

(now available as a sort-of-wallpaper and print~)

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

Uh.....lore lore lore let's see....I love history (like obsess over it lol), I listen to a band called Paradise Fears that I've literally never heard anyone else ever listen to, I have a tiny scar on my right pointer finger from a camping trip a couple years ago, and I love collecting journals even though I never write in them.

@daybringersol @eternalpeaceisoverrated @mynteuphoria

it's so weird to me that everyone on this website is a human person outside of their weird internet niche so rb this with a random bit of your lore

I need everyone to know that the ship Götheborg, the world's largest ocean-going wooden sailing ship, answered a distress call the other day.

Imagine waiting for the coast guard or whatever to show up and instead a replica of 18th century merchant ship pulls up and tows you to the coast.

In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson

Got called a weirdo irl for the way I write my fics sooo

I am the “writes in document tabs” if anyone’s wondering

I just finished the first season of Game of Thrones, after starting the show like 2 days ago and let me tell you. I am in awe, and also devastated, and also Game of Thrones is going on my list of favorite tv shows immediately. I love it sm

No, because what do you mean Arcane has completely rewritten the rulebook on queer representation in media, and it did it so effortlessly that it puts so many other shows to shame. Like, how are you going to tell me this animated series—ostensibly a spin-off of a video game—has given us some of the most nuanced, unapologetically powerful sapphic characters ever without reducing them to stereotypes, side plots, or, worse, trauma porn?

Vi and Caitlyn? Their dynamic is ELECTRIC. You’ve got Vi, the rough-edged, fiercely loyal, scrappy brawler with a tender side that could wreck anyone emotionally, and Caitlyn, the sharp, principled, deeply empathetic enforcer with a heart of gold. The way their relationship is built on mutual respect and trust while navigating all the insane, tragic chaos around them? Literal chef's kiss. And not once do we get the tired, lazy "coming out" narrative or the "but what about the gays?" rhetoric. Their queerness isn’t the story—it’s just a beautifully natural part of who they are. And THAT is revolutionary.

And let’s not even stop there. This show handles gender like it’s been waiting for everyone else to catch up. Characters like Sevika, who could give you chills with her sheer badassery and gender-nonconforming energy, exist unapologetically without the narrative ever feeling the need to spoon-feed us explanations. It’s just there, woven seamlessly into the fabric of the world.

So many shows claim to want to "normalize" queer relationships or push the envelope, but Arcane has quietly dominated the space by just writing characters who feel authentic. Their struggles are about class, power, loyalty, trauma, not token representation or forced diversity. This show said, “We’re just going to make some of the most layered, compelling characters you’ve ever seen—and oh yeah, some of them are gay. Keep up.”

Like, the bar wasn’t just raised—it was launched into the stratosphere. What do you mean this level of representation isn’t the norm yet? Arcane said, “We’re not asking for permission to exist. We’re just existing.” And that? That is art.