I Just Had A Dream That I Was (kinda) Neil Josten From The Fucking All For The Game Series, (yes Andrew

I need everyone to know that the ship Götheborg, the world's largest ocean-going wooden sailing ship, answered a distress call the other day.

Imagine waiting for the coast guard or whatever to show up and instead a replica of 18th century merchant ship pulls up and tows you to the coast.

"do you want women competing against trans athletes" yes? I also want women competing against male athletes. and competing alongside them. because segregating sports by gender is extremely shitty actually?

I wish I was a lizard.

I saw something in the news today that truly took my breath away. If you have been paying attention to U.S. politics over the past few days, you’ve most likely seen this woman:

This is Bishop Mariann Budde, and on Monday (Trump’s inauguration) she led an interfaith prayer for Trump and the incoming administration. During the service she asked him to have mercy for LGBTQ+ Americans and undocumented immigrants. This was badly received by the Trump administration (as expected).

After seeing headlines about this woman, I read something that I wanted to share. In 1998 a man named Matthew Shepard was murdered for being gay. I’m not going to get into the details of his death on this post, but please be warned it is extremely triggering if you do choose to read more on your own. Matthew Shepard’s death caused a lot of change in the U.S. regarding how LGBTQ hate crimes are handled, and laws that were passed to protect LGBTQ+ people.

Now you’re probably wondering what Matthew Shepard has to do with an Episcopal bishop. For years after Matthew Shepard’s murder, his family had held onto his remains, too scared to lay him to rest in fear of his final resting place being vandalized. In 2018, Budde had his remains interred at the National Cathedral, which is also the place where the interfaith prayer for Trump and his administration took place. The impact of this really had an effect on me. Budde could have led a non confrontational prayer service, and chosen not to mention the harm that will come to the people Trump and his administration are going after. Instead she chose to call out hate and fear in front of some of the most powerful people on the planet, and at a place that has such a large historic meaning to the LGBTQ community.

In the next few years there will be many challenges in protecting free speech, standing up against hate, and protecting those in our communities. But I would like to believe that for every Donald Trump and Elon Musk, there are people like Marianne Budde. There are those of us who can’t speak up for themselves, so it’s important for those of us who can to amplify our voices, even if it’s not the ‘popular’ thing to do.

“And he said you should apologize. Will you apologize?

I am not going to apologize for asking for mercy for others.” - Mariann Budde’s response in a Time interview

Link to articles: x x x

Link to the Matthew Shepard Foundation if you would like to donate

Got called a weirdo irl for the way I write my fics sooo

I am the “writes in document tabs” if anyone’s wondering

I just watched The Fast and the Furious for the first time. And. Could Brian O'Conner be any mORE FUCKING BISEXUAL.

THE WAY HE TALKS TO DOM? THE WAY HE PRACTICALLY FLIRTS WITH VINCE IN THAT BEER SCENE AT THE HOUSE? THE WAY HE FUCKING LOOKS AT DOM ALL. THE. TIME!?!?

Like yes, this man had chemistry and was obviously interested in Mia, but like.... Dom. Every scene with Brian and Dom was like the most sexually charged shit in the show.

Just. The way he stares at that man is just. Insane.

Anyways yeah thought I should share that with you people. Hope I'm not the only one that thinks like this lmao cause I swear to god the chemistry is THERE.

In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

PLEASE Write Your Book!

I'm serious. Please write it. If you need a sign to start, continue, or whatever is inbetween, this is it. Go do it.

I spent the past couple weeks indulging myself in some BookTok recommendations. While some were indeed good (Kings of Sin, my beloved), some were just...I don't need to finish my sentence there.

I DNF'd some books for the first time since I read Lord of the Flies (sorry Golding, you put me to sleep with your descriptions) and I powered through others in hopes that they would eventually get better. The general consensus I ended up getting was that I could not understand for the fucking life of me how these books got published. The writing in some of them was no better than that of a 2010s teen writing Maximum Ride fic on Wattpad for the first time, with the characterization abysmal enough to match.

I don't want to knock any specific author or book here, because I will concede one thing: they finished their books. They got them published. They're successful. For that, I commend them, because I'm still on my way there myself and I can't take that away from them. Jolly good show.

But that brings me to my point: if they can do it, YOU absolutely can do it too.

If some of these Amazon and NYT bestsellers can have prose on a Wattpad level with characters that have enough poorly-written cognitive dissonance to make Deadpool or Walter White jealous, your fleshed out, deeply intuitive, and remarkably creative epic can sit right alongside them no problem. Whether you're writing the next GoT or a romantic slice-of-life, there is a not a goddamn thing on this planet stopping you from rolling up with the big dogs.

If these guys can do it, so can you.

So, stop telling yourself you can't. Stop letting other people tell you you can't. Stop comparing yourself to these authors who, respectfully and bluntly, can't write for shit (or at least need to fire their fucking editors, good lord).

WRITE YOUR DAMN BOOK. PLEASE. WE NEED IT.

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